From BT Toronto:
Allan Hawco discusses his role in The Book of Negroes
Video: Allan Hawco discusses his role in The Book of Negroes
Yearly Archives: 2015
Preview: Bringing the dead to life in Mummies Alive
“Mummies: time travellers from the past. Who were they and how did they die?” That’s the goal of History’s latest documentary series, Mummies Alive.
Narrated by Jason Priestley—he utters the above quote off the top of the show—Mummies Alive, produced by Canada’s Saloon Media and UK’s Impossible Factual, is pretty entertaining. Rather than focus on the mummies we’re used to, like Egyptian pharaohs, this six-parter explores discoveries from different parts of the world and a wide range of time periods.
Sunday’s first episode, “The Gunslinger Mummy,” delves into the back story of a mummy on display at a Seattle curiosity shop since the 1950s. According to stories passed down, “Sylvester” was an American Wild West cowboy killed 120 years ago in a saloon shootout. But is that hole in his leathery stomach really from a bullet? Using state-of-the-art science, professors Ron Beckett and Jerry Conlogue investigate the truth behind the surprisingly well-preserved corpse. As Beckett exclaims, Sylvester looks more like a wooden carving than a mummy, complete with a full moustache and mouth full of broad, crooked white teeth.
Rather than perform an autopsy—which would destroy the body—they turn to forensic pathologist Dr. Richard Shepherd and his super-cool computer scanner, which removes layers of skin to reveal the skeleton underneath. Experts embark on some stunning tests, including using a Colt .45 and a beef brisket to prove whether or not Sylvester was shot in the stomach and if the Arizona desert really was hot and dry enough to turn Sylvester into a mummy.
Rather than just stick with the science of the investigation, Sunday’s debut uses newspaper articles, word-of-mouth and CGI to tell the alleged tale of Sylvester, a rough-and-tumble man who may have been on the wrong end of a poker game. Gunfights in the Wild West were commonplace, but is that what happened to Sylvester? A history of the time period and other facts are revealed until the true story of Sylvester, his life—and circumstances surrounding his death—are brought to light. It’s a fun and informative ride.
Upcoming episodes include spotlighting two Iron Age bog people and a Neolithic murder victim.
Mummies Alive airs Sundays at 10 p.m. ET on History.
Link: Jonathan Strange team on how the project ended up on TV
From Georg Szalai of the Hollywood Reporter:
‘Jonathan Strange’ Team on How the Project Ended up on TV, “Hotshot†American Actors
Harness said given the book’s nearly 800 pages, the adaptation was “a daunting task.†How did he approach his work? “I think I just divided the book into chunks,†he said. The first two episodes cover around 400 pages, while the final one only covers around 50, he said. Continue reading.
Link: 19-2, Rogue, Mohawk Girls among Rockie Award nominees
From Etan Vlessing of the Hollywood Reporter:
American, Brit Scripted TV to Dominate 2015 Rockie Awards
Canadian series will have home field advantage this year, having pulled in 39 nominations, mainly in digital categories. U.S. series are next with 29 nominations, mainly for sci-fi and procedural fare, while British series garnered 26 nominations, mostly for comedies. Continue reading.
Review: Them’s the Breaks on Orphan Black
SPOILER ALERT: Please do not read on unless you’ve seen the Season 3 premiere of Orphan Black, titled “The Weight of This Combination.â€
We’re back in Clone Country, and things are just as complicated … perhaps too complicated. The plot and goings-on in the Orphan Black Season 3 premiere are somewhat muddled, and at times it feels like we’re being over-explained to. To be fair, there’s a lot happening with the clones (now both male and female), Dyad, Topside, Mrs. S., Paul, the “cleaner†Ferdinand, Delphine, and some strange plotline with school board trustee Marcie and our favourite suburban couple, Alison and Donnie.
Thank goodness for the Orphan Black humour and visuals, otherwise this would have been a very tough slog. Underneath all of the exposition thrust upon us, there is a simple thread to follow, one that I intend to focus on rather than all the extraneous information that doesn’t really matter in the end. The bottom line is this: Rachel, Topside, Dyad and Project Castor are out to destroy the Project Leda clones, and the sisters have to band together in order to stop them. There. Easy, isn’t it?
The bizarro baby shower dream opening scene is one for the ages: saturated colour, reference to ox liver, Felix at the barbecue, pregnant Helena in her Sunday best. I didn’t believe it was real for one second, but hey, it was still entertaining. And only Helena would have a talking scorpion feeding her encouragement. This is the kind of fun I want from Orphan Black, but don’t always get.
Going by the ads and commercials, I was expecting this episode to dedicate more time explaining Project Castor, their motivations, and who each of the male clones were. While we saw them all, except for Mark (Rudy talking to Sarah and doing naked yoga/exercise, Seth beating up Mrs. S., and Miller freeing Helena)—we didn’t really get much. The show is still focusing on (and trying to make clear) the whole Topside debacle, along with the revelation about the Helsinki slaughter in 2006. I have a feeling Episode 2 will delve deeper into the guys’ backstories.
But for now, we get a lot about Cosima and Delphine, which I don’t mind. Their break-up scene was a heartbreaker, and hearing Tatiana’s crushing “I love you,†complete with cracking voice and tears, was enough to make my chin quiver. For the first time (to me, anyway), Delphine was awesome, concocting elaborate schemes and pushing down on Rachel’s empty eye socket. I was squirming away during that scene.
Straight-up, I’m worried that Rachel will kill Delphine. In fact, I’d bet money on it; but not before she and Cosima have their reunion. Their break-up seemed kind of unnecessary anyway, but I accepted it because Delphine is probably just trying to protect Cosima.
Alison and Donnie’s school board trustee story is out of left field. At least it’ll provide a less-intense side story when things heat up among the clones. It also brings us the glory of Kristian Bruun and his Donnie character, which I suspect is why they’re doing this story in the first place. No longer a monitor, Donnie needs to be integrated into the plot somehow. Also, Marcie? She looks so evil, she’s either A) involved with Topside somehow, B) involved with Project Castor somehow, or C) is both. Whatever the case, don’t trust her.
And I know I’ve said this before, but can I just shout out one more time to Tatiana? I never tire of watching her play a clone playing a clone. She masters it, from the walk to the tone to the accent, and it is a marvellous display of acting. Bravo. Just never play Tony again.
Next week, one of the Project Castor clones has Xs over his eyes. WHY? Can’t wait to find out.
Clone of the Week: Helena. Hands-down, she is the most entertaining clone, from the scorpion-talking to the dream sequence. More, please.
Random Thoughts:
- Felix: “Delphine has your number? We definitely need new clone phones.â€
- Alison: “Holy diddle, here we go!â€
- Big nerd props to Scott’s periodic table of elements T-shirt. Not gonna lie, I kind of want it.
- Donnie: “They took the Taurus.â€
- Another clone! Crystal Goderich, blonde, sexy, seductress … hope we get to see more of her.
- Felix: “Don’t these people know you didn’t even finish high school?!â€
- Ari Millen didn’t have much to do in this premiere, aside from looking crazy and doing naked pull-ups, but I especially liked his Seth character (the moustache). I think he has the most depth, and I enjoyed his mini-breakdown in the kitchen with Mrs. S.
- Wherever Sarah and Felix go drinking, down by that river—does NOT look appealing. Time for a new spot to set up the lawn chairs and talk clone.
Orphan Black airs Saturdays at 9 p.m. ET on Space.
