Gusto announces three new original Canadian series

From a media release:

Following this week’s James Beard Award win for Gusto’s FISH THE DISH, Bell Media announced today that three new original Canadian series from Gusto Worldwide Media are set to join Gusto’s slate of homegrown programming in 2017/2018.

Celebrating all that is sweet and summery, the roster of new commissioned series all begin production across Ontario this summer in vivid 4K, including retro-themed baking series FLOUR POWER, helmed by Gusto newcomer Jessica McGovern; Ontario food market and local ingredient exploration series FRESH MARKET DINNERS; and barbecue cookout  WATTS ON THE GRILL starring chef extraordinaire Spencer Watts. Watt’s series FISH THE DISH recently won a 2017 James Beard Foundation Media Award in the Television Program, in Studio or Fixed Location category.

Gusto also announced today that it has begun production on Season 3 of original Canadian series and marquee production ONE WORLD KITCHEN. In its ongoing exploration of new and intriguing global cuisines, this highly-stylized series returns with a new set of hosts, this time shining a spotlight on modern and traditional Cantonese, Greek, Lebanese, and Vietnamese recipes. Episodes of ONE WORLD KITCHEN air Monday – Wednesday at 7 p.m. ET on Gusto. For information on Gusto’s series, chefs, recipes, how-to videos, and more, visit gustotv.com.

Further details about Gusto’s new original programming is outlined below:FLOUR POWER (13, 30-minute episodes)

FLOUR POWER (13, 30-minute episodes)
FLOUR POWER is a fun, playful, and super-stylish baking show that is all about sharing the love and joy of baking. From sweet cream pies to tiramisu, host, Gusto newcomer Jessica McGovern, shows viewers just how easy it is to make these recipes at home.

FRESH MARKET DINNERS (10, 30-minute episodes)
This fun road-trip series brings viewers to farmer’s markets across Ontario to discover local food products, before heading to a fabulous “glamping” site, where the audience is shown how to make irresistible using the fresh ingredients.

WATTS ON THE GRILL (13, 30-minute episodes)
WATTS ON THE GRILL is a mouthwatering new series celebrating all things grilled. Beloved Gusto host Spencer Watts (FISH THE DISH) shows viewers how to barbecue like a pro, from sizzling steak, smoked chicken, and steamy seafood, to even flavourful fruit, veg, and breads.

FLOUR POWER, FRESH MARKET DINNERS, ONE WORLD KITCHEN, and WATTS ON THE GRILL are created by Chris Knight, President and CEO, Gusto Worldwide Media.

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TVO’s Odd Squad’s winning formula: education + inclusivity = award-winning TV

To walk onto the set of Odd Squad is to be immediately immersed in the world occupied by the heroes of TVO’s kid’s show. A slide from the second floor here, a trophy room there, a hallway filled with a riot of coloured doors is steps away from a ball pit. It’s all designed, says co-creator Tim McKeon, to aid in the ease of filming, something he was inspired by when he was an intern on The West Wing during Season 2. Those legendary walk-and-talks brought viewers into President Bartlet’s world, so why not do it with Odd Squad?

TVO’s math-centred series is on a hot streak of late: Season 2 just wrapped production in Toronto’s west end and the program won five Daytime Emmys last week and McKeon captured a Writers Guild of Canada Screenwriting Award for the second season script “Drop Gadget Repeat.” Not bad for what McKeon refers to as “a workplace comedy for kids” that incorporates the education angle to include math.

Ms. O’s desk hearkens back to President Bartlet’s

“You never see their home life,” McKeon says from Odd Squad‘s production offices. He’s just taken a group of families on a set tour in support of Make-A-Wish Canada. “That’s very deliberate and you never see them in school.” PBS approached McKeon (Adventure Time) and Adam Peltzman (The Backyardigans) about creating a math series for kids. Their first challenge? Not to make it lame. They sought to create a program about a secret world where kids were powerful and figured out strange, X-Files-esque math problems as detectives. Making the kids professional by dressing them in suits was the next step. The key for the pair was to have the agents—played by Millie Davis, Sean Michael Kyer, Dalila Bela, Filip Geljo, Anna Cathcart and Isaac Kragten—solve the problems for the adults rather than the other way around.

“Our secondary goal, along with PBS and TVO, was to put girls in charge and show diversity,” McKeon says. “This [second] season, we have four leads and three of them are girls.” What makes a program like Odd Squad unique—and children’s television overall—is how non-dramatic having female leads and a diverse cast is. Where primetime television is being criticized for a lack of those things, Odd Squad has been doing it for two seasons. It’s a natural part of the storyline and accepted by viewers without fanfare. Also natural? The math. There are no blackboards being pulled out with long division on them.

(l-r) Isaac Kragten as Agent Otis and Anna Cathcart as Agent Olympia

“I think the role of educational TV is to teach kids, but more specifically, to help them over bumps,” McKeon says. “We’re going to try our hardest to get across a concept so that kids can then go into the classroom and say, ‘I kind of already know this.'”

“It’s not only that Odd Squad is funny and has clever scripting, characters and wardrobe, they’ve made math the solution to all of the cases the agents have to solve,” says Marney Malabar, director of kids TV at TVO. “They didn’t make math a bad thing. They made it, organically, normal. It’s never a token learning moment. It’s of course, everybody should use math, rather than let’s just show you that math is important. Math is used to further the story because if they didn’t use it. they’d never be able to solve their problems.

Aside from working math into each episode, McKeon and Peltzman, knew one key to successfully writing for children is to never talk down to them or do “kid” jokes; strive to be funny for adults and the kids will get it too. The Odd Squad writer’s room has been an established core that includes co-executive producer Mark De Angelis and writer Robby Hoffman and a massive list of freelancers.

“Oddness is a pretty open idea,” Peltzman says of the writing process. “And once you’ve set this concept where there is oddness in the world—whether it’s dragons, dinosaurs or made-up creatures and weather phenomena—you’ve created a box where you can go to all of these different places.”

Odd Squad airs weekdays at 4:55 p.m. ET on TVO and online at TVO.org.

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Motive, Blood and Water and This Life top Leo Award nominees

CTV’s Motive, Omni’s Blood and Water and CBC’s This Life are among the top vote-getters for the upcoming Leo Awards. The program salutes television and film projects filming in British Columbia.

Motive is up for several awards, including Best Program, Direction, Screenwriting for Dennis Heaton, Sarah Dodd and Julie Puckrin, and Lead Performance Female for star Kristin Lehman. Blood and Water is nominated for Supporting Performance Male for BC Lee and Supporting Performance Female for Elfina Luk. This Life gets the nod in Screenwriting for Rachel Langer and Supporting Performance Female for Lauren Lee Smith.

In the Music, Comedy or Variety Program or Series, Letterkenny receives three nominations for Program and Performance, Kim’s Convenience for Screenwriting and Performance, Crash Gallery for Program and The Beaverton for Performance.

The winners will be announced during a three-day event and gala in Vancouver on May 27 and June 3 and 4.

The full list of nominees is available here.

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Just For Laughs ComedyPRO and CBC Comedy team-up for CBC comedy originals pitch program

From a media release:

Just For Laughs and CBC Comedy are looking for the funniest new voices in Canadian comedy with the announcement of the CBC Comedy Originals Pitch Program — an open-forum pitch event which takes place Thursday, July 27th during the leading industry event of the comedy business – Just For Laughs ComedyPRO.

The CBC Comedy Originals Pitch Program will offer five selected Canadian creator and producer teams the opportunity to pitch their original web or TV concepts to a panel of senior development executives and key creatives from CBC Comedy.

The event is open to Canadians, 18 years of age and over. Deadline for submissions is May 15, 2017. For details and guidelines visit: http://comedypro.hahaha.com/submissions/.

Series that have originated from Just For Laughs ComedyPRO include hit CBC digital original comedies My 90-Year-Old-Roommate and Newborn Moms.

All interested applicants will be considered for both the CBC Comedy Originals Pitch as well as the relevant short or long-form Stand Up & Pitch pitch programs. The deadline for Stand Up & Pitch has been extended to May 15 to accommodate the new program. Guidelines are posted at http://comedypro.hahaha.com/submissions/.

The CBC will also host ‘CBC Comedy Funny Lunch’ where delegates can meet Canadian comics, creators and representatives from CBC Comedy.

Just For Laughs ComedyPRO runs from July 26 – 29, 2017 at the Hyatt Regency Montreal, part of the 35th annual Just for Laughs Festival, which takes place from July 12 – 31st, 2017.

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Another side of Canada: The Story of Us — The First World War

In 1999, veteran NBC news broadcaster Tom Brokaw wrote a book called The Greatest Generation, and Sunday’s episode of Canada: The Story of Us entitled, “Service and Sacrifice,” tells the Canadian version of that same era in history—The First World War—and gives detailed accounts of Canadian initiative and heroism during it.

We begin with Francis Pegamahgabow, an Anishnaabek man from what is now Shewanaga First Nation along Georgian Bay, who through his courageous acts in Europe at the Battle of Ypres and Passchendaele, was the recipient of the Military Medal three times, and to this day is the most decorated Indigenous soldier in Canadian military history. Once home from the war, Francis became Chief of Wasauksing and helped to establish what is now known as the Assembly of First Nations.

The episode then goes on to detail the leadership of General Sir Arthur William Currie, and nicely illustrates his tactical prowess and victory at Vimy Ridge in this the centennial anniversary of that battle.

But with the need for servicemen, Canadian farms were at risk. The need for food necessitated the Soldiers of the Soil (SOS) national initiative. This program encouraged adolescent boys to volunteer for farm service and recruited more than 22,000 young men from across Canada. Many came from urban high schools and lived on rural farms for terms of three months or more.

Women, too, saw a revolution in their roles within Canadian society as they contributed dramatically to the war effort. Thousands joined the labour force and manned the factories, particularly within the munitions manufacturing sector, whilst others travelled to the front as nurses of the Canadian Army Medical Corps, risking their own lives to serve on the field of battle.

This episode also covered the death of Baron von Richthofen—a.k.a. The Red Baron—by Canadian Lieutenant Wilfrid “Wop” May of No. 209 Squadron, Royal Air Force, and the importance of radio and its ability to connect Canadians was demonstrated with the retelling of May’s “Race against Death,” 10 years following the war.

Veteran CBC broadcaster Peter Mansbridge once again closes with a most eloquent epilogue for this episode. “A Canadian is someone who cares,” he states. “They actually really care. Not just about themselves and their family, but they care about their neighbours, whether those neighbours are across the street, or across  the country, or the other side of the world.” I’ll take that.

Two things struck me in this episode. The most poignant—and perhaps meta—was the simple animation that illustrated how the wheat from the prairies made its way to Europe. Tracing the movements and the re-referencing of the Welland Canal was a clever application to illuminate how we are, even today, connected to the history of Canada. Were it not for the building of the canal that we saw in Episode 3 “Connected,” this would not have been possible, or perhaps as, fluid—pun intended—a method to transport supplies for the troops. The second and perhaps more important point that bears repeating: this episode illustrates quite nicely the degree of sacrifice that all Canadians—or most—across all demographics, made for the war effort. This was a unified nation focused on one goal.

A brief conversation with David Plain this week yielded the following comments regarding “Service and Sacrifice”:

I was pleased with job the producers did on Francis Pegamahgabow. I was also pleased with the amount of time they devoted to his story, almost seven minutes of a 45-minute production. One of the things that jumped out at me was they introduced him as “an Anishnaabe from Wasauksing” rather than “an Ojibwa from the Parry Island Reserve.” The former introduction recognizes who we are rather than using the kind that has been foisted upon us for the previous 200 years. A little recognition is pleasing.

He did remarkable things during The Great War and was well decorated for them. They went on to report on his return where he also did noteworthy things within his community. However, it wasn’t like that for all native warriors returning from the war.

Over 4,000 native men from across the country enlisted. They went off to war on a foreign continent for a country that was suffocating them at home. When they returned it was to the weight of the Indian Act and as wards of the government, not as citizens with equal rights. My grandfather enlisted in 1916 and fought through to the Second Battle of Arras where he was wounded in 1918. In order for him and his young family to gain those rights when he got home, he had to go through enfranchisement, a construct invented by the government that allowed Indigenous people to sell their birthrights for full citizenship. It effectively removed them from the “Indian Register” and turned them into white people. That’s sad.

If a nation wants to celebrate who it is that fine, but it needs to keep things in perspective. Laud the great things but don’t ignore the warts.

Chi miigwetch to David Plain for sharing his thoughts!

Canada: The Story of Us airs Sundays at 9 p.m. on CBC.


David Plain B.R.S., M.T.S., is the author of five books with a sixth, The Exmouth Chronicles: A Memoir due out later this month April 2017 by Trafford Publications. You can reach David on Facebook or Twitter.

 

 

 

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