All posts by Carolyn Potts

Teacher. Writer. Mom. Masters' Candidate, Faculty of Education, Western University. Studying Pop Culture Media as a Decolonizer of Education Policy and Practice. I also volunteer as a Girl Guide leader in my spare time.

Four in the Morning goes out in a blaze of surrealistic glory

CBC ended its eight-episode run of Four in the Morning with the airing of the final two episodes back to back. The first, entitled “Four Christs,” riffs off of The Three Christs of Ypsilanti by Milton Rokeach (Parker hands us this one on a silver platter: William overhears a summary following a very long montage of memories). At any rate, all four of our protagonists are upset with each other, and yet all are feeling entirely blameless. After last week’s big reveal, William (Mazin Elsadig) and Mitzi (Lola Tash) sleeping together, Mitzi admits to William that she was mistaken, Bondurant (Daniel Maslany) and Jamie (Michelle Mylett) did not sleep together.

But, they did, long before Jamie and William got together. Despite his own adulterous guilt, William wallows in his delusional belief that he is the affronted party. The rest of this episode is angst-ridden with a little soupçon of string theory. The episode closes with a long shot on an empty booth at the diner setting the stage for “The Music.”

A few weeks have passed and this final episode begins like the first: in the Patrician Grill, the clock flipping over to 4:00, indicating that we have come full cycle. However, Tatiana Ratowski (Alison Brooks),  the ratty admissions director from Julliard, has come to notify Bondurant he is the worst trumpet player to ever approach her school. To console himself, Bondurant again breaks into Massey Hall and takes centre stage for a final time. Leaving his trumpet at centre stage, he finds a jet pack and rockets off in search of Shangri-La.

But Bondurant has been preyed upon by the backstabbing Ms. Ratowski. Seems she and Rat Man Tom (Micheal Therrault) are guarding a secret about the music program at Julliard.

Meanwhile, William recognizes he is in love with Jamie after-all. In a weak moment, he contemplates suicide and unwittingly shoots himself in the ear.

Mitzi, having had her apology rejected by William, heads to Amadeus’ falafel shop, and asks for the washroom key.

This is where things get weird … or weirder.

Instead of a washroom, the key unlocks a deserted hospital where Mitzi has a miscarriage, giving birth to a pig. Albert the talking pig returns to explain to Mitzi that she is not at fault for all of the disharmony in her friends’ lives.

The season closes with Jamie, Mitzi and William leaving the hospital with baby Margaret whereupon they see Bondurant, a.k.a. a shooting star, blazing across the morning sky.

Four in the Morning has been such a fun little show. The characters, despite their narcissistic tendencies, won me over. There has not been any word yet whether CBC will pick this up for another season. I hope it does. I really enjoy programs that don’t spoon feed you, but rather make you think. But should it not, I am content where the story closed.

What did you think of Season 1? Comment below or @tv_eh.

Facebooktwitterredditlinkedinmail

Wild Archaeology takes a look at the Arctic in peril

This week on Wild Archaeology, we return to Richards Island, located in the Beaufort Sea.

If you recall, Dr. Max Friesen of the University of Toronto and his team are in a race against weather and climate change to gather information and artifacts from a traditional cruciform home, in their quest to gain greater understanding of the ancient Inuvialuit people.

We visit with Rosalie Scott, conservator of Prince of Wales Northern Heritage Centre, who explains how the found artifacts are to be stored, stabilized and the proper way to pack these items for shipment back to the lab.

Then it’s off to Tuktoyaktuk—where the descendants of Richards Island now live—to meet Boogie Pokiak, a traditional Inuvialuit hunter who explains some of the history of the land and gives Jacob and Jenifer an opportunity to taste local foods, including muktuk.

Finally, we go to Dr. Friesen’s lab at the University of Toronto to look at some of the better finds from this excavation.

This episode was a bit of a departure from the previous few. Very little excavation was to be had; instead, we focused on some of the cultural aspects that are so important for understanding the context of the finds on these digs.

This week’s tally? Jacob: closed end harpoon head. Jenifer: no finds. Jacob is still in the lead!

Wild Archaeology airs Tuesdays at 7:30 p.m. ET on APTN.

Facebooktwitterredditlinkedinmail

Mohawk Ironworkers features Eiffel Al!

I am just going to get this out of the way: I am terrified of falling.

I am not afraid of heights so long as there is some logical way that I cannot fall—safety harness, railing, plexiglass—I am completely at ease. Amusement park rides? The higher the better.

If, however, it is just me up high and nothing but my own skill keeping me from falling, I am terrified!*

So to watch any of these episodes of Mohawk Ironworkers sets  my nerves just a little on edge. However, this episode was stressful for me to watch. My anxiety level was through the roof and I found myself wincing at the death-defying feats Albert Stalk, Jr. performed. I closed my eyes during his commercial. He is brilliant, and the footage is amazing. To be honest, I had never heard of “Eiffel Al” before this but WOW, what a life! I am left amazed, and he is IMHO barking mad to have done this. Brilliant, but barking mad!

We trace the life of Stalk, Jr., an ironworker from Kahnawa:ke who was the first to scale the Eiffel Tower without any safety equipment. From this fame, Albert earned a living as a model before eventually settling down to home building. If you didn’t catch the episode, I highly recommend you stream it online at APTN. This one will have you on the edge of your seat!

*(Usually, I watch a show twice before I review it; once to get the gist and a second time to grab specific details. This time, I just couldn’t. It has nothing to do with the quality of the content. Just call me a wuss!)

Mohawk Ironworkers airs Tuesdays at 7 p.m. ET on APTN.

Facebooktwitterredditlinkedinmail

Taken: Emily Osmond

Emily Osmond retired to her home community near Kawacatoose First Nation, Saskatchewan, after living a full life having run three different businesses and raising several children as her own.

Emily lived alone with her dogs, not wanting to be in a retirement home waiting to die. She kept track of her medication on a calendar; on September 13, 2007, Emily made her last entry on that calendar and vanished without a trace. Her family believes Emily was taken—her dogs were abandoned—she had told no one she was leaving and her purse was still in her home when the police investigated.

The family suspects there was foul play. It appeared to family members her things had been disturbed and unfamiliar tire tracks riddled her property. It was unlikely she could travel far from her home as she used a cane. To further create heartache for the family, Emily’s grand nephew, Cody Wolf, disappeared a few years later. As a result, the community and law enforcement agencies have come together.

Lloyd Goodwill, RCMP-retired, has a hard time understanding how one missing person case is somehow more important than another, as is the case with so many of the murdered and missing Indigenous women and girls. The lack of that equity in the past is why we are now seeing an inquiry by the Canadian federal government. This case also raises awareness that Indigenous women and girls live with a higher risk of violence in their lives simply due to their Indigenity.

Taken is currently running a contest via Facebook. You could win a visit to the set in 2017 and be a part of the shoot. Interested participants can find details here. The name of the winner will be announced on Facebook following the airing of next week’s episode on October 14.

Taken airs a new episode Fridays at 7:30 p.m. ET on APTN.

Facebooktwitterredditlinkedinmail

Four in the Morning: Bandercamp and Hollow Man

Jamie (Michelle Mylett) has a surprise for William (Mazin Elsadig) and she is on a mission to share. William follows in her determined wake as they hustle through an empty bar into the back kitchen.

This is it!

Jamie asks, “Do you trust me?”

William replies, “Absolutely not!”

“Then this is going to be terrifying for you,” and Jamie climbs into a freezer full of water.

Wait! WHAT?

OK, so the freezer is secret passage—part of a network built before the discovery of fluid dynamics—to Dovie’s (Jennifer Dale) backyard pool. It seems Jamie has arranged a party of popular authors, giving William an opportunity to rub some elbows and get feedback on his manuscript. However, like Roman Roman (Richard Zeppieri), the effort has pushed all of Jamie’s insides out, leaving her empty. William, though, is full. Feeling completely alone, Jamie has fallen victim to loving too much.

Meanwhile, Mitzi (Lola Tash) and Bondurant (Daniel Maslany) are visiting Bondurant’s father Orvis (Rod Wilson) in the backwoods of Manitoba and Mitzi hears a startling sound. She sends Bondurant to investigate … his mother Sitari (Cheri Maracle) has come home to roost.

In typical Bondurant fashion, we learn that his parents, in their raven forms, were forced into marriage as punishment for being so selfish as to allow the twin towns of Wendel and Clark to burn to the ground. Apart, his parents are the best parents ever, but together they are poisonous. This proves an uncomfortable reunion for Bondurant and speaking of poison … Bondurant’s parents lace Mitzi’s tea with amobarbital, whereupon Mitzi reveals to all that she slept with William.

So that leaves us with two couples, each on the brink of a breakup.

This surreal little show is one that people either love or hate; there is no in-between. The most frequent complaint is that it is “overacted,” or “takes itself too seriously.” That, though, is exactly the point. You only get out of it what you put into it. If you take a bit of time to unpack these quirky stories, you come away with a lot of great wit.

Four in the Morning airs Fridays at 9 p.m. on CBC.

Facebooktwitterredditlinkedinmail