All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.
Little Dog

CBC’s new original comedy series Little Dog announces additional casting

From a media release:

CBC, Cameron Pictures and Elemental Pictures today revealed additional casting for the new original comedy series LITTLE DOG (7 x 30). Created by and starring Joel Thomas Hynes (Mary Kills People, Orphan Black, Eyewitness), cast members joining the Ross family include Ger Ryan (The Street, The Man Who Invented Christmas) as Tommy’s true nemesis and mother, Sylvia Ross; Stephen Oates (Riverhead) as his eldest brother, Loyola “Lowly” Ross Jr; Katharine Isabelle (The Arrangement, Hannibal, Being Human) as his sister Ginny Ross; newcomer Billy Cochrane as Ginny’s son Chesley; and Andy Jones (Republic of Doyle, Random Passage, Codco) as the wily, charming old patriarch of the family, Loyola “Lowly” Ross Sr. Production is currently underway in Newfoundland for a winter 2018 premiere on CBC.

Also joining the cast are Dwain Murphy (Mohawk Girls, The Strain, The Book of Negroes) as National Welterweight champion Rico “Havoc” St. George – Tommy’s opponent both in and out of the ring, Patricia Isaac (The Magicians, Daydream Nation) as Tommy’s doctor and confidant Dr. Vaani Abdeen, Julia Chan (The Great Canadian Baking Show, Saving Hope) as Rico’s wife and Tommy’s former fiancé, and Mary Walsh (This Hour Has 22 Minutes, Sensitive Skin, Hatching, Matching & Dispatching) in a recurring role.

LITTLE DOG is the story of lightweight boxer Tommy “Little Dog” Ross (Hynes), and his haphazard quest for redemption. One fateful night five years ago, Tommy betrayed the boxer’s code of conduct during a championship bout against Rico “Havoc” St. George (Murphy) – he dropped his gloves in the middle of a round and quit the fight, dumping a promising career down the drain. Tommy has had to live with the fallout of this decision ever since.

Now Tommy has the chance for a rematch and his family isn’t sure what to think. Sure, they all loved lapping up the glory of Tommy’s spotlight – but living in the shadow of his humiliating defeat was more than they could bear. If he fights again, will it bring shame or glory? Tommy’s mother Sylvia (Ryan), a failed singer, will prove yet again to be Tommy’s true nemesis in his not-quite heroic return to the ruthless world of boxing. Tommy is a broken, would-be champion, trying to survive within an outrageously dysfunctional family. If the training doesn’t break him, his scheming relatives certainly will do their damnedest to finish the job.A CBC original series,

A CBC original series, LITTLE DOG is created by and stars actor and author Joel Thomas Hynes, whose book We’ll All Be Burnt In Our Beds Some Night was recently longlisted for the 2017 Scotiabank Giller prize. Hynes is also an executive producer. Sherry White serves as showrunner, director and executive producer. The series is executive produced by Amy Cameron, Tassie Cameron, Rob Blackie, Alex Patrick, John Vatcher, and Perry Zimel. In addition to Hynes and White, the series is written by Chris Roberts, Kerri MacDonald, Cory Bowles and Lisa Rose Snow. LITTLE DOG is directed by White, Michelle Latimer, John Vatcher and Molly McGlynn. LITTLE DOG is developed and produced by Cameron Pictures and Elemental Pictures with the participation of the Canada Media Fund, the Newfoundland and Labrador Film Development Corporation, the Canadian Film or Video Production Tax Credit, the Newfoundland Film and Video Industry Tax Credit, and the Ontario Film and Television Tax Credit.

LITTLE DOG is developed and produced by Cameron Pictures and Elemental Pictures with the participation of the Canada Media Fund, the Newfoundland and Labrador Film Development Corporation, the Canadian Film or Video Production Tax Credit, the Newfoundland Film and Video Industry Tax Credit, and the Ontario Film and Television Tax Credit.

 

 

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Rick Mercer Report

Link: Let Rick Mercer’s departure end cowardly comedy in Canada

From John Doyle of The Globe and Mail:

Link: Let Rick Mercer’s departure end cowardly comedy in Canada
Here’s the thing that’s highlighted by Mercer’s announced departure – we don’t do savage indignation in Canada. Our TV comedy and news-satire shows don’t really pillory social conventions, stereotypes and political chicanery with any aggression. They do it mildly; they do it too nicely. Nobody in positions of power, or in the viewing audience, is ever made uncomfortable by satire in Canada. Continue reading.

 

 

 

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Dragons' Den, Featured

Dragons’ Den: Arlene Dickinson teases her Season 12 return

A new night and a returning favourite are among the changes afoot for Dragons’ Den as CBC’s veteran reality series returns for Season 12. After exiting the program in 2015 to follow, as she said at the time on her Facebook page (“some big dreams, ones I want and need to chase”), Arlene Dickinson is back and ready to do battle.

Things have evolved on Dragons’ Den since she’s been gone. First, the series moves to Thursdays at 8 p.m. And second, three Dragons—Joe Mimran, Manjit Minhas and Michele Romanow—who moved in after Dickinson left. Jim Treliving and Michael Wekerle return for Season 12, meaning Dragons’ Den has six business moguls on a panel split evenly into a trio of men and women. What hasn’t been altered is the shows winning formula: budding entrepreneurs enter the studio and pitch their business idea to the Dragons in hopes of scoring a business deal.

We spoke to Dickinson ahead of Thursday’s two-hour season return:

One of the things you say during Thursday’s episode is that you left the show to found District Ventures. Did working on Dragons’ Den and having entrepreneurs in front of you influence your decision to begin this accelerator program?
Arlene Dickinson: That was certainly a big piece of it. After spending all of those years in front of people, particularly entrepreneurs in the health and food sector, and they just weren’t getting the traction that I thought they should. I kept thinking to myself, ‘Food and health is so critical in the world today and Canada has a wealth of knowledge and expertise in both areas, I’m going to find a fund that does this.’ I realized there wasn’t one and that really got me going and led me to go out and support that particular area.

You also mention in the episode that you were called and asked to return. Were you called every year since you left?
No, no. When I left, I was pretty certain I wanted to go on and do the things that I did and would need a couple of years to do that and they knew that too. I’m guessing [the producers] said, ‘Hey, maybe she’s pitchable now.’

It seems as though with every season the pitches continue to get better and more complete. Do you agree?
Yes. I think there are two things that have happened over the course of time. Maybe three. The first thing is that the pitchers are definitely better. There are bigger businesses and are coming in prepared and know who they want to speak to. And the female entrepreneurs are showing up with more confidence and a little bit more assured about what they can offer, what they do and are building a business and that’s awesome to see as well.

There are three ladies on the Dragons’ Den panel this season. Is that representative of what the business world is like now? Is there gender parity in the boardroom?
It’s certainly not that way in the senior boardrooms of corporations. It’s not anywhere near that. I think the percentage is somewhere around 17 to 20 per cent of females are in the boardroom. It’s still really still one in five. But entrepreneurs are a different story. There are more and more women going into entrepreneurial endeavours, so we’re seeing a lot more women starting up businesses and doing them home or going out and doing them as a career choice. It’s definitely growing for sure. I think more women than men, actually, are starting up businesses.

You hadn’t worked with Joe, Manjit or Michele on Dragons’ Den before. What’s that experience been like?
It takes a while to get used to the dynamic or everyone, so it took me awhile to understand where they were coming from and how they approached deals. There is a constant yin and yang because we’re competing for deals, we’re competing to be heard, we’re competing to talk. [Laughs.] So it takes awhile to pick up on each other’s style. It was certainly very interesting for me and kept me on my game and on my toes.

Were you, overall, impressed with the pitches you saw this season?
For sure. There were some really great deals this year. Some that I was really happy that I was able to get and some that I was not so happy that I didn’t get! [Laughs.] That’s kind of the way it happens. In terms of the calibre of the entrepreneurs, yeah, fantastic. There is so much innovation going on in Canada and innovation without an entrepreneur is just an idea.

What can you tell me about District Ventures?
District Ventures capital has raised about $30 million to go out and invest in entrepreneurial companies that are in the food, beverage and health and wellness consumer goods. We’re out in the market doing deals. I wish I had done this 10 years ago because it’s so much fun. It’s also hard work. The accelerator has become Canada’s top accelerator for health and wellness and it’s been a really interesting journey in learning about the mentoring and training and programming you need to give entrepreneurs what they need to be successful.

Dragons’ Den airs Thursdays at 8 p.m. on CBC.

Images courtesy of CBC.

 

 

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Industry News

Link: A look at what’s on the line for Canada’s cultural industry

From Susan Krashinsky Robertson of The Globe and Mail:

Link: A look at what’s on the line for Canada’s cultural industry
Heritage Minister Mélanie Joly is set to unveil her vision for the future of Canada’s $48-billion broadcasting, media and cultural industries in a much-anticipated speech on Thursday. The scale of coming upheaval – potentially touching everything from publishing to the music and gaming industries to arts funding – hasn’t been seen in more than 25 years. Continue reading.

 

 

 

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Bad Blood, Featured

Bad Blood: Brett Donahue on Nico Jr.’s dangerous business plans

By the end of Episode 1 of Bad Blood (catch up by watching the debut online), Mafia boss Vito Rizzuto (Anthony LaPaglia) was indicted for murders that occurred early in his career. That left a hole at the top of his crime family. And, despite Vito’s wishes that Declan Gardiner (Kim Coates) take over in his absence, it was Vito’s son, Nico Jr. (Brett Donahue), who stepped into the void.

Nico Jr., not interested is merely sitting back, feels a Rizzuto should be boss, and that means him. But, as viewers will see in this week’s episode, Nico Jr.’s decision has repercussions. In our latest interview—done from the set of Bad Blood in Sudbury, Ont., last year—Winnipeg native Brett Donahue explains his character’s actions and what it could lead to.

Did you know anything about the Rizzuto family before becoming involved in Bad Blood?
Brett Donahue: Not to the extent of what the Rizzuto family meant. We think, living in Canada and growing up in Winnipeg, there is organized crime and gangs and all that. But the Mafia, the iconic mob, was always something in New York or Chicago. But, I was in Montreal, because I was studying in Montreal, and I remember hearing on the news that Nico Sr. had been assassinated in his home and hearing—even for a murder—that it was a faux pas because it had happened in the home, which is something that you don’t do unless you’re trying to send a really strong message out. I was interested in who these people were and I learned a little bit more.

But, when received all of this stuff I read more into Vito’s accomplishments. As nefarious as he might have been, he was a real businessman and really, really built up this empire, first with his father and then with him, into this syndicate in Montreal.

You had this option, you had this path, this possibility of something different, but you’re going to put yourself in danger.

Growing up in southern Ontario, I heard nothing about this at all.
Well, that’s the thing. When things are running well, you don’t hear anything about it. It’s an eye-opener.

Give me the lowdown on your character, Nico Jr. What did you discover in your research and in the scripts?
In the research, I found out a lot more about Vito than Nico Jr., but in our story—which is a lot of fun to play—is this man who is coming into his own and he really wants to be a part of the family business. Like any story in a family business and ownership being passed down the line, he wants his turn to continue the prosperity that his grandfather and now his father built and prove his worth. The actions that he takes in our story is one of that, of wanting to protect his family and hold onto the power and prove himself as a man.

But his dad didn’t want him to continue the business.
That’s the thing. His dad protected him. But this is the classic immigrant story; the first generation works really, really hard so that future generations don’t have to, or have a better opportunity. So, his dad, out of real protection and love, wanted to have Nico Jr. have his hands clean. In this world, you’re always looking over your shoulder and expecting something. You’re never in an even-keeled, tranquil state. He really didn’t want him involved, but when Vito is indicted, Nico sees that as his moment to step in and prove himself. And it’s not just out of an ego-driven place, but it’s one of the only people you can really trust is family. And, the only way the groups that work with us is if a Rizzuto is in power. If there is any doubt in them, everything crumbles.

There is no retirement plan for the mob and yet Nico Jr. wants to do this despite the bloody, violent history.
He’s not an idiot or ignorant to what his family has done. And, I guess growing up in that environment, he’s comfortable with that level of risk. But the beautiful thing that we’ll see in our story is that there will be a sympathetic sense to Vito because, despite everything that has happened, he’s trying to turn things legitimate. If he gets his business out, he might still be in danger for the crimes he’s committed, but his family won’t. They’re out of it. That’s why it’s so disheartening to see Nico Jr. go down that path. You had this option, you had this path, this possibility of something different, but you’re going to put yourself in danger, your wife in danger, your kids and anyone else down the line in danger.

Bad Blood airs Thursdays at 8 p.m. ET on City.

Look for more coverage of Bad Blood from our set visit late last year in the coming days, including exclusive interviews with actor Enrico Colantoni and director Alain Desrochers, and Business or Blood: Mafia Boss Vito Rizzuto’s Last War authors Antonio Nicaso and Peter Edwards.

Image courtesy of Rogers Media.

 

 

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