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Slasher: Guilty Party tips the typical horror genre on its head

It’s understandable if you’ve dismissed the Slasher horror anthology series as simply a gore-fest jam-packed with characters ripe for picking off. But you’d be totally wrong. Though the genre is bursting with projects like that, Slasher isn’t just about the scare and the gore; Aaron Martin has created intricate storylines and interesting, believable characters that you feel badly for as they’re being dispatched in horrible, awful ways.

Just in time for Halloween, the sophomore season Slasher: Guilty Party drops on Netflix in its entirety on Tuesday, with a some returning faces to augment newbies assembled for slaughter. Where Season 1 of Slasher followed murders committed in a small-town, Guilty Party boasts the classic horror movie setting: a summer camp. It’s there that a group of former summer camp counsellors who—while attempting to cover up a crime they committed years before—become the target of a murder spree. Is it revenge, or happenstance?

Martin has assembled an impressive all-Canadian cast for Season 2, including Degrassi‘s Melinda Shankar as Talvinder, Being Erica‘s Paula Brancati as Dawn, Alias Grace‘s Rebecca Liddiard as Andi, The Strain‘s Jim Watson as Noah, Heartland‘s Kaitlyn Leeb as Susan and Lost & Found’s Music Studios‘ Lovell Adams-Gray as Peter; the sextet portray the counsellors. The ensemble is rounded out with Season 1 performers Joanne Vannicola, Christopher Jacot and Jefferson Brown in new roles alongside Leslie Hope, Paulino Nunes, Ty Olsson, Sebastian Piggott and Madison Cheetatow.

Though there are plenty of scares, Guilty Party does have some sweet moments; one we watched during filming at a Scouts Canada camp just outside Orangeville, Ont., boasted Shankar’s Talvinder receiving a necklace from Brancati’s Dawn.

“It was a bonding scene between the two,” Shankar says. “Tal is being gifted a nice necklace, but of course whenever there is a nice, sweet moment there is always something to contrast that.”

For Brancati, who had worked with Martin on Being Erica, signing on to Slasher: Guilty Party was a no-brainer.

“Dawn is a character that I don’t always get to play,” Brancati says. “On the outside, she’s wealthy, privileged, with a crusty exterior and a bit bitchy at times. She comes from a divorced home and has a lot of vulnerabilities that she’s masking with her sarcastic humour. She definitely has no filter.” Brancati says none of the characters is an archetype; they’re layered and very flawed.

“Aaron is unafraid of being unfiltered,” Brancati says of her showrunner. “He’s got a really dark mind and isn’t afraid to push the envelope.” Brancati, who is new to acting in the genre, admits she’s had nightmares after reflecting on the scenes she and her co-stars have filmed after a day of production. The result? It’s not hard to play scared.

Brancati divulges a bit more of the plot of Guilty Party, explaining the counsellors return to the camp, which has since become a commune, creating conflict between the visitors and those who now call the place home. Weather also adds to the drama: a massive winter storm ensures everyone is kept in tight quarters and unable to escape.

“There is a lot of gore and a lot of horror, certainly, but the characters are really textured and the relationships are really interesting and complicated and messy,” Brancati says. “Character-driven stories are interesting TV to me.”

Slasher: Guilty Party‘s full season of eight episodes arrive Tuesday, Oct. 17, on Netflix.

Images courtesy of Shaftesbury.

 

 

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Preview: Murdoch Mysteries introduces its newest cast member

It was just two weeks ago on Murdoch Mysteries that Rebecca James announced she was leaving Toronto for her own private practice in Chatham, Ont. And, after an excellent episode featuring a return appearance of Alexander Graham Bell and the introduction of Helen Keller and hotel detective Ralph Fellows, we’ve got a new face in the morgue. As previously announced on the Murdoch Mysteries Facebook page, Shanice Banton has joined the cast in a recurring role, capably filling the void left by Ms. James.

Here’s the official CBC episode synopsis for Monday’s new episode, “The Canadian Patient,” written by Simon McNabb and directed by Laurie Lynd:

Murdoch investigates a surgeon whose cutting-edge organ transplants wreak medical havoc and run afoul of Mary Baker Eddy and The Christian Science movement.

And here’s some non-spoilery info from us after watching a screener.

Meet Violet Hart
Shanice Banton portrays Violet Hart, who is introduced immediately after the opening credits, manning a booth at the Toronto Medical Exposition. Her easy smile and good humour make an immediate impression on George. Speaking of George, he has a hilarious speech in the morgue that fans will love.

Jayne Eastwood guest stars
The veteran actress plays Mary Baker Eddy, the founder of the Christian Science movement, who believes sickness can be cured by prayer.

George’s gift shines
We love it when George just misses coming up with the trademarked name for a real product. He’s up to his old tricks again on Monday when he just misses naming an invention Violet is promoting.

Julia and William’s Season 11 journey?
Showrunner Peter Mitchell teased a new domestic drama will consume Julia and William’s lives this season. We’re pretty sure we know what it is after watching Monday’s instalment thanks to a woman named Marilyn Clark.

Margaret returns!
Seriously, it has been too long since Mrs. Brackenreid was back in our lives. We’re still chuckling over her interactions with H.P. Lovecraft. When we catch up with her in this episode, she’s pretty upset with her husband, and for good reason.

Murdoch‘s crew comes through
I’ve always been impressed with the work the Murdoch Mysteries does to make everything as historically accurate as possible. Everyone involved in the operating theatre scene is to be congratulated for their work on set decoration, wardrobe, special effects, lighting and camera angles. It’s stunning.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

 

 

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CBC’s inspiring Sickboy celebrates laughing in the face of deadly disease

“If all of us are affected by illness in some way, then why can’t we just talk about it?” That’s the question put forth by Jeremie Saunders, who aims to get people doing just that in “Sickboy.”

Airing as part of CBC Docs POV—the rebranding of Firsthand—Dream Street Pictures’ “Sickboy” follows 29-year-old Jeremie (he’s in the centre of the picture above) as he lives life on borrowed time. Diagnosed with cystic fibrosis as a baby and told he wouldn’t live past 25, Jeremie literally laughs in the face of disease and seeks to discuss it with friends, family and the world via the Sickboy podcast that aims to alter the way people view serious illnesses like cancer, depression, PTSD and epilepsy.

Written and directed by Andrew MacCormack, “Sickboy” begins on Jeremie’s 29th birthday, as he reflects on the fact that—according to what doctors told his parents when he was a baby—he should already be dead. But, rather than let the fact cystic fibrosis—mucous buildup in the lungs causing scarring in the organs that will eventually kill him—the Halifax native prefers to celebrate every day he has with optimism, discussion and, most importantly to him, laughter. See, Jeremie believes laughing at cystic fibrosis keeps it at bay and takes away its power over him.

Then it’s off to meet Jeremie’s two friends, Brian Stever and Taylor MacGillivray, in the studio recording Sickboy podcast, where the trio invite others on to talk about being diagnosed and living with disease or sickness. But, as Taylor points out, the point of the podcast isn’t to speak to the illness one has, but the individual experience with the illness. For podcast guest Carole, that means describing waking up from an epilleptic seizure half out of an elevator with the door bumping up against her. For Jeremie, that means fully embracing YOLO—you only live once—to the max.

It’s not all fun and laughs, however. MacCormack captures serious, sobering moments too: Jeremie opens what looks like bags of groceries to reveal the dozens of bottles of medication he takes to keep cystic fibrosis at bay, the hacking coughing sequences are heartwrenching, and the first frank talk about CF with his wife, Bryde. Some of the most touching sequences are between Brian and his mother, who open up about her cancer diagnosis, and how the deaths of two friends of the podcast shatter the trio.

“Sickboy” is educational, entertaining and, most importantly, inspiring to watch; I’ve already subscribed to the podcast and look forward to the conversations Jeremie, Brian, Taylor and their guests have.

“Sickboy” airs as part of CBC Docs POV this Sunday at 9 p.m. on CBC. Listen to the Sickboy podcast.

 

 

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Comments and queries for the week of October 13

I am a fan [of Murdoch Mysteries] from the first day and have watched every episode. I was very saddened by Mouna Traoré’s departure but am so glad that the writer’s left the door open. I also absolutely love the direction that the writing is going in with regard to the two detectives. It’s good for Murdoch to keep learning (to have a growth mindset shall we say). I do hope the show maintains these characters that we have now grown to love. You know this could become a Canadian Coronation Street. —Monica

I have to admit, her character was dull. However, she brought something that was needed on the show. It is so lily white. The problem with her character was a lack of imagination on the part of the writers. They didn’t know what to do with her character. —BB

I love Murdoch and all the people on the show. A couple will be missed but thank God George is still there. Colin will be a nice turn of events he is so good and has been in everything he does. Carry on with the good work everyone; love you all. —Hilda

 

Got a question or comment about Canadian TV? Email Greg.David@tv-eh.com or via Twitter @tv_eh.

 

 

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Interrupt This Program reveals art created in the world’s wounded places

Art can be a powerful tool. It can be used to make a statement, get a response and cause social change. That’s certainly the aim of the art and artists showcased in Interrupt This Program, returning for Season 3 this Friday at 8:30 p.m. on CBC.

Montreal documentarians Frank Fiorito and Nabil Mehchi of Noble Television have travelled the world, recording a quartet of artists and a Canadian who are immersed in the local culture of a city, creating art that speaks out against injustice. Friday’s return instalment heads to Mexico City, where violence erupts daily.

“In Mexico every day, women are killed just for being women,” says Andrea, a local artist as the episode begins. “So we use art as a language to speak what we are feeling or living.”

“If you want to criticize your country, use art as a tool for change, art as a weapon of choice,” says another.

Described by Andrea as a safe place to walk around when she was younger, Mexico City has become a battlefield, with murder a daily occurrence and bodies lying in the street the norm. Femicides, in particular, are on the rise; Andrea and her group of artists—the Women Engraving Resistance—convene to carve intricate designs into wood that are printed onto massive posters to be hung in neighbourhoods. “It’s Not Enough to Survive, Women’s Lives Matter,” reads one. “Does Killing Me Make You More of a Man?” reads another. Aside from the words themselves, the images on the posters are stunning.

Meanwhile, Canadian photographer François describes art centred around a moment in Mexico City’s recent past. Desensitized to the gory images of dead bodies shown on the first page of newspapers, François recalls how 43 students headed to a demonstration went missing. Since then, pop-up art reading simply “+43,” paintings of each missing student have shown up around the city and songs have been written about the incident, bringing together the arts community with a common goal: to find out the truth of what happened.

Other cities visited during Season 3 of Interrupt This Program are Jakarta, Nairobi, Warsaw and Karachi. And, for the first time, the program focuses on an American city: Chicago. With a murder rate since 2001 of 8,384—more than the Iraq and Afghanistan wars combined in terms of Americans dead—The Windy City is a conflict zone as serious as any other Fiorito and Mehchi have visited.

Interrupt This Program airs Fridays at 8:30 p.m. on CBC.

Image courtesy of CBC.

 

 

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