Everything about Featured, eh?

Discovery’s Daily Planet kicks off Season 21 in style

It seems like just yesterday that Daily Planet debuted. With Jay Ingram at its helm, the show—then called @discovery.ca—launched with a goal to explore the scientific angle to current events. Twenty-one seasons later, Daily Planet continues on that path when the show returns to Discovery on Monday with “Extreme Machines Week.”

“We have people on the team who have been with the show since the very beginning,” says Dan Riskin, who has been co-hosting Daily Planet with Ziya Tong since Season 17. “We’re really proud to be representing them.”

Daily Planet shows no signs of slowing down, ratings-wise. Season 20 was the most-watched yet, the third year in a row a viewership benchmark was beaten. Tong, who has been at the helm since 2008 when she joined Ingram, thinks she knows why.

“We have all of these specialty theme weeks that we didn’t have in the past when I started,” she says. “We go off to the Consumer Electronics Show every year, we’ve got Shark Week now and we have a wonderful interactive audience that’s growing with us. It’s a very different show than it was 20 years ago.” She’s right. With themed weeks devoted to toothsome fish, high-tech toys, tornados, future tech and extreme machines, and reporting done at a fast-paced, almost fever pitch, Daily Planet has evolved alongside the science it reports on.

“It’s like learning with a wow factor,” Tong says. That fast pace extends behind the scenes too. Tong describes how seasons are planned well in advance, with on location filming of future segments happening during the summer. Those doc-style bits are intercut with the stuff the team learns about, writes up and reports on every day of broadcast. Deadlines are so tight, Riskin reveals, some floor segments are still being filmed when that night’s broadcast is underway.

“Extreme Machines Week” launches Season 21 with several interesting segments, including tech correspondent Lucas Cochran mounting a pogo stick on steroids, a gyrocopter pilot who aims for a world record and a unique job in Amsterdam: bicycle fisherman. Riskin jetted to the Netherlands’ capital to catch up with Richard and Tom, two dudes who pilot a crane and barge contraption that travels Amsterdam’s canals pulling discarded bikes out of the water. If the pair don’t keep up their task, the accumulated rusting metal—up to 15,000 bikes a year—will clog up the waterways. The segment also shows the duo pulling the hulk of the car out of the murk, leading one to wonder if other, more ominous, items have been discovered.

“The question everybody asks is, ‘Do you ever find dead bodies?'” Riskin says. “Yes, they do. It often happens in winter when somebody has to take a leak and they fall in. It’s hard to find a way out of those canals when it’s dark and you’re drunk.” Ah, science.

Daily Planet airs Monday to Friday at 7 p.m. ET on Discovery.

Facebooktwitterredditlinkedinmail

The Social’s Jess Allen: Six things I’ve learned being on TV

Season 3 of The Social returns to CTV next Monday, Aug. 31. Co-hosted by Melissa Grelo, Cynthia Loyst, Lainey Lui and Traci Melchor, The Social also includes digital correspondent Jess Allen. We got the multi-tasking, multi-faceted dynamo to write a guest column about her experiences on the series so far. Take it away, Jess:

Right before The Social premiered two years ago, I remember my bosses asking me if I would be comfortable occasionally being on TV. “Sure,” I said. How hard can live television be?

I was fairly green—as in zero television experience. I’d done on-camera work in the form of videos. But the thing with that medium is something called “editing.” It’s a miracle thing, really, that can remove blunders, stutters, snorts and awkward pauses with a few swift keystrokes.

Here is what I’ve learned in the meantime:

  1. Don’t make fun of Liza Minnelli. Even if she shows up at the Golden Globes not wearing a bra. People will be angry with you and may even send the show emails about how insensitive you are towards a living legend.
  1. The things people love about you are the same things people hate about you. For example, people seem to enjoy me because I over share—except for people who think I share too much: like the sincere young woman who told me that I shouldn’t have talked about picking my nose on television. I reminded her that the story I told was of me picking my nose when I was four years old, thinking that might soften her disappointment. (It didn’t.)
  1. Don’t over-analyze the opinions you share on live TV because you can’t always predict with precision what will offend. I could say that I think Donald Trump has some pretty good ideas and there’d be the sound of crickets. In the next breath I could confess that I don’t believe in ghosts and people might gasp in horror. You will never please everyone, which I know seems so obvious but it’s still a difficult concept to accept when you’re a born people pleaser. Make a (terrible) joke about how I wish unicorns would go extinct already because duh, they’re racist, and a unicorn-truther would be upset. Just be true to you.
  1. I’ve also learned that I should dress sexy, even though I’m not comfortable wearing form-fitting outfits; that I should wear whatever makes me comfortable; that every person’s definition of what marmy-type clothing is different; that every person’s interpretation of fashion-forward is different; and that I should dress like a marm (and not sexy) if I like it. Confused yet? Me too. The lesson? A stylist is the best friend a girl on the tube can have.
  1. Remember in the HBO show The Newsroom how MacKenzie, the show’s executive producer, would be talking in the ear of anchor Will McAvoy via an IFB? Will is always so chill—even if MacKenzie is telling him that the world is about to end. He makes it look so easy. Well, it’s not easy to have someone talking in your ear while you’re trying to talk about how unicorns are racist and that’s why they should go extinct. It’s really, really hard. And I will never be as good as Will McAvoy. (Or Melissa Grelo.)
  1. An IFB is a little thing that goes into your ear and acts like an intercom between you and the control room. Also, it makes you feel like an FBI agent. And that is a beautiful thing.

The Social airs Monday-Friday at 1 p.m. ET on CTV.

 


Jessica Allen is excited to be returning this season as THE SOCIAL’s Digital Correspondent, and looks forward to writing more stories for the show’s website on everything from food, films, and books to science and history (You can read her latest pieces under The Jess Files). She will also appear as the fifth chair on Fridays with THE SOCIAL’s co-hosts, and whenever anyone tells her to.

Before joining the team at THE SOCIAL, Jessica was an assistant editor at Maclean’s where she wrote arts and culture-related stories for the website and magazine. After work, she maintains her personal food blog, Foodie and the Beast. It’s actually a relationship blog masquerading as a food blog, because really, when you get down to brass tacks, the good stuff happens – and will continue to happen – around the dinner table.

Facebooktwitterredditlinkedinmail

Last chance to bid in the TV, eh? charity auction for Kids Help Phone

KHPThis is it — bidders have until 5pm PT/8pm ET today to bid in our charity auction in support of Kids Help Phone.

We have some incredible experiences and show merchandise available, including a set visit and walk on role from Murdoch Mysteries, a set visit to Bitten, autographed scripts from Heartland and Saving Hope, baseballs signed by the company of X Company, Some Assembly Required tshirts and playing cards, a chat with Jonathan Torrens, and the Phantom of Crowley High mask from Todd and the Book of Pure Evil. For writers, producers, teachers, even fans, we have experiences such as pick a writers brain, notes on a script and beers with showrunners in Toronto.  There are books, DVDs, Blurays, tshirts, and so much more. Check it out and spread the word!

On August 5, 2014, this site came back from the dead thanks to contributions to our Indiegogo campaign. To celebrate the one-year anniversary of TV, eh?‘s rebirth, we’re reviving our charity auction, with all proceeds to Kids Help Phone — a free, anonymous and confidential phone and on-line professional counselling service for youth. If you’d like to contribute but don’t want to bid, please go directly to their website to make a donation. (Note tax receipts are not available for auction bids.)

This auction uses simple bidding and ends August 28, 2015 at 5 pm PT. Payment will be due by end of day September 1, 2015 and shipping costs will be added to physical items as required. International bidders, please note that any additional taxes and duties charged by customs will be your responsibility.

Please email Diane at canadiantv@gmail.com with any issues or questions.

Facebooktwitterredditlinkedinmail

Comments and queries for the week of August 28

Steven Sabados ends Steven and Chris

He will be truly missed. What a shame, with heartfelt condolences to Steven. —Janet

God Bless. You will be missed. —Rhonda

Going to miss Chris and his banter with Steven and others who happened to be in his sight. —Edith


What do you think of shomi?

Shomi’s main problem is that video streaming is bad on any device you use it on. Android buffers, web-based works a bit better and the set top interface is terrible, and many shows are SD only. Netflix and CraveTV have a better selection of shows too. —Luke

Got a question or comment about Canadian TV? greg@tv-eh.com or @tv_eh.

Facebooktwitterredditlinkedinmail

Scott McGillivray takes control of his Property

Scott McGillivray has built an empire with a handful of shows surrounding home renovation and property investment. Now he’s adding another segment to his realm with his own production company, McGillivray Entertainment. The longtime host of Income Property figures this was the natural evolution of his brand. After increasing involvement in the HGTV hit—he’s been an executive producer for the last four seasons—McGillivray decided to start McGillivray Entertainment not only to manage new projects starring himself, but fostering new talent as well.

“You become this conduit,” he says from behind the wheel of his truck. “I’ve got this great group of talented individuals that I’ve been working with and there are a lot of possible opportunities. I’m always looking to fill that opportunity gap. When you have a brand, and a branding team and you have sponsors, it’s a lot easier to get a show. And when you have your own production company, it’s easier to spin that out to people as well.” McGillivray has already got two projects put to pilot by HGTV in the U.S. and a third project in development. And while that trio is still in the beginning stages, McGillivray Entertainment’s first series is already filming.


“It’s not the Kardashians.”


Moving the McGillivrays—set to air in 2016 on HGTV Canada—spotlights Scott, wife Sabrina and daughters Myah and Layla as they not only build a dream home for themselves but he constructs a home for a family in need. Cameras are currently rolling on Episode 2 of the 10-parter. Die-hard fans of McGillivray can get a regular dose of Sabrina and kids via his YouTube series Good to Grow, but a television show is a totally different beast. Just ask Bryan Baeumler’s wife, Sarah, who has acquired a fair number of detractors who don’t like the way she acts in the House of Bryan series.

Scott_McG

“Sabrina has been hands-off on the television thing since Day 1,” he says with a laugh. “We’ve been in our current house for eight years and have seen a lot of change during that time with having kids. I said, ‘We could make a show about this!’ and she said, ‘Please don’t.'” She relented, but McGillivray stresses Moving the McGillivrays will be authentic and show who his family really is (“It’s not the Kardashians,” he says.). McGillivray notes anything he posts showing his private life garners a lot of attention from fans, so the project is a logical move. And with the success of series like Income Property, All American Handyman, Canada’s Handyman Challenge and Holiday Battle on the Block, his popularity doesn’t show any signs of erosion.

Next up following Moving the McGillivrays is a full season of Income Property: On Vacation. Something he’s been wanting to feature in the mothership series for ages, On Vacation shows people who own getaways how to make a buck from them.

“I grew up with a cottage and you’re just a different person when you’re there,” he says. “Even if you’re working, it’s not the same as being in a basement in the city during a snowstorm.”

Facebooktwitterredditlinkedinmail