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TV Eh B Cs episode 29 – Underscoring Greg David

Greg

For over 15 years, Greg David was a television critic for TV Guide Canada, the country’s most trusted source for TV news. He’s now the Editor for the parent site of this podcast tv-eh.com. He has interviewed television actors, actresses and behind-the-scenes creatives and crew from hundreds of shows over the course of his career.

He has also been featured on the other side of the camera as a trusted source for TV-related opinion on City’s Breakfast Television, CTV’s Canada AM and Global’s The Morning Show, discussing everything from Primetime Emmy snubs to what the hottest new shows are debuting on the small screen.

A graduate of Sheridan College’s Print Journalism program, Greg served as an instructor for George Brown College’s Writing for the Web and Editing for the Web classes.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to become a Patron of the Podcast? We’ve got a Patreon page where you can donate a small amount per podcast and get a sneak peek of each release.

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Photo gallery: Killjoys’ Season 1 finale

This is it, Killjoys fans. Season 1 of the Space adventure comes to a close this Friday night at 9 p.m. ET.

Here’s what the network says about “Escape Velocity”:

Tensions on Westerley boil over when the Company arrests a friend close to the Killjoys. As peace in the Quad hangs in the balance, the Killjoys are finally compelled to choose a side.

Meanwhile, we’ve got a handful of exclusive pics from the episode to get you amped up! Look for my exclusive chat with series creator Michelle Lovretta right after the episode airs.

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Bid now: Autographed Saving Hope script and first aid kits

We have three great Saving Hope prizes up for bid:

  • A signed script from Season 3: “Heaven Can Wait” signed by Erica Durance, Michael Shanks, Wendy Crewson, Michelle Nolden, Benjamin Ayres, Julia Taylor Ross and Huse Madhavji
  • Two first aid kits signed by Erica Durance (see one and two)

All proceeds from the TV, eh? charity auction will go to Kids Help Phone — a free, anonymous and confidential phone and on-line professional counselling service for youth.

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He Said/She Said: What Canadian channels will be casualties of à la carte?

Join Greg and Diane every Monday as we debate what’s on our minds. This week, what Canadian channels will be casualties of à la carte?

He Said:

Earlier this year, the CRTC announced that Canadians will—by the end of 2016—have access to a $25 skinny basic cable package they can augment with a pick-and-pay structure to add more television channels to that package. That model, of course, means channels that were previously protected in packages and could count on sustained revenues will be forced to go it alone and rely on paid subscribers to keep them alive. Simply put, not all of them will make it.

With almost a year and half to go until the pick-and-pay changes take effect, there are already shifts in the industry as networks prepare. Earlier this month, Corus announced it was shuttering Teletoon Retro effective Aug. 31. Fans of Care Bears, Babar, The Smurfs and The Adventures of Tintin will have to go elsewhere for their throwback TV fix; Corus says some of those shows will migrate to Teletoon, though a list hasn’t been provided yet.

And while Corus hasn’t officially announced what is taking Teletoon Retro’s spot, the fact Disney Channel Canada launches the next day indicates the homegrown offshoot of the juggernaut will occupy that space. Corus acquired the rights to Disney Channel a month after pick-and-pay was announced and I’m pretty sure it’s not a coincidence. After all, Disney Channel will bring in way more eyeballs with Bunk’d and The Radio Disney Awards than Teletoon Retro ever did.

Other channels that may find themselves on the chopping block include Showcase, Bravo, Action, DejaView, DTour, NatGeoWild, Bio, OLN, G4, Comedy Gold, MuchLoud, MuchMoreRetro, MuchVibe and FashionTelevisionChannel. My selections are all conjecture and I have no proof any of these will be going away, but it’s a pretty safe bet that in this new television world, only the strongest will survive.

 

She Said:

My guess is that the more obscure of the specialty nets are the most vulnerable, the ones people don’t even know they have so why would they pay for them in an a la carte world?

The trick is who will keep their place on the dial as mandated must-carry channels by the cable companies, and who will fight to the death by having programming a large enough percentage of Canadians want to watch?  Canada is a small country. Can we sustain 35 million channels to go with our 35 million people?

My biggest hope with a la carte is that broadcasters will find that sharp original programming and a brand — as in, people see the name of that station and know what to expect from that station — will become an actual thing here in Canada, where something like Showcase became relegated to “that former near-soft-core network that now carries shows that could be on Global if Global wanted original programming.”

Book Television is my go-to example of a channel that has been coasting on its Category A must-carry designation with no must-watch original programming, and as such I wouldn’t mourn its loss.

The only way I can see all channels in what are currently “multiplex” channels — such as Movie Network/Movie Central along with HBO Canada and its baby M networks, or the Super Channels – surviving is if they continue to be offered as a bundle. Otherwise I’m betting all but the main Movie channels and HBO Canada will disappear.

There are some channels, like APTN or OUTtv that serve underserved populations and I’d fight for their survival — reluctantly in OUTtv’s case, since their reluctance to have original programming means letting Logo signals across the border might be a better solution — though that’s unlikely to be necessary. APTN at least has a spot on basic cable and Logo isn’t likely to be a viable alternative up here.

I’d hate to see Showcase, Bravo or OLN go under but because they are primary specialty channels of the major broadcasters, with some signature originals of their own, I am not betting on that happening anyway.

However it seems to me many of our specialty channels aren’t so special and aren’t filling an important cultural niche, so some downsizing would not be a terrible thing.

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Review: Did Dark Matter kill off a lead character?

Well, if we didn’t think Two had balls before (personally, I never doubted it) she certainly proved she did by having the Raza play chicken with a nuclear missile. With three episodes until the first season finale, there was no way the Raza would be vaporized, but that was still a pretty stressful several seconds, no?

But Episode 10 was not without casualties as the aforementioned Two became a victim of Wexler’s ego: the leader of the rival mercenary team jettisoned our hero out Raza’s airlock into space. We know Two has that special skill of healing herself, so I’m pretty sure she’ll bounce back from this. That, of course, means the rest of the team will learn the secret she’s not susceptible to injury, adding another layer of distrust amongst thieves.

Ennis Esmer makes the perfect bad guy, especially uttering dialogue written by Paul Mullie. Esmer’s Wexler is arrogant, opinionated and devious, the perfect formula for scene-stealing and out-loud laughs. His rival group of mercenaries—teamed with Raza to steal a device from a rival corporation for Mikke Combine’s Commander Truffault—borrowed from past heist movies for an entertaining hour. Yes, there were seemingly insurmountable odds against the mission succeeding (an extra security measure in a male android and oversized space station security force), but they pulled it off and stored the device behind that big metal door. (Did anyone else recall the vault opening scene in Die Hard when the door opened?)

Anyone who’s seen one of those caper storylines also knows the rival team always turns on the good(ish) guys and that’s exactly what happened. And despite Three offering up the code word to opening the Raza vault, Wexler dumped Two into space. Because he’s a jerkface.

Notes and quotes

  • How perfect was that back and forth between the guys as they decided who would tell Two about their vote? And how fantastic to have Two lifting weights as One arrived to tell her?
  • “Basically, I can get into anything.” Ennis Esmer is really, really good at playing a jerk.
  • “Broken wrist, two fractured ribs and a badly bruised left testicle.” I don’t know what was funnier, the medical description or the way The Android delivered it.
  • “Catch me!” Well, Three sort of did.

Dark Matter airs Fridays at 10 p.m. ET on Space.

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