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Review: Saving Hope explains the unexplainable

Sometimes when I’m watching Charlie interact with the spirits on Saving Hope, my eyes can’t help but wander to the background. Not because I’m bored by what’s going on, but to see if anyone else is noticing Charlie talking to, well, thin air, while we watch him help guide the spirits to a peaceful place.

That idea was at the forefront of Wednesday’s episode, “Remains of the Day,” as an unexplainable move in surgery made thanks to a spirit’s guidance was brought to the attention of staff at Hope Zion, with Dawn hoping Charlie could explain his miraculous move to his colleagues. Only problem? Charlie couldn’t do that without being hauled off to the psych ward.

Really the whole issue was due to a slightly neurotic, OCD spirit named Elaine, whose panic attack mid-surgery forced Charlie to address her spirit in the close proximity of surgeons like Maggie and Rian. It may have been just shrugged off as typical strange Charlie behaviour if Elaine didn’t begin to stroke out, forcing Charlie to use the spot her spirit was clutching as guidance as to where to perform emergency surgery. It certainly was a reckless move to everyone else–can’t say I wouldn’t be freaking right out knowing my colleague was about to carelessly drill into a patient’s head–that spiraled into a medical learning opportunity thanks to Dawn’s insistance (although I’m pretty sure she just wanted to get to the bottom of Charlie’s craziness once and for all). If it weren’t for Maggie and Rian’s elaborate detective skills (or was it simply their oh so desperate need for Charlie to help them study?), Charlie would be in a much different situation when he ended the episode.

While Dawn was trying to expose Charlie’s mysterious ways, she was also attempting to juggle the return of Giselle to the hospital and the bond the two forged during their short time together. I’ve loved seeing Giselle go head-to-head with Dawn, since she’s one of the few characters who seems game for keeping up with Dawn’s bitter attitude all the time. It did feel like we were being hit over the head with the notion that Dawn would at least contemplate adopting Giselle herself, and although I was initially a little miffed she chose her work over the girl, it was probably for the best that Giselle is just staying with Dawn for a week-long trial period rather than anything permenant.

The other main storyline was certainly emotional, as Joel and Alex tried to figure out what exactly was wrong with a caring high school teacher. After years of terrible teachers, I think the storyline touched me so much knowing how much an engaged and invested teacher can shape a young person’s life and how much the dedicated English teacher was trying to give his students. When we finally heard the teacher had an uncurable disease my heart went out to the guy, and I found that doing the play in the hospital was a really sweet way to wrap up his sad story.

Something about what the English teacher said jogged Alex’s memory of her father, causing her hand to cramp up again. It was good of Alex to look into her father once and for all (although it felt like the whole thing was really breezed right over) but the most groundbreaking part of the scene was seeing Alex’s vision of her baby and Charlie playing together. Could Team Charlie be closer to edging out Team Joel in the baby game?

Notes:

  • “You see wonton, I see chaos.” I feel bad calling her insane because OCD isn’t something you can control, but Elaine was a lot.
  • That whole three-way vibe between Maggie, Sydney and James makes me very uncomfortable.

Saving Hope airs Wednesdays at 10 p.m. ET on CTV.

Thoughts? Drop us a line below or @tv_eh.

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Review: The name’s the thing in The Book of Negroes

The historical book of Negroes finally gets its starring turn in the miniseries The Book of Negroes, and Canada as Canada is poised to show up in the next episode.

In part four, Aminata is recruited to collect the names of every black person who assisted the British during the American Revolutionary War. That ledger will determine who can earn a berth to Nova Scotia and freedom, and the process allows them to claim their names and their stories, and for Aminata to live her dream of becoming a djello — storyteller — for her people and their ancestors.

The U.S. title for the Lawrence Hill novel this miniseries is based on is Someone Knows My Name, and it has a resonance of its own. Stolen from their homes, their families, their continent, the slaves are stripped of so much of their autonomy — often down to their own names. Aminata Diallo, for example, was anglicized to Meena Dee, though she reclaims her name and ultimately her freedom.

Yet in the course of the episode her true name almost costs her that freedom. Though she more than earned her place in the book of Negroes, her name appears on another list: of runaway slaves. She is ripped from the boat and Chekura, who must proceed to Nova Scotia or lose his place forever, while she can challenge her designation as another man’s property in court and sail on a later ship.

Their love is the beating heart of this story, making the scene where they are torn apart again, and the one where they are forced to admit that he aided the slave traders and tore her from her family, particularly heartbreaking.

Her assumption — and mine — is that Solomon Lindo has finally caught up with her. Instead, the supremely creepy Robinson Appleby is making a false claim, denying he ever sold her. Sam proves his love again through actions, finding the only way to counter that claim: he produces Solomon Lindo to testify and bring the papers that prove he bought her — and sold her baby — and then to finally, officially, grant her freedom. She’s as grateful to stalwart Sam as she is unforgiving of Lindo.

Aunjanue Ellis is transcendent in this role, of course. Allan Hawco gives Lindo a regretful sweetness which belies the ugliness of his position. He was a better master than Appleby — played to slimy perfection by Greg Bryk — but selling her baby to a good family and getting her away from the brutal Appleby is still selling her baby, and calling her a servant instead of slave didn’t prevent him from treating her as property.

Her declaration about the new United States: “There is nothing united about a nation that proclaims all men are created equal, but keeps its people in chains.”

There are clunky moments in the episode. Some — such as when Aminata questions General Washington about why he owns slaves if he opposes the institution of slavery — because they come across as jamming a plot point from the sprawling novel awkwardly into the script — and some feel like small missteps in direction or editing. You could almost hear the DUN DUN DUNNNN when Solomon Lindo was revealed in court.

I’m not a fan of voiceovers in general, but in The Book of Negroes it feels crucial to translate the gaps that couldn’t be jammed into the script and explain the time jumps, and to give Aminata her rightful role as the author of her own story.

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Ratings: Canadian series rock the top 30 for January 12-18

In the Numeris ratings for January 12-18, Canadian scripted series earned five of the top 30 spots, including both episodes of Schitt’s Creek‘s double-header premiere:

  • # 14: Book of Negroes – 1.607 million
  • #16: Schitt’s Creek – 1.581 million
  • #17: Schitt’s Creek – 1.554
  • #19: Murdoch Mysteries – 1.387
  • #20: Saving Hope – 1.384
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Spun Out broadcast plans “indefinitely suspended”

In the wake of voyeurism charges against Spun Out actor J.P. Manoux, CTV has announced that Masterchef Canada will replace the sitcom in the post-Superbowl slot, and future broadcast plans have been “indefinitely suspended.” Season two was scheduled to premiere on March 5 after Sunday’s sneak peek.

CTV’s statement:

CTV was shocked to learn tonight of the arrest of Spun Out actor J.P. Manoux. The charges against him are serious allegations. CTV will work with Spun Out producers Project 10 Productions to assist the Toronto Police Service in any way possible in their investigation. We can confirm that all future broadcast plans for Spun Out, including this Sunday’s post Super Bowl sneak peek, have been indefinitely suspended.

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TV eh B Cs podcast 12 – Ryan Belleville Beyond the Brick Wall

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By 17 Ryan Belleville was performing comedy professionally, and was the youngest person to ever record their own CTV Comedy Now special. He is the winner of a Canadian Comedy Award and the Phil Hartman Award for his stand up.

Of his many TV appearances he has appeared 8 times at the Just for Laughs festival in Montreal where he is a crowd favorite, as well as multiple appearances on CBC’s Halifax Comedy Festival, The Winnipeg Comedy Festival, and CBC’s The Debaters. South of the border he has been seen on Comedy Central’s Live at Gotham, CBS’s The Late Late Show, and MTV’s Busted.

A respected comedic actor, he was a series regular on FOX’s sitcom Life on a Stick and CW’s The LA Complex. He was the star and co-creater of the cult show Almost Heroes, now available on Hulu. He has starred in the feature films National Lampoons Going the Distance, Disney’s Stuck in the Suburbs, Step Dogs and the award winning family film Finn on the Fly.

Most recently he was the star of CTV’s sitcom Satisfaction and hosts one of iTunes top Comedy Podcasts in Canada, The Flying Bellevilles Podcast.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to become a Patron of the Podcast? We’ve got a Patreon page where you can donate a small amount per podcast and get a sneak peek of each release.

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