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Key casting details revealed for upcoming CTV original drama Sullivan’s Crossing

From a media release:

CTV, Fremantle, and Reel World Management announced today the all-star cast joining the new CTV Original drama series, SULLIVAN’S CROSSING. In the lead role of Maggie Sullivan, Canadian actress Morgan Kohan (TRANSPLANT) heads the cast alongside leading actors Chad Michael Murray (ONE TREE HILL) as Cal Jones, and Scott Patterson (GILMORE GIRLS) as Maggie’s estranged father, Sully Sullivan. With production on the 10-episode, one-hour series set to begin this summer in Nova Scotia, also joining the principal cast are actor, singer, and a Companion of the Order of Canada, Tom Jackson (CARDINAL) as Frank Cranebear; actor, singer, songwriter, Andrea Menard (THE VELVET DEVIL) as Edna Cranebear; Lynda Boyd (VIRGIN RIVER) as Phoebe Lancaster; Allan Hawco (JACK RYAN) as Andrew Mathews; and Amalia Williamson (NORTHERN RESCUE) as Lola Gunderson.

Executive produced by Reel World Management in association with CTV and Fremantle, SULLIVAN’S CROSSING is being produced as an interprovincial co-production with Nova Scotia-based producer Mike Volpe and Ontario-based producer Mark Gingras. SULLIVAN’S CROSSING is an adaption of the New York Times bestselling novels by beloved author Robyn Carr, reuniting her with Reel World Management’s Roma Roth and Christopher E. Perry, executive producers of the hit series, VIRGIN RIVER. Fremantle will handle global distribution.

In SULLIVAN’S CROSSING, Neurosurgeon Maggie Sullivan (Kohan) has her world turned upside down when a scandalous incident throws both her personal and professional life into turmoil. She leaves her life in the city and returns to Sullivan’s Crossing, a rural campground and outpost nestled amongst the sweeping vistas and cliffs she once called home, where her estranged father, Sully Sullivan (Patterson), still looks after the day-to-day operations catering to hikers, bikers, and mountain climbers. The 10-episode, hour-long romantic drama sees Maggie navigating her complicated present and confronting her painful past as she attempts to reconnect with a side of herself she had long ago forgotten. Tackling issues including family, community, conflict, loss, and love in a realistic and purposeful way, SULLIVAN’S CROSSING is a series about healing, letting go, and ultimately, opening yourself up to a world of new opportunities

Morgan Kohan
Born and raised in British Columbia, Canada, Morgan Kohan spent her childhood dancing competitively. Her focus quickly shifted to acting once she was accepted into the Triple Threat Program at Randolph Academy in Toronto and upon graduating, she set her sights on film and television. Since then, Kohan has quickly risen in the industry.

Kohan’s starring film projects have been screened across North America, including Santa Barbara International Film Festival, Whistler International Film Festival, and Fantasia Film Festival.

Kohan is most recognized for her work as lead character Lillian Walsh in the Hallmark original series, WHEN HOPE CALLS. Other television credits include guest-starring and recurring roles in Netflix’s YA series, CREEPED OUT, STAR TREK: DISCOVERY (CBS All Access), THE BOLD TYPE (Freeform), KIM’S CONVENIENCE (Netflix) and a major recurring role as Evie Beaumont in CBS’s RANSOM. Morgan has also recently been featured on BATWOMAN and CTV’s hit series, TRANSPLANT.

Chad Michael Murray
Chad Michael Murray was most recently seen starring alongside Bruce Willis in the film Fortress and its 2022 sequel Fortress: Sniper’s Eye. Previously, Chad amassed a dedicated following for his starring role in several fan-favourite series and films, including the beloved series ONE TREE HILL, GILMORE GIRLS, and DAWSON’S CREEK; and films such as A Cinderella Story and House of Wax. More recently, Chad had recurring roles on The CW’s hit series RIVERDALE and Lee Daniels’ STAR on Fox. He also starred in the critically-acclaimed western film, Outlaws & Angels, which made its debut at Sundance in 2016 and was named by Variety as one of the top films of the festival.

Chad Michael Murray is represented by Innovative Artists and Brillstein Entertainment Partners (JoAnne Colonna).

Scott Patterson
An accomplished actor in film, television, and theatre, Scott Patterson is well-known to television audiences from his seven seasons as diner owner Luke Danes in the hit series GILMORE GIRLS.

Patterson, born in Philadelphia and raised in New Jersey, attended Rutgers University and pursued a degree in comparative literature. He studied acting in New York with renowned coaches Robert Lewis and Sondra Lee and observed Paul Newman, Arthur Penn, and Frank Corsaro at The Actors Studio, where he appeared in numerous productions. The theatre company he founded in 1988 in New York City, Arc Light, produced the works of John Bishop, Sam Shepherd, Harold Pinter, and Shakespeare.

On the big screen, Scott starred as FBI psychological Profiler Agent Peter Strahm in the Saw franchise. He has also appeared in Her Best Move, Little Big League, Three Wishes, Highway 395, and Rhapsody in Bloom.

On television, in addition to his memorable role as Luke on GILMORE GIRLS, Patterson appeared on ALIENS IN AMERICA, SEINFELD, WILL & GRACE, IT’S LIKE, YOU KNOW, and FIRED UP. He has also guest starred on ARLI$$ and GET REAL, and voiced the character of Lieutenant Farraday in the 2004 animated series JUSTICE LEAGUE UNLIMITED, from Warner Bros. Animation.

In 2021, Scott teamed with iHeartRadio to create and produce his GILMORE GIRLS rewatch podcast I Am All In with Scott Patterson, which just dropped its 100th episode and continues to be a top-of-the-charts stalwart.

Patterson resides in Malibu, CA with his wife and son.

Scott Patterson is represented by The Brillstein/Landsburg Company and Attorney Doug Stone at Glaser Weil.

Developed and produced in association with Bell Media, with the participation of Canadian Media Fund and Bell Fund, Reel World Management will executive produce with Roth acting as Showrunner and Executive Producer, and Mike Volpe and Mark Gingras producing.

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W Network and Nikki Ray Media Agency greenlight a set of romantic made-for-TV movies, The Love Club

From a media release:

Finding the love of your life and lifelong friendships along the way go hand in hand as W Network and Nikki Ray Media Agency greenlight and begin production on a set of romantic made-for-TV movies, The Love Club (4x120min). Corus Studios will distribute The Love Club internationally. Starring Brittany Bristow (Holiday Date), Lily Gao (Resident Evil: Welcome to Raccoon City), Chantel Riley (Frankie Drake Mysteries), and Camille Stopps (Running with Violet), the made-for-TV movies are produced by Nikki Ray Media Agency for W Network and Corus Studios. The first of the four movies is currently filming in the Hamilton area with all movies shooting back-to-back until July. The four movies are slated to premiere Winter 2023 and onwards on W Network and will be available to stream live and on demand on Corus’ premium streaming service, STACKTV.

At a New Year’s Eve college party, four women, each dealing with their own dating debacle, take a vow as the clock counts down to call on one another if they are ever in romantic trouble again – a vow that has them resurrecting their “Love Club” ten years later as each of them search for their unique happily-ever-after. Over the course of four distinct movies, Nicole (Brittany Bristow), Sydney (Lily Gao), Lauren (Chantel Riley) and Tara (Camille Stopps) each are the lead in their own love story, while their friends are involved in helping them find true love. Each movie, told from the point of view of one of the Love Club women, will thematically open with a flashback that takes viewers back ten years earlier to the fateful New Year’s Eve party where the women meet and form the Love Club. Ten years have passed since the Love Club women made their vow and while they have remained friends, their busy lives have led them to go their separate ways, until now.

The Love Club also stars Marcus Rosner (Arrow), Jesse Hutch (Batwoman), Andrew Bushell (Jump), and Brett Donahue (Private Eyes).

The Love Club is written by Canadian Screen Award winner Barbara Kymlicka (Glass Houses), directed by Jill Carter (The Bold Type), and produced by Nikki Ray Media Agency in association with Corus Studios, with the participation of the Canada Media Fund.

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AMI announces the opening of the Disability Screen Office

From a media release:

AMI, in partnership with the Canada Media Fund (CMF) and Telefilm Canada, is excited to announce the launch of the Disability Screen Office (DSO).

With our commitment to establish and support a voice for Canadians with disabilities, AMI is currently facilitating the creation of this industry office with funding from the CMF and Telefilm Canada.

The DSO will provide services that:

• increase accurate and meaningful disability representation on and off-screen throughout the Canadian media landscape

• expose and eliminate accessibility barriers to create a more inclusive and accessible industry for all

• support and amplify the creative voices of Canadians with disabilities nationally and internationally

Background
For the past year, AMI has been leading roundtable discussions with diverse groups of individuals in the disability community that are working in or with the screen industry. The groups include creators, writers, directors, producers, performers and representatives from academia. The objective of these roundtables was to obtain unfiltered feedback on the accessibility of the media industry to the disability community, and to identify barriers and brainstorm solutions with a view of developing programs to increase industry accessibility.

To do this, all roads lead to the formation of a new organization, now known as the DSO.

“It became apparent that there is currently no single program, incentive or regulation that can cause the screen industry to be fully inclusive for people with disabilities,” says Andrew Morris, Manager, Independent Production, AMI-tv. “The only way to create meaningful real opportunities for people with disabilities in the media industry is to address the systemic barriers relating to education, industry regulations, insufficient and/or inaccurate representation, public beliefs and attitudes, and full accessibility throughout the media industry.”

“As part of CMF’s growth and inclusion strategy, we’ve introduced new measures to support creators with disabilities,” says Tamara Dawit, Vice-President, Inclusion and Growth, CMF. “Helping establish the Disability Screen Office to support and amplify the creative voices of Canadians with disabilities, both here in Canada and beyond our borders, is part of that strategy. We’re delighted to partner with AMI and Telefilm to achieve this important goal.”

“The creation of the Disability Screen Office will be a significant advancement for meaningful representation, advocacy, and change for creators on both sides of the camera,” said Christa Dickenson, Executive Director and CEO at Telefilm Canada. “The DSO will further contribute to breaking down barriers and shaping a more accessible and equitable screen-based industry within Canada.”

Next steps
• With funding from CMF, AMI has begun the development phase of a national, bilingual research endeavor that will culminate in the creation of the Best Practices Guide for Disability Engagement in the Canadian Film and Television Industry. This document will be the foundation of the DSO.

• Meanwhile, Telefilm Canada has provided startup funding to enable the DSO to recruit a board of directors and open the office within the year.

• Both Telefilm and CMF have also contributed funding for innovative programs to help make writers’ rooms in Canada accessible to screenwriters in the disability community, to be announced this summer.

About Accessible Media Inc.
AMI is a not-for-profit media company that entertains, informs and empowers Canadians who are blind or partially sighted. Operating three broadcast services, AMI-tv and AMI-audio in English and AMI-télé in French, AMI’s vision is to establish and support a voice for Canadians with disabilities, representing their interests, concerns and values through accessible media, reflection and portrayal. To learn more visit AMI.ca and AMItele.ca.

About the Canada Media Fund
The Canada Media Fund (CMF) fosters, develops, finances and promotes the production of Canadian content and applications for all audiovisual media platforms. The CMF guides Canadian content towards a competitive global environment by fostering industry innovation, rewarding success, enabling a diversity of voice and promoting access to content through public and private sector partnerships. The CMF receives financial contributions from the Government of Canada and Canada’s cable, satellite and IPTV distributors. Please visit cmf-fmc.ca.

About Telefilm Canada
As a Partner of Choice, Telefilm Canada is a Crown corporation dedicated to the success of Canada’s audiovisual industry, fostering access and excellence by delivering programs that support cultural resonance and audience engagement. With a lens of equity, inclusivity and sustainability, Telefilm bolsters dynamic companies and a range of creative talent at home and around the world. Telefilm also makes recommendations regarding the certification of audiovisual coproduction treaties to the Minister of Canadian Heritage, and administers the programs of the Canada Media Fund. Launched in 2012, the Talent Fund raises private donations which principally support emerging talent. Visit telefilm.ca and follow us on Twitter at twitter.com/Telefilm_Canada and on Facebook at  facebook.com/telefilmcanada.

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Award-winning actor Michael Greyeyes joins directing team for CTV Comedy Channel’s original series, Acting Good

From a media release:

CTV Comedy Channel announced today that award-winning actor, director, and choreographer Michael Greyeyes is tapped to direct five episodes of the brand-new original series, ACTING GOOD. Loosely based on the life of Anishinaabe stand-up comedian and series co-creator, Paul Rabliauskas, production on the half-hour scripted comedy is currently underway in Winnipeg and surrounding areas, and is set to premiere later this year.

Joining Greyeyes as directors for the debut season of ACTING GOOD are writer, director, and video artist Darlene Naponse (Anishinaabe), as well as series co-showrunners Amber-Sekowan Daniels (Anishininew) and Eric Toth.

ACTING GOOD stars Rabliauskas as Paul, a witty but sensitive comic who returns home to the fictional Grouse Lake First Nation after a botched attempt to move to the big city. Also joining the cast is actor, comedian, and series co-showrunner Pat Thornton, who stars as Brady, the “only white guy on the rez.” The homegrown lineup of cast and crew also features Billy Merasty (Elijah) as voice of the rez and radio DJ, Roger Laughingstick, Roseanne Supernault (THE DRIVE) as reformed bad girl and band councillor, Jo. Gabriel Daniels (The Ice Road) joins the cast as big-hearted Dean, along with series producer Tina Keeper (NORTH OF 60) as the family matriarch Agnes. And in their debut acting roles, Avery Claudia Sutherland stars as Jo’s rebellious daughter Chickadee, comedian Cheyenna Sapp as Paul’s, on-again-off-again girlfriend, Rose, Jason Mason as overzealous band constable Lips, and writer, poet, and radio host Rosanna Deerchild as First Nation Grouse Lake chief, Deedee.

About Michael Greyeyes:
Michael Greyeyes is a multi-hyphenate talent – an actor, director, choreographer, and scholar whose diverse career from stage to screen spans over 25 years.

Greyeyes recently starred in the thriller Wild Indian, directed by Lyle Mitchell Corbine Jr, which premiered in competition at the 2021 Sundance Film Festival. He garnered a Film Independent Spirit Award and Gotham Award nomination for his leading performance. On television, Greyeyes returns for Season 2 of RUTHERFORD FALLS. He also received a Film Independent Spirit Award and Gotham Award for his role in the series, marking a historical moment as he becomes the first Native Actor with two nominations in the same year for the awards.

His film work includes the role of Traylor in Blood Quantum and Sitting Bull in Woman Walks Ahead, co-starring Jessica Chastain. He has appeared in numerous other feature films such as The New World, directed by Terence Malick, Skipped Parts, Sunshine State, directed by John Sayles, Passchendaele, directed by Paul Gross, and Dance Me Outside, a cult-classic directed by Bruce McDonald.

As a director, he has created numerous theatre works including Bearing, a searing dance opera that premiered at the 2017 Luminato Festival in Toronto, A Soldier’s Tale, from thine eyes, and wrote Nôhkom. Greyeyes was nominated for a Dora Award for his direction on Two Odysseys: Pimooteewin / Gállábártnit, a full-length evening of Indigenous opera featuring two librettos in Cree and Sami.

He is Nêhiyaw (Plains Cree) from Muskeg Lake Cree Nation in Saskatchewan. He graduated from Kent State University with a Master’s Degree in the Fine Arts at the School of Theatre and Dance and is also a graduate of The National Ballet School where he went on to join The National Ballet of Canada company. In 2010, Greyeyes founded a Canadian non-profit theatre organization, Signal Theatre, a company that explores intercultural and transdisciplinary live performance. He serves as the Artistic Director for the theatre.

About Darlene Naponse:
Darlene Naponse is an Anishinaabe writer, director, and video artist from Atikameksheng Anishnawbek, ON. Her films have premiered at the Sundance Film Festival, TIFF, and imagineNATIVE Film Festival. Her film Falls Around Her opened imagineNATIVE Film Festival in 2018, and took home the Audience Choice Award. Naponse’s fourth feature film, Stellar, in which she wrote, directed, and produced, just wrapped production.

ACTING GOOD is set in the fictional remote fly-in Grouse Lake First Nation, a world that lives by its own set of rules. The series location is inspired by Rabliauskas’ own isolated community of Poplar River First Nation.

ACTING GOOD is produced by CTV Comedy Channel, in association with Kistikan Pictures Inc., with the participation of Canada Media Fund and Bell Fund. Producers are Tina Keeper (Kistikan Pictures) and Jennifer Beasley (Buffalo Gal Pictures) with Phyllis Laing (Buffalo Gal Pictures) as Executive Producer and Paula J. Smith as Supervising Producer. Paul Rabliauskas is Executive Producer and writer, with Amber-Sekowan Daniels, Pat Thornton, and Eric Toth as writers and co-showrunners.

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