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TV,eh? What's up in Canadian television

Review: Back to square one on 19-2

Well, I certainly didn’t see that coming. I was pretty sure that things were going to go Nick and Ben’s way with regard to outing the mole in 19. After all, they’d ruled out Nick and had arrested Antony Tremblay, the man they’d seen in the motel with an underage girl. When his phone call was a request for their friend in 19 to get him out of there, I figured it was only a matter of time until the mole was revealed.

Um, no.

By the end of “Property Line,” Nick and Ben were back at the beginning after Kaz killed Tremblay. I’ve been waiting for Kaz to show his violent side ever since he was introduced, but it still surprised me when he shot Tremblay in the head and made it look like a suicide. If Nick had anything to do with the cover-up he should be ashamed; the SQ knew Tremblay had been murdered right away. I’m pretty sure Nick didn’t literally get his hands dirty because that would have made him an accessory or something. Now Nick has a secret from Ben: the real circumstances surrounding Tremblay’s death.

Raise your hand if you thought Tyler was going to end up with a butcher’s knife in his abdomen? Yeah, me too. I was sure the big man was going to be torn open when he tackled that emotionally disturbed woman; he was lucky even though she wasn’t. That sad conclusion served to spotlight some of the more awful jobs cops are ordered to do, like arresting people who have been ordered to vacate their homes because the city is razing old buildings. Rather than ridding the streets of criminals, they were forced to be the bad guys in a no-win situation. Of those evicted, keep your eye on Paul (Michael Therriault) the husband of the woman who suffered a stroke. He’s in next week’s episode so that likely won’t end well.

Meanwhile, Mary-Louise is clearly having an affect on Bear. Though she opted out of another back tattoo in Montreal, her comment to ML about going to Thailand to have it done hints her firm work and life plans are crumbling. I’m hoping she goes for it.

Notes and quotes

  • “You can sleep when you’re in jail.” J.M. is always so caring when handling junkies.
  • “Ma,am, let go of the wall.” I’m not sure I could be as calm as Ben evicting a yelling pregnant woman from her apartment.
  • Laugh out loud scene of the night: J.M. being swarmed by wasps and running right at Audrey so she was stung too.

19-2 airs Mondays at 10 p.m. ET on Bravo.

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Poll: What CanLit should CBC tackle next?

The Book of Negroes was a stunning success for CBC, getting 1.4 million viewers to tune in to the mini-series adaptation of Lawrence Hill’s critically acclaimed novel. Last year’s Best Laid Plans, based on Terry Fallis’ book, was less of a ratings winner, but did just earn star Jonas Chernick a Canadian Screen Award. Some of my favourite television memories involve Anne of Green Gables and other shows based on Lucy Maud Montgomery’s imagination.

Since The Book of Negroes 2 is unlikely, and the Canadian industry was scooped on Life of Pi, what work of Canadian literature do you think CBC should adapt next?  There’s too much to choose from for a multiple choice poll, so put your suggestions in the comments … and may the best book win.

 

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Tonight: 19-2, Murdoch Mysteries, Ascension, Gangland Undercover

19-2, Bravo – “Property Line”
Housing evictions pit the squad against a community in crisis.

Murdoch Mysteries, CBC – “High Voltage”
The electrocution of a man leads Murdoch back to inventor Thomas Edison.

Ascension, CBC – Episode 4
Christa becomes the focus on mysterious happenings on Ascension and Krueger gets closer to the truth about the project.

Gangland Undercover, History
Chronicles infiltrator Charles Falco’s mission inside one of America’s most notoriously violent outlaw motorcycle gangs and gives a rare look inside this historically infamous organized crime gang through the eyes of an undercover investigator

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He Said/She Said: CraveTV vs shomi vs Netflix

Join Greg and Diane on Mondays as we debate a TV-related issue that’s on our minds. This week: CraveTV vs shomi vs Netflix.

She said:

This could be my shortest She Said ever: Netflix. Because it’s the only one available to me.

But to expand, CraveTV has the HBO and Showtime libraries which give it a great competitive advantage over shomi … except you have to have cable TV with a select few providers in order to subscribe. They’re also doing smart things like streaming original series the day before they’re broadcast.

shomi is more expensive than CraveTV, but you can be an internet or cable TV subscriber with Rogers or Shaw in order to subscribe, and rumour has it eventually it will be available more widely. In its collection are shows previously unavailable in Canada, such as Amazon’s Transparent and The CW’s Jane the Virgin.

Streaming rights have an expiration date and many TV shows I saw on Netflix are now on one or the other of the Canadian streaming services. I expect as time goes on — if CraveTV and shomi both survive — we’ll see the libraries both swap rights and grow.  If I had a cable provider, I wouldn’t change based on the streaming service given the offerings might not outlast my contract.

Neither CraveTV nor shomi are likely to create truly original series as Netflix does, either. Since they’re owned by Canadian broadcasters with CanCon rules, their homegrown shows are likely to air on both the networks and streaming services.

None of that matters to me, since I’m back to where I began: Netflix is the only one available to me, so Netflix wins. Because of its HBO and Showtime library, CraveTV is the one I most wish were open to all, but it would be a supplement to rather than replacement for the movies and original series of Netflix.

He said:

I’m in the same boat as Diane in that I prefer Netflix over the other two offerings, but as a Rogers subscriber I do have access to shomi. As a television critic I’ve also gotten the chance to try out CraveTV.

Netflix will always be head and shoulders above the other two just because I have more international tastes in television and that’s a hole Netflix fills nicely. Sure there is House of Cards — which I plan to binge-watch ASAP — but U.K. series like Happy Valley, Hinterland, Silk and The Bletchley Circle keep me entertained. Add in European offerings like Wallander, Lillyhammer, Dicte and the original version of The Bridge give and I have access to wide range of programming I can’t get on conventional TV or PBS.

Unfortunately, shomi just doesn’t cut it for me. It’s nice to have access to Jane the Virgin and Transparent — programs I plan to watch eventually — but there is nothing on it that I haven’t already seen or causes me to think, “I’ve got an afternoon to kill … I wonder what’s on shomi?” I’m happy to see the original Star Trek and The Twilight Zone available, but much of its stable of TV programs contain seasons of shows I’ve already watched. I love Sons of Anarchy, but the most recent season isn’t there. Same goes for Vikings. Yes, I’m already up to date on both, but the point is, why would I bother watching a series like SOA if I know the latest season isn’t there for me to tune into?

As for CraveTV, I’ve loved what I’ve seen on it so far. The Showtime and HBO back libraries bring incredible value to CraveTV, as well as the wonderful cop drama Bosch, which I blew through over the past week. CraveTV feels exciting and bingeworthy and less like a catch-all for old shows like shomi’s vibe is. The sad part? Since I’m not a Bell subscriber, I won’t be able to enjoy CraveTV for much longer and I’m unwilling to drop my cable service just for that. And that’s a pity, because if I was able to have CraveTV and Netflix, I would be close to cutting the cable completely.

Where do you sit in this discussion? How do Netflix, shomi and CraveTV rank for you? Comment below or via @tv_eh.

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