TV, eh? | What's up in Canadian television | Page 129
TV,eh? What's up in Canadian television

Preview: The Nature of Things goes “Inside the Great Vaccine Race” for Season 61 return

Happy Season 61, The Nature of Things! The series, hosted by David Suzuki has always been timely in its nature, covering top-of-mind topics in an interesting, down-to-earth way that even I can understand.

Returning Friday at 9 p.m. on CBC, The Nature of Things is never more relevant, tackling COVID-19 with “Inside the Great Vaccine Race.” As the title suggests, this is an exhaustive peek at the people who worked tirelessly to help develop a vaccine for COVID-19 and continue to do so.

The episode begins with Dr. Alyson Kelvin (above), a virologist at the Vaccine and Infectious Disease Organization in Saskatoon, who left her family in Halifax for five months to work on a vaccine. While most people, in the early days of the vaccine, expressed curiosity at what was going on in Wuhan, China, Dr. Kelvin knew that—within months—the disease could be worldwide.

“Despite the sacrifices that I made to come here, I would have felt useless being at home,” she says.

Meanwhile, in China, it takes less than two days for the virus to be mapped and identified as related to SARS. And, able to spread without obvious symptoms by the carrier, it can move undetected around the world.

The Nature of Things also visits Cambridge University, Germany’s BioNTech lab and China’s CanSino Biologics as part of its storytelling, outlining what was being done in each location as the sprint to creating vaccines increased.

Made by Infield Fly Productions (who had their own challenges filming a documentary during a pandemic) in association with the CBC, “Inside the Great Vaccine Race” is tough to watch simply because it’s showing a worldwide event we’re still in the midst of. Those that have lost family members or friends to COVID-19 are going to have a particularly difficult experience. And it’s an excellent education into how science can provide a relatively quick solution to a worldwide catastrophe.

“Inside the Great Vaccine Race” kicks off Season 61 of The Nature of Things, Friday at 9 p.m. on CBC.

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Screen Nova Scotia announces 2021 award nominees

From a media release:

Screen Nova Scotia is pleased to officially announce the nominees for the 7th annual Screen Nova Scotia Awards Gala, which will take place virtually on Thursday, November 25th, at 8:30 PM. The awards recognize and celebrate the incredible talent, creativity, and passion that are the trademarks of Nova Scotia’s film, television and animation industry. There will be a limited in-person live screening party for the virtual awards taking place at the Marquee Club in Halifax for nominees and VIP guests, adhering to all current COVID-19 restrictions. The awards gala will return to a full-capacity live event in May 2022.

The individual video packages for each award category will go live on November 25th at 8:30 PM on Screen Nova Scotia’s Vimeo page (HERE) and will also be shared across social media. The videos will be easily accessible and free to watch (for reference, you can watch last year’s awards videos HERE).

Notable awards include the ACTRA Maritimes Awards for Outstanding Performances, the Film Crew Excellence Award, the Women in Film & Television Atlantic Award, and the Community Recognition Award, along with the Screen Nova Scotia Awards for best television, film, and animation.

New this year, ACTRA simplified their awards to remove categorization based on gender, type of role, and format. There are now four awards for “Outstanding Performance,” determined by a jury of their peers.

The winners of the Community Recognition Award and the Film Crew Excellence Award will be announced during the event. Please see a full list of all award nominees below.

Best Feature Film
-Bone Cage (Afro Viking Pictures, Bone Cage Productions)
-Tin Can (Cut/Off/Tail Pictures)
-Under the Weather (Picture Plant)

Best Documentary Film
-Bread in the Bones (Gorgeous Mistake Productions)
-The Killing of Phillip Boudreau (Tell Tale Productions)
-Good Earth (Ubuntu Media)
-Rare Bird Alert (Dream Street Pictures)

Best Short Film
-Deadstick John (Good Yawn Pictures)
-Disco Apocalypse (Blurry Logo Productions)
-Here to Help (Donair Film Productions) Inceldom (Afro Viking Pictures)

Best Television Series
-Diggstown, Season 2 (Freddie Films / Circle Blue Entertainment)
-I Am Syd Stone (Rebel Road Films)
-Spirit Talker (Tell Tale Productions)
-This Hour Has 22 Minutes, Season 28 (IoM Media Ventures)

Best Animated Series
-Curious George (Copernicus Studios)
-Love, Diana (Huminah Animation) Dennis and Me (Cartoon Conrad)
-Onyx Monster Mysteries (Huminah Animation)

ACTRA Maritimes Awards for Outstanding Performances (Group 1)
-Amy Trefry (Tin Can)
-Calem MacDonald (The Umbrella Academy)
-Stephanie MacDonald (Disco Apocalypse) Taylor Olson (Inceldom)
-Vinessa Antoine (Diggstown, Season 2)

ACTRA Maritimes Awards for Outstanding Performances (Group 2)
-Francine Deschepper (I Am Syd Stone)
-Kathryn McCormack (Disco Apocalypse)
-Sam Vigneault (Bone Cage)
-Simon Mutabazi (Tin Can) Taylor Olson (Bone Cage)

ACTRA Maritimes Awards for Outstanding Performances (Group 3)
-Amy Groening (Bone Cage)
-Billy MacLellan (Diggstown, Season 2)
-Calem MacDonald (The Detectives)
-Josh MacDonald (Diggstown, Season 2)
-Ursula Calder (Bone Cage)

ACTRA Maritimes Awards for Outstanding Performances (Group 4)
-Shelley Thompson (I Am Syd Stone)
-Allister MacDonald (Liar)
-Kevin Kincaid (I Am Syd Stone)
-Peter Sarty (Inceldom)
-Shelley Thompson (Disco Apocalypse)

WIFT-AT — Best Nova Scotia Director Award:
-Megan Wennberg (The Killing of Phillip Boudreau)
-Rachel Bower (I Am Skylar)
-Lara Cassidy (Tracy and Martina’s Cape Breton Christmas)
-Koumbie (The Sooner We Do #1)

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Former Entertainment One executives launch new Canadian-based content indie Blink Studios with Endeavor Content as lead strategic investor

From a media release:

Veteran executives John Morayniss (above), Patrice Theroux, Jeff Lynas and Nelson Kuo-Lee have reunited to launch a new content venture, BLINK STUDIOS with Endeavor Content as its anchor investor and lead strategic partner. Headquartered in Toronto with offices in Los Angeles, BLINK STUDIOS will operate as a full-service indie studio focused on the development, production and monetization of premium scripted and unscripted content for a global market. As part of Endeavor Content’s strategic relationship with BLINK STUDIOS, Endeavor Content will be BLINK STUDIOS’ priority distribution partner on a worldwide basis.

With its Canadian base of operations, BLINK STUDIOS will be deploying a significant portion of its capital to make investments in Canadian production companies focusing on both scripted and unscripted programming in all genres and formats. In addition, BLINK STUDIOS will put in place strategic deals with best-in-class writers, creators, producers and other related content enterprises, as well as aggressively pursue IP in Canada and throughout the world. As well, BLINK STUDIOS will apply significant resources to support new and diverse Canadian voices and will utilize its expertise, capital and extensive relationships to give diverse, unique and compelling stories an opportunity to reach a worldwide market.

“I am beyond delighted and energized to be partnering with my former colleagues, Patrice, Jeff and Nelson, in this new media enterprise,” said Morayniss. “And, of course, we couldn’t be more excited about launching Blink Studios with the commitment and support of Endeavor Content as our lead strategic investor. When we first began our discussions with Chris and Graham, we felt that there was an immediate understanding and alignment as to why we were so passionate about building a world-class Canadian indie and how we were going to achieve success with a new and improved creative-first approach and strategy. And, with Kirstine and Chris joining our board, we have some of the best strategic minds in the business. We can’t wait to get going!”

“We are thrilled to be in business with such a phenomenal team and to help support building a business that leans heavily into Canadian talent. Blink is set up to invest in both the most established producers and the incredibly exciting emerging voices coming from Canada – where huge opportunity exists,” said Chris Rice & Graham Taylor, Co-Presidents of Endeavor Content.

BLINK STUDIOS is in the process of assembling its creative and production team and will be announcing key hires in the coming weeks.

John Morayniss co-founded Canadian indie Blueprint Entertainment in 2002, and as CEO rolled up Blueprint with several other Canadian based media businesses that were then acquired by eOne in 2008 to launch eOne’s television business. John then led eOne TV, as its CEO, for a decade. Under his leadership, eOne established an unparalleled network of global television partnerships, delivered acclaimed scripted and unscripted series and grew its global sales operation to be among the best in the industry. Some of the most notable productions during his tenure include global hit series from The Mark Gordon Company The Rookie, created by Alexi Hawley; starring Nathan Fillion for ABC and Designated Survivor created by David Guggenheim starring Kiefer Sutherland for ABC and Netflix; as well as HBO’s Sharp Objects written/created by Marti Noxon, starring Amy Adams; Hell On Wheels, with Anson Mount for AMC; from Ilana Frank’s ICF Films Burden of Truth created by Brad Simpson, starring Kristin Kreuk for The CW and CBC as well as police procedural Rookie Blue created by Morwyn Brebner, Tassie Cameron and Ellen Vanstone for Corus and ABC; and non-scripted series including Naked and Afraid for Discovery; Siesta Keys for MTV; LA Burning: The Riots 25 Years Later for A&E; and worldwide distribution for AMC’s The Walking Dead and Fear the Walking Dead. His innovative deal-making, leadership and relationships worldwide resulted in the exponential growth of eOne’s television business in Canada and around the globe. Prior to Blueprint Entertainment, Morayniss was head of television at Alliance Atlantis, where he oversaw all development, production and co-production activities for the television division, including the mega-hit series franchise, CSI.

Patrice Theroux is one of the industry’s most respected film and television executives having built major distribution and production organizations for more than 30 years including Alliance Films, where he was Chief Executive Officer and Entertainment One where he served as President of Film and Television from 2007 to 2014 and guided the entry and growth of the company in all of its content initiatives. Having also produced more than 45 films and television programs, he is a member of the Producers Guild Association (PGA), the British Academy of Film and Television (BAFTA) and the Academy of Canadian Cinema and Television.

Jeff Lynas was responsible for all of the day-to-day operations for eOne Television on a global basis before leaving the company after a decade. He also led business development for the division, establishing and structuring new business relationships across production, distribution, and digital media. Lynas supported the growth of eOne’s U.S. non-scripted business, worked on transformative deals including the initial acquisition of The Mark Gordon Company and a multi-series output deal with AMC networks. Lynas joined eOne in September 2008 when the company acquired Blueprint Entertainment, where he served as senior VP. Before the acquisition, he played a key role in establishing Blueprint’s business in the U.S. and building relationships with producers and broadcasters.

Nelson Kuo-Lee served as Executive Vice-President of eOne’s Film and Television business and also held positions of COO and CFO before departing in early 2020. Kuo-Lee joined eOne in 2007 as it planned its launch as a content studio and was instrumental in shepherding its growth into a leading global independent; as COO, leading its early M&A efforts and its entry into film production and most recently as CFO, overseeing its finance transformation initiative.

Kirstine Stewart is an internationally award-winning leader with deep expertise working at the intersection of media and technology, and a reputation for turning around revenue performance and driving new market expansion on a global scale. Her work spans executive leadership roles with Twitter, Canadian Broadcasting Company (CBC), Crown Family Media/Hallmark, the World Economic Forum, as well as other media corporations and technology start-ups. Stewart is presently the Chief Revenue Officer of Pex, a technology company backed by Tencent and Universal Music Group. Formerly at the World Economic Forum, Stewart headed the Future of Media, Entertainment, & Sport division, collaborating with C-level leaders from multinational enterprises to address emerging issues. Prior to joining the WEF, she served as President and Chief Revenue Officer for TribalScale, a global innovation and digital transformation firm, after leaving her post as Chief Strategy Officer for Diply, an early-stage tech start-up and content publisher that ranked #1 in Deloitte’s Fast50 Tech Growth Companies in Canada. Stewart initially entered the tech industry as the Founding Head of Canada for Twitter before taking on the role of VP Media for all of North America. As a prolific broadcasting industry leader, she was credited with catapulting ratings and launching into the digital market as CBC’s Head of TV, Radio & Digital. Prior to that, she served as Senior Vice President to grow the subscriber base for Alliance Atlantis, a media company with a portfolio of Canadian lifestyle channels including HGTV, Food Network, BBC Canada, National Geographic, History, and many others.

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The Banff World Media Festival names Lionsgates’ Kevin Beggs as board chair

From a media release:

The Banff World Media Festival (BANFF) is proud to announce that Kevin Beggs, the Television Group Chair of global content leader Lionsgate (NYSE: LGF.A, LGF.B), has been elected Chair of BANFF’s Board of Directors. He succeeds renowned executive Randy Lennox who served as Chair of the Board for three years.

“As a longtime Board member and participant in this prestigious and exciting festival, I’m deeply honoured to be named Chair of BANFF’s Board of Directors,” said Beggs. “BANFF brings together the best of the best of the international screen industry and content producers from all corners of the globe. I look forward to continuing to work with the incredible BANFF team in making BANFF the must-attend television event of the year.”

“One of the industry’s most respected executives, Kevin has been a long-time board member and a genuine champion of the festival in Hollywood and around the world. It’s an honour to welcome him as our new Chair. His creative vision and passion for the business is a perfect match to help us to continue delivering on the festival’s mandate to grow and serve the industry,” said BANFF’s Executive Director, Jenn Kuzmyk. “We thank Randy for his years of service leading the Board of Directors. His enthusiasm and innovative thinking have helped us reach new heights, including celebrating the festival’s milestone 40th anniversary and helping us to rise to the challenges caused by the pandemic.”

“I couldn’t think of a better addition and champion of BANFF than the extremely talented Kevin Beggs to take over as Chair of the Festival,” commented Lennox. “I’m thankful for having the opportunity to work with the incredible group of board members, Executive Director Jenn Kuzmyk and the team at Brunico led by Russell Goldstein. I can’t wait to see what the team will achieve under Kevin’s tenure in what I’m sure will be next level content innovation.”

A 23-year veteran of Lionsgate and a member of its corporate senior management team, Beggs has spearheaded the strategic expansion of the Company’s television production operations into one of the largest independent television businesses in the world. In 2018, Beggs was also named Lionsgate Chief Content Integration Officer responsible for overseeing the Company’s “Lionsgate 360” efforts, the cross-collaborative approach to developing new content from iconic Lionsgate intellectual properties across all of its businesses, including the 1619 Project initiative.

Since joining Lionsgate in 1998, Beggs has guided the Television Group’s growth into a leading supplier of premium content for streaming, cable and broadcast networks. Lionsgate’s roster of nearly 70 shows on dozens of different platforms includes: Home Economics (ABC); Ghosts (CBS); Mythic Quest and Acapulco (Apple TV+); Love Life (HBO Max); Selling Sunset (Netflix); the syndication success The Wendy Williams Show; and a number of STARZ shows including Power Book II: Ghost, Run the World, Heels, Blindspotting, and Power Book III: Raising Kanan. Upcoming series include Dangerous Liaisons for STARZ; Santa Inc., Julia and Minx for HBO Max; Welcome to Flatch for FOX; and The First Lady for Showtime; as well as the Roku holiday special Zoey’s Extraordinary Christmas.

Beggs also shepherded eight seasons of the multiple Emmy Award® winner Mad Men, one of the most acclaimed shows in television history, seven seasons of the ground-breaking Orange is the New Black, eight seasons of the hit comedy Weeds and six seasons of the popular Dead Zone.

He is the recipient of the Alliance for Children’s Rights’ 2019 “National Champion for Children Award,” Operation Smile’s John Connor Humanitarian Award, The Help Group’s Teddy Bear Humanitarian Award, Clayton Children Museum’s “Discovery Award,” and the Broadcasting & Cable 2014 Innovation Award. In October 2017, he was inducted into the Broadcasting & Cable Hall of Fame. Beggs has served on the Board and Executive Committees of the International Academy of Television Arts & Sciences, the Los Angeles Paley Center for Media and the National Association of Television Program Executives (NATPE), serving as its Chairman for four years. Beggs is currently a Board member of the homeless youth center My Friend’s Place, Cayton Children’s Museum, Southern California Public Radio, and Green Dot Charter Schools.

Located in Banff, Alberta, Canada, BANFF is a premium marketplace and conference, an intimate space where unparalleled access, creative inspiration and expert insight combine to launch fresh content and new business strategies. Celebrating its upcoming 43rd year in 2022, the festival has grown into a must-attend annual event where media moguls, producers, creatives and industry stakeholders along with broadcasters and digital media companies tackle issues and trends, forge relationships and nurture partnerships in one of the world’s most stunning landscapes.

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Preview: Murdoch Mysteries, “The Incorrigible Dr. Ogden”

What has Julia gotten herself into? That was my first thought upon seeing images for Monday’s new instalment of Murdoch Mysteries. Had she been sent to an institution for bad behaviour?

As it turns out, she’s there for a very good and important, reason. Here’s the official synopsis for “The Incorrigible Dr. Ogden,” written by Christina Ray and directed by Craig David Wallace:

To solve an inmate’s murder, Murdoch sends Ogden undercover at a woman’s reformatory.

And here is more information from me after watching an episode preview.

Things start gorily
Murdoch Mysteries isn’t known for being over-the-top with its portrayal of dead bodies, and Monday’s death certainly isn’t that. Still, it’s a little disturbing to start off the episode with, well… you’ll see.

A Slasher star guest-stars
If you’re a fan of Slasher: Flesh & Blood or Kim’s Convenience, you’ll recognize Sabrina Grdevich in a key role on Monday. Keep your eyes peeled for August Winter (Mary Kills People), Sarah Dodd (Anne with an E), David Andrew Reid and Murry Peters.

Margaret is back!
And it’s good to see her.

A new case for Watts
A case of kidnapping brings a new person into Watts’ life, just when things seem to be at an impasse with Jack.

A history lesson
Yes, the Andrew Mercer Reformatory for Women was a real place. Opened in 1872, it closed in 1969(!). Find out more about where it was located, and a building that still stands from the complex, here. And, learn more about Eva Tanguay, “The Queen of Vaudeville,” and Long Tack Sam.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of Stephen Scott for Shaftesbury.

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