TV, eh? | What's up in Canadian television | Page 14
TV,eh? What's up in Canadian television

Paramount+ in Canada adds two projects to its development slate from Boat Rocker

From a media release:

Paramount+ announced today two new, Canadian original comedy titles to their expanding development slate from Boat Rocker. BENSEN, created and written by Clara Altimas, and ELECTED, created and written by Michael McGowan, have been added to the growing list of Canadian content backed by the global streaming service. In June, Paramount+ in Canada revealed its first set of projects in the development stage consisting of Paramount+ Original documentary, 500 DAYS IN THE WILD from Dianne Whelan and four other projects from a variety of Canadian creatives.

New Titles in Development

BENSEN
A scripted dramedy about a struggling limo driver who tries to maintain fun dad status after the death of his wife and with the help of his dysfunctional family. BENSEN is a story about the impossibility of grieving the right way. Created and Written by Clara Altimas. For Boat Rocker Executive Producers are: Clara Altimas, David Fortier (Slip, Beacon 23), Ivan Schneeberg (Slip, Beacon 23), and Kerry Appleyard (Orphan Black: Echoes, Robyn Hood).

ELECTED
When an A-list actor unexpectedly has an opportunity to become the Prime Minister of Canada, he accepts what could turn out to be the worst decision he’s ever made or, improbably, the role of a lifetime. A premium comedy series created by Michael McGowan (All My Puny Sorrows, Still Mine), Creative consultant is Sherry White (Pretty Hard Cases, Rookie Blue). For Boat Rocker Executive Producers are: Michael McGowan, David Fortier, Ivan Schneeberg and Kerry Appleyard.

Additionally, Paramount+’s first Original documentary, 500 DAYS IN THE WILD will premiere at the Whistler International Film Festival this Friday, December 1. The project will have a limited theatrical run in early 2024, followed by its premiere on Paramount+. 500 DAYS IN THE WILD is produced by Betsy Carson with Executive Producers Christine Haebler and Dianne Whelan for Rebel Sisters Productions and distributed in Canada by Elevation Pictures.

Previously announced Series in Development with Paramount+ in Canada include; HATE THE PLAYER: THE BEN JOHNSON STORY from writer Anthony Q Farrell (The Office U.S.) and award-winning producers New Metric Media (Letterkenny), LEN & CUB from writer Lynne Kamm and producers Muse Entertainment and Elliot Page’s Page Boy Productions, CARPE DEMON from award-winning showrunner Emily Andras (Wynonna Earp, Lost Girl) and producers December Films, Cineflix Studios, Gina Marcheschi and Jon Brown and THEY DRIVE AT NIGHT written by Emmy Award winner Craig Wallace (Murdoch Mysteries, Todd & The Book of Pure Evil) and producers Black Birds Entertainment.

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Crave announces new short-form original comedy series, My Dead Mom

From a media release:

Crave announced today, the new, six-part short-form comedy series, MY DEAD MOM. From LoCo Motion Pictures, creator Wendy Litner, and executive producer Lauren Corber, the Crave Original series is currently in production in Toronto, and stars Megan Follows (ANNE OF GREEN GABLES, REIGN) and Lauren Collins (DEGRASSI: THE NEXT GENERATION, SLIP).

Emmy wanted to hike the Appalachian Trail after her mother died, she was just really busy. But three years on now, her grief is catching up with her. As she questions her lipstick and life choices, her dead mother, Fern, pops into her life to voice her opinions and tell her red really isn’t her colour. Even death hasn’t stopped Fern from being fabulous. Emmy is trying to live her best life, but how do you let go of something that is so present? With sharp wit and aching tenderness, MY DEAD MOM explores the complicated nature of grief through mothers and daughters, and death.

Rounding out the cast for MY DEAD MOM are Rainbow Sun Francks (HIGH FIDELITY), David Reale (THE BOYS), Daniel Maslany (MURDOCH MYSTERIES), Daniel Kash (SLASHER), and guest star Matt Murray (IN THE DARK).

MY DEAD MOM is produced by LoCo Motion Pictures, in association with Bell Media, with the participation of Independent Production Fund, Ontario Creates, and the Bell Fund. The series is distributed internationally by Blue Ant Media. Wendy Litner (HOW TO BUY A BABY) is creator and executive producer, alongside executive producer Lauren Corber (DETENTION ADVENTURE) of LoCo Motion Pictures. Chandler Levack directs (I Like Movies), Palmer Baranek is supervising producer, and co-producer is Moe Rai.

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Crave orders a fifth season of its hit original series, Canada’s Drag Race

From a media release:

A week from the premiere of a new season of CANADA’S DRAG RACE, Crave today announced that it has ordered a fifth season of the wildly-popular series. CANADA’S DRAG RACE, the #1 most streamed Canadian Reality show on Crave this year, is available to audiences in Canada, in both English and French. The series is produced by Blue Ant Studios in association with Crave and World of Wonder.

Canadian drag artists looking to flaunt their distinct brand of Charisma, Uniqueness, Nerve, and Talent can submit their applications now at https://www.canadasdragracecasting.com/. Applicants must be 19 years of age as of Nov. 1, 2023, and a Canadian citizen or permanent resident of Canada.

CANADA’S DRAG RACE is set to premiere its fourth season on Crave on Thursday, Nov. 16 at 9 p.m. ET, and is also available on World of Wonder’s SVOD platform WOW Presents Plus in the U.S., and in more than 160 countries around the world, and coming soon to BBC Three and iPlayer in the U.K. Crave recently announced the new series and format, SLAYCATION, in partnership with Blue Ant Studios and World of Wonder, with CANADA’S DRAG RACE: CANADA VS: THE WORLD set to return for a second season next year.

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Link: “The episodes are based on real crime headlines”: Meet the showrunner behind the new Law & Order Toronto

From Courtney Shea of Toronto Life:

Link: “The episodes are based on real crime headlines”: Meet the showrunner behind the new Law & Order Toronto
“Contrary to popular belief, we have a lot of material to work with. There are also some things about the Canadian system that are different, and it’s interesting to look at those nuances. In the court scenes, for example, our background players are in legal robes. You would never see that in the US version.” Continue reading.

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