Bell Media’s Aug. 14 announcement regarding its 14 new comedies and dramas in development for The Movie Network was significant. For the first time that I can recall, a Canadian network unveiled its development plan for the coming year, showing its cards in advance. Though commonplace in the U.S. where pilot orders and development deals are announced daily via Variety and Deadline, it’s rare to show your cards north of the border, and was an adjustment for Bell.

“We had talked about doing it or not doing it over the years,” Corrie Coe, senior vice-president of independent production for Bell Media admits. “In terms of the industry, it gave a sense of the projects that we were working on, the types of talent we were working with and the levels and range of projects which we thought was helpful. We have heard from producers and writers who have said that it has been helpful to know what we’re already working on so they know what to pitch and what not to pitch to us. We were a little worried whether we were giving away too much information but tossed that worry out the window and we’re glad we did.”

She explains that in an average year Bell Media receives 1,200 to 1,300 pitches. Each one is looked at before 40 to 50 are chosen for development before that number is trimmed down to the projects greenlit to pilot or ordered to series. Two of those given the go-ahead this year were comedies Letterkenny and Prons.

Created by 19-2 actor Jared Keeso and Jacob Tierney (The Trotsky) with New Metric Media, Letterkenny is a television adaptation of the duo’s outrageous NSFW YouTube series Letterkenny Problems, which points video cameras at two buddies living in a fictional small-town in Ontario who wax poetic on the problems plaguing they and their fellow townsfolk. Keeso says he and Tierney headed to the Internet after the CBC passed on 19-2 after a pilot episode had been filmed. (The series was picked up by Bravo and Season 2 of 19-2 is currently in production in Montreal.) Tired of relying on auditioning to decide his fate, Keeso opted to create his own content unencumbered by network rules.

“I think this is a great route to go,” he says of his show’s YouTube beginnings. “Not only are you being creative and showing initiative and you’re in control, but you can do whatever you want to. It’s all yours.” Letterkenny is being retooled for television, with more characters being added to round out the cast; at press time Keeso and Tierney have submitted three scripts to Bell Media.

Meanwhile, fellow comedy Prons has the cache of having the high-profile writer/director/actor Kevin Smith attached to it. The man behind Mallrats has teamed with Degrassi and The Best Years showrunner Aaron Martin to tell the ribald tale of a famous porn star who returns to his small town of Brantford, Ont. Martin, who is from Brantford, was approached by Smith and Halfire Entertainment president Noreen Halpern after Smith pitched the idea and needed a Canadian writer to come on board.

Martin was the pair’s first choice; he had worked with Smith on Degrassi and Halpern on The Best Years. The road to getting Prons on the air has been a long one. Martin and Smith pitched the idea to networks two years ago and Astral Media bit. When Astral was purchased by Bell Media, Prons moved under The Movie Network umbrella. Martin laughs when he recalls having to write a show bible explaining why this character is moving back to his hometown.

“It’s about a guy who is in his 30s and wakes up and says ‘What have I done with my life? How did I get here?'” he explains. “And he remembers a time before he sold out and that time was when he was a high school student and his whole life was laid out ahead of him. So he goes back to see his former girlfriend, his former best friend and to save his town’s hockey rink.” Like Keeso and Tierney, Smith and Martin are waiting to hear whether they’ll be moving forward.

Other notable projects in development at TMN include Thunderhouse Falls, written by award-winning author Joseph Boyden; time period crime drama The Tenderness of Wolves, based on the novel by Stef Penney; and Gucci Wars, which tracks the rise and fall of the famed Italian designer. Coe says all are in various stages of the creative process, with some having pilot scripts done, others not that far yet and others working on show bibles. It’s a long journey in a country that relies on tax credits and other financing to come through and networks have to be sure each project is the right fit before they commit to greenlighting a season.

“I do think making TV in Canada is hard,” Coe says. “Even once you have scripts and a bible done and all of the research completed you still have to assemble financing at a level that will allow you to support that budget and creative in a way that makes your show look head and shoulders above anything else out there.

“We’re fortunate to have the tax credits that we do but I do think it’s tricky to cobble together those pieces and get to the moment that the cameras are rolling on Day 1.”