TV, eh? | What's up in Canadian television | Page 1631
TV,eh? What's up in Canadian television

Friday: The Next Step, Marketplace, Fifth Estate

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The Next Step, Family Channel – series premiere
Family gets its groove on with the series premiere of the Canadian original series, The Next Step. In the first episode “Get the Party Started,” The Next Step Dance Studio holds auditions looking for the 10 best dancers to take them to regionals. With the arrival of an amazing new dancer, no performer’s spot is guaranteed.

Marketplace, CBC – “The Great Salt Shakedown”
Are Canadians consuming too much salt, and do we even know where to look for it? In The Great Salt Shakedown on MARKETPLACE, Tom Harrington reveals the shocking amount of salt hidden in our diets, and investigates why our government doesn’t regulate how much sodium the food industry can put in our food. Too much salt can cause some serious health problems, and most of us don’t have a clue.

The Fifth Estate, CBC – “Second Wave”
Two years ago countless lives and the very landscape of Japan were changed forever by a wave that saw more than a million tonnes of debris swallowed up by the ocean. Now Mark Kelley reports on the second wave of the tsunami headed for Canadian shores, and a remarkable human drama that links this country with Japan.

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Almost Live at the Canadian Screen Awards

(photos by Derek Langer)

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I spent last Sunday night in the press room at the inaugural Canadian Screen Awards. It was quite the night for Canada. The Sony Centre in downtown Toronto was at capacity with Canadian celebs, writers, directors and producers. The two hour broadcast aired on CBC in staggered time slots across the country, with a half hour of red carpet hosted by Shaun Majumder.

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This was followed by an hour and a half of Martin Short singing show tunes and cracking one-liners. Oh yeah, I think we gave away a few awards in there too.

The biggest question surrounding the event has perhaps been what to nickname the actual award. While some felt that a nickname would present itself as Canadians talked over the event, others believed a nickname should be chosen and presented to the media as the “official nickname” of the awards. Twitter was ablaze with suggestions and theories over what the nickname should be. When I asked the winners and presenters I heard everything from the obvious “Screenie” to the more imaginative “Candy,” “Geminini,” “Ceesah,” “Huggy,” and “Awardy.” It’s safe to say that by the fifth broadcast one nickname will have broken ahead of the pack.

This was the first year that the film-based Genies and the TV-based Geminis merged into one meta-broadcast. While the ratings were up from last year’s Geminis by over 75%, there was some question about whether the separate ceremonies should have been combined at all.

With two industry galas preceding the main event, a plethora of the awards were given out earlier in the week, saving some of the audience favorites for the televised broadcast on Sunday night. While the members of the Academy worked hard to pare down the categories into a manageable amount, they didn’t quite cover everything. Writer/director Sarah Polley requested categories for crew contributors at next year’s event.

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On the subject of combining the two awards shows, Kevin O’Leary (Dragon’s Den) was all for it. He agreed that combining film and tv was the smartest thing to do, creating a wider audience, building ratings and  inspiring a higher level of awareness for Canadian productions.  Spoken like a true Dragon.

A show this big doesn’t happen without its fair share of controversy. This year’s malcontent came courtesy of several decisions that surprised the audience and ruffled a few feathers. The hot-button issue was CBC’s choice to stagger the broadcasts across different timezones. While this is a classic fight between coasts, staggering this event handcuffed media to one of two realities: hold off on live tweets, announcing the winners, and posting photos until the last broadcast was airing, or spoil the results for those further west. I didn’t see anyone doing the former, especially since audience members were offering digital congratulations during the awards.

Another piece of controversy arose when the award for Best Comedy Series was given in the off-air pre-show. Taken by Less Than Kind, the award was given out to an almost empty theatre, while the attendees snagged one last cocktail before the live broadcast. A compromise was made when a pre-taped segment of the Less Than Kind winners on stage was spliced into the broadcast (the same with Brian Williams who won for Best Sports Host).

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LTK showrunner Mark McKinney had positive words down in the press room. “I don’t hold it against the Academy, as they’ve done a lot of things right and done their job for year one. But next year, they won’t get away with the same thing.”

Despite the controversy, attendees of the awards were in high spirits. The red carpet was bustling with celebs and a wild scrum of photographers before the event. The post-show cocktail party was so popular that it continued until staff from the Sony Centre hustled everybody out to the after-party several blocks away.

The audience engaged with Martin Short, and the spirit of camaraderie was evident in the theatre as well as the press room where not only winners appeared, but nominees and attendees also showed up to hobnob with the media vultures and test out the press room food.

Martin Short proved not only to be a nominee and talented comedian but a true entertainer as well, when he busted out a song I’ve dubbed “Marty’s Night” about his chances at winning an award. When he lost in both categories, he kept his good humour, maintaining that his “rock bottom is everyone else’s dream.” Short wasn’t afraid to press a few buttons, poking fun at Cheryl Hickey’s pregnant “ice cream” belly, and critiquing the Housewives’ collective intelligence level. He also brought back some beloved characters from the past.

FatMartinShort_zps20d9b17aJiminy Glick (The Martin Short Show) joined Majumder during the red carpet broadcast, embodying Joan Rivers and bringing life to the pre-show. Some of the major presenters during the awards included Catherine O’Hara (SCTV), Adam Beach (Arctic Air), Kristin Lehman (Motive), Allan Hawco (Republic of Doyle), Allan Thicke (Growing Pains), Sarah Canning (Primeval: New World), Rick Mercer (Rick Mercer Report), Meg Tilley (Bomb Girls), Jody, Ronnie and Mary (The Real Housewives of Vancouver), Gerry Dee (Mr. D), Enrico Colantoni (Flashpoint) and many more.

The last award of the night was given out for Best Dramatic TV Series. Unsurprisingly the final award went to the team from Flashpoint, making them the big winners. This was undeniably a big honor after wrapping their fifth and final season by their own choosing. The series finale aired in December last year.

Flashpoint also took home awards for acting, writing, and the team was honoured for their achievements in television at the industry gala on Thursday night.

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The Five Best Things About the Canadian Screen Awards:

  1. Martin Short as a bagpipe.
  2. A professional, multi-camera broadcast with an elegant stage, celebrating Canadian achievements.
  3. The sheer volume of media interested in covering this event.
  4. The mini roast beef amuse-bouches served after the awards.
  5. Seeing a theatre filled with diverse Canadian talent, excited to celebrate each other and themselves.

The Top Five “Opportunities” for Improving the Canadian Screen Awards:

  1. One live broadcast, country wide (no spoilers!).
  2. A better balance between Film and TV at the Main Event.
  3. Better media information, press packages, and subtitles on the press room feed during the awards.
  4. A longer live broadcast, or at least some wiggle room at the end for overages. If the Oscars can close in on 4 hours we can at least manage 2 and a half.
  5. PICK A DAMN NICKNAME! Tell the press and market it or they’re going to end up being called The Pointies or similar.

And just for good measure, here’s my buddy Strombo looking steeped (yep, I’m bringing it back!):

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What were your favorite moments? What would you change? 

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CTV orders Spun Out to series

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From a media release:

Bell Media’s CTV Orders New Half-Hour Original Comedy Series SPUN OUT

  • Ensemble comedy stars Dave Foley, Paul Campbell, Rebecca Dalton, Al Mukadam, Holly Deveaux, JP Manoux, and Darcy Michael
  • Jeff Biederman, Brent Piaskoski, Brian K. Roberts and Andrew Barnsley team-up for CTV’s multi-cam office comedy

CTV announced today from the Prime Time in Ottawa conference it has ordered to series the new half-hour Canadian scripted comedy series SPUN OUT, starring Dave Foley (NEWS RADIO, KIDS IN THE HALL), Paul Campbell (BATTLESTAR GALACTICA), Rebecca Dalton (THE L.A. COMPLEX), Al Mukadam (RADIO FREE ROSCOE), Holly Deveaux (BAXTER), JP Manoux (COMMUNITY, ER), and Darcy Michael (ENDGAME). From Project 10 Productions, CTV’s multi-cam office comedy is created by Jeff Biederman (LIFE WITH DEREK), Brent Piaskoski (ACCORDING TO JIM) and Brian K. Roberts (EVERYBODY LOVES RAYMOND), and is produced by Andrew Barnsley (HOTBOX). CTV has ordered 12 half-hour episodes in addition to the pilot shot last month in Toronto. The series is set to begin production mid- spring.

SPUN OUT joins a growing list of recent original series orders from CTV, including relationship comedy SATISFACTION, and the ensemble undercover detective drama PLAYED (working title). The three programs are part of CTV’s burgeoning lineup of original scripted series, including MOTIVE, SAVING HOPE, and THE LISTENER, and join the blockbuster upcoming unscripted series THE AMAZING RACE CANADA.

In the multi-cam workplace comedy SPUN OUT, failed writer Beckett Ryan (Paul Campbell) joins DLPR, a public relations agency staffed with people who can spin everyone’s problems but their own. From the eccentric company figurehead Dave (Dave Foley) and his insecure daughter Stephanie (Rebecca Dalton), to PR shark Nelson (Al Mukadam) and Dave’s ever-loyal assistant Bryce (JP Manoux), the DLPR office has no shortage of personality. No matter how bizarre the cases are that the agency takes on, they pale in comparison to the workplace romances, rivalries, personal successes, and often hilarious failures of the close-knit and dysfunctional colleagues at DLPR.

SPUN OUT also stars Holly Deveaux as Beckett’s unapologetic and brazen ex-girlfriend Abby and Darcy Michael as the office’s loveable loser Gordon.

SPUN OUT is produced by Project 10 Productions in association with CTV. Gemini Award winners Jeff Biederman (LIFE WITH DEREK, OVERRULED!) and Brent Piaskoski (ACCORDING TO JIM, RADIO FREE ROSCOE) are co-creators, writers and executive producers. Brian K. Roberts (EVERYBODY LOVES RAYMOND, THE DREW CAREY SHOW) is co-creator, director, and executive producer. Andrew Barnsley (HOT BOX) is executive producer. Sarah Fowlie is Director, Independent Production, Comedy, Bell Media. Corrie Coe is Senior Vice-President, Independent Production, Bell Media. Mike Cosentino is Senior Vice-President, Programming, CTV Networks. Phil King is President, CTV Programming and Sports.

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Ice, Sweat and Tears – A Filmmaker Interview

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Photo of Aaron Hancox (Co-producer) and Judy Holm (Executive Producer) at the Canadian Screen Awards

(Photo by Derek Langer)

 Ice, Sweat and Tears, an hour-long figure skating documentary, is set to air on Thursday, March 7 on CBC’s Doc Zone. The film investigates the dedication, stamina and training that it takes to compete as a figure skater on the world stage, and serves as an introduction to the fiercely competitive and highly athletic world of figure skating.

Ice, Sweat and Tears takes a close look into the journeys of ice dance champions Tessa Virtue and Scott Moir, the young pairs team Paige Lawrence and Rudi Swiegers, and the well known men’s competitor Patrick Chan, among others, with insights from seasoned veterans who’ve retired from the competitive scene, Kurt Browning and Elvis Stojko.

Spouses, family, and fans of other sports often misunderstand the world of the figure skating “super fan” and misjudge the complex sport of figure skating. Where hockey is a team effort with easily definable points, figure skating is intense athleticism hiding demurely under carefully chosen costuming. It is a solo effort with a complicated scoring system, where one athlete spends time in the spotlight performing. Ice, Sweat and Tears opens up the world of the super fan, enlightening others as to why they may hold their breath for 4 minutes and 30 seconds until the artistic performance is completed. The film gets people to understand the relational and personal nature of figure skating, and serves as a great intro to the sport for those who may not quite “get it”.

I had a chance to talk to husband and wife filmmaking team Michael McNamara (not pictured) and Judy Holm about making Ice, Sweat and Tears.

RL: What got you interested in Figure Skating in the first place?

JH: I’m a big fan – I have been for a long long time.

MM: And I live with a big fan.

JH: I would call Michael in to watch specific things, since I came from a dance background; I get really excited and totally “get” it when they do something spectacular.

RL: What was the most surprising thing you learned about skating through the course of the documentary?

MM: I really didn’t realize the level of athleticism that was involved – the speed and stamina that is required of these athletes.  As soon as I realized this, that became the goal, to get the viewers a little closer to the action. When you’re watching on TV you can’t tell how fast these kids are moving.

JH: I don’t think that I really really really understood the depth of the danger that accompanies this sport.

MM: We were able to strap cameras to their arms, chests and skates to give their point of view. A whole different perspective.

RL: How would you say that Canada’s teams and program differ from other world teams.

JH: Canada has always been up there in the top competitors ever since we started. There’s always been a Canadian skater from one or two of the disciplines [singles, pairs, ice dancers] at the top. The interesting thing that is happening lately is the expansion of the disciplines that we’re at the top in.

When Tessa and Scott won at the Olympics it was the first time a North American team had won ice dance – it’s been a category dominated primarily by the Russian teams. It’s a bit more global now as they’re trained by a former soviet star: less political blocks and more global.

RL: What sort of sense did you get from the “retired” skaters?

JH: Kurt Browning and Elvis Stojko are two guys who were fascinated by athleticism and speed. They were just guys out there. Kurt continues to skate with his shows. Elvis is an adrenaline junkie doing go-cart racing.

Competitively skating is a sport that has a limited life span. You’re not doing it by your mid 30s; amateur competition even more so. I’m sure there are all kinds of stories, good, bad, and in the middle. When you’re a champion, that  continues to be a part of you even after you’re done.

RL: What was the biggest challenge in making this documentary?

JH: Remembering to bring our long underwear.

MM: Even in the summer!

MM: I’d say maybe getting the skaters used to our presence. We wanted to be flies on the wall, to capture real honest responses. We were a small team, a small crew. They’re used to cameras but usually the scrutiny begins and ends at the competition. We had to gain their trust, and I think we did.

JH: It’s a fine balance between getting enough film, because they’re distracted and focused on their season. We worked a lot with Skate Canada and did a lot of planning with Barb McDonald to get everything we needed without taking away from the skaters’ focus.

RL: How do you feel this documentary will affect the Canadian public?

JH: I think they’re gonna love it!

Doc Zone and CBC have positioned it so it’s a lead-up to the Worlds. CBC has worked very well with Skate Canada.  We’ve got some preview clips to be shown at the lead-up events.

MM: People who are skating fans can be quite obsessive; they’re a different breed than other fans. When a skater is on the ice, they’re all alone. It’s a very different kind of sport than any other sport. It’s an enormous pressure. The super fans feel very invested in the athletes, like they have a relationship and it’s reciprocal. We hope the super fans will take something away from it, and for people who don’t know anything about it at all that it will make an impact.

JH: I want to convert [more fans]!

 RL: What is your next project, if you have one in the works?

 MM: We have a couple dramas in development at the moment as well as a BravoFACT project – Incident at Lesion Fields that we are co-directing starring Mary Walsh ,Tommy Lee Williams, and Janet Burker.

Thank you Mike and Judy for taking the time to talk to me about Ice, Sweat and Tears.

Ice, Sweat and Tears airs on CBC Television’s Doc Zone Thursday, March 7, 2013 at 9pm (9:30 NT) and repeats Saturday, March 9 at 11pm ET/PT on CBC News Network.

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