Link: 5×5 With The Hook: Hugh Dillon
“The writing on that show was so good it transcended language barriers/cultural differences and has stood the test of time. And it is amazing how we can drop all the walls we put up when we recognize the truth and beauty in the stories. Sometimes it’s a song a show or even a sport that provides that moment of connection, and life is good and you’re in the moment and you’re connected; can’t beat it!” Continue reading.
Women Behind Canadian TV: Stephanie Morgenstern
“We don’t set out with a quota, it just in a very basic and fundamental way feels wrong if there aren’t a lot of females in the company. It just makes no sense. As a creative person, it’s a no-brainer to me that the ideal writing room has a balance between men and women. As an employer–that’s a hat that’s still pretty new to me–I’m seeing this isn’t so simple. The reality that keeps colliding with the ideal is that the available talent pool is rarely a 50-50 split. Same goes for lots of behind the scenes jobs as well, like directing. So what do you do when about five times more résumés or scripts come from men than from women?” Continue reading.
I couldn’t get enough of Flashpoint when it was on the air. The characters, the writing and the production values were incredible; every week I knew the writers would throw a storyline my way that would draw me in. And it all started with that iconic opening theme music.
Whether it be instrumental or with words, a TV show’s theme is very often the audience’s first look at a program, and sets the tone for the rest of the broadcast. And, in the case of old shows, the opening strains trigger memories of what you were doing at the time in your life when the show was on.
Here’s a look at some of my favourite Canadian TV show themes; let me know if you agree, disagree or list your fave in the Comments below.
Why I like it: The mix of brief shots of Toronto’s skyline and that melody hooked me right away, followed by the one-two images of the main cast. But the biggest impact Flashpoint‘s opening theme still has on me is the percussion that ramps up in intensity until the final note, punctuated by the clicking off of the rifle’s safety. That signified to me that the drama was about to begin, and no one was safe from harm.
Why I like it:Traders spotlit the world of investment banking, and the theme reflected that with strings and a vocal section delivering what sounds like a hymn to money. Steady and stately, the rising crescendo plays underneath shots of the lead characters looking serious while lightning crackles, tanks roll and protesters rage.
Why I like it: In my house, no one is allowed to fast-forward through the Murdoch Mysteries theme. Robert Carli’s bass-heavy score trundles along with wispy, tinkly, almost supernatural notes above it. That in itself is cool enough, but by adding in those shots of the magnifying glass going over the Toronto Gazette, a hand and its fingermarks and the morgue instruments makes MM an instant classic. (Carli is responsible for a ton of Canadian TV themes, including Remedy, Cracked, Still Life: A White Pines Mystery, Bomb Girls, Good Dog and Wild Roses.)
The Littlest Hobo
Why I like it: Hobo was in my wheelhouse as a lad, a weekend staple on my grandparents’ television set when I was over for a visit. Looking back on it now, Hobo is almost crying-worthy in its cheesiness and the theme reflects that. With those memorable first lines, “There’s a voice, keeps on callin’ me, down the road, that’s where I’ll always be. Every stop I make, I make a new friend…” the tune lets viewers know not only that we’re in for an adventure, but that the dog is always on the move and will be getting into scrapes along the way. (And the dog can apparently sing too; the song is written as if the pooch is performing it.) “Maybe Tomorrow,” composed and performed by Terry Bush, can be purchased in the iTunes store. Yes, I checked.
Why I like it: No list of Canadian TV themes is complete without The Beachcombers and it was my first real introduction into television outside Sesame Street, Polka Dot Door and Mr. Dressup. And while I don’t really recall any storylines other than every week seemed to pit Nick against Relic, I remember the theme fondly. B.C.’s rugged coast is paired with fast-flying motorboats juxtaposed over a jaunty orchestral production that beckoned me west for adventure … and pie at Molly’s Reach.
The King of Kensington
Why I like it: Admittedly, I wasn’t a huge fan of King of Kensington when it was on, but that opening theme always drew me in. A little love letter to Kensington Market, those bustling streets always fascinated me. I always equated Larry King with being like Archie Bunker, the king of his own little neighbourhood, so to see him walking around those streets, slapping backs and shaking hands like a politician held me in thrall. The theme song is pretty straight-forward, introducing Larry, his long-suffering wife Cathy and mother Gladys, who says her son is the “only King around without a buuuuuck.” Good stuff.
Why I like it: There might not have been a lot going on in Corner Gas, but the theme sure did. “Not a Lot Goin’ On,” written by Craig Northey and Jesse Valenzuela, not only works as a theme song but a legitimately good tune on its own. Sly nods to the flatness of Saskatchewan are interspersed with shots of the cast of characters to let you know wackiness will ensue. This and the theme from Friends are my favourite “themes that are real songs.”
The Kids in the Hall
Why I like it: I didn’t watch The Kids on the Hall on the regular, but I sure loved the theme, “Having an Average Weekend.” Written and performed by Shadowy Men on a Shadowy Planet, it’s twangy and fun and comes off more as a music video than introduction to the show. It certainly didn’t give any hint as to the off-the-wall sketches to come.
Hilarious House of Frightenstein
Why I like it: Vincent Price at his creepiest + endless crackles of lightning + a Moog synthesizer = classic TV.
Why I like it: Thanks to the fact every Canadian (or Ontario) kid is given a recorder in Grade 4, we all learned to play the theme for Friendly Giant. And why not? It was easy and non-threatening, just like the show. As an aside, I always wanted to sit in the rocking chair and look up. Look waaaaay up.
Why I like it: I’ve become a big fan of Heartland since I’ve been reviewing it full-time here on the site, and every Sunday this tune worms its way into my brain where it replays at least midway into Monday. Written by Jenn Grant, just the chorus of “Dreamer” is used by CBC’s long-running family drama but it’s enough to let you know the show is about living your dream—and life—to the fullest.
Republic of Doyle
Why I like it: Smash cuts of St. Johns’s, cast shots jumping across the screen, the beloved GTO pealing around a corner, the chorus of Great Big Sea’s rocking’ tune lets you know in scant seconds that you are in for one hell of a fun ride. Oh yeah!
What did I miss? What are your favourite Canadian TV show themes? Let me know below.
Having spent the last many years as a writer and producer on Rookie Blue, Remedy, and Flashpoint, Adam Barken’s name will once more be splashed across the screen this summer in the new Space series Killjoys.
Killjoys follows a trio of reclamation agents as they chase deadly warrants throughout the Quad, a distant planetary system on the brink of a bloody class war. The three Killjoys form a highly accomplished team of bounty hunters, each with distinct and valuable specialties to offer as they navigate the culturally rich, politically complex, and economically polarized worlds of The Quad.
You’ll hear all about Killjoys, plus some stories from previous shows he’s worked on, and an impending revenge plot against Romper Room.