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TV,eh? What's up in Canadian television

Killjoys announces Viktoria Modesta cast in guest role, plus first-look photos

From a media release:

Space, Syfy, and Temple Street announced today the casting of international bionic pop artist Viktoria Modesta in a guest role in Season 3 of KILLJOYS. Modesta, whose cutting-edge work explores modern identity and diversity through performance, fashion, avant-garde visuals, technology, and science, has been cast as Niko, a lethal Hackmod surgeon with killer legs and a secret crusade. Modesta’s viral hit song, Prototype, will also be featured in the episode. Season 3 of Space most-watched original series premieres Friday, June 30 at 8 p.m. ET, with catch-up on Space.ca and Space GO.

Also joining the Hackmod world is Tommie-Amber Pirie (BITTEN) as Ollie, and Emily Piggford (HEMLOCK GROVE) as Yoki, who both have a connection to Clara, who was last seen helping Johnny flee the Quad; Prince Amponsah (The Entertainer) as Havigan, a respected owner of the “Hacksaw Bar” in RAT CITY; Sean Fowler as Cutter, a hackmodding technician by trade, and Michael Potter as The Enforcer.

Introduced in Season 2, the Hackmods are humans with cybernetic implants who were enslaved and modded in a black market workshop known as The Factory and sold to the highest bidder. Some Hackmods have managed to escape their owners and eke out a life of their own in RAT CITY, a neutral zone situated at the far end of the J Star System, where Hackmods have one another’s backs and ‘Basics’ (unmodded humans), dare not tread.

Also revealed today are eight official first-look photos of KILLJOYS’ upcoming third season. Each episodic image offers clues to what unfolds in the much-anticipated return of Space’s most-watched original series.

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Comments and queries for the week of May 12

My sister and I just saw the Season 10 finale. Wow! Goes a mile a minute, a great ride! Have a very low opinion of Crabtree’s now former girlfriend; never diss William or Julia! We are very happy that he went back to his dancer lady and apologized. Really looking forward to Season 11 to find out how things end up! —Ann-Marie

I sincerely hope that all of the characters return for Season 11 and that a bit of humour is added back into the show. I love this show and hate that in the U.S. we have to wait until January to see it. Long live Murdoch and company. —Donald

Please no more deaths, let Constable Jackson or Higgins be in a coma and let Crabtree be a brilliant cop to help Chief Brackenreid with Murdoch’s case and Dr. Ogden kicks the man’s ass and she gets away and joins Murdoch and together they are fugitives, and Crabtree’s girlfriend realizes she messed up and wants him back but Crabtree wants his old girlfriend back and they will work together. —Shirley

Too many twists and turns! Hope George lives and goes on to find true love in the end! —Roy


Where is Episode 8 [of Anne]? That wasn’t a series end. Not tantalizing, and not consistent with either the book but still rewarding alternative Anne of the rest of the series. I felt they bottled it in reaching for tired old sensationalist tropes. —Jonah

This is such a great adaptation of one of my favourite childhood stories. Amybeths’ portrayal of Anne is outstanding! Of course, each and everyone involved in the making of this show should be commended. It is fantastic! I hope Season 2 is right around the corner. Can’t wait! —CJ

I was sceptical, but this is a good show and the perfect Anne. During the pilot when she cries out of despair on the ground, I knew they’d picked the right child actress. Not everyone could pull off that scene as so genuine. —Kristi

 

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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MasterChef Canada selects its Top 3 in emotional episode

We are just a few weeks away from the finale on June 1, and I have to say this season of MasterChef Canada has been incredible. The guest judges have been A-list and the challenges are the most diverse and difficult I’ve ever seen. Everyone involved should be proud of the work they’ve done.

That, of course, goes for the home cooks who have been put through an emotional wringer this season. They’ve made it this far, but one was set to fall on Thursday night.

“Harvest Family Dinner” began with the final team challenge set on a farm on a crisp autumn day. The word “Family” in the episode title was, of course, a hint that producers would throw Barrie, Trevor, Mai and Thea for an emotional loop by bringing their families in to try out their menus. Barrie, who won the last challenge before Miranda was eliminated, chose his teammate. Her kept the bromance going with Trevor by selecting him, putting Mai and Thea together. The winners of the challenge would immediately be put into the Top 3 … and things got serious super-fast.

I can only imagine how fast that two hours of prep and cooking time must have flown by for the final four, but camera work was a pretty good indication. Hands and feet flew, eyes were focused and every home cook was out of breath. Barrie and Trevor opted for an elevated hunter’s meal of venison while Mai and Thea opted for a surf and turf of bison steak and scallops to reflect their home provinces. Barrie and Trevor worked side by side but without collaboration, trusting each other to pull their weight. Thea and Mai, meanwhile, made recommendations to each other and kept up the advice, and Mai threatened to take over. Which method of working would end up being the winning formula? Remember that it was Thea and Mai’s conflicting advice that had a hand in Justine’s elimination a few weeks ago.

Barrie’s wine sauce for the venison and Thea’s scallops threatened to derail the plans of both squads. The sauce was fixed and the scallops weren’t, meaning that chunk of protein was ignored and Thea’s time had been wasted. Two layers of doneness on the venison was a knock against Barrie and Trevor; the same went for Mai and Thea as Alvin’s steak was overdone. You have got to nail the doneness on protein if you want to score well on MasterChef Canada and those misses were Week 1 mistakes.

Trevor and Barrie won, sending them into the Top 3 and Mai and Thea into the Elimination Challenge. For that, the pair would have to replicate a Hawaiian cloud dessert containing a ginger cookie, pineapple sponge cake and frozen kiwi hidden under a cotton candy cloud. It seemed like an impossible task for Thea and Mai to achieve—I’d love to see Alvin, Claudio or Michael make one—and it looked in the early going like a too-puffy cake would eliminate Mai. But Thea’s candy cloud was a tad deflated and her sponge cake too dense … but her tuille was perfect. Mai’s cloud was fluffier, but a piece of foil from the butter ruined her otherwise wonderful sponge cake.

Mai was eliminated from the competition, meaning Thea is headed to the Top 3 alongside Barrie and Trevor. MasterChef Canada is taking a break for one week during U.S. May Sweeps and returns May 25.

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MasterChef Canada airs Thursdays at 9 p.m. ET/PT on CTV.

Images courtesy of Bell Media.

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Links: Anne with an E

From Sarah Larson of The New Yorker:

Link: How not to adapt Anne of Green Gables
So we see flashbacks to Anne’s life with an abusive family and in the orphanage—another fine idea in principle. In one flashback, vicious girls, spitting threats and insults, taunt Anne with a dead mouse in a grimy alcove; afterward, she comforts herself by stroking its fur sorrowfully. When we cut back to the present, she says, in a hollow tone, “I’ll be as quiet as a mouse,” as dead-eyed as the twins in “The Shining.” We should empathize here, but we’re too busy seething. Continue reading.

From Joanna Robinson of Vanity Fair:

Link: Anne of Green Gables: Netflix’s bleak adaptation gets it all so terribly wrong
Still, none of the many, many other Anne adaptations stray so disastrously far from the spirit of Montgomery’s original books—and the result is a gloomy series with grim, life-or-death stakes draped over the bones of something beloved, warm-hearted, and familiar. The milestones are still there—currant wine, broken slates, puffed sleeves—but seen through a glass darkly. Brave as the concept may be, it falls flat—and feels particularly unwelcome in an already grim 2017. Continue reading.

From Marissa Martinelli of Slate.com:

Link: Netflix’s dark, gritty reboot of Anne of Green Gables has all the subtlety of a chalkboard smashed over your head
The show’s lack of nuance is especially evident while trying to assert its modern sensibilities. Walley-Beckett’s adaptation of Anne is so worried about announcing itself as feminist that it forgets that its source material already was. Continue reading.

From Sophie Gilbert of The Atlantic:

Link: Anne with an E is the best kind of adaptation
So Anne With an E, created by Moira Walley-Beckett, a longtime writer and producer on Breaking Bad, isn’t exactly inventing darkness for the story so much as reading between the lines. It’s Anne of Green Gables for 21st-century audiences, who are perhaps more sympathetic to the idea that children can suffer. That’s not to say darkness defines the show. Anne With an E captures the winning exuberance of Anne Shirley—who, played by AmyBeth McNulty, is entirely irresistible—while finding some deeper potency in her story. The first two episodes offer a gripping and moving setup for the rest of the season, portraying how Anne, despite improbable odds, persuades the elderly Cuthberts to love her. Continue reading.

From Jen Chaney of The Vulture:

Link: Anne of Green Gables fans, you will love Netflix’s Anne with an E
Lifelong fans of the Anne of Green Gables series should find much to admire here, but the newly initiated will be just as easily drawn into the town of Avonlea, where Anne and the Cuthberts live, and enchanted by the open-hearted wonder with which Anne greets the world and spins her creative yarns. Continue reading.

From Lorraine Ali of the L.A. Times:

Link: Netflix moves to Green Gables with scrappy, irresistible Anne with an E 
If only television treated all its teenage girls with the same respect “Anne with an E” affords its whip-smart, scrappy protagonist. Continue reading.

From Allison Keene of Collider:

Link: Netflix’s Green Gables adaptation has grit
Once Anne arrives at Green Gables, it’s a spiritual transformation. She is given hope and new focus on fulfilling her dreams of friendship, education, and both familial and romantic love.  Continue reading.

From Mark Dawidziak of Cleveland.com:

Link: Anne with an E pursues a darker shade of Green Gables
While remaining true to the spirit of Anne and the book, this Netflix series reminds us that Montgomery wrote her novel for all ages. She did not consider it just a children’s book. And it wasn’t designated a children’s book until many decades after its publication. Continue reading.

From Gwen Ihnat of The AV Club:

Link: Anne with an E offers a winning, darker take on a familiar tale
Amybeth McNulty defies her youth with a performance that’s less a portrayal of Anne than an absolute possession. It can’t be easy to make Anne’s fanciful language sing the way she does, and McNulty captures the endearing awkwardness that enables Anne to win over everyone she comes in contact with. Continue reading.

 

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Link: The sisterhood of Anne of Green Gables is ready for Anne’s next chapter

From Katie Calautti of Vanity Fair:

Link: The sisterhood of Anne of Green Gables is ready for Anne’s next chapter
“L.M. Montgomery was writing in a time period where there were not a lot of women’s voices being heard nearly loudly enough nor often enough—and yet somehow she gave voice to a brave little girl whose loud and important voice is still resonating. I’m just thrilled that as woman producers today, we can continue to push the strength of L.M. Montgomery’s spirit through our Anne Shirley. Anne with an E is definitely our feminist rallying cry.” Continue reading.

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