Pretty Hard Cases to end with Season 3

February 8, 2023 Greg David 2 Comments

Pretty Hard Cases has closed its final case.

The show, and its production company, Cameron Pictures, made the announcement via social media on Wednesday afternoon.

“We’re very sad to share that #Season3 of #PrettyHardCases will be our final season,” the series tweeted. “Thank you to all of the amazing cast and crew who have worked with us these last three years and made the show possible.”

Co-created by Tassie Cameron and Sherry White, Pretty Hard Cases stars Meredith MacNeill stars as Sam Waszowski, a guns and gangs detective, and single mom, who finds herself teamed with drug squad detective Kelly Duff, played by Adrienne C. Moore. Together, the pair are trying to take down a neighbourhood gang dealing drugs and weapons.

“This show is more about women who are in their 40s, who had given it all to their career and are finding themselves a little wanting for a full life,” White told us prior to the Season 1 debut. “They’ve sacrificed a lot of their own personal goals in order to have their career, which is totally where Tassie and I were. We wanted to reflect our friendship and we wanted to reflect where we were in our careers and that sort of, what next? How else do we get a full life? We also wanted to have fun. We wanted it to be more in this sort of Paul Feig kind of… the ways he can celebrate women and be really raw and honest and funny about whatever situation they’re in, and I think we accomplished that with the show.”

Pretty Hard Cases airs Wednesdays at 9 p.m. on CBC.

Featured, The Spencer Sisters

Lea Thompson and Stacey Farber shine in CTV’s The Spencer Sisters

February 8, 2023 Greg David

The British mystery genre is where I live. When I’m not watching and covering Canadian TV, I’m streaming light crime dramas from across the pond on AcornTV and BritBox. From Whitstable Pearl to Vera, Harry Wild to Murder in Suburbia, I love them all.

Consider The Spencer Sisters, debuting Friday at 9 p.m. ET/PT on CTV, as Canada’s foray into the genre.

Like the above, The Spencer Sisters features crimes being committed in a fictional small town—Alder Bluffs, Ont.—two female leads at the helm to solve them, a generous dose of humour and, when they happen, bloodless murders. It’s an irresistible formula for success that is even more pronounced thanks to its leads, Lea Thompson and Stacey Farber. The pair crackle with chemistry from the get-go, playing acclaimed mystery novelist Victoria Spencer (Thompson), mom to hot-headed former police officer Darby Spencer (Farber).

“It starts with character,” Thompson says when asked what attracted her to the shot-in-Winnpeg series. “I really liked the character and I love comedy and the comedic elements to this. This is a really good time for this show.”

Created by Alan McCullough (Private Eyes. Rookie Blue) and co-showrun and executive-produced by McCullough and Jenn Engels (Sort Of, Transplant), Friday’s debut “The Scholar’s Snafu,” finds Darby returning to Alder Bluffs after she quits her big-city police force in frustration. For Darby, who looked up to her late cop father, this was all she wanted to do. Dejected, and with nowhere to stay, Darby returns home where it only takes one backhanded comment from Victoria to let viewers know this mother-daughter relationship isn’t rosy. Unlike their characters, who are pretty bristly in the debut, Thompson and Farber connected immediately.

“She was attached to the show before I was,” Farber says. “We did a chemistry read on Zoom and then we met in Winnipeg, had dinner and clicked immediately. We have a similar sense of humour and we’ve both worked for a long time, we have a lot in common.”

The friction between mother and daughter continues throughout the first season. Darby is struggling with her failure as a cop, moving back home and being forced to acknowledge why she has avoided seeing her mother for so long. And Victoria, who has never agreed with Darby’s career choice, wants to be part of her daughter’s life and finds a way to do it through their partnering to solve crimes committed in the community.

“They do learn to get along more, but no, [that friction] never goes away,” Farber says with a laugh. “It’s realistic in that sense. You can think you’ve moved through or on from an issue, but you haven’t.”

The Spencer Sisters airs Fridays at 9 p.m. ET/PT on CTV.

Image courtesy of Bell Media.

Industry News, Reality, Lifestyle & Documentary

Pamela Anderson’s journey continues with two new greenlights from Corus Studios

February 7, 2023 Greg David

From a media release:

Corus Studios announced today the continuation of their partnership with famed Hollywood icon Pamela Anderson in two new greenlights. Pamela’s Garden of Eden is currently in production on Season 2 (8×60), continuing the renovation of her family’s legacy property on Vancouver Island. Pamela’s presence in the lifestyle space expands with the brand-new food-focused series, Pamela’s Cooking With Love (working title) (8×60), beginning production this summer and scheduled to premiere in 2024 on Food Network Canada. Produced by Fireworks Media Group, these two premium unscripted series spotlight Pamela’s open-book attitude, gift for design and entertaining, and savvy ability to create unique experiences. Corus Studios will distribute both series internationally.

“Corus Studios is proud to collaborate with Pamela Anderson on these two series as we work together to share her passion for food and entertaining with both a Canadian and international audience,” said Lisa Godfrey, Senior Vice President of Original Content and Corus Studios. “Pamela’s Cooking With Love is the perfect companion series to Pamela’s Garden of Eden, and services our commitment to authentic story-telling and building a premium library of content for the global market.”

“Creating elegant and inviting spaces that inspire a compassionate, calm and healthy environment has always been important to me and comes naturally,” said Pamela Anderson. “Corus Studios and I have set mutual goals with good intentions. It’s been a learning curve – and I am confident they will be a positive partner in helping bring my true vision to life.”

In Season 2 of Pamela’s Garden of Eden, Pamela’s quest to transform her grandmother’s six-acre legacy property on Vancouver Island continues, resolving renovation issues from Season 1 and tackling a long list of new projects. Simultaneously, Pamela travels back and forth to Los Angeles to help her son Brandon Lee renovate his newly purchased house. As a first-time homeowner, Brandon depends on his mother’s keen eye for design and renovation to help turn his new house into a home he can truly call his own. The new season follows the successful Canadian launch of the series, which ranked within the Top 10 of Canadian original series across specialty television last fall, and was the #1 entertainment specialty program when it premiered on HGTV Canada.*

Pamela sets the table for a one-of-a-kind dining experience in Pamela’s Cooking With Love (working title). In this new Corus Studios distributed series, Pamela is fueled by a craving to learn more about cooking and how she can use food to take entertaining to the next level. She works with a variety of influential chefs to develop delicious plant-based menus, gather the diverse ingredients, and prepare incredible meals and moments for her friends and family. Whether it is a casual afternoon cocktail party in the garden, an intimate dinner with family, or breakfast following a night around the campfire – Pamela shines as a host and sous-chef.

Pamela’s Garden of Eden and Pamela’s Cooking With Love (working title) are produced by Fireworks Media Group with Jesse Fawcett, Brandon Thomas Lee, and Robert Hardy serving as executive producers for both projects. Pamela Anderson serves as executive producer for Cooking With Pamela (working title).

Reality, Lifestyle & Documentary

AMI announces the debut of Ness Murby: Transcending, March 8 on AMI-tv

February 7, 2023 Greg David

From a media release:

AMI, in partnership with Anaïd Productions (Mind Set Go), is excited to announce the debut of Ness Murby: Transcending.

Debuting Wednesday, March 8, at 8 p.m. Eastern on AMI-tv and on demand at AMI.ca and on the AMI-tv App, the six-part documentary series Ness Murby: Transcending (6 x 30), follows groundbreaking Paralympian Ness Murby as he trains and vies to become the world’s first openly trans man to compete at a Paralympic Games.

This intimate and unflinching series follows Ness and his family as they navigate the emotional and physical challenges of gender transition, juggle the stresses of first-time parenthood and break down barriers in the world of sport. Since completely losing his sight as a teenager, Ness is no stranger to adversity, but in this series, he will be pushed to his limit. Battling social stigma, discrimination and the physical limitations of his transitioning body, Ness bravely attempts to carve a new space for himself in the Men’s discus division on the national team and pave the way for trans acceptance in elite sport. But is the world and sport system ready to embrace this change?

Additionally, behind-the-scenes clips—available at AMI.ca and on the AMI-tv App—give viewers exclusive peeks into Ness’ life. From conversations about fertility inclusivity, misgendering and penile prostheses to struggling with a petulant lawnmower, they spotlight personal moments and conversations.

“We are proud to present Ness Murby: Transcending to Canadians,” said John Melville, Vice-President, Content Development & Operations, AMI-audio/AMI-tv. “Ness’ story is one of acceptance, perseverance and being true to yourself. We look forward to this series furthering the conversation about inclusion for all.”

Synopses for the first two episodes are below:

Episode 1 – “Stepping Into the Arena”
Debuting Wednesday, March 8, at 8 p.m. Eastern
In the debut episode, viewers watch Ness prepare for the lead-up to the Canadian Athletics Championships, his first national competition as an openly trans man. The pressure is on as Ness makes history in the men’s division, but right before the competition, he receives an email that jeopardizes his entire athletics career.

Episode 2 – “Comfortable in My Skin”
Debuting Wednesday, March 15, at 8 p.m. Eastern
Every Tuesday, Ness makes the life-affirming decision to inject his body with testosterone. We hear from Ness how this life-saving medicine has transformed his body, changing his appearance, strength and mindset. On a family walk, Ness has a hard conversation with his partner, Eva, about parenting, and a trip to the vet with Ness’ guide dog, Lexington, doesn’t go as expected.

About Ness Murby
Ness Murby (he/him) is a JEDI (Justice, Equity, Diversity, Inclusion) Brand Strategist and Counselor, Paralympian and the co-founder of TougherThan. Lived experience and common humanity fuel his passion for diversity and inclusion and, with intersecting marginalized identities, he has long been led to push against prejudices, drive for systemic change and challenge the status quo.

Ness has an extensive background and credentials that include anatomy and physiology, applied psychology, business management, education and pedagogy, design, inclusive design, marketing and organizational strategy.

He has represented three countries in three Parasports—Australia, Japan and Canada in Goalball, Powerlifting and Para Athletics —and holds world records as well as world, continental and national titles. In 2020, Ness came out as trans. As the first openly trans Paralympian, Ness is carving out space for future generations. He currently competes in Men’s F11 discus and is aiming for the 2024 Paralympics. An advocate and public figure, Ness is a passionate contributor. His niche is asking “better questions,” he believes “everything is mentionable and from there manageable,” and he advocates “there is enough space for all of us.”

Ness Murby: Transcending airs Wednesdays at 8 p.m. Eastern on AMI-tv and on demand at AMI.ca and on the AMI-tv App.

Ness Murby: Transcending is developed and produced by Anaïd Productions in association with Accessible Media Inc. and produced with the financial participation of the Canada Media Fund, Rogers Telefund, the Province of British Columbia Film Incentive BC, and Canadian Film or Video Production Tax Credit.

Industry News

CBC, BIPOC TV & Film and CFC announce participants for second year of Showrunner Catalyst Program

February 1, 2023 Greg David

From a media release:

CBC, BIPOC TV & Film and the Canadian Film Centre (CFC) today announced the participants for the second year of the CBC-BIPOC TV & FILM SHOWRUNNER CATALYST, an accelerator program that supports the career advancement of senior writers who identify as Indigenous, Black or People of Colour through hands-on and personally tailored on-set experience. Designed through an anti-racist and equity-focused lens, the Catalyst provides participants with additional tools and support systems necessary to reach a showrunner level in the Canadian film and television industry, including a dedicated showrunner-mentor throughout the process. The six participants for the second year of the program, which is now underway, are Vance Banzo, Nelu Handa, Amanda Joy, JP Larocque, Robina Lord-Stafford, and Shannon Masters.

“BIPOC TV & Film is thrilled to partner again with CBC and CFC to elevate these talented and experienced writers,” said Kadon Douglas, Executive Director, BIPOC TV & Film. “Amanda, JP, Nelu, Robina, Shannon, and Vance have broken barriers, paid their dues, and contributed to some of the most memorable and exciting moments in contemporary Canadian TV. Their unique perspectives and narratives illuminate a diversity of experiences that are rarely seen on screen but resonate with audiences in Canada and across the globe. With the support of the Showrunner Catalyst and our industry partners, these creative leaders are ready to take up their well-deserved space in the Pantheon of great Canadian storytellers.”

“The past year of collaboration has further demonstrated the importance and impact of elevating senior-level Black, Indigenous and racialized creative talent and setting up these future leaders for success. We are honoured to once again work with BIPOC TV & Film and the CFC on this unique partnership,” said Trish Williams, Executive Director, Scripted Content, CBC. “Building on our learnings from the first year of the program, we look forward to supporting this year’s talented participants in their continued development, with the shared goal of nurturing and advancing more creative leaders who reflect the changing face of Canada.”

“We’re thrilled to be back for year two of this groundbreaking program with our partners BIPOC TV & Film and CBC, and to be supporting these six talented creators in their journey to becoming leading showrunners in our industry,” added maxine bailey, executive director, CFC. “This unique program brings us one step closer to a more just and equitable Canadian film and TV landscape, where equity, access and authentic representation are the standard, not the exception.”

The 2023 participants are as follows:

Vance Banzo (he/him) is a Saulteaux/Cree comedian, actor, and writer born and raised in Edmonton. Currently residing in Toronto, Banzo is a proud member of award-winning sketch comedy troupe and former CBC series, TallBoyz. In addition to writing and starring in the series, he was also a contributing director in the third season, which won four Canadian Screen Awards. As a comedian, he has performed on many stages across the country, including Just For Laughs Toronto and the Gchi Dewin Indigenous Storytelling Festival.

“My ultimate goal is to create an environment for indigenous people to learn and mentor, while ensuring they have the tools and skills needed to succeed at a professional level in this industry.” – Vance Banzo

Nelu Handa (she/her) has written for multiple seasons of award-winning comedy series, including JANN, The Odd Squad, The Beaverton, TallBoyz, and A Little Late With Lilly Singh. Most recently, she’s written for both seasons of Run the Burbs and served as Co-Executive Producer on season two. In 2021, she earned a Best Writing Canadian Screen Award for her work on Baroness von Sketch Show and a Peabody Award for her contribution to the groundbreaking first season of Sort Of. As an actor, she’s been featured in many series, including all of the previously named shows, Star Trek: Discovery, and Workin’ Moms, where she played recurring character Jade. And finally, it’s pronounced ‘knee-loo’, like the body part and a British toilet.

“I love being a writer – breaking a season of stories, writing scripts, punching up, and contributing my point of view into the DNA of a show. I thrive on bringing my full self to the table, and having the chance to voice my opinion on matters of representation and advocacy.” – Nelu Handa

Amanda Joy (she/her) is an Asian-Canadian screenwriter and performer based in Toronto, best known for co-creating the City/OMNI original series, Second Jen. Joy was nominated for Writers Guild of Canada Awards for the Second Jen scripts “Like a Girl” and “Couch Surfing,” and won a WGC Award in 2022 for her work on Amelia Parker. She was also nominated for a Canadian Screen Award for best comedy series for Second Jen Season 2. Her additional credits include Son of a Critch Season 2 (CBC/Lionsgate), Second Jen (City/OMNI), Take Note (NBC/Peacock), TallBoyz (CBC), Overlord and the Underwoods (CBC/Nickelodeon UK), Amelia Parker (BYU-TV), and The Parker Andersons (BYU-TV). She also has several projects currently in network development.

“I want to create spaces where people from all walks of life can have their voices heard and their stories told.” – Amanda Joy

JP Larocque (they/them) is a television writer and producer with experience in comedy (CBC’s Sort Of, CTV’s JANN), procedural drama (CBC’s Coroner, Diggstown and SkyMed), youth (HBO Max’s Home Sweet Rome, YTV’s Popularity Papers) and genre programming (Netflix’s Another Life, Shudder’s Slasher). A proud member of the 2SLGBTQ+ and BIPOC communities, JP is committed to diversity and inclusion in all their work.

“I’m at a point in my career where my ability to understand every aspect of showrunning and obtain more meaningful on-set production experience is vital to my future success. Gaining both skills can make the difference between me remaining a support player on other people’s projects versus me having the opportunity to lead my own shows. And I want to have the freedom to do both — a freedom enjoyed by generations of writers before me.” – JP Larocque

Robina Lord-Stafford (she/her) is a Jamaican-Canadian mother, historian, feminist and award-winning screenwriter. She is the co-creator of a half-hour dramedy (based on a bestselling memoir) in development with a global streamer, a co-executive producer on a drama series in development with CBC, and a mentor for NYWIFT’s prestigious The Writers Lab (supported by Meryl Streep and Nicole Kidman) and for BIPOC TV + Film’s Episodic Lab. She also has an original drama series in development with eOne, and is the co-creator and co-showrunner of a new drama in development that sheds light on a shameful piece of Canadian history.

In 2022, Lord-Stafford was a co-executive producer and writer on Macy Murdoch (CBC Gem), a co-producer and writer on Season 3 of Pretty Hard Cases (CBC), and a writer on Hudson & Rex (Rogers). Previously, she was a co-producer and writer on Season 2 of Moonshine (CBC), and a writer on Blood and Water (Rogers) and Frankie Drake Mysteries (CBC).

“I’m passionate about writing characters that I want to see, racialized people who’ve either been relegated to the margins, haven’t made it onto the page, or have been the standard stereotyped tropes. Daily, I’ll work diligently to achieve my writing and career goals, and once established in the industry, I’ll hold that still-elusive door wide open so my BIPOC sisters and brothers can also enter.” – Robina Lord-Stafford

Shannon Masters (she/her) is an award-winning film and television writer. Her feature film Empire of Dirt premiered at TIFF in 2013. That same year, Masters was nominated and won the Canadian Screen Award for Best Original Screenplay. She then made the transition from film to television as story editor on the fourth season of APTN’s half-hour comedy Mohawk Girls and has since gone on to write for CTV’s dark investigative drama Cardinal, Global Television’s hit series Private Eyes and multiple seasons of CBC’s drama series Burden of Truth and Coroner. Originally from Saskatchewan, Masters is Cree Métis and Ukrainian and is a member of the Métis Nation of Ontario.

“I believe showrunning requires patience and the ability to stick-handle a million different personalities and get them to work together harmoniously. It’s managing the doubts of others. More than simply having a creative vision, you’ve also got to be diplomatic while still having the ability to be the boss when you have to be, because let’s face it, if the show fails, that’s on you.” – Shannon Masters

The first part of the Catalyst, which began last month, consists of a series of substantive and hands-on masterclasses covering topics related to the role and responsibilities of a showrunner, including anti-oppressive leadership, people management, mental health, building relationships with network, studios, creative and crew, and all facets of bringing a show to life, from the writing room to prep, production, post and delivery. Participating speakers include Floyd Kane (creator, showrunner and executive producer of Diggstown), Morwyn Brebner (creator and executive producer of Coroner, Saving Hope and Rookie Blue), Noelle Carbone (co-executive producer and writer on Wynonna Earp, Coroner, Cardinal), and Jennifer Podemski (founder and CEO of Shine Network Inc.).

Through the context of a senior writing and producing role on a Canadian-produced series, the second part of the Catalyst will see each participant building upon their foundational skills in showrunning by working with an experienced showrunner and participating in all key elements of production: from prep meetings to running the floor, managing set, and taking a block of episodes through to post. Throughout the process, each participant will also be paired with an external showrunner, who will serve as a mentor. The program will be highly tailored for the needs of each writer and participating production, offering wellness and advocacy support through an anti-racism, anti-oppression lens. The second year of the program will run through the fall of 2023. This is the second year of an initial three-year commitment to the program made by CBC, BIPOC TV & Film and the CFC, with the opportunity to renew.

Catalyst participants are nominated by showrunners, producers, production companies or broadcasters, in consultation with BIPOC TV & Film and the CFC, based on their experience and readiness to further progress in their career. In order to qualify for participation, each potential candidate must be a Canadian Citizen or permanent resident of Canada (as recognized by CAVCO), and a Writers Guild of Canada member in good standing with a minimum of three episodes of “written by” credits on 30 or 60-minute prime time television or streaming platform productions in the last seven years, and at least one “co-producer” credit in the last three years, or equivalent experience. For more information on the qualification and nomination process, visit bipoctvandfilm.com/showrunner-catalyst.