TV, eh? | What's up in Canadian television | Page 745
TV,eh? What's up in Canadian television

Link: Chris Haddock talks The Romeo Section + “Our Future World” preview

From Heather M. of The Televixen:

Link: Chris Haddock talks The Romeo Section + “Our Future World” preview
“I think [there’s a fear] about a two-page scene with big chunks of dialogue [being] boring. Monologues delivered by excellent actors are compelling. When we start shooting them, they really seem to go by much quicker than they look on the page. It’s putting faith in drama and in actors and the audience that if they’re drawn to this type of show and they like the discussion of ideas [they’ll be happy].” Continue reading.

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An interview with Alethea Arnaquq-Baril: The Angry Inuk

On Monday, I spoke with filmmaker Alethea Arnaquq-Baril of Iqaluit, Nunavut, about her documentary Angry Inuk that was just released on Super Channel. She shared some insights on her experiences both during and after creating this film.

What motivated you to tackle a documentary about the anti-seal hunt campaigns and their effect on your community?
Alethea Arnaquq-Baril: As a doc filmmaker, I guess the sealing issue has always been an issue for Inuit; growing up in this environment and knowing how much we were affected by anti-seal hunt campaigns. At some point, I just felt it was my responsibility to cover this issue.

In retrospect, what do you wish you had included or said that was not in the film?
Editing is always painful as a documentary filmmaker. There are always scenes that you wish you did not have to cut or shots that you wish you could have done but could not afford to do so. There was a scene with some elderly ladies processing some seal skins and a young woman learning from them. I wish I could have included more with the young woman learning from them.

There was also a beautiful scene where one of the elderly women was playing a game with the young woman and a young boy. She was teaching them this game that they play with seal bones. It is kind of like Pick up Sticks or Jenga. You try to move pieces without moving other pieces and if you move one the other person can attack you. It is a fun little traditional game for Inuit to learn that most of us have heard of but few have played in detail. This elder knew all of the names for the pieces and how the game is played. It was such a neat thing to see her teaching this and how attentive the young ones were to her. I would have loved to keep that in there but it was kind of a long scene and the film is already kind of long for a feature.

Since Angry Inuk has already aired at various film festivals, have you noticed any changes with respect to attitudes about sealing?
Well, there are definitely immediate changes for individuals who have seen the film at festivals. I have had people come up to me and say, ‘I am a vegan and I have been supporting these anti-seal hunt campaigns my whole life,’ or saying, “I am a vegan and I will always be a vegan but I totally support Inuit commercial seal hunters.’ It has been really amazing that people at the other end of the spectrum from me in terms of eating meat and wearing fur, to see them come to our side even if those choices don’t make sense for them, their lives, and where they live has been totally amazing.

But now that it is being broadcast on TV, I think a lot more people will see it. Festivals are wonderful for getting media attention but the audience is small. With the broadcast it will be interesting to see how having the film on TV will change public opinion. However, I think it will take time to see change on a larger scale.

Often when you travel to other parts of Canada or outside of Canada if you just say the words ‘seal skin,’ the immediate reaction from people is that it is bad. I am really curious to see how this plays out over the next couple of years after the film has had a wider audience. To see if public opinions change. That is the long term goal. I wish it could turn on a dime but it will take time.

mohawk

What advice do you have for other Indigenous artists out there who are working to oppose these types of racist fiscal policies?
I don’t know that I am in a position to give advice. I am just trying. I don’t know if [Angry Inuk] will work. I guess I would say: when it feels like such a big fight, when it feels like such a David and Goliath situation, have hope. A lot of people have asked me and asked Aaju Peters, one of the main people in my film, ‘Why don’t you just give up?’ Aaju said something once when someone asked, ‘Are you hopeful?’ and she said, ‘Well of course I am hopeful. You might as well lay down and die if you are not going to be hopeful.’ I think of that a lot. No matter how bad a situation may feel, you have to be hopeful and plug away at it. Trust that if you just keep speaking your truth and giving your perspective that people have to hear you. So I hope.

Do you have any other messages that you want to get out there to people who live in the south?
I really hope people take away from the film or even if they just hear about the film is that the Inuit, against all odds, are the environmentalists and the animal welfare activists. They are out there on the grounds protecting the animals in the Arctic. We are on that side of things. I want people to see us as the guardians of the Arctic. I think it has been the opposite for a long time. I think the anti-seal hunt campaigns and the climate change campaigns have put us in a position of defense and it is so ironic because Inuit are  the ones, and it is the Inuit hunters actually who are the ones out there defending it all. I just hope that that is what my film will accomplish. That people will have that shift in their brain and see us as the guardians and to trust what we say when it comes to the environment and the animals in the Arctic.

And do you have any last thoughts for young people who over the Christmas holidays will be channel surfing and stumble on Angry Inuk as they click on by?
I think when you see an unfair situation, no matter how little you are, or how insignificant you feel, or how unimportant the world seems to think you are or treat you, I think it is possible to have your voice heard and to make a difference. The Inuit are a tiny and remote population and are the poorest in North America and the most disenfranchised in North America and the fact that we are able to get this film  made and seen and are responding to it, if we can do that, anyone can. I think that when you see unfair situations, it is worth trying to do something about it.

Angry Inuk is available on Super Channel On Demand until Dec. 28.

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The Nature of Things explores music in “I Got Rhythm: The Science of Song”

Have I sung in the shower? The car? When I thought no one was listening? Absolutely. We all have at some point and it’s a trait humans share. We’re addicted to music, whether we’re doing it or we’re listening to someone else. But why?

The answer is explored in Thursday’s new instalment of The Nature of Things in “I Got Rhythm: The Science of Song.” Producer-director Connie Edwards and a phalanx of scientists and experts explore the impact music has on our lives.

“Ever since I was young I have always believed that music was an inherent part of being human,” Edwards says in the doc’s press materials. “As a ‘girl singer’ I saw and felt the effect that music had on people but I could never quantify it. Music has moved my soul from the beginning, but it has only been in the last 15 years or so that science appears to have taken a serious interest in why we sing, hum, warble, pluck or blow into instruments. Our team literally travelled around the world to meet with some incredible scientists and researchers who are doing ground-breaking scientific work using music. What was fascinating was how many of the scientists/researchers were also accomplished musicians.”

“I Got Rhythm: The Science of Song” kicks off at McMaster University, where an audience—wired to sensors—listens to a band perform two songs. One is fast-paced and more likely to initiate swaying, and the other more low-key (see what I did there?). It doesn’t take long for some interesting results to emerge. Swaying or bobbing your head to music is contagious, as is experiencing tunes together, like at a concert or public event. It’s a fact scientists have discovered dates back to the Neanderthals, who crafted flutes out of animal bone.

And, it may be that music and rhythm doesn’t just make us feel good or bad emotionally, but it could literally heal. A Gothenburg, Sweden, study explored whether listening to music would help hpatients suffering from stress-induced cardiomyopathy, a.k.a. broken heart syndrome, while another test examines how early babies recognize, react and socialize with others after experiencing rhythm.

The Nature of Things airs Thursdays at 8 p.m on CBC.

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Wild Archaeology season finale: Inuit of Rigolet, Part 2

On this, the final episode of Season 1 of Wild Archaeology, we return to Double Mer site in Rigolet, Nfld. This last locale is referred to as a historical site as it contains artifacts from only the last few hundred years.

First, we visit the lab situated within The Net Loft town museum. It is here that Dr. Lisa Rankin and her team clean, preserve and catalogue each day’s various finds. Because the lab is located in the museum, anyone from the town is able to wander in and see what the archaeologists have recently unearthed. Lisa explains some of the more interesting artifacts include several that illustrate the meshing of European and Inuit cultures.

Dr. Rudy explains this site, in particular, was ideal for their final adventure because it helps to illustrate how archaeologists interpret artifacts as they view them in concert with other finds. A picture unfolds when viewing the artifacts as a larger canvas rather than separate and isolated items. It is when viewed in this context that we are able to understand how the people at this particular location once lived.

Then we return to the dig site, and Jacob first finds an iron nail used in the construction of the sod-covered homes. Later, he finds exactly what he was hoping to: an iron knife blade that was manufactured in Europe and would have been traded for. Later, Jenifer finds a gun-flint that was also manufactured in Europe.

We also get a flavour for the local  fauna. Jacob and Jenifer have the opportunity to try raw sea urchin. Something tells me that Jacob will not have sea urchin on his “must have again” list.

As a final farewell to Season 1, Jenifer  and Jacob share their bittersweet thoughts about their experiences and all that they have learned throughout their journeys as they explored Indigenous cultures across Canada.

Thank you to Dr. Rudy, Jacob, Jenifer, and all of the crew behind Wild Archaeology. I have thoroughly enjoyed watching and learning from your experiences. Now, all of you go get busy and make Season 2!

You can return and stream season one of Wild Archaeology here at  APTN.

If you are curious to learn more about Double Mer, you can listen to this CBC radio segment from Labrador Morning that aired on August 21, 2014.

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Link: Yanking ads off CBC can’t happen fast enough

From Bill Brioux of Brioux.tv:

Link: Yanking ads off CBC can’t happen fast enough
So yes, by all means, set CBC free. Give them a chance to be a commercial free broadcast zone for however many months it will take before the private networks figure out a way to sell their services on a purely subscription basis.

However: please do not hand over money from me and other taxpayers before auditing the CBC. I’d want to know if they spend money better now — and more of it on generating content — than they did five years ago. CBC needs to prove they can do what they say they want to do, which is create content without having to bow to commercial market forces. It’s a lot easier to say it than to do it. Continue reading.

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