Tag Archives: CBC

Another side to Canada: The Story of Us

Sunday night saw the premiere episode of Canada: The Story of Us on CBC and with it came some controversy.

Throughout its history, the CBC has been the messenger of the government of Canada, promoting policy and ideology of the Canadian government. It has been guilty in the past, like much pop culture media has, of re-telling the Indigenous story to suit its own agenda. However, in light of recent events such as the Truth and Reconciliation Commission and its Calls to Action, the inquiry into the Missing and Murdered Indigenous Women and Girls, and #NoDAPL, the public has become a little more savvy or has at least developed an awareness of CBC’s tendency for prejudicial perspectives with respect to the Indigenous story.

During the airing Canada: The Story of Us, Dr. Hayden King tweeted that he regretted his participation in this episode, stating he had tried to convince producers to include a critical narrative about Samuel du Champlain. What was included in Sunday’s episode was the following statement from King: “When the French initially came to North America, they came in small numbers. They undertook trade on Indigenous terms. Indigenous peoples dominated the relationship, and controlled the terms of the relationship.”

For the series to have a speaker with the gravitas King and his reputation brings, and to then edit his appearance, I must ask: “What is missing?” Followed by, “Why is something missing?”

We reached out to King to give him the opportunity to clarify and educate all of us as to this side of history. That request has gone unanswered. I, for one, would love for King to share his knowledge of Champlain and would welcome the opportunity to hear it.

In the meantime, I reached out to a colleague of mine, an Elder from Aamjiwnaang (formerly Chippewas of Sarnia, Ont.), historian and author David Plain to offer his knowledge of Samuel du Champlain that was not included Sunday evening. The following is his statement about the history many of us never have the opportunity to hear:

David Plain

Hi David, could you please introduce yourself?
David Plain: Aanii. I am an author and historian from Aamjiwnaang Territory. I am Oak Clan. My grandfather’s name was On the Plain, his father’s name was Red Sky. His father’s name was Little Thunder and his father’s name was Young Gull. My grandfathers were all Aanishnabeg Chiefs. Young Gull was born around 1640.

Please educate us, and share with us the history of Champlain that has been passed down to you?
Champlain did meet some natives on the southern shore of Georgian Bay when he was exploring that way. Champlain was the first to make contact with us [Aanishnabeg] in the early 1600s introducing us to some European trade goods by way of gifts, like an axe and a knife, but these people were not direct ancestors. He also gave us the name ‘High hairs’ because of the style we kept our hair. There are some historians that believe it was the Ottawa and some believe the Chippewa he met who were hunting on the southern shore of Georgian Bay.

The thing that I noticed in the film that I watched, they did not even attempt to describe the consequences of Champlain going up the Richelieu River and shooting those two Mohawk Chiefs. This was the first time the Iroquois had seen firearms.

Champlain was always trading with the Algonquin and the Wendat and not with the Iroquois. They talked about that in the episode but not the consequences of that action [the shooting]. It was a very rash thing that he did and it caused a rift between the Haudenosaunee [Iroquois] people and the French that still exists to today.

So all of the things that followed that, the fur trade and the fighting of the English and the French would have happened a different way if Champlain had not shot the Iroquoian Chiefs. All that he did was ensure the Iroquois trade with the English, and the Dutch before that. They would not trade with the French.

They did not mention the demise of the Wendat, which was also a result of that shooting of the chiefs. This was a consequence of the war and the trade policies that event established. There were three nations that were totally wiped out because of the French trade policies: the Wendat Nation, the Tobacco Nation and the Attawandaron Nation, all Iroquoian speakers. The French trading policy from the early 1600s to mid-1600s said no guns to the Wendat. As a result of the no gun trade policy, the Iroquois were able to decimate the Wendat.

Later, in 1635, the beaver hunting grounds south of the Great Lakes had become depleted. The Iroquois were trading with the Dutch at Albany. When the Iroquois were trading with the Dutch near Albany, for 20 or 30 years, they were trading for guns and goods for the furs. Meanwhile, the Wendat north of the Great Lakes were trading their beaver furs only for goods with the French. The Bishop of Quebec and the Governor of Quebec had a policy of no guns for trade. With the depletion of beaver to the south, the Iroquois needed to expand their fur trade territory to meet the demand of the Dutch for pelts and easily did so with their guns, essentially wiping out the Wendat. The Iroquois started sending raiding parties north of the lower Great lakes, raiding the Attawandaron ‘the Neutrals,’ the Tobacco Nation in the Bruce Peninsula, and the Huron [Wendat] in Huronia north of Lake Ontario. All fell to the guns the Iroquois received in trade, and can all be traced back to that moment Champlain shot the Iroquois Chiefs ensuring the Iroquois ally themselves to the Dutch.

Chi Miigwetch to Elder David Plain of Aamjiwnaang for taking the time to speak about this aspect of Canada’s history so many of us never get to hear.

Canada: The Story of Us airs Sundays at 9 p.m. on CBC.


David Plain B.R.S., M.T.S., is the author of Plains of Aamjiwnaang, From Ouisconsin to Caughnawaga, 1300 Moons and has an upcoming book The Exmouth Chronicles: A Memoir due to be released April 2017 by Trafford Publications.

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Bellevue: The (hidden) “Truth” may bite you in the ass

Spoiler alert! Do not read until you’ve watched Episode 6 of Bellevue.

Welcome back Bellevue-ites! We meet again to go over what we learned in this week’s episode of Bellevue, “The Problem with the Truth.” The pace is picking up, so a lot of information is parsed during this episode, on many different fronts. And, as the title suggests, the truths uncovered may have unsavoury consequences.

We pick up where we left off, Eddie (Allan Leech) is staying the night at Annie’s (Anna Paquin) following his statement to Peter (Shawn Doyle). Annie is discussing her theories with Eddie and feels if she combines the information she has now gathered with the information that would be contained within her father’s old memo books she could solve Sandy Driver’s murder. Annie puts in the request, much to Peter’s objection. However, with Annie’s reminder that Peter burned down the shed at the New Horizon’s property, Peter reluctantly backs down and agrees to sign off on Clarence Ryder’s last notebook.

Annie revisits the witness statements in her father’s notes. First, Randy Olding (Kent McQuaid) who discovered Sandy’s body, and then Helen Spencer (Laura Mitchell), the pageant organizer. Upon questioning, it is Helen who reveals Sandy had always been unkempt and lacked friends. But for her brief moments as Mary, Sandy Driver never felt love. She also reveals Lily Mansfield (Janine Theriault) was not very “biblical.” Later, in a follow-up visit, Annie questions her directly. Helen reveals Lily “Mother” Mansfield had an abortion, and the father was rumoured to be an older man. But how much older, is the question!

Annie works through the notebook and discovers that the last page for March 23, 1995, is missing. It has been cut out. Using the all too reliable pencil shading technique, it reveals her father received a 911 call. Now, WHY would he rip that out?

Next, we turn to the audio tapes of the 911 calls of March 23 and discover it was none other than Lily Mansfield who made the emergency call. She knows there was an intruder in her home because he or she left fingernails. The 911 operator notifies Lily that an officer is on the way. Further investigation by Annie reveals the 911 call was never officially recorded. There is no file.

The trouble with cold cases is technology has evolved and the old interview videotapes are still on VHS instead of digital. And, it seems, the station’s VCR is not in good working order. Ever the problem solver, Annie calls Brady (Billy MacLellan) and invites herself over to watch Sandy Driver interview tapes. Included in the interviews was a statement by none other than Lily Mansfield in which she is clearly flirting with the officer questioning her, and the officer, from his tone, is totally “into it.”

Annie believes she has pieced it together: her father was somehow involved with Lily Mansfield and Peter did not want her to know about it. She approaches Peter and questions him, explaining her theory and he does not deny her hypotheses, letting her believe that not only did her father respond to the 911 call made by Lily Mansfield, but that her father was having an affair with a 16-year-old Lily.

Annie then travels to her father’s cabin where she discovers an active pager with the same numerical message her father had written on the outside of his notepad. This has to be another clue from The Riddler because that pager would not still be active after 20 years out in a hunting cabin. Not to mention, who would pay to keep the account active for that long? (and presumably her father’s pager, if he had one, would be collected as evidence at the time of his suicide). Turns out the number is a coded message, “Horizon,” referencing back to the old and now derelict New Horizons Psychiatric Hospital. Annie places a requisition for a patient list.

Going over her materials one more time Annie spots an inconsistency. It was Peter who mentioned the fingernails were found on Lily’s bed, not the 911 call. How did Peter know? OK, cue the “Don’t trust the guy with the fire in his eyes,” moment. It was Peter who took the 911 call out, and it was Peter who tore out the last page of her father’s notepad. Another stellar performance by Ms. Paquin, this time with Shawn Doyle. The two rip into each other, with accusations flying. When faced with the truth, Peter admits to some complicity but not yet everything, as we will find out shortly, and Annie is pissed. How dare Peter let her believe her father was having an affair or that he screwed up the case? He does not seem to understand how this affects her life. And what was all that nonsense about being there for her?

“HE’S DEAD! HE’S DEAD and I AM ALIVE! I MADE A JUDGMENT CALL BECAUSE I THOUGHT YOU NEEDED SOMEBODY!”

Essentially, Peter has been lying to Annie all of her life.

While all of this back and forth with Peter is going on, Virginia (Sharon Taylor) is running down Jackie Edmonds’ (Marianne Farley) alibi because of her presence at the Rave from the other night. Witnesses state she attends every week, so this has effectively ruined Coach Tom’s (Vincent Leclerc) alibi. Jackie’s claim that she was home with her husband the night Jesse died is a lie.

This week’s instalment on the Eddie-Annie relationship front takes place at the community family barbecue. Eddie is there with Daisy and Briana (Amber Goldfarb). Annie begs Eddie to come home, to be a family again. Eddie, however, is done with crazy. He has to say no for his own well-being. He needs calm and simple and no longer believes that “you have to feel pain to be with someone.” Annie is not ready to not be crazy, and she proves it by running to the arms of Brady. That leads to a brawl between Eddie and Brady. In the end, Annie leaves by herself, Daisy (Madison Ferguson) insists on leaving with her dad, and Brady is left with a bloody nose.

Peter pays a visit to Mother Mansfield demanding information about the fingernails, but she swears she does not know who planted them in her room so many years ago. And it appears that these two have a secret history. Lily thinks he is an adrenaline junkie but Peter claims it is self-punishment for Clarence Ryder’s death, “I deserve to feel this fuckin’ low.”

The closing moments return to the hunting cabin where we find Annie drinking. I think it is safe to say, she has hit bottom and loses it. Annie, in a maniacal fever pitched rage, heads out into the woods and a hooded stranger appears, stopping her from self harm! Is THIS The Riddler? Following a brief search she returns to the cabin and finds another clue.

“Adam 16”.

WHEW! So Tom has no alibi, and Peter and Mother Mansfield are keeping secrets. Who killed Sandy Driver? Who killed Jesse? We still don’t know what the connection is between these murders. Who do you suspect? Let me know in the comments below!

Bellevue airs Mondays at 9 p.m. on CBC.

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Catherine Reitman reflects on Season 1 of Workin’ Moms

Season 1 of Workin’ Moms has been unlike any other comedy I’ve seen on CBC. As a matter of fact, to call Catherine Reitman’s creation a comedy is putting it in too small of a box. To tune into a half-hour episode on Tuesday night at 9:30 p.m. is to witness, yes, plenty of laughs, but also tears, drama and downright shock.

When we last left the ladies, Kate (Reitman) was reconsidering her decision to accept the Montreal gig; Anne (Dani Kind) had fleeting thoughts of an abortion; Frankie (Juno Rinaldi) had lost her job, and perhaps her mind; and Jenny (Jessalyn Wanlim) was juggling nipple piercings and alleyway makeout sessions.

With just one more new episode before the Season 1 finale—”Merde” on Tuesday—we spoke to Reitman about the journey she and these characters have been on.

Kate’s struggle has been awful to watch, but also very real and there were times I wanted to punch Nathan because this about her time to shine, for me anyway. But as of last week’s episode, it feels like Kate is regretting her decision. She’s being left behind and left out of her family dynamic.
Catherine Reitman: It’s not a ‘likeable’ storyline and it’s something I deal with a lot. Kate is in many ways a younger, naive version of myself. Someone who doesn’t want to compromise anything. To me, that’s very relatable but it’s also a very unrealistic way to live your life. Now that I’ve done a season of this show with a newborn, a three-year-old and a husband, something’s gotta give. To ‘have it all,’ as has been promised in this modern world, but there is not really a structure in place to achieve that. At least, not without compromise. The more I meet working women, there isn’t an affordable way to do this—daycare, etc.—trying to have it all, you lose all of your grace and relationship in the process or you lose things that have value to you and make you a unique, special individual and not just a mother.

Catherine Reitman as Kate

When I got pregnant with Liam, it was the day before I got my first-ever series greenlight. All of a sudden I realized I had an option. I could move forward and just be a mother and say no to this incredible opportunity. Or maybe, I could be an OK mother and follow this thing I’ve been dreaming about since I was a little girl. That’s sort of the route Kate takes and I think it’s really easy to lose your grace on that path and it’s something that I wanted to explore.

Nathan is played by Philip Sternberg, your real-life husband. Did you and he have discussions about whether or not you would showrun Workin’ Girls?
We absolutely had that conversation and his fears and my fears were absolutely equal. He wondered if we could do this. It doesn’t just mean, ‘Hey, you’re going to be working while you’re pregnant,’ but we were uprooting our toddler and saying, ‘Not only do you have a new baby brother to contend with, but you’re now living in a different country and Mommy’s gone all day and all night in production.’ It’s actually the cruelest to our toddler because he doesn’t know what the hell is going on. [Laughs.] Yes, it was a huge adjustment for all parties.

Dani Kind has been fantastic as Anne.
She’s been magical.

Every character is good, but Anne has been in some pretty dark places, the most recent of which secretly hoping she’d lost the baby when she fell on her stomach. I’ve never even considered that that might be a thought.
It’s funny. When you think about a woman considering an abortion or a woman being relieved at a miscarriage … if you had just told me that I would have complete judgment about her. The truth is that life is incredibly complicated. I heard a statistic where women having abortions are most likely to already have children. There was this huge wake-up call when I heard that statistic because I have absolutely thought about having an abortion before and have fainted on my child while pregnant and thought a miscarriage might be a relief for a second. That doesn’t make me a villain, it makes me a person. To watch it, and see the disconnection Anne has from the child she already has and then see them growing closer … there is something very potent to me about that.

Dani Kind as Anne, Ryan Belleville as Lionel

Anne could easily be construed as an angry woman and when you get somebody like Dani Kind … she never plays it safe. She plays it 100 per cent to the point where you become her. Every time I see her play it, I say, ‘Uh huh, I believe her and I want to be her.’ You get on board with a potentially unlikable subject matter.

This is a messy show.
Yeah man. This is a messy life.

The writers’ room must have been a real mix of laughs and tears.
It was pretty therapeutic. Everything you see on-screen is based on, if not mine, someone else’s story.

Have you gotten any negative feedback about some of the subject matter?
Not one. People put the fear of God into me. I was told that Canada would not accept this and we would have one wild season and be on our way. At first, the pushback was, ‘What kind of show is this?’ It’s not like a lot of stuff on our network. But as soon as you get on board with it and see it’s multi-faceted, then you can enjoy it.

One of the things Dani has said on social media is how caring the environment was on Workin’ Moms. That starts with you, the showrunner. How did you ensure it was a safe space?
I wasn’t afraid to fail. Because it was so real and we had been practicing fearlessness in the writers’ room for six months, but the time we got to production it was a very therapeutic environment. If someone needed to cry, they could cry. If they wanted to be angry, they could be angry. But we needed to be constructive and supportive of each other.

What are you most proud of?
That my boys still like me. I was really scared. I knew I had to go full-throttle with this and give everything I had to it with the awareness Canada might not accept it and it would be a flash in the pan for me. The fact we started to see [ratings] numbers and the fact that people wanted to watch it and stopping me at restaurants and thanking me for telling these stories and generating a conversation … that all of that happened felt really rewarding. And then, at the end of the day, my boys aren’t mad at me. They still accept me at their breakfast table! They know my features!

Workin’ Moms airs Tuesdays at 9:30 p.m. on CBC.

Images courtesy of CBC.

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The Story of Us: Hunting treasures makes worlds collide

I have been hearing some noise about CBC’s Canada: The Story of Us, and to be honest, I was excited. I always fall for these milestone events—be they the Olympics or major moments with the Royal Family—and Canada’s 150th falls into this category. I also completely understand why Canada 150 touches a nerve and, depending upon my frame of mind at the moment, it touches mine at times too. However, as an eternal optimist, I always hope these events can lead to an opportunity for bridge-building rather than more walls erected.

And it is clear from the very first moment that this a politically-motivated series with an opening statement by Prime Minister Trudeau. It is a statement that needs to be made, but I question the need for it here. His message: that we as Canadians do have a “dark past that we are only just coming to understand as we move forward into a new chapter that is the story of us.”

And so it goes. “We are explorers, and risk takers, dreamers and fighting the odds in a land of extremes.” Go us!

Christopher Plummer, Rick Hansen, Adrienne Clarkson, Missy Peregrym, Lorne Cardinal, Paul Gross, Georges St. Pierre, Joseph Boyden, Colm Feore

The first episode is entitled “Worlds Collide,” and it very carefully walks the delicate line that currently exists between cultures as we begin—although I find the position of “beginning” questionable—a chronological journey through Canada’s history with the story of Samuel du Champlain and the Beaver Wars. Now I say “story” intentionally. Much of the grittier detail is elided over in this retelling, obviously for time’s sake. But throughout, I felt this was all sugar-coated; re-enactments enhanced by CGI imagery. Toss in the many celebrities liberally peppered throughout with the odd historian, like John English, Ph.D., History of Trinity College and you have the “opening chapter” of Canada: The Story of Us with the establishment of New France.

The first episode also describes the process by which France promotes population growth in New France: Filles du Roi—Daughters of the King—women sent over by France to propagate and make the new colony viable, the birth of the Hudson’s Bay Company and the Battle of Quebec in 1759.

Episode 2 “Hunting Treasures” airing next Sunday, suggests the epic quest for treasures: our natural resources. Our country was not begun by a settler society but rather a mercantile society. The entrepreneurial spirit is strong and is what motivated the quest to conquer a landscape wrought with so many challenges.

First, we learn the history of St. John, New Brunswick, featuring the story of William Hazen, an American who has come north to escape the War of Independence and make his fortune in the wood trade.

Peter Mansbridge, Clara Hughes, Rick Mercer, Eugene Levy, Tatiana Maslany, Georges Laraque, Sarah Gadon, John Ralston Saul, Atom Egoyan

Next, the series tackles the complexities that influenced the competition between the Hudson’s Bay Company and The North West Company in their quest for dominance and monetary gain. Enmeshed in this competition was the importance of horses and buffalo, and the alliances between Indigenous tribes and their unique connection to the land, all of which presented challenges that needed to be overcome. The abundance of resources created a mindset that ofttimes persists today: resources are to be entirely exploited until they are virtually extinct.

The story of Mathew Bell is the next story to unfold. Bell is a man from Britain who sets the course for industrialization in Lower Canada, and made Canadian winters bearable with his creation of the “Canada Stove.” This innovation also made Les Forges Saint- Maurice the first company able to guarantee his employees a year-round wage and set a precedent for company towns that would continue to spring up across the country like Hamilton, Ont., and Fort McMurray, Alberta. We learn a bit about Chief Maquinna of Nootka Sound in present-day B.C., and his influence on the north-west fur trade and current diplomacy for which Canada is renown.

We close with the retelling of Sir Alexander Mackenzie’s passage across the Rockies in order to bring The North West Co. to that coast, uniting the fur trade across the continent.

To be perfectly frank, after Episode 1, I was not at all impressed and delayed settling in to watch Episode 2 for the purposes of this review. I was also disappointed that The Story of Us, basically began with the traditional Discovery Story, the way our textbooks have always treated the history of Canada. Understandably there is more documentation regarding the history of Canada post contact, yet still at this time when we are working toward reconciliation, it would have been nice to have more than 45 seconds devoted to the 12+ thousands of years before Samuel du Champlain’s arrival.

However, I found next week’s instalment much more engaging and I am looking forward to seeing what Episode 3 will bring. It didn’t hurt that “Hunting Treasures” closed with Peter Mansbridge evoking some patriotism the way only he can, with his closing statement: “Our natural resources will always be incredibly important, but don’t kid yourself … it is our people, Canadians, that are our greatest resource.” You don’t have to tell me, I am well aware I am a sucker for this stuff!

Overall, the cinematography is stunning. The use of CGI was a bit overdone in my opinion. I am not a huge fan of re-enactments but these were well done. I wish, as a student, when I was forced to learn Canadian history I had Canada: The Story of Us to watch. It is far more entertaining and engaging than the dry textbooks we had to study. By no means does this cover all of the details, but as a tool for educators, it would be a worthy device to introduce segments of our history to students. Parents, sit down with your school-aged children and watch. Some events will be very familiar while others may be a pleasant surprise.

Canada: The Story of Us airs Sundays at 9 p.m. on CBC.

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Enjoying a raspberry cordial with Anne

First, a couple of facts about me before my preview of CBC’s second episode of Anne. I’m a 46-year-old man who has never read the Anne of Green Gables books or watched the 1985 miniseries starring Megan Follows. Some may say it’s a disadvantage not to have absorbed the novels or landmark TV project, but I think it’s a good thing. It means I go into Anne without any preconceived notions or automatic comparison to the source material or beloved 80s project. I like good TV, and Anne is very, very good.

From the opening scene in last week’s debut where Matthew thundered towards the train station to grab Anne before she left town to that same shot bookending those initial 44 minutes, I was in thrall not only by the cast, scenery and cinematography but the writing too. So far Moira Walley-Beckett has stayed true to L.M. Montgomery’s tale (the die-hard fan in my house tells me so) while adding a decidedly dark edge when Anne is recalling her time with the Hammonds.

So, what does Episode 2, “I am no bird, and no net ensnares me,” written by Walley-Beckett and directed by Helen Shaver hold? Here’s what CBC’s episode synopsis reveals:

Hoping all is not lost; Matthew races to catch up with Anne while Marilla anxiously hopes and waits for their return to Green Gables.
And here’s what I can tell you after watching a screener.

Oh, those credits
I’ll never get enough of hearing “Ahead by a Century” as Anne‘s opening credits, nor the amazing, twisting, tree animation.

A Workin’ Moms star is workin’ it
Keep an eye out for Workin’ Moms actor—and recent You’ve Been Hooked interviewee—Alden Adair, who plays a small, but pivotal, role in Sunday’s opening minutes. That scene adds a gritty realism to Anne; not everyone is a nice person and wants the best for children. Other notable Canadian faces include Daniel Kash and Rob Ramsay in supporting roles.

Marilla’s crisis of confidence
From what I understand, Colleen Dewhurst was one heck of a Marilla Cuthbert. I have to say Geraldine James is simply fantastic in this iteration. She’s crusty and cross on the outside, but a total softie inside. She clearly sees some of her younger self in Anne … and is feeling awful for accusing the girl of stealing the broach and not believing Anne when she denied doing it. Marilla wants so badly to do something to right her wrong, but must leave Matthew to find Anne and wait at Green Gables, hoping for good news.

The little things mean a lot
I’m not talking about characters or performances in this case, but the minute details in sets and props that bring Anne’s world to visual life. Dirt caked under fingernails describes hardscrabble lives where hard work is important, sunlight blazing through a cherry blossom denotes hope and a bustling, loud, crowded Charlottetown dock is a sharp contrast to the quiet sanctuary that is Green Gables. Also, kudos to Amin Bhatia and Ari Posner (most recently of X
Company
) for their stellar music.

Anne airs Sundays at 8 p.m. on CBC.

Images courtesy of CBC.

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