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CBC announces new and returning series in 2020-21 programming slate

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From a media release:

[Editor’s Note: Fridge Wars, Diggstown and Burden of Truth are on hold at the moment given COVID-19 production delays. The Detectives has not been renewed.]

At CBC’s 2020 virtual upfront presentation today, Canada’s public broadcaster revealed its 2020-21 slate of original programming, led by a strong fall schedule featuring 1,300 new hours for television spanning 22 new and returning series across all genres.

FALL 2020

ENSLAVED (6×60 Documentary, Associated Producers/A CBC Gem and documentary channel co-production with Epix in the United States) is a blue-chip documentary series led by Samuel Jackson and directed by Canadian filmmaker Simcha Jacobovici (The Naked Archaeologist) that charts the history of slavery through underwater archaeology. The series coincides with the 400-year anniversary of the first African brought to the New World as a slave, and will retrace the harrowing sea voyage that brought millions to a life of slavery. ENSLAVED is produced by Felix Golubev and Ric Bienstock and executive produced by Samuel L. Jackson, LaTanya Jackson, Eli Selden, Rob Lee, Simcha Jacobovici and Yaron Niski. International distribution by Fremantle.

ORANGEVILLE PREP (6×30 Factual, Orangeville Hoops Inc.) is a character-driven factual series that offers an inside look at the competitive, high-pressure world of basketball’s most successful preparatory program. Tucked away on farmland in Orangeville, Ontario lies the sport’s best kept secret – The Athlete Institute (AI). This high school basketball program has produced more Division 1 College and NBA players in the last five years than any other program in the world.

The Sounds

THE SOUNDS (8×60 Drama, Canada/New Zealand co-production, Shaftesbury and South Pacific Pictures) is a striking take on the relationship-driven thriller. Welcome to Pelorus Sounds, New Zealand – the sleepy settlement where nothing, including the visiting Cabbotts, is quite what it seems. Grieving wives, cheating husbands, epic embezzlement and historic crime all collide to weave a complicated web stretching through the Sounds’ hidden valleys and deep waters. Created by New Zealand-based author Sarah-Kate Lynch and directed by Peter Stebbings (Frankie Drake Mysteries, The Disappearance), the series stars Rachelle Lefevre (Mary Kills People, Under the Dome) as Maggie Cabbott and Matt Whelan (Narcos, The Luminaries) as Tom Cabbott.

TRICKSTER (6×60 Drama, Streel Films and Sienna Films) is based on the best-selling novel Son of a Trickster by Eden Robinson, with CBC confirming today that it has been renewed for a second season. Starring newcomer Joel Oulette, this unique series is created by award-winning filmmaker Michelle Latimer (RISE, Nuuca) and Tony Elliott (Orphan Black), and directed by Latimer. Oulette plays Jared, an Indigenous teen struggling to keep his dysfunctional family above water, holding down an after-school job and selling ecstasy to support his partying mom, Maggie (Crystle Lightning), who self-medicates an undiagnosed mental illness, and his unemployable dad, Phil (Craig Lauzon) and his new girlfriend. But when Jared starts seeing strange things — talking ravens, doppelgängers, skin monsters— his already chaotic life is turned upside down. Additional cast includes Kalani Queypo (Jamestown), Anna Lambe (The Grizzlies), Joel Thomas Hynes (Little Dog), Gail Maurice (Cardinal) and Georgina Lightning (Blackstone).

SERIES RETURNING THIS FALL

  • BARONESS VON SKETCH SHOW (Season 5, Frantic Films) – Finale Season
  • BATTLE OF THE BLADES (Season 6, Insight Productions) Following its remergence on the ice last year that reached over 1.5 million Canadians each episode, the factual hit will return this fall.**
  • DRAGONS’ DEN (Season 15, CBC)
  • FAMILY FEUD CANADA (Season 2, Zone 3/Fremantle) Following its inaugural season that reached 2.6 million viewers each week with a nightly average audience of over half a million including 30 percent in the key 25-54 demo, the hit series hosted by Gerry Dee is confirmed to return four nights per week this fall with 104 new episodes as a nationwide virtual search for new Canadian families now begins.***
  • HA!IFAX COMEDY FEST (Season 24, Pilot Light Productions)
  • JUST FOR LAUGHS: GALAS (Just For Laughs TV)
  • MARKETPLACE (Season 48, CBC News)
  • THE NATIONAL (CBC News, ongoing)
  • THE NATURE OF THINGS (Season 60) The landmark 60th season of THE NATURE OF THINGS will kick off with STATE OF THE PLANET, a unique documentary featuring a one-on-one conversation between David Suzuki and Sir David Attenborough that takes the pulse of our planet and asks whether humans can change their ways in time.
  • PURE (Season 2, Two East Productions/Cineflix)
  • ROAD TO THE OLYMPIC GAMES (Season 6, CBC Sports)
  • STILL STANDING (Season 6, Frantic Films)
  • THIS HOUR HAS 22 MINUTES (Season 28, Wildbrain)
  • YOU CAN’T ASK THAT (Season 2, Pixcom)
Trickster

WINTER NEW SERIES

LADY DICKS (10×60 Drama, Cameron Pictures) is a fun and honest portrayal of two radically different female detectives in their early 40s. The buddy cop drama series follows Guns and Gangs detective, Samantha (Meredith MacNeill, Baroness von Sketch Show) and Drug Squad detective, Kelly (Adrienne C. Moore, Orange is the New Black), who by day are true action heroes in their own particular way: skilled, tough, determined, and ruthless. But by night, they’re both grappling with loneliness, dysfunctional families, screwed-up love lives, and a sense that their professional ambitions may not be totally in line with their personal needs. Their friendship could help to balance each other out, if only they didn’t drive one another utterly insane. LADY DICKS is co-created by Tassie Cameron (Mary Kills People, Ten Days in the Valley, Rookie Blue, The Robber Bride) and Sherry White (Little Dog, Frontier, Ten Days in the Valley, Rookie Blue).

ARCTIC VETS (10×30 Factual, eOne) takes viewers up close with the remarkable wildlife that inhabits Canada’s frozen north and the team of veterinarians that works tirelessly to keep them safe. With around 40 patients per week, no two days are the same for the team at Assiniboine Park Arctic Animal Hospital in Manitoba. From muskox to seals, wolverines to reindeer, treating Arctic animals is often dangerous, but always rewarding. Whether they’re performing life-saving surgery on a polar bear, or tending to a snowy owl with a broken wing, the mission of the vet team is the same – save the lives of sick and injured Arctic species.

SERIES SET TO RETURN THIS WINTER

  • CORONER (Season 3, Muse Entertainment, Back Alley Films and Cineflix Studios)
  • FAMILY FEUD CANADA (Season 2 continues, Zone 3, Fremantle)
  • THE FIFTH ESTATE (Season 46)
  • FRANKIE DRAKE MYSTERIES (Season 4, Shaftesbury)
  • THE GREAT CANADIAN BAKING SHOW (Season 4, Proper Television)
  • HA!IFAX COMEDY FEST (Season 24 continues, Pilot Light Productions)
  • HEARTLAND (Season 14, Seven24 Films and Dynamo Films)
  • KIM’S CONVENIENCE (Season 5, Thunderbird Entertainment) – also renewed for Season 6
  • MARKETPLACE (Season 48 continues)
  • MURDOCH MYSTERIES (Season 14, Shaftesbury)
  • THE NATURE OF THINGS (Season 60 continues)
  • ROAD TO THE OLYMPIC GAMES (Season 6 continues)
  • TALLBOYZ (Season 2, Accent Entertainment)
  • THIS HOUR HAS 22 MINUTES (Season 28 continues, Wildbrain)
  • WORKIN’ MOMS (Season 5, Wolf & Rabbit Entertainment)

KIDS PROGRAMMING

New original series for kids on CBC Kids and CBC Gem this upcoming year include:

  • REMY & BOO (Industrial Brothers/Boat Rocker, in association with Radio-Canada, 52×11 – Fall 2020), an animated preschool series about a unique friendship between an adventurous little girl and a squishy pink robot called Boo.
  • DINO RANCH (Industrial Brothers/Boat Rocker, 52×11 – 2021), an action-packed animated preschool series that follows the Cassidy family as they tackle life in a fantastical “pre-westoric” setting where dinosaurs still roam.
  • GARY’S MAGIC FORT (CBC Kids, 13×11 – Spring 2021), a welcoming enchanted pillow fort where CBC Kids’ host Gary the Unicorn plays with his friends.
Enslaved

CBC FALL SCHEDULE

CBC’s Fall 2020 broadcast and streaming schedule on CBC TV and CBC Gem is as follows:

(For Newfoundland and Labrador, please add one half-hour for all times)

MONDAYS
7:30 PM – FAMILY FEUD CANADA *Season 2*
8 PM – THE SOUNDS *New Drama Series*
9 PM – PURE *Season 2*
10 PM – THE NATIONAL

TUESDAYS
7:30 PM – FAMILY FEUD CANADA *Season 2*
8 PM – STILL STANDING *Season 6*/ JUST FOR LAUGHS
8:30 PM – THIS HOUR HAS 22 MINUTES *Season 28*/ JUST FOR LAUGHS
9 PM – BARONESS VON SKETCH SHOW *Season 5 – Finale Season*
9:30 PM – CATASTROPHE *Seasons 3 and 4*/ HA!IFAX COMEDY FEST
10 PM – THE NATIONAL

WEDNESDAYS
7:30 PM – FAMILY FEUD CANADA *Season 2*
8 PM – WAR OF THE WORLDS *Exclusive Canadian Premiere*
9 PM – TRICKSTER *New Drama Series*
10 PM – THE NATIONAL

THURSDAYS
7:30 PM – FAMILY FEUD CANADA *Season 2*
8 PM – BATTLE OF THE BLADES *Season 6*
9 PM – DRAGONS’ DEN *Season 15*
10 PM – THE NATIONAL

FRIDAYS
8 PM – MARKETPLACE *Season 48*
8:30 PM – YOU CAN’T ASK THAT *Season 2* / ORANGEVILLE PREP *New Factual Series*
9 PM – THE NATURE OF THINGS *Season 60*
10 PM – THE NATIONAL

SATURDAYS
Afternoon – ROAD TO THE OLYMPIC GAMES *Season 6*

SUNDAYS
Afternoon – ROAD TO THE OLYMPIC GAMES *Season 6*
8 PM – THE GREAT BRITISH BAKING SHOW *Season 10*
9 PM – ENSLAVED *New Documentary Series*
10 PM – THE NATIONAL

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Baroness von Sketch Show

Baroness Von Sketch Show c-creators announce show’s fifth and final season

From a media release:

BARONESS VON SKETCH SHOW co-creators Carolyn Taylor, Meredith MacNeill, Aurora Browne and Jennifer Whalen, today announced that their acclaimed CBC original sketch comedy series will return for its fifth and final season in Fall 2020. The series finale season (8×30) was filmed in Toronto last fall.

The Baronesses shared the following statement regarding their decision:

After five fantastic years, we have decided that Season 5 of Baroness von Sketch Show will be our last. We are so grateful to have been given the opportunity to share our deepest embarrassments, existential angst and daily observations with you, our fans. 

We hope you’ll enjoy Season 5 of Baroness von Sketch Show. 

Love, 

Carolyn, Meredith, Aurora and Jennifer.

BARONESS VON SKETCH SHOW is currently nominated for five Canadian Screen Awards including Best Sketch Comedy Show & Ensemble Performance, Best Direction and Best Writing. Winners for these categories will be announced virtually on Wednesday, May 27 beginning at 7 p.m. ET. The virtual presentation will be live-streamed on the Canadian Academy Facebook, Twitter, and YouTube channels, as well as at academy.ca.

Canadians looking to revisit Seasons 1-4 of BARONESS VON SKETCH SHOW before the premiere of the fifth and final season this fall can watch on the free CBC Gem streaming service.

Fast paced and irreverent, BARONESS VON SKETCH SHOW celebrates the absurd, mines the embarrassing and satirizes our daily lives. Shot entirely on location, this single-camera comedy series takes a fresh look at our navel-gazing, contemporary culture. From marriage equality to screen addiction, Airbnbs to ultrasounds, this satirical sketch show captures the banalities and absurdities of modern life.

A CBC original series, BARONESS VON SKETCH SHOW is developed and produced by Frantic Films. Drawing on 16 years of comedy experience and multiple collaborations, the award-winning, talented team of Carolyn Taylor, Meredith MacNeill, Aurora Browne and Jennifer Whalen are the writers, stars and executive producers. For Frantic Films, Jamie Brown is CEO & Executive Producer. For CBC, Sally Catto is General Manager of Entertainment, Factual and Sports; Trish Williams is Executive Director, Scripted Content; Michelle Daly is Senior Director, Comedy, Scripted Content; Greig Dymond and Karen Tsang are the Executives in Charge of Production.

The series is also broadcast on IFC in the U.S.

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Coroner

Cineflix Rights sells Coroner to The CW Network

From a media release:

Cineflix Rights has sold the CBC Original drama series Coroner to The CW Network, allowing U.S. viewers to watch the global hit series for the first time.

Coroner (16×60’), Muse Entertainment, Back Alley Films, and Cineflix Studios for the CBC) is a character driven one-hour drama about Dr. Jenny Cooper (Serinda Swan, Ballers), a recently widowed, newly appointed coroner who investigates any suspicious, unnatural or sudden deaths in Toronto. Each death brings Jenny into a new arena in the city and sparks buzzworthy themes. Jenny taps into her intuition, as much as her intellect and heart, as she solves cases along with the help of Homicide Detective Donovan “Mac” McAvoy (Roger Cross, Arrow, The X-Files), a man who isn’t afraid of challenging the status quo; pathologist Dr. Dwayne Allen (Lovell Adams-Gray, DC’s Legends of Tomorrow, Power Book II: Ghost), his assistant River Baitz (Kiley May, It: Chapter Two); and Alison Trent (Tamara Podemski, Run, Unsettled), Jenny’s assistant who keeps it real. And while Jenny solves mysterious deaths, she also deals with clinical anxiety, a teenage son, Ross (Ehren Kassam, Degrassi: Next Class, Degrassi: The Next Generation), who is still grieving the death of his father, and the prospect of starting a new relationship with the enigmatic Liam (Éric Bruneau, Trop).

Coroner was the highest rated new Canadian drama in more than four years, reaching two million viewers when the season launched on the CBC. Following with NBCUniversal International Networks to acquire rights in various territories, Coroner was the highest-ever rated series launch on Universal TV in the UK.

Coroner is a CBC Original Series. It is executive produced by Morwyn Brebner (Saving Hope, Rookie Blue), Adrienne Mitchell (Bellevue, Played), Jonas Prupas (Collision Course), Brett Burlock (Pure, Ascension), and Peter Emerson (Pure, The Firm), and is produced by Muse Entertainment, Back Alley Films, and Cineflix Studios. The CW Network deal was brokered on Cineflix’s behalf by APA’s Kyle Loftus.

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Industry News

Canada’s public broadcaster launches the CBC Creative Relief Fund

From a media release:

In response to the ongoing coronavirus pandemic, CBC has launched THE CBC CREATIVE RELIEF FUND to provide immediate, urgent support to Canadian creators. The unprecedented new Fund will provide $2 million in development and production funding for a diverse range of innovative, original Canadian storytelling, including scripted comedies and dramas, unscripted entertainment, kids and young adult programming, podcasts, play adaptations and short documentaries.

Spanning three different streams detailed below, THE CBC CREATIVE RELIEF FUND will support innovative original projects with compelling perspectives and unique voices that also reflect contemporary Canada, and follow the recommended local and national COVID-19 safety guidelines. Canadian creators can apply immediately starting today until 11:59 p.m. ET on Friday, April 24, and eligible applicants will be notified of their project’s status starting on May 8. More information and full application requirements can be found at cbc.ca/creativerelief.

The new Fund expands CBC’s ongoing efforts to find new ways to support Canadian creators in response to the COVID-19 crisis. On Wednesday, April 15, CBC Podcasts is launching THE SHOW MUST GO ON, a new PlayME original series featuring audio adaptations from Canadian playwrights whose plays have been postponed or cancelled due to the pandemic. In support of documentary filmmakers, CBC and Hot Docs are launching HOT DOCS AT HOME ON CBC on Thursday, April 16, offering exclusive, first-run documentary premieres from the postponed 2020 Hot Docs Festival to Canadian audiences on CBC TV, CBC Gem and documentary Channel.

THE CBC CREATIVE RELIEF FUND

INNOVATION STREAM 
The Innovation Stream offers support of big, bold ideas that are innovative and take creative risks, to be considered for multiple development and production opportunities on all platforms. Both established and emerging creators are invited to apply; applicants must have one television, audio or digital credit, or be partnered with an experienced existing production company. Genres include the following:

  • Scripted – Comedy and Drama

  • Unscripted – Factual Entertainment

  • Kids & Tweens; Youth & Young Adult

  • Podcasts – Multiple Genres

PLAYWRIGHT PILOT STREAM
The Playwright Pilot Stream is open to playwrights with at least one produced play to submit either new concepts or existing plays for adaptation on all platforms. CBC is looking for concepts that are a natural fit for either limited or ongoing series in the comedy or drama genres, episodic or serialized, and will fund the writing of a pilot script with an intended broadcast duration of either 30 or 60 minutes.

CBC SHORT DOCS STREAM
CBC Short Docs is inviting documentary filmmakers from across Canada to showcase their unique perspectives on what’s happening in the world during this time of COVID-19. Productions must be produced and delivered within three months or less, with filmmakers adhering to all local and national COVID-19 safety guidelines. CBC Short Docs is looking for standalone, immersive documentaries under 40 minutes in length, intended for a digital audience.

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Featured, Schitt's Creek

Schitt’s Creek says goodbye with tear-filled Best Wishes, Warmest Regards

“It’s a double cry night.”

That’s the promise delivered by Amy Segal, describing Tuesday’s series finale of Schitt’s Creek at 8 p.m., on CBC and the one-hour documentary that follows it, Best Wishes, Warmest Regards: A Schitt’s Creek Farewell, at 8:30 p.m. Segal knows of what she speaks since she’s been working on Schitt’s Creek from Day 1, having produced and directed all 52 scripted webisodes, as well as Behind the Episodes. 

Segal, who got her start on CTV’s etalk before segueing to The Hills Aftershow, met and became friends with Schitt’s Creek co-creator Daniel Levy. Now, with the final episode of six seasons upon us, we spoke to Segal about her experiences working on Schitt’s Creek, and what fans can expect when they tune in to Best Wishes, Warmest Regards: A Schitt’s Creek Farewell.

What are the unique challenges that you run into when you’re filming the Behind the Episodes segments?
Amy Segal: The Behind the Episodes were fun. We ended up shooting them all day, and by the end, we were exhausted. But they talked for a solid 20 to 30 minutes for each show, and I had to pare it down two and a half, three minutes. I know, it’s difficult, but it’s fun. I always have a good time.

Are you making notes while they’re talking and saying, ‘OK, I think this might make for a good soundbite or short conversation.’ Or do you wait until you’re in the editing suite after? How does that work?
AS: I’m always listening and I’m asking them questions and leading the conversation a little bit. I definitely take notes, but I think it comes down to see how it flows in the edit. I edit everything myself, so it’s sort of picking and choosing what I like and having to get rid of things that I do like because it’s too long. But I’m just really making sure that I know I have content before we finish wrapping up. I definitely take notes and I go in with, so I know what parts I want to highlight.

What were some of the logistics behind filming Best Wishes, Warmest Regards: A Schitt’s Creek Farewell? How much filming did you do for that?
AS: So much. I originally wanted to do the 44-minute version, and then an actual documentary length version. I’m hoping that will maybe find its way somewhere, eventually, because like I do with the behind the episodes, I had to cut so much gold and it crushed me. You want to get in the important things, but it doesn’t leave a lot of room for longer moments and pauses, and that was hard for me to get over.

It’s a celebration of the show and the fans and the cultural impact that the show has had. So there was a lot to say, and at the same time, I really wanted to show what it was like to make a final season of a show. Because it’s not easy. We started in the writer’s room in Los Angeles, in their incubation room in November 2018. And then we shot for almost a year and a half.

Who floated that idea of there being a farewell documentary?
AS: It was Dan and I. It’s always been my dream to make a documentary and we were talking and I said, ‘What if we do something for the last season?’ Because we were fans of Girls and they did a miniature, not really a documentary, but like a little clip show kind of thing. Originally, the intention was a look back, interviewing the cast and just their favourite moments, highlights, whatever. And then it ended up turning into a much bigger beast, a celebration of the show and just seeing the process of it.

You’ve been with the show since Day 1. How does it feel to be for this all to be ending on Tuesday?
AS: Oh gosh. It’s devastating. It’s a huge part of all of our lives. And it’s weird because now is the time we usually go back to set and start prepping for the next season. And it is sad. The last shows started airing, and I’ve been so preoccupied with making this that I haven’t really had a moment to think. But now that it’s winding up, it’s kind of a surreal moment. But, yeah, very sad.

I’ve been a fan of Schitt’s Creek from the very beginning and have been getting a lump in my throat as we get closer to the end and to the wedding. What’s the cultural impact from your standpoint that Schitt’s Creek has had on us?
AS: That was another reason I wanted to make the documentary. In Canada, we’re so removed from Hollywood and that world and the first four seasons were just like any other television show that we’ve worked on. The fan base just started to get really into it. Dan would show me messages that he had gotten from fans and people even messaged me, which is so nice.

The fans are just so lovely and there were so many stories that were so positive and beautiful … kids coming out to their parents … and then I met fans on the tour … their parents have embraced them because they watched Johnny and Moira embrace David.

Amy, can you pretty much guarantee that if you’re a fan of the show, that someone like myself is going to cry after watching this special?
AS: You will 110% be bawling at the end. A good, therapeutic cry. You’ll cry at the end of the episode as well. It’s a double cry night.

Best Wishes, Warmest Regards: A Schitt’s Creek Farewell airs Tuesday at 8:30 p.m. on CBC.

Images courtesy of CBC.

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