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Review: Saving Hope delves into the past

I’ve always been interested when a background component to a major character gets introduced on a television show, more often than not creating a major shake-up from the norm. For Wednesday’s Saving Hope, that concept involved two different characters, one major and one minor. Joel had to come face to face with the father he resents to his core, while Sydney–who hasn’t gotten much central storyline time so far this season–had to face a crush from the past whose life she meddled with. In the end, both characters ended up uncovering something about themselves that will be sure to shape the show as the season progresses.

Since I haven’t seen every single episode ever made of Saving Hope, I’m not completely aware whether the story of Joel’s father has ever surfaced before. But if his dad has been introduced it didn’t matter much, since viewers were given a lovely little rundown of the fact that Joel’s dad left his mom, that his dad is a little bit of a male cougar and that Joel’s resentment ran deep for the guy. So when his father collapsed and Joel found out his dad had been using his very own body to experiment with stem cell research, I knew it was going to be a moment that either brought the two closer together–as tragedies tend to–or helped Joel realize something deeper in his life. It turned out the latter, as he was finally able to admit to Alex that he was terrified of turning into his father but really wanted to be there for the baby. You could see in Alex’s eyes how much the declaration meant to her, and although the two didn’t seem too lovey-dovey it was a milestone moment.

The other character whose backstory came into play was Sydney, on the scene to help a couple with complicated pregnancy problems and instead had to deal with the wrath of an angry ex. I was surprised at first that Alex and Maggie never pressed Sydney to find out why she and the patient, Marion, had so much beef. But when it was finally revealed at the end of the episode that Sydney basically came out to Marion’s parents on her behalf, my heart went out to the poor, pregnant lady. I won’t judge Sydney for poor decisions at 17, but I still can’t imagine having that taken out of your control and did understand why she’d still be sour grapes knowing Sydney would be the one to deliver her baby. In the end, the two were able to get over their differences (next time someone’s mad at me I’m using the lullaby approach), but further opening up about her past brought Maggie and Sydney together as the two ended up hooking up. It’s certainly been a long time coming, so I’m relieved to see the writers address the sexual tension between the two.

While those two storylines were unfolding, Charlie had his own hospital drama to deal with after a sweet old lady, Iris, came in with some suspicious bone fractures. Elderly abuse isn’t something that’s talked about much, so I was already pretty happy Saving Hope decided to tackle a storyline about it. I was even more content that the storyline instead focused on Iris’ grandson, Cameron, and his mental illness that was going untreated. It made me feel better knowing Cameron had probably thought he’d been helping his grandma the whole time by feeding her his drugs, and that he and his grandma were still there for each other at the end of the episode.

The sweetest side story of the night, however, came as Charlie met the “kinda awesome” spirit of Henry, a little boy who couldn’t find his body anywhere. The kicker? After joking about dying and not knowing, it turned out Henry had died and his organs had helped saved the lives of many other children. I actually almost teared up as Charlie told Henry he “did the most amazing thing anyone can do” by being an organ donor. But not only did viewers take notice of his behaviour around the children who’d received Henry’s organs, but we caught that glimpse of Alex looking onward with a smile on her face. They may not have directly addressed it this episode, but it’s gotta be nice for Alex knowing that whoever’s baby it is, it’ll be in gentle, trying hands.

Notes

  • Great directoral work from Rookie Blue‘s Gregory Smith on this one.
  • Anyone else able to spot the Royal York hotel during those scenes with Joel and his dad?

Saving Hope airs Wednesdays at 10 p.m. ET on CTV.

Thoughts? Hit us up in the comments below or on Twitter via @tv_eh.

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Review: Saving Hope heads into the woods

If you’re a regular Saving Hope viewer, you’re a little more than well aware of Alex’s terrible track record as a walking, breathing beacon of bad luck. So after checking out those severely ominous previews, it certainly looked like her streak of misfortune would only continue with Wednesday’s all-new episode, as a very pregnant Alex stumbled upon a trapped boy deep in the woods. But if there’s one thing I’ve learned in life, it’s to never trust a trailer—a lesson hammered home through “Narrow Margin.”

Like all classic horror movies, the episode certainly set us up to be prepared for the life of Alex’s baby to be in potential jeopardy. Not only did it seem like every resident at Hope Zion suddenly feel the need to remind Alex to take it easy for the sake of her baby, Alex then decided to take a hike all by her lonesome on a trail with no cell reception. (How the heck is a girl supposed to update her Instagram account like that?!)

After stumbling upon the body of a teenager, Sam, trapped under a tree, I was convinced Alex would somehow try and lift the massive piece of wood from on top of him in some she-Hulk style manoeuvre. Instead, and to my utmost surprise, Alex was able to keep a level head, coming up with the brilliant plan to use Sam’s EpiPen in small doses to help keep him alert. Not only did she save the boy, but her own baby was never in any danger AND we found out that she’s having a boy, which was probably all for the best considering how often it feels like some part of Alex’s life is in peril. Sometimes the duller conclusion to a storyline is the best conclusion.

While Alex was doing her thing (most likely with Taylor Swift’s “Are We Out of the Woods Yet?” lyrics streaming in her mind), her two potential baby daddies were once again acting civil to one another in the pursuit of a medical miracle. I’ve enjoyed the past two weeks of the duo putting their paternity power struggle on the back burner in order to do their jobs in a civil manner. What I didn’t really enjoy, however, was the storyline that accompanied their patient, Sue (or Soo? I’m not sure), someone Joel had seen at the clinic. While treating her, Charlie connected to the spirit of Sue, who told the tragic tale of her untimely death while travelling with Sue on a boat from Cambodia. The kicker? Sue had to eat her sister in order to keep from starving. Certainly didn’t see that twist coming. Although it was nice to see the two remove a (disgusting) tumour from Sue’s mouth, the storyline really glided over Charlie’s pursuit of Sue’s now-grown son in order to help put her sister’s spirit to rest.  One minute he was tasked with what sounded like the impossible, the next her son was by his mom’s bed.

What actually ended up being my favourite storyline of the night involved Zach and a stripper named Champagne (Continuum and Slings & Arrows star Melanie Merkosky) with a mystery diagnosis Zach was determined to figure out. The two had really great chemistry together—that vodka scene made me chuckle—as Zach finally figured out she’d been poisoned with anti-freeze by a crazy ex-boyfriend. Even more so, she helped distract Zach from stressing about whether he had prostate cancer (does it feel like Saving Hope always drops storyline bombs in the most subtle way to anyone else?).  Luckily, Zach is cancer free and won’t be going anywhere—except maybe straight to a Magic Mike audition with that strip scene through the hospital.

In more good news, looks like Joel won’t be going to prison, which leaves him still in the running for dad duty when Alex finally pops. Even more so, the scene gave us a chance to see Charlie, winner of the nicest guy on the planet award, sit down and help Joel come to terms with the fact that he may be innocent, but he still killed a man. This whole baby situation has really helped grow both characters and I’m all for it continuing.

Notes:

  • A little concerned about Champagne’s question about why Zach couldn’t take a shot of vodka with her. I guess she forgot he’s, you know, a doctor in the middle of the workplace.
  • Shahir stepping up for Alex at the end was such a sweet moment between the two.
  • I don’t know what kind of paintball Melinda is playing but I’m starting to doubt it’s not the same kind I play with my friends …
  • Hearing doctors discuss swapping patients with one another so they can do things like go to the gym and work out really freaks me out. You’re passing my foot surgery around for leg day?!

Saving Hope airs Wednesdays at 10 p.m. ET on CTV.

What did you think of the episode? Drop us a comment below!

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Review: Saving Hope hits midseason with head trauma

Looking back through history, there have been many quintessential movie and television openings that have been shocking, whether it was for the gore value, something popping out at you, or an all-out unexpected scene throwing you off before things could begin. Falling right into the almighty gore factor was Wednesday’s dramatic episode opening of Saving Hope, where we watched Robert, a depressed man, try and committ suicide … using a power drill. In the middle of the hospital lobby. If that doesn’t set the mood for an episode, I don’t know what does.

It certainly was an interesting midseason finale with the incorporation of Thor MacLeod (Hamilton’s own Currie Graham)–one of the greatest TV names of all time–into the Hope Zion mix, as someone who claimed to have experienced the same out-of-body experiences of being in a coma as both Alex and Charlie. It helped trigger some of Alex’s own memories and seemed to open her up for the first time to the moments we know she shared with Charlie during her coma, which I really liked.

That being said, MacLeod himself was a total tool as he took command of the operating room saying things like, “I’d hate to leave my patient, but I’d love to buy you a latte.” It also killed me that Alex initially seemed to be so into MacLeod because he finally had some answers she was looking for. If only she knew Charlie could give her much better answers, all without having to share airspace with MacLeod’s ego. Thankfully Alex’s vision cleared on MacLeod and his experimental faulty implants in his pursuit for another near-death experience. Consequently, it seemed to actually open Alex up to telling Charlie about what she remembered, which feels like the right progression for their characters.

Of course while MacLeod was parading around the hospital, Charlie was the one actually dealing with poor Robert in his coma and helping him come to terms with both the death of his wife and the true cause of his mental breakdown (nice one, MacLeod). Robert and Charlie’s interactions were quite possibly one of my favourite Charlie’s ever had with a patient, perhaps because he wasn’t cryptically asking Charlie to help him do something but instead just needed Charlie to help talk him through his repressed memory of his wife’s death.

In other storylines, Dana’s daughter, Molly, also began working at the hospital, a move you knew would result in some sort of trouble from the minute Dana began praising her daughter to her colleagues. So when the pill bottle of oxy went missing it was mindless to point the finger Molly’s direction as the thief, rightfully as Maggie did. Of course it seemed Dana is clearly in denial about who her daughter really is (gutsy enough to pop a pill right outside the hospital moments before meeting her mom), so I’m curious to see what ultimately makes Dana realize who Molly is–a real piece of work. But shout out to Molly’s reference to Toronto’s own Gracie’s!

Also not so surprising was that hot and steamy Joel and Selena hook-up while at the clinic, where Joel’s clearly been hiding out. Their entire segments were spent showing him stepping in as a white knight for Selena by trying to help save the clinic and treat her broken bones, and the two had a blatant attraction to one another. It also wasn’t so surprising when Selena’s crazy husband, Brad, whom we all knew was the one that broken her arm, attacked Joel in the parking lot. But I won’t deny yelping in surprise when Joel’s self-defense ended with Brad’s head meeting a concrete block, followed by more yelling in anguish as the Hope Zion team couldn’t resuscitate him. I can’t even imagine how murder–defensive or not–is going to weigh on Joel’s conscience in future episodes, let alone how this will affect his reputation and relationships at the hospital. We’ll expectedly find out when Saving Hope returns for a two-hour event on Jan. 7, 2015.

What did you think of the midseason finale? Sound off through the comments below!

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Comedy is hard, says Corner Gas: The Movie star

After an extended stay in movie theatres, Corner Gas: The Movie lands on CTV and CTV Two tonight. Stripped of the pre-show and feature film credits, the two-hour flick takes on the structure fans of the series are more accustomed to, a super-sized episode of a project they loved dearly.

For those who didn’t venture out to the movie theatre, here’s a short refresher on what to expect: Dog River, Sask., has hit on hard economic times and is in danger of ceasing to be a town. Everyone has crazy ideas on how to make ends meet, from entering Dog River in a contest to win the cash to pay off debts to prepping for the end of the world. Coming up with a script for a 90-minute movie was a tough task according to creator/executive producer Brent Butt, executive producer Virginia Thompson, writers Andrew Carr and Andrew Wreggitt and executive producer/director David Storey, who took over two years to come up with something everyone was happy with.

Comedies are just harder to make says Butt’s co-star, Nancy Robertson.

“You laugh or you don’t,” she says during a press junket in support of the project. “In comedy, you don’t have the help of mood lighting or music. Those all help to set up a drama, but they screw up a comedy because they get in the way of the timing. It’s far more delicate.”

“I think when people see a comedy and they burst out laughing they think it’s a surprise,” the gal who played Wanda Dollard for six seasons continues. “There is nothing further than the truth. They have no idea of the work that has led up to that laugh, that smile. Because the laugh is impulsive, I think people think what led up to it was impulsive.”

All of that work has paid off. Corner Gas: The Movie is a wonderful salute to the fans who wanted more of Oscar (Eric Peterson), Emma (Janet Wright), Davis (Lorne Cardinal), Wanda, Lacey (Gabrielle Miller), Karen (Tara Spencer-Nairn) and Hank (Fred Ewanuick). The feature film structure allows for an expansion of a couple of characters, most notably Oscar and Davis. The former attempts to go full commando and live off the land (when he’s not calling people “jackass”), leading to several laugh-out loud moments. Davis, meanwhile, tries his hand at being a private investigator; the resulting scenes make me wish CTV, Butt and everyone else involved had the time and cash to pull of a Davis spinoff where he’s a small-town P.I. working in a big city like Calgary or Vancouver.

For now we’ll have to be content with Corner Gas: The Movie, a loving return to those odd folks in that little town where there’s not a lot going on, knowing that there was in fact a lot going on behind the scenes to make it happen.

Corner Gas: The Movie airs Wednesday at 8 p.m. ET/PT on CTV and CTV Two; and Monday, Dec. 22, at 8 p.m. ET/PT on The Comedy Network.

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Defending Corner Gas: the movie, the show, everything

From John Doyle:

So I came back to discover that Corner Gas: The Movie had been dissed. Here, there and some other places. I am outraged.

Some background – let me tell you a story. Some years ago, the editor of Television Quarterly, the august journal of the National Academy of Television Arts and Sciences – the people in the United States who do the Emmy Awards – wrote me a very nice, sincere letter. The gist was an invitation to write an essay for the Journal, explaining Canadian television. Continue reading. 

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