Tag Archives: Featured

Featured, Houdini & Doyle, Podcast

TV Eh B Cs podcast 47 – A Murder of Davids

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After Greg, Anthony and Diane chat about period dramas, Greg interviews David Shore and David Hoselton, executive producers of Global’s new series Houdini and Doyle (and both formerly of House).

DAVID SHORE – Executive Producer

Writer and producer David Shore was the creator of the acclaimed medical drama House, which received numerous awards and nominations, including an Emmy Award for Shore for writing the episode “Three Stories” (2005), four nominations for Outstanding Drama Series, and three Golden Globe Award nominations for Best Drama.

Shore has written for the television dramas Due South, EZ Streets, and NYPD Blue. He served as head writer and supervising producer on Traders, which he developed for Canadian television, and was part of the writing team for the Emmy Award-winning first season of The Practice. He was nominated for two Emmy Awards as a producer on Law & Order, and executive-produced both Family Law and Hack, before creating House M.D.

DAVID HOSELTON – Co-creator and Executive Producer

Born and raised in Canada, Hoselton moved to Los Angeles to pursue a writing career. Moving from live action features (First Knight, The Extreme Adventures of Super Dave) to animation (Brother Bear, Over the Hedge) and finally to television, Hoselton joined David Shore on his hit series, House. During his six seasons on the medical drama, Hoselton was nominated for a Humanitas Prize for writing and an Emmy Award as a producer. After stints on CSI: NY and Chicago PD, Hoselton returned once again to work with Shore on Houdini & Doyle as co-creator and showrunner.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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Featured, Wynonna Earp

Wynonna Earp preview: What’s going on with Dolls?

It’s Monday, and that means a new episode of Wynonna Earp in Canada on CHCH. We’re halfway through Season 1 of this roller coaster ride and “Constant Cravings”—written by Alexandra Zarowny and directed by Brett Sullivan—throws more loops in front of Wynonna and Waverly.

Some non-spoiler scoop to get you prepped:

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Two more Revenants to go
Determined to rid the world of the last two Revenants who killed her father, Wynonna and Dolls seek out The Blacksmith, an intriguing character who offers a clue to one demon’s identity.

Waverly is getting Haught
Though Champ is putting a full-court press on Waverly, she isn’t interested in getting physical with him. Wonder why?

Doc + Wynonna = awkward conversation
Doing the deed has certainly made things more complicated between the two … especially when Doc has a favour to ask of our fave Revenant killer.

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What’s going on with Dolls?
So, there is a weakness in what previously appeared to be an unstoppable soldier-turned-agent. He’s keeping up a brave front for everyone, but Dolls is hurting, and badly. Doc knows something is up, but will he say anything to Wynonna?

Wynonna falls in love
But it isn’t with who—or what—you’d expect.

Wynonna Earp airs Mondays at 9 p.m. ET on CHCH.

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Featured, Masterchef Canada

Seeing red on MasterChef Canada

After taking over Claudio’s Origin in Season 1 and Michael’s Canoe in Season 2, it was Alvin’s turn to hand the keys to his restaurant to the Top 6 during Sunday’s instalment. The episode title, “Demon at the Pass,” certainly lived up to its name as Chef Leung barked orders to the Red and Blue teams as they cooked at Toronto’s R&D restaurant, launched by Season 1 winner Eric Chong (Rebel) and Leung (Demon).

And by the end of the episode, it was Dr. Shawn who surrendered his apron (and signature ball cap) and exited the competition. But back to the Restaurant Takeover for a second, where the Demon Chef lived up to his name by barking orders and refusing to mince words when plates delivered by the Red and Blue teams weren’t up to par. I felt badly for the Top 6, who not only had to learn and execute complex Asian dishes but served them to former MasterChef Canada competitors. Mary’s Red team of Veronica and April Lee gutted it out against Jeremy’s Blue squad of Matthew and Shawn and everything appeared to be evenly matched … until a second plate of wonky chow mein was sent back to the Blue kitchen. That spelled their defeat and sent the men to the Pressure Test.

Kudos to MasterChef Canada‘s producers for coming up with increasingly difficult challenges for the home cooks; making a Charlotte cake in just one hour seemed impossible and created some especially tense moments as Matthew’s glaze bled down the sides of his cake and Shawn’s lady fingers were chunky and child-like. The former edged out the latter when it came to taste, however, eliminating the good doctor from the competition.

MasterChef Canada airs Sundays at 7 p.m. ET on CTV.

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Featured, Motive, X Company

Comments and queries for the week of May 6

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X Company‘s creators discuss the heartbreaking finale and look towards Season 3

I like this show, but now Tom’s dead. I’m not watching it any longer. Killing the kid would have been better, I can’t stand him. But Tom was a much better character … and his death meant the death of the show for me. I’m done. —D

I suspect “the kid” will grow up if he survives the coming season. Very young people involved in causes often become fanatical about them—and not just those in the Nazi youth. With a little more life experience he’d have understood that his young German counterpart was a conscript who had no other choice, especially under a totalitarian régime (conscientious objectors were forced to clean minefields, where they were eventually blown up, among other things). Odd, I didn’t like Tom at first; I found him smarmy and a bit of a prequel to Mad Men. But he certainly became a fully-fleshed character and had to undergo quite the ordeal even pretending to be seriously wounded and then finally falling over the proverbial cliff. I miss René, who looks like a friend of mine (who is considerably younger than I am), but that wouldn’t have allowed me to watch much of the series. I do appreciate the development of the female characters. Some commenters are saying that it wasn’t realistic in light of female roles 70 years ago, but the very fact that so many men were off fighting meant that women had to take on new responsibilities (as we see at Camp X). And that was certainly the case in the Resistance, in many countries. —Lagatta

Motive‘s showrunner sounds off on the series’ final cases

We are disappointed that Motive is not continuing for another season. It is a terrific show with excellent actors and believable plots. —June and Brian

Person of Interest is now on Tuesday night in Motive’s time slot. Where is Motive? It was only on for four weeks!! —Stacey

The remaining episodes of Motive will air this summer on CTV.

 

Got a question or comment about Canadian TV? Email greg@tv-eh.com or via email @tv_eh.

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Children's Programming, Featured

Jason Priestley shows his comic chops in Family’s Raising Expectations

I’ve seen Jason Priestley guest-star on Spun Out, so I knew he could do comedy. But would he be able to headline a comic project on Family Channel? Indeed he can. As a matter of fact, he’s one of many reasons to tune in to Raising Expectations.

Debuting Sunday at 7:30 p.m. ET/PT on Family Channel, Priestley’s Wayne Wayney plays a somewhat out-of-touch dad alongside wife Paige (Molly Ringwald) and their four “multi-exceptional” children. The fifth kid? Well, not so much. Emmett (Simon Cadel) lacks the academic and physical prowess of his siblings, but has the street smarts to keep everyone grounded. And though the emphasis in the press releases surrounding Raising Expectations plays up Emmett a lot, he doesn’t really come off that much different from his brothers and sister. What does, however, is Priestley’s Wayne. After seeing him play a teen for so long on Beverly Hills 90210, it’s definitely a shock to see him playing a father. Thanks to the writing, he’s a blast.

Created by the same folks behind Todd and the Book of Pure Evil—Episode 2 features Emmett wearing a Crowley High t-shirt—Raising Expectations is a showcase for Priestley’s comic chops (he’s directing some episodes too). Whether he’s wallowing on a couch, feeling badly for lying to his family and drowning his guilt in bags of chips and tubs of ice cream, mistaking Internet trolls for gnomes or doing battle with a sap-filled tree, Wayne is the focus. Taking nothing away from Ringwald or the young cast—who are great too—but the series would be hard to watch with anyone else acting opposite them.

Another mark in Raising Expectations‘ favour? No laugh track. There’s simply no reason to have it when the writing is sharp and the performances are well done.

Raising Expectations airs Sundays at 7:30 p.m. ET/PT on Family Channel.

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