Tag Archives: Mayko Nguyen

Hudson & Rex’s Mayko Nguyen: “It’s equal parts dog, and equal parts us.”

The film and television business is truly a unique one. A project can seem dead in the water and then, suddenly, months later it’s up and running. Likewise, an audition that seemed to go nowhere can just as easily return.

The latter occurred with Mayko Nguyen. After having what she felt was a great audition for Hudson & Rex led to, well, nothing. Then, out of the blue, a screen test and a jaunt to St. John’s to play Doctor Sarah Truong, Head of Forensics on the police force and helping Charlie and Rex catch criminals.

We spoke to Mayko Nguyen after she’d completed a long day of rehearsals for her latest project, the play Beautiful Man running from May 4-26 at Toronto’s Factory Theatre, and some ADR work on Hudson & Rex.

How did you get the role of Dr. Sarah? Did you audition, did they seek you out, how did that work out?
Mayko Nguyen: I auditioned. It was an interesting process in that. In January 2018, I think, they started the first rounds of auditions. And I did that. And I actually felt good, like decent about the audition, because that never happens. And then I never heard back. And I think it was like months later, I found out that the project had been shelved for a little bit.

And then it wasn’t until sometime in the summer, I think,  just got a call and they wanted to screen test me with some people, which was really bizarre, because it was just one audition, and then I never heard anything about it, and then to jump from that into a screen test, seemed a bit crazy.

I guess the gap was because Ken Cuperus came on board, and they re-jigged the show because he thought that it would fit better the way that it exists now.
MN: Yeah, yeah. It’s funny because I actually didn’t even know that that was exactly what it was. But that makes sense. But it is funny though, it’s just like this business is so bizarre in that way, where you can do this thing and then you might know nothing about it. And then, half a year later, it pops up and you have a job.

How much of a lapse then was there on production from Killjoys to Hudson & Rex? It might have been a pretty quick turnaround for you.
MK: It was a very quick turnaround. I think I moved out to Newfoundland while they were still finishing up the final season. So I got out of Killjoys, and then yeah it was October I think they were still just, they were just finishing up. So yeah, it was a very quick turnover.

What’s the experience been like being in St. John’s?
MN: Actually my very first real kind of big gig that I booked out here in Toronto started shooting in St. John’s. And that was in 2003, I think it was. So I had spent a tiny bit of time. But shooting, so not hitting the tourist spots. And that was so long ago. So I didn’t really remember it. And then this past little bit, we were out there for about six months.

And it was … I mean listen, it was great. It was great. Because it’s gorgeous, and it’s a landscape and a beauty that I’m actually not accustomed to, here in Canada. It’s different, you know? But in the winter time, it’s also ferocious. The wind is insane. And the show’s supposed to be a summer show. So the snow was definitely an impediment, and it was a challenge constantly. It would be really lovely if the show came back, and we shot at a different time of the year. But I hear that their summers are not very long. So I don’t think we really get away from the inclement weather, regardless.

One of the things that I really like about Hudson & Rex so far, and I said this to Ken Cuperus, is the fact that yeah, there’s a dog on the show, but you’ve got this core group of humans as well. And they all get along. I really like that.
MN: I think that’s actually one of the things that I was most surprised by. When you’re shooting it, you don’t know how much the dog becomes the focal point of the show. And it’s really nice because it feels like it’s equal parts dog, and equal parts us. Sometimes when an animal is the focus of a show, it changes the tone and the nature of the show and this doesn’t feel that way. I love it. And Diesel’s so great. It’s shocking what he’s able to do.

According to the press kit, Dr. Sarah is motivated, she keeps a schedule of late nights in the lab, and early morning forensic sweeps. She has the discerning eye for forensic evidence. Nothing gets past Sarah. Are we going to find out a little bit more about her as the season goes on? What can you say about this character?
MN: The one really great thing you pointed out with the show is that it does really focus on the four of us, and I think a lot of the season is spent just establishing that group dynamic. Establishing those relationships. We definitely learn more about the characters as the season goes on. But I think, again, this season has really focused on establishing this ensemble, including the dog, and this unit, this team. You do get to meet my boyfriend for a quick little bit. But we’re still leaving things … we’re not saying too much about anybody just yet.

Give me an update on the play Beautiful Man, that you’re a part of. You’ve been doing auditions, so what can you say about that?
MN: Well, I’m in the throes of auditions. I’m very stressed out. We start our technic next week, and it’s at the Factory Theatre. It’s a show that sort of looks at gender reversals in a really interesting and provocative way. To watch it is a little bit of a mindfuck. It’s a really interesting show and I’ve had very many really great conversations that have come out from this rehearsal process.

Watch Hudson & Rex online at Citytv.com, on Rogers on Demand, or on the Citytv app.

Hudson & Rex returns with new episodes Thursday, June 13, at 8 p.m. ET on Citytv.

Images courtesy of Rogers Media.

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Citytv’s Hudson & Rex takes a bite out of crime

An age-old adage says that you should never work with kids or animals in the entertainment business. But for actor John Reardon, it’s been a dream being part of Hudson & Rex … and a case of coincidence or maybe fate.

“My wife and I, we just had a little boy named Hudson,” Reardon says with a laugh from St. John’s. “He was probably about 10 months old when I first received the script.” The actor, a Halifax native who has appeared in shows like Arctic Air, Continuum and Van Helsing, stars alongside a German Shepherd named Diesel vom Burgimwald.

Debuting Monday at 8 p.m. ET/PT on Citytv, Hudson & Rex follows the partnership between Major Crimes detective Charlie Hudson (Reardon) and his partner, Rex (Diesel vom Burgimwald), a canine with heightened senses. Based on the Austrian drama Inspector Rex, the drama also stars Mayko Nguyen, Kevin Hanchard and Justin Kelly. In the premiere, Rex proves himself as a member of the Major Crimes team when he tails a kidnapper. We spoke to Reardon during a break in production.

How has production on Season 1 been going so far?
John Reardon: It’s been going great. We are just finished up our twelfth episode right now of 16. We had a nice long break over Christmas and I got to go back and see my folks in Halifax. We’ve been having a great time filming in St John’s. We’ve shot a lot of the famous locations here, like Signal Hill and along the row houses. And we’ve been really lucky with some amazing locations, the landscape here is really unique and beautiful. We’ve been braving the winter elements, as well.

I think you also ran in that little park just by the Terry Fox statue as well, in Episode 1.
JR: That’s right. That was actually one of our very first locations. Episode 1 was actually the third episode that we shot. But yeah, it was one of our first locations down there, it was beautiful.

The classic adage is not to work with kids and not to work with animals. Despite that, here you are with a canine co-star. How did Hudson & Rex all come about? 
JR: I got a script … my wife and I, we just had a little boy named Hudson. He was probably about 10 months old when I first received the script. And my wife and I had just bought a place in L.A. We’d been living at Venice Beach for a lot of years and then we bought a place more in the suburbs when Hudson was born. We were in the process of moving the bags into our house, we had been there for I think maybe two days when I got the script. And I remember my wife read the script first because I had to run out and do a few errands and I came back and she said, ‘I think you have to do this show because your character’s name is Charlie Hudson.’ There was definitely a little bit of—I don’t know if serendipity’s the right word— but it definitely got my attention and then I read the script and I loved it.

And yeah as you say, people say working with animals definitely can be a challenge but that actually was a huge plus for me, because I love dogs, I grew up with them. But I’m just so impressed with what he’s capable of doing and what the trainers are capable of having him do. He keeps you on your toes a little bit because, you know, he’s a dog and he will sometimes do things that you just completely don’t expect. It makes it fun, it makes it a lot of fun.

Can Diesel only work a certain number of hours and then you have to shut things down, or he has to take a break? 
JR: I’m not sure what the restriction is. They make sure that he has plenty of rest during the day. There are actually three dogs, so they make sure that Izzy or Ico, who are the other two dogs who are actually his nephews. They will come in at times to make sure that he is having breaks, that he’s not on set for too long. That he’s getting rest, and often times they’ll do a lot of the more stunt type stuff, just to protect him to make sure because he has been trained the most thoroughly. They’re very careful about that, they take really good care of him and we very often see him in his downtime having a little nap over in his trailer. [Laughs.]

He’s got a better life than the actors.
JR: Yeah, he lives well.

What I found very interesting and very different, is that the show just starts with the crime, and you don’t learn about how Rex and Hudson got together until midway through the episode. I enjoyed the wait.
JR: That’s exactly what I think the writers were going for, something where the action kicks off right away, and the relationship component of the story I think is much more interesting once you do know the characters a little bit. It’s kind of nice that we get into the story, we see the characters working together at the police station and Rex, and then as you get to know us you start to get the backstory and people care about it. We like to have a large component of action and then a large component of the relationship stuff, which we call action with heart.

I was also surprised at how quickly we’re introduced to the rest of the team. Again, I was expecting that the focus was going to be Charlie and Rex when the reality is in the first episode they spend very little time together.
JR: It’s really a show about a team and everybody has their strengths and brings something unique to the team. You see all the people that you’re going to start to get to know and have them be together and see their relationships from the start.

The showrunner for Hudson & Rex is Ken Cuperus. I know him mainly from children’s programming. What’s he been like to work with?
JR: He’s great, I love working with Ken. One of the things I love is he’s very collaborative and he likes to get to know us actors, and he watches us on set to see how we interact with each other. And then he will often write to that a little bit, so he likes to find little things in our relationship that we have in real life. Not a lot, but he will just add little things here and there. And it’s nice because then you’re like, ‘Oh this character has more and more of me in it each time I read the script.’ And he’s a great a writer and mixes action and more of the relationship stuff really well.

Going through this guest cast, you’ve got Greg Bryk and Jeremy Ratchford and Tamara Duarte in Episode 1, I know that Lauren Lee Smith is in an episode later, as well as Anastasia Phillips, Tony Nappo and Kristin Booth. This is a who’s who of Canadian talent that’s dropping by to play in your sandbox.
JR: Every single episode, every single character, we were so fortunate to have these great actors come in. First of all I feel very thankful to have the opportunity to work with them. And then it’s just fun because we have been based on the West Coast for so long, I haven’t had an opportunity to work with a lot of these actors. I know them so well but I hadn’t had a chance to work with them personally because so many of them come from Toronto. It’s great to meet the actor behind the characters, and the great thing too is that all the actors that come in are obviously very talented but they’re great people.

Hudson & Rex airs Mondays at 8 p.m. ET/PT on Citytv.

Images courtesy of Rogers Media.

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Production begins on new original drama, Rex – coming to Citytv in 2019

From a media release:

Shaftesbury, Pope Productions, and Citytv announced today that production has begun on new drama series REX (wt). Centred on the partnership between a police detective and his hardworking dog, REX is a procedural drama with a twist. Starring John Reardon (Van Helsing, Continuum), Mayko Nguyen (Killjoys, Fahrenheit 451), and Enrico Colantoni (Bad Blood, Flashpoint), the eight-episode, 60-minute series is based on the long-running, international hit series Rex, a Cop’s Best Friend. Executive produced by Christina JenningsScott Garvie, and Paul Pope, the series has begun shooting in St. John’s, Newfoundlandand will continue through December 2018.

Set in St. John’s, NewfoundlandREX is an action-packed police procedural drama focused on the partnership between a dedicated detective and his extraordinary former K9 dog. Rex and Charlie are a detective team that combine their individual skills to solve the most puzzling crimes. This is the first English-language adaptation of the highly successful European format that has aired in 125 countries around the world for 18 seasons.

Starring John Reardon as Detective Charlie Hudson, Rex’s partner; Mayko Nguyen as chief of forensics Sarah TruongEnrico Colantoni as Superintendent Joseph De Luca; and Diesel (a Canadian Kennel Club Grand Champion) as Rex.

Shaftesbury and Pope Productions Ltd. produces REX in association with Citytv, a division of Rogers Media, and Beta Film GmbH. Beta Film GmbH holds worldwide distribution rights. Produced with the participation of the Newfoundland and Labrador Film Development Corporation, the Ontario Film and Television Tax Credit, the Canadian Film or Video Production Tax Credit and the Rogers Documentary and Cable Network Fund.

REX is executive produced by Christina JenningsScott GarviePaul PopeKen Cuperus, and Avrum Jacobson, followed by Laura Harbin as Supervising Producer, Julie Lacey as Producer, and Lisa Porter as Associate Producer. Friedemann Goez and Oliver Bachert are Executive Producers from Beta Film GmbH. Episodes are written by Showrunners Ken Cuperus, Paul AitkenJohn CallaghanJessie GabeAvrum JacobsonSimon McNabb, and Celeste Parr. Episodes are directed by Felipe RodriguezAlison Reid, and John Vatcher.

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