Tag Archives: Miranda de Pencier

Featured, North of North

APTN, CBC and Netflix renew North of North

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From a media release:

APTN, CBC and Netflix have renewed NORTH OF NORTH for a second season. Series star Anna Lambe announced the renewal on social media tonight. This news comes on the heels of the comedy series’ successful first season launch on APTN, CBC and Netflix, having instantly captivated audiences in Canada and around the world.

NORTH OF NORTH stars Lambe (True Detective, Trickster, The Grizzlies) as Siaja, a young Inuk woman who dreams of reinventing herself in her tiny Arctic community of Ice Cove, a town where everybody knows your business. After a spontaneous — and extremely public — exit from her marriage, Siaja finds herself navigating the unpredictable, and often hilarious, highs and lows that come with relationships, motherhood, a new job, and finding your way. The first season also features actors Maika Harper, Braeden Clarke, Mary Lynn Rajskub, Jay Ryan, Zorga Qaunaq, Bailey Poching, Kelly William, Keira Belle Cooper and Nutaaq Doreen Simmonds.

The series first premiered in Canada on APTN and CBC in January 2025 and then globally on Netflix in April 2025. NORTH OF NORTH was the most-watched new series on CBC Gem since the launch of the streaming platform.* Additionally, the comedy was one of the most-watched programs on CBC among the A25-54 demographic.** On APTN, NORTH OF NORTH was among the top-performing new scripted shows during the Winter 2025 season and the top new program on APTN lumi. Globally NORTH OF NORTH debuted at No. 9 on Netflix’s global top 10 for English-language television series the week of its Netflix release on April 10. The series also broke into Netflix’s top 10 in 27 countries.

An APTN, CBC and Netflix original series, NORTH OF NORTH is produced by Red Marrow Media and Northwood Entertainment. The series is created, executive produced and written by writer and producer Stacey Aglok MacDonald (Qanurli, The Grizzlies) and filmmaker Alethea Arnaquq-Baril (Angry Inuk, The Grizzlies) of Red Marrow Media and executive produced by Miranda de Pencier of Northwood Entertainment (Anne with an E, Beginners, The Grizzlies). Anya Adams (Yellowjackets, Ginny & Georgia), Susan Coyne (Mozart in the Jungle, Daisy Jones & The Six) and Garry Campbell (The Kids in the Hall, Less Than Kind) also executive produced the first season.

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Featured, North of North

Indigenous stories, characters and cast front and centre in CBC’s charming North of North

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It’s hard to re-invent yourself, especially when you live in a small town, where everyone knows you. How can you convince a community that you shouldn’t be pigeonholed or dismissed? And how do you do it with an air of positivity and humour?

That’s the premise behind North of North, CBC’s newest comedy.

Airing Tuesdays at 9 p.m. on CBC and CBC Gem (and the spring on Netflix), North of North stars Anna Lambe (True Detective, Trickster) as Siaja, a young Inuk mother who strives to be something other than the wife of her self-absorbed husband, Ting (Kelly William). So, she exits her marriage, moves herself and her daughter in with her mother, Neevee (Maika Harper), and chases down a job at the community centre in fictional Ice Cove, Nunavut.

With so much upheaval in her life, one could assume North of North is dark and dour. It’s anything but. Created by Stacey Aglok MacDonald (Qanurli, The Grizzlies) and Alethea Arnaquq-Baril (Angry Inuk, The Grizzlies) and produced alongside executive producer Miranda de Pencier (Anne with an E, The Grizzlies), North of North is jam-packed with quips and comedy, largely due to lead Lambe, whose presence jumps off the screen.

“I was honestly so terrified of comedy,” Lambe says during a recent interview. “So much Indigenous film and television [is drama-based], and I think that’s important and necessary, but comedy was one of those things where it was either going to hit or it’s going to miss so bad that maybe it will be funny.” Add to that the fact the series was filmed in Iqaluit, Lambe’s hometown, and surrounded by background cast that knows her, and the pressure was on.

She need not have worried. Lambe’s Siaja is charming and fun to watch on screen. Siaja’s repartee with Neevee is funny and irreverent (their relationship seems more sisterly than mother-daughter), innocent flirting with the handsome Kuuk (Braeden Clarke) smile-inducing and awkward conversations with Alistair (Jay Ryan), laugh-inducing.

Yes, there are nods to colonialism and residential schools in the dialogue, but they are often used for comic effect in scripts and storylines.

“There was a real challenge to finding what the final tone of the show was going to be and having someone fail so publicly,” Lambe says. “But one of the things I love so much about the show is how authentic it is about how we get through life.

“The only way out of a bad situation is through the bad situation and why not laugh along the way? Why not try to find those funny moments?”

North of North airs Tuesdays at 9 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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Industry News

CBC, Netflix and APTN greenlight new arctic comedy series

From a media release:

  • Netflix, CBC and APTN have announced they are commissioning a new untitled comedy series that will film in Nunavut (UNTITLED ARCTIC COMEDY).
  • The show was created and will be written by Inuit film and television writer and producer Stacey Aglok MacDonald and Inuit filmmaker Alethea Arnaquq-Baril.
  • Logline: A young Inuk mother wants to build a new future for herself, but it won’t be easy in her small Arctic town where everyone knows your business. 
    • Stacey Aglok MacDonald and Alethea Arnaquq-Baril:  “This series is full of stories that come straight from our hearts and our funny bones. We’ve drawn from our experiences as Inuit women living, laughing, crying and living together while Native. We are so excited to work with all our incredible partners at CBC, Netflix and APTN, and we can’t wait to start filming!”
    • Miranda de Pencier: “I’m thrilled to be teaming up with Stacey and Alethea for our third project together and excited for audiences to see this hilarious, unexpected and essential series that Stacey and Alethea have created.”
    • Susan Coyne: “Stacey and Alethea have created a story that is very funny and clearly comes from the heart. I can’t wait to work with Stacey and Alethea to explore the lives, relationships, and emotional journeys of their amazing cast of characters.”
    • Sally Catto, General Manager, Entertainment, Factual and Sports, CBC: “This vibrant comedy delivers an authentic perspective on personal journeys, friendship and community in the Arctic. We are excited to partner with Netflix and APTN to film in Nunavut and bring Stacey and Alethea’s deeply personal storytelling to audiences across Canada.” 
    • Danielle Woodrow Director, Content – Canada and Tara Woodbury, Director, Content – Canada, Netflix: “As soon as we heard about this show, we knew we wanted to share it with our members around the world. Stacey and Alethea have created a very relatable and funny story that showcases the unique experience of living in Canada’s Arctic regions. We’re thrilled to be partnering with them and working with Miranda and the teams at CBC and APTN.”
    • APTN Spokesperson: “This show is a brilliant and heartfelt gem of a comedy from two of Canada’s most exciting creators. A very short time ago, it would have been impossible to imagine an Indigenous comedy shot in the Arctic, with massive national and international reach,” says Adam Garnet Jones, director of TV content and special events at APTN. “It’s a dream come true for APTN to help bring this story to audiences across Turtle Island and around the world. We know audiences are going to fall in love with the show’s characters, and the production industry in Nunavut is going to receive a huge boost in a way it never has before.”
  • Executive Producers: Stacey Aglok MacDonald (Qanurli, Grizzlies), Alethea Arnaquq-Baril (Angry Inuk, Grizzlies), Miranda de Pencier (Anne With an E, Beginners, The Grizzlies), Susan Coyne (Mozart In the Jungle, Daisy Jones & The Six, Slings & Arrows), Garry Campbell (The Kids in the Hall, Less Than Kind)
  • Production Companies: Northwood Entertainment, Red Marrow Media
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Industry News, Reality, Lifestyle & Documentary

Epic eight-part Black Canadian history docuseries, Black Life: A Canadian History, greenlit by CBC

From a media release:

Black Life: A Canadian History, a sweeping eight-part docuseries exploring the rich history of the Black experience in Canada has been greenlit by CBC, showrunner Leslie Norville and CBC announced today. In addition to Norville and Northwood Entertainment’s Miranda de Pencier, an exceptional cadre of creative talent, activists, and historical and cultural consultants helm this epic television event. Philanthropist and NHL All-Star P.K. Subban (Ugly Duck Productions) is on board to executive produce as is multi-hyphenate Nelson George, and co-executive producer and Black Lives Matter (Canada) co-founder Sandy Hudson. Norville and de Pencier have also assembled an unparalleled team of consulting producers and writers to bring this complex and riveting story to life. The consulting producers, who have a substantial and ongoing role in shaping the series, include former Governor General the Right Honourable Michaëlle Jean, rapper and broadcaster Shad (Shadrach Kabango), and activist Ravyn Wngz. The producers will partner with eight Black Canadian directors, one for each episode, who will bring their unique approach and style to the series. Black Life: A Canadian History (8×60) premieres on CBC and CBC Gem in 2023.

Black Life: A Canadian History seeks to inform audiences of the vital role that Black Canadians have played in shaping our country while presenting an unvarnished examination of the picture mainstream culture has painted of Canada as a sanctuary. While tracing the complex and hopeful stories of Black Canada, the series reveals the truths of a history fraught with violence, racism, hardship, and perseverance. Black Life: A Canadian History illuminates the struggles and triumphs of Black Canadians, and celebrates the contributions of both famous and lesser-known individuals. Epic in scope, the series spans more than 400 years with an eye towards contemporary issues, culture, politics, music, art, and sports.

“The docuseries will be an honest and nuanced look at Black Canadian history – and while some may find this uncomfortable, it’s critical to understand and grapple with the complexities of Canada’s past,” said Leslie Norville, showrunner and executive producer. “I couldn’t ask for a more talented team to help bring this rich history to audiences and to explore and celebrate the stories and people whose contributions have shaped the country we know today. Miranda and I are delighted that Black Life: A Canadian History has found a home at CBC and value their support and enthusiasm for the project.”

Additionally, Studio 112 and Northwood Entertainment have gathered a preeminent group of historical/cultural consultants, academics, and writers to faithfully render the story of Black Canada, including David Austin, Dr. Claudine Bonner, Dr. Afua Cooper, Annette Henry, Issac Saney, Dr. Rinaldo Walcott, Dr. Dorothy W. Williams, and top writer Jael Richardson.

“One of the many things that attracts me to this project is that it connects events across 400 years of history to the present day,” said Sandy Hudson, co-executive producer. “Reckoning with the past and confronting our present can be a foundation through which we imagine and build liberatory Black futures.”

“I can’t wait to share the educational and engrossing stories of Black Life: A Canadian History,” said P.K. Subban, executive producer. “We’re pushing the boundaries of conventional storytelling to create a series that is gripping and dramatic in a way that audiences haven’t seen before. The inclusion of everything from civil rights to sports, and justice to music, is sure to engage viewers across the country and around the globe.”

“CBC is honoured to partner with this remarkable team to bring the untold history of Black Canadians to audiences across the country with authenticity and depth, led by the lived experiences, insight and perspectives of Black storytellers,” said Sally Catto, General Manager, Entertainment, Factual & Sports, CBC.

SELECT CREATIVE AND PRODUCING TEAM BIOS:

Leslie Norville is an award-winning producer and alumnus of the prestigious Sundance Documentary Creative Producing Fellowship. Select credits include A Ballerina’s Tale; Brooklyn Boheme; Disdain The Mundane; Finding The Funk; Any Given Day; and the upcoming The First Wave.

Miranda de Pencier is an award-winning producer and director. Select credits include the critically acclaimed and award-winning Anne with an E, The Grizzlies, Beginners, and Thanks For Sharing.

P.K. Subban is one of the most dynamic athletes and personalities in sports. Known not only as an All-Star NHL defenseman for the New Jersey Devils, Subban is also an ardent philanthropist, entrepreneur, producer, and fashion enthusiast. Subban launched Ugly Duck Productions in 2019.

Nelson George (Good Hair, The Get Down, A Ballerina’s Tale, Finding the Funk, Dear Mama: The Life and Times of Afeni and Tupac Shakur) is a best-selling author, columnist, music and culture critic, journalist, and filmmaker who has specialized in documenting Black culture in North America for more than 40 years.

Sandy Hudson is an activist, multidisciplinary creative, and an award-winning author with a talent for inspiring others to imagine just futures. She founded the Black Lives Matter movement presence in Canada; co-founded Black Lives Matter (Toronto) and the Black Legal Action Centre; and co-authored the best-selling anthology, Until We Are Free: Reflections on Black Lives Matter in Canada.

The Right Honourable Michaëlle Jean is Canadian stateswoman, diplomat, and former journalist who served as the 27th Governor General of Canada. She became the UNESCO Special Envoy to support reconstruction efforts in Haiti, and later served as Chancellor of the University of Ottawa and the third Secretary General of La Francophonie (OIF). She is also the co-chair, alongside her husband, filmmaker Jean-Daniel Lafond, the Michaëlle Jean Foundation, whose programs support vulnerable young people in Canada through the power of the arts and culture, education, and training.

Shadrach Kabango is an award-winning Canadian rapper and broadcaster. He hosts HBO’s Peabody Award-winning doc series Hip-Hop Evolution and is the former host of CBC’s q.

Ravyn Wngz is an African, Bermudian, Mohawk, 2Spirit, queer and transcendent individual. She is a member of the Toronto Black Lives Matter (BLM-TO) Steering Committee; a co-founder of ILL NANA/DiverseCity Dance Company; and the artistic director of OVA (Outrageous Victorious Africans Collective).

Jael Richardson is the author of Gutter Child and The Stone Thrower: A Daughter’s Lesson, a Father’s Life – a memoir based on her relationship with her father, CFL quarterback Chuck Ealey. She is a book columnist, guest host on CBC’s q, and is the founder and executive director of the Festival of Literary Diversity (FOLD).

David Austin, in addition to producing and writing radio documentaries, is a professor and an award-winning author of Fear of a Black Nation: Race, Sex, and Security in Sixties Montreal. He currently teaches in the Humanities, Philosophy, and Religion Department at John Abbott College and the McGill University’s Institute for the Study of Canada.

Dr. Claudine Bonner is a member of the Sociology Department and Women’s and Gender Studies program at Acadia University. Her research is grounded in African Canadian history, and broadly applied in analyses of race, gender, education, and identity in contemporary Canada.

Dr. Afua Cooper is a Jamaican-born Canadian historian, author, poet, and professor of Black Canadian studies at Dalhousie University where she led the creation of a program in Black and African diaspora studies. She was named poet laureate for the city of Halifax in 2018 and has released several collections and albums of poetry.

Annette Henry is an author and professor at UBC in the Department of Language and Literacy Education and cross-appointed to the Institute for Race, Gender, Sexuality and Social Justice. Her scholarship examines race, class, language, gender and culture in socio-cultural contexts of teaching and learning in the lives of Black students, Black oral histories, and Black women teachers’ practice in Canada, the U.S., and the Caribbean.

Isaac Saney is a professor and author; he holds a PhD in history from the School of Oriental and African Studies (SOAS), University of London in the UK. His teaching has encompassed courses on Africa, the Caribbean, Cuba, and Black Canadian history. He is also an Adjunct Professor in history at Saint Mary’s University.

Dr. Rinaldo Walcott is an author and a professor of Black Diaspora Cultural Studies at the University of Toronto. His teaching and research is focused on Black diaspora cultural studies and postcolonial studies with an emphasis on questions of sexuality, gender, nation, citizenship, and multiculturalism. Walcott is the author/editor of several books including Black Like Who: Writing Black Canada.

Dr. Dorothy Williams is a historian and author who specializes in Black Canadian history. She has authored three books including Blacks in Montreal: 1628-1986 An Urban Demography and The Road to Now: A History of Blacks in Montreal.

Black Life: A Canadian History is produced by Studio 112 in association with Northwood Entertainment, and Ugly Duck. The executive producers are Leslie Norville, P.K. Subban, Miranda de Pencier, Nelson George, and with Sandy Hudson serving as co-executive producer. Consulting producers are the Right Honourable Michaëlle Jean, Shadrach Kabango, and Ravyn Wngz.

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Anne with an E, Featured

Miranda de Pencier describes the detail that goes into Anne with an E

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I’ve been impressed with Anne with an E from its debut on CBC. The scripts have been amazing, the performances stellar—and scored trophies for Amybeth McNulty, Geraldine James and R.H. Thomson—the sets sublime and the wardrobe incredible.

That’s all by design says executive producer Miranda de Pencier, who along with fellow executive producer and showrunner Moira Walley-Beckett have taken L.M. Montogomery’s creation and truly made it their own. We recently spoke to de Pencier about the importance of being authentic when creating a show like this.

Anne is 16 this season and the hormones are raging. It seems as though all the girls are interested in the boys, but the boys seem to be pretty clueless when it comes to this relationship thing.
Miranda de Pencier: Well, and isn’t that just reality? As we all know, boys develop a little slower than and, eventually, you guys catch up. It’s fun to explore it, and I think there’s going to be a lot of surprises and a lot of relationships blooming and bursting that will be fun for the audience to see.

In the second season of Anne with an E, we had people of colour on the show. In this third season, we’ve got Indigenous characters. Are these are organic things that have been touchpoints for you and Moira Walley-Beckett along the way?
MDP: It has been organic. I think it’s also what’s going on in the world, but also what’s interesting to us. Back in the first season, Moira and I started talking about the idea of Indigenous characters. Then when and how that got introduced came out when it made sense for the story and the show. I think we touch on these things and talk about them in very organic ways and then they need to get executed practically.

According to the press release that CBC sent out earlier this year, it was quite the journey to cast Kiawenti:io Tarbell as Ka’kwet.
MDP: She is amazing. I think, fortunately, I had the experience of finding young Indigenous cast on The Grizzlies, so it was helpful to have gone through that large and challenging process that was so worthwhile. We basically repeated a version of that search to find Kiawenti:io. We wanted to search across the country. We reached out to casting agents from the west to the east. We went everywhere, Quebec, Six Nations and the west coast. Then ultimately from that large search and a lot of submissions, we culled that down to four girls that we brought to Toronto.

Then Melee Hutton, who was the extraordinary acting coach who helped train the young actors in The Grizzlies, also helped out, and still helps out with our younger cast on Anne with an E; she came in and led a workshop over a weekend where those four girls were taken through a number of acting exercises and play, and at the end of that process Kiawenti:io was the actress we felt made the most sense for the role and the other girls in that process we ended up putting into the show in other roles. We were able to give a positive experience and work to all those final actresses.

Sometimes I’ll hear casting agents or producers say, ‘Well, it’s just really hard to find Indigenous actors,’ and it is hard, but it’s not because they don’t exist, and it’s not because there isn’t a lot of talent out there. It’s just because it takes an extra effort and financing to find them, and you’ve got to go to them. You cannot expect to sit back and have those young people already have agents or access to casting directors. So it’s a larger process, but it’s so worth it, and it’s so exciting to find this amazing talent and all these amazing, amazing talents out there waiting to be discovered.

It would have been easy to have the Indigenous peoples speaking English, but you didn’t go that way. 
MDP: From the beginning, our goal has been to create a show that has a documentary level of realism. We’ve maintained that from the very start, whether it’s making sure we’ve got hand stitching on the bottom of the dress because the 4K camera can pick up anything, or whether it’s what would be true and would have been true in that time, socially, visually, economically. [Indigenous peoples in the region were] speaking Mi’kmaq in that time period, so it was important to be authentic. It was a challenge, because Mi’kmaq is a language that that some people would say is moving towards extinction, and there’s a lot of hope and effort in the Mi’kmaq community to bring it back. We were desperately looking for an elder, for instance, to speak Mi’kmaq, and I found one through Jeff Barnaby, who is Mi’kmaq.

A lot of people won’t know about the efforts we made to make sure that the Mi’kmaq was pronounced properly, but it was important for us to get it right. It’s about respect and it’s about being authentic.

The scripts and performances have been top-notch since Episode 1 of Season 1.
MDP: Thank you so much. We were sitting in sound mix. We were looking at the screen and just really in awe of the performances throughout this whole season. It’s been exciting to watch especially the younger actors all grow and start to really get to know their characters in a way that makes them soar. There’s less and less work for the directors to do performance-wise when this cast is just A-plus, and really become who they’re portraying in a way that I think is exciting and extraordinary. Across the board, we work really hard casting the show, each and every role, even if someone’s coming in for just a few lines. We spend a lot of time looking at a lot of actors for each and every part so that the audience is hopefully experiencing a show that feels real, and they’re not ever seeing the acting. That’s something we’re proud of, and I continue to be in awe of all the extraordinary talent in the show.

Anne with an E airs Sundays at 8 p.m. on CBC.

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