Tag Archives: Rogers

Rogers inks blockbuster deals with NBCUniversal and Warner Bros. Discovery

From a media release:

Rogers Communications today announced blockbuster multi-year deals with NBCUniversal and Warner Bros. Discovery to bring the most watched lifestyle and entertainment content to Canadians on their platform of choice.

 “Rogers invests to bring Canadians the most coveted sports and entertainment,” said Colette Watson, President, Rogers Sports & Media. “We’re evolving our business to reflect where consumers are going, bringing the best mix of U.S. and Canadian content to audiences in the way they want to watch it. This investment also advances our position as a strong Canadian broadcaster that can compete with foreign streamers.”  

 Starting September 2024, the company is launching NBCUniversal’s Bravo channel in Canada and will become the English-language television content rights holder in Canada, featuring the best of unscripted programming, which will include new seasons of Bravo’s hit franchise series.

Starting January 2025, Rogers will be the home of Warner Bros. Discovery’s suite of English-language U.S. lifestyle and factual brands, including HGTV, The Food Network, and much more.

Rogers will work with Canadian distribution partners to make the content widely available, so viewers can continue to watch the programs they have come to know and love.  The content will also be available on Citytv+, complementing the award-winning lineup of programming from Citytv, OMNI, FX, and FXX.  

“We’re already home to Canada’s #1 sports network, and these partnerships solidify our leadership in entertainment with a diverse media portfolio of TV’s most iconic brands,” added Watson. 

The company’s investment in leading entertainment brands and content follows Rogers recent announcement with Comcast to bring the latest award-winning Xfinity products and technology to Canadians across the country. Its entertainment platform integrates live sports, entertainment and news, on-demand, and streaming apps into one, simple viewing experience so customers spend more time watching and less time searching with the award-winning voice remote and integrated interface. 

 With the new U.S. licensing deals, Rogers will increase its investment in original Canadian content and collaborate with Canadian independent producers. Over the last 10 years, Rogers has invested $6.9 billion in Canadian content, part of its commitment to bring Canadians the best content.  

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Law & Order Toronto: Criminal Intent is a killer homegrown addition to the storied franchise

It was about time that the Law & Order franchise headed north of the border. With four international versions airing around the world, Law & Order Toronto: Criminal Intent debuts Thursday at 8 p.m. Eastern on Citytv.

You may have seen the massive billboards in Toronto, the teasers on Citytv, the cast appearances at a recent Toronto Maple Leafs tilt and the social media posts. Rogers/Citytv is expecting big things from Law & Order Toronto: Criminal Intent. Judging from the first episode I screened, the show will deliver.

Starring  Aden Young (Rectify, The Disappearance) as Detective Sergeant Henry Graff, Kathleen Munroe (Chicago Med, Call Me Fitz) as Detective Sergeant Frankie Bateman, Karen Robinson (Schitt’s Creek, Pretty Hard Cases) as Inspector Vivienne Holness and K.C. Collins (Pretty Hard Cases, Shoot the Messenger) as Deputy Crown Attorney Theo Forrester, the first episode of Law & Order Toronto: Criminal Intent hits the ground running and never looks back. Mixing the wry humour of the Law & Order franchise with crimes and a killer guest cast, I can’t believe it’s taken this long for a Canadian take to air.

We spoke to executive producer Amy Cameron about how the series came about, “being Canadian,” and how the iconic “dun-dun” can and can’t be used.

Walk me through the process of how Law & Order Toronto: Criminal Intent came to be.
Amy Cameron: Well, it came through Erin Haskett at Lark Productions. Erin has Lark Productions, which is based in Vancouver. Universal Studio Group are minority shareholders and they hold the format license for Law & Order. They’re always looking for different places to bring Law & Order and what would make sense and what’s the right fit.

I think this conversation started a couple of years ago now with Erin and Rogers about whether or not they could do a Law & Order Canada. And when push came to shove, ultimately people felt that Law & Order Toronto was the sort of city where they wanted to have this start in Canada rather than Vancouver. They’re a Vancouver production company.

I used to be an exec on a project of Erin’s when I was at CBC, but other than that, we hadn’t worked together, but we are friends and enjoy each other’s company and similarly think about the industry. Last Christmas, she came to us and said, just after Christmas, ‘Would you guys be willing to take something on with me and produce it in Toronto and be our co-producer on the show?’ Sure.

Aden Young and Kathleen Munroe

And then it turned out it was Law & Order, which honestly, I spent the winter and the spring kind of feeling like it was all a bit of a surreal joke. I’m not actually checking out studio space for Law & Order Toronto. I’m not actually looking at crew for Law & Order. I mean, I was such a super fan

Tassie [Cameron] ended up writing a pilot that was presented and that was accepted, and we found out that it was green-lit on a Thursday. I should look at the dates, but it was the Thursday, a Thursday night, we found out that we were going to go ahead and it was announced to the world on the Monday.

Were still reeling with the information that we were green-lit, and we were going to produce Law & Order Toronto: Criminal Intent when the rest of the world found out too. That was the end of May, the beginning of June, and we started filming at the end of August. So it was insanely quick to turn around, locking down a studio space, getting our key creatives in place, having our designer design a set, and finding directors. The casting process was so wild, how do you define what’s Canadian? There’s the idea of trying to define how Canada is different from the U.S. What is Canadian versus what is American? No one thing can, there’s no one way to answer that question. It feels like it’s a million little decisions,

We wanted to make sure that this version of Law & Order was imbued with Canadian creatives, Canadian decisions, very much embedded in the Canadian culture and mindset and way of doing and creating. It was pretty wild. We were on the road for the first two weeks because our sets weren’t ready. It was wild. So much fun though. No time to stop and second-guess things. You’re just going.

This being a Dick Wolf creation, is there kind of a checklist that you had to meet? Did he see episodes and have to approve anything?
AC: With the format agreement, you have access to Wolf executives for consultation purposes. We had a wonderful conversation with their post-producer, and we were able to sort of dig into, ‘OK, how do you do this? What’s this with those location cards, with the use of dun-dun? It was so incredibly valuable to have someone just say it out loud, which is the dun-dun sound is never used as an exclamation mark on a scene or music. If you have a score going, you can never count on the dun-dun as the thing that takes you. It’s a small nuance, but it’s its own entity, and it’s not meant for emphasis.

There are certain guidelines, when it came to writing the scripts. For Criminal Intent, you’re aiming for about 10% of the episode from the criminal’s perspective. It is much more an intellectual pursuit of a criminal rather than a physical one.

But for the most part, Wolf and Dick Wolf were hands-off. That said, he did watch the first episode, and he really liked it. The feedback we got was the Canadians did good work.

Karen Robinson

The cast is so strong. Aden Young, Kathleen Munroe, Karen Robinson and K.C. Collins really hit the ground running and are wonderful. Was there chemistry with the cast right away?
AC: The only character that Tassie wrote with the actor in mind was Holness, Karen’s character. We had worked with Karen, and we knew that she would be able to bring it, that she would be able to bring in that humanity and humour when needed.

Working with K.C. on Pretty Hard Cases, we knew how strong an actor he was and really loved working with him again. Aden and Kathleen have worked together in the past. They get along very well.

Rogers and Citytv couldn’t have given you a better time slot on Thursday. You’re right after the mothership. Are you cautiously optimistic for a second season?
AC: We don’t know about the second season, but I feel we have done everything we can to get a second season. If this season is the only season that we get to share with fans, I would be disappointed. And yet I’m incredibly proud. I’m so proud of our crew, they knocked it out of the park. The sets are spectacular. Oleg Savytski is our production designer. Unbelievable. The performances from our actors, the commitment of the writers to cracking the formula, cracking the format, just even our post team, the editors, and the attention to detail in terms of the edit and understanding that … I don’t think there’s anything else we could have done. It is up to Canadian audiences to show up if they want a second season.

Law & Order Toronto: Criminal Intent airs Thursdays at 8 p.m. Eastern on Citytv.

Featured cast image courtesy of Steve Wilkie. Images courtesy of Rogers Media.

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Link: “The episodes are based on real crime headlines”: Meet the showrunner behind the new Law & Order Toronto

From Courtney Shea of Toronto Life:

Link: “The episodes are based on real crime headlines”: Meet the showrunner behind the new Law & Order Toronto
“Contrary to popular belief, we have a lot of material to work with. There are also some things about the Canadian system that are different, and it’s interesting to look at those nuances. In the court scenes, for example, our background players are in legal robes. You would never see that in the US version.” Continue reading.

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New and returning Canadian original series to Citytv include Law & Order Toronto: Criminal Intent, Hudson & Rex

From a media release:

CITYTV & OMNI TELEVISION ORIGINAL SERIES (PREMIERING ON SUNDAY, JUNE 11):

Premiering on OMNI Television this Sunday, June 11 are two new original series, including the comedy Our Big Punjabi Family and five-part documentary series Katiba Banat: Sisters in Arms, plus an all-new season of Filipino sketch comedy ABROAD.

Starting at 7:30 p.m. ET is Our Big Punjabi Family, a mixed Punjabi and English-language comedy series about a family therapist Sitara (played by Arshdeep Purba) and her family who are forced to move in with her husband’s traditional Punjabi in-laws after they lose their money in a bad investment. Following Our Big Punjabi Family is a new season of ABROAD. Produced in collaboration with Longhope Media Inc., Season 2 of ABROAD – the hit Filipino sketch comedy series – will premiere with eight, all-new 30-minute episodes in English and Tagalog at 8:30 p.m. ET. Co-created by and starring Filipina comedian Isabel Kanaan (Second Jen, Air Farce NYE, This Hour Has 22 Minutes), ABROAD is a Canadian Screen Award-nominated series based on the immigrant experience in Canada. Then, at 9:30 p.m. ET, the premiere of Adhel Arop’s Katiba Banat: Sisters in Arms – a five-part docuseries that uncovers the previously hidden stories of Canadian women who helped to liberate South Sudan.

As announced on Monday, Citytv has greenlit the all-new, one-hour crime drama Law & Order Toronto: Criminal Intent, an adaptation of the legendary Law & Order brand, slated to air on Citytv in Spring 2024.

And, as announced earlier this year, Citytv has greenlit an all-new season of Canada’s Got Talent – Citytv’s most-viewed original series in over a decade – in partnership with McGillivray Entertainment Media Inc., Fremantle, and SYCO Entertainment. New for next season, the winner of Canada’s Got Talent Season 3 will receive $1,000,000 – the biggest cash prize in Canadian television history – courtesy of Rogers. That’s not all! CIBC is awarding each of the six Golden Buzzer recipients next season with $25,000 each, totalling $150,000, to help realize their ambitions. Plus, CIBC will provide the Season 3 winner with financial advice. Applications are open now on Citytv.com.

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TV, Eh? Podcast Episode 247: Rogers’ Upfront Announcement

This week, Greg and Amy go through debuts and returns on the Canadian TV calendar.

Then, we cover the latest Canadian TV news, including CBC, BIPOC TV & Film and CFC’s new showrunner catalyst, Global’s original scripted series Robyn Hood begins production, Super Channel’s documentary on Bif Naked and a first look at the OUTtv horror-comedy series, Ezra.

We close out the podcast by looking at Rogers’ upfront announcement, which includes more Hudson & Rex, Canada’s Got Talent, Bachelor in Paradise Canada and one new show: Wong & Winchester.

This episode is brought to you by Aspall Cyder and Bean Fair coffee.

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