Tag Archives: Schitt’s Creek

Link: Schitt’s Creek: Emily Hampshire on delving into Stevie’s backstory

From Bridget Liszewski of The TV Junkies:

Link: Schitt’s Creek: Emily Hampshire on delving into Stevie’s backstory
“My first curiosity about Stevie from the beginning was ‘why is this girl who is clearly intelligent and can do so much more, why is she here and needing to be rescued by David to go to New York and escape?’ I realized this is Stevie’s choice. She’s choosing to stay here and to aspire to less than she’s capable of. That led to questions about her past, who are Stevie’s parents and more.” Continue reading. 

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Link: Daniel Levy on Showing One of the First Pansexuals on TV in ‘Schitt’s Creek’

From Will Thorne of Variety:

Link: Daniel Levy on Showing One of the First Pansexuals on TV in ‘Schitt’s Creek’
“A girl came up to me on the street and said the show changed the dynamic in her family. Her brother’s gay, and her parents had never accepted him. But by watching the way that Johnny and Moira interact with David in our show — how accepting they are — it was able to inform this girl’s parents in ways they hadn’t seen before. You often forget, because you’re so inside it, that television has power. And for us, any chance we get to project a world where things are good and right, that’s all we can hope to do.” Continue reading.

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Daniel Levy on the “most exciting season” of CBC’s Schitt’s Creek

For two seasons, the Rose family has been desperately trying to leave Schitt’s Creek. But Johnny’s (Eugene Levy) plan to sell the town (hilariously) fell through, Moira’s (Catherine O’Hara) attempts to distance herself from the locals has failed and Alexis (Annie Murphy) and David (Daniel Levy) have slowly been accepted into the community.

Now, in Season 3—returning for 13 episodes beginning Tuesday, Jan. 10, to CBC—the Roses have more or less embraced Schitt’s Creek and all that comes with it, including Roland Schitt (Chris Elliott), Jocelyn Schitt (Jennifer Robertson), Mutt (Tim Rozon), Twyla (Sarah Levy) and Ted (Dustin Milligan). We spoke to co-creator, co-executive producer and writer Daniel Levy about what fans can expect in Season 3.

I’ve seen the first episode of Season 3 and the Roses are going through some transition in their lives.
Daniel Levy: Yes, they are. This whole season centres on the premise of transition and just digging a little deeper into the town.

I did wonder where you can go in a third season. I guess the answer is, throw him into a three-way relationship between Stevie (Emily Hampshire) and a guy named Jake (Steve Lund).
{Laughs.] One of the mandates from season to season is, ‘What haven’t we done before?’ And that was definitely a fun little arc to play with.

Is Jake around for a full season or a recurring character?
He plays a pivotal role in the first two episodes. Steve was in the final episode of Season 2 and it’s an interesting casting choice because he does play a sexually fluid character and something Steve brought into the room felt right. We thought he did such a good job at the end of Season 2 that it could be fun to bring him back. And, again, we’re playing off the complexity of David and Stevie’s relationship that David identifies and pansexual and how much fun you can have with the idea of a ‘throuple.’ [Laughs.]

As funny as those scenes are between Stevie and David, there is that undercurrent of serious feelings they have for each other. It’s an added, emotional layer.
Going back to your earlier comment about where you go in a third season, for us, it was taking the focus away from the circumstance and shining the light on the characters in a slightly more dimensional way than we have in the past. For two seasons, it was really important in terms of the narrative, to really substantiate the scenario, the premise of the family adapting to this town. For Season 3, we’re really peeling back the layers of the four protagonists and also with Stevie and Roland and Jocelyn.

To me, this is the most exciting season that we’ve done, and hopefully, rewarding to the fans of the show because we’ll see these people in new and dynamic situations they’ve never seen them in before.

I’ve almost forgotten they’re trying to get out of the town. That’s not part of the narrative anymore, really. Moira is part of the town council and rather than trying to get out of it, has made the best of it.
She’s going to make it about her, basically. Now that they’re not getting out, how are they going to make the best of their time there?

When you say this is the best season ever, have you been working towards this season via the last two?
When I go into each season, it’s not with an end goal in mind when I go into the room. There are emotional beats and emotional places where we want to find our characters at the end of every season. But, to be honest, on a lot of shows the premise wears thin. Being able to dig deeper is a relief, to say the least. But that’s also because of the strength of our actors. They have substantiated these characters in ways that far surpassed all of our expectations and, in a way, have allowed us to tell stories that are uniquely tailored to their skills.

Schitt’s Creek airs Tuesdays at 9 p.m. on CBC.

Cast image courtesy of CBC.

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Link: Eugene Levy on Schitt’s Creek: It’s “The Straightest Thing I’ve Ever Done in My Career”

From David Kamp of Vanity Fair:

Link: Eugene Levy on Schitt’s Creek: It’s “The Straightest Thing I’ve Ever Done in My Career”
It was never quite enough, those intermittent doses of Catherine O’Hara and Eugene Levy administered every few years via Christopher Guest’s ensemble movies. Continue reading.

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The Directors Guild of Canada honours the best in the business at 15th annual awards

From a media release:

The Directors Guild of Canada handed out 17 awards tonight honouring the best work created by Members this past year in a star-studded, elegant event. Three special career acknowledgments were also handed out during the evening, including the Lifetime Achievement Award to filmmaker Anne Wheeler. The inaugural DGC Discovery Award was presented to newcomer Chloe Leriche for her/his film Avant Les Rues.

Arisa Cox hosted the Awards Gala which was held at The Carlu in Toronto. Presenters included this country’s hardest working filmmakers and actors; Meredith MacNeill, Tracey Deer, Megan Follows, Director X, Benz Antoine, and Nicholas Campbell, to name just a few.

Below is a full list of the awards presented at the 2016 DGC Awards Gala:

DGC LIFETIME ACHIEVEMENT AWARD
Presented by Shaftesbury
Anne Wheeler

2016 DON HALDANE DISTINGUISHED SERVICE AWARD
Manny Danelon

2016 DGC HONOURARY LIFE MEMBER AWARD
Presented by BellMedia
Trina McQueen

DGC DISCOVERY AWARD
Presented by Entertainment One
Chloé Leriche – Avant les Rues

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN FEATURE FILM
Presented by Technicolor
Paul Gross – Hyena Road

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN MOVIES FOR TELEVISION AND MINI-SERIES
Presented by deluxe
Kari Skogland – Sons of Liberty

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN DRAMATIC SERIES
Presented by Panavision
Helen Shaver – Vikings – Born Again

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN COMEDY SERIES
Presented by SIM Group
Jerry Ciccoritti – Schitt’s Creek – Moira’s Nudes

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN FAMILY SERIES
Presented by William F. White
Bruce McDonald – Heartland – Before the Darkness

ALLAN KING AWARD FOR EXCELLENCE IN DOCUMENTARY
Presented by Rogers Group of Funds
Guantanamo’s Child: Omar Khadr – Patrick Reed & Michelle Shephard
and
Haida Gwaii: On the Edge Of The World – Charles Wilkinson

BEST PICTURE EDITING – DOCUMENTARY
Cathy Gulkin – Guantanamo’s Child: Omar Khadr

BEST SHORT FILM
Portal to Hell!!!

BEST PRODUCTION DESIGN – FEATURE FILM
Presented by Pinewood Toronto Studios
Aidan Leroux – Born to Be Blue

BEST PRODUCTION DESIGN – MOVIES FOR TELEVISION AND MINI-SERIES
Presented by Vanguarde Artists Management
Rob Gray – Sons of Liberty

BEST PRODUCTION DESIGN – TELEVISION SERIES
John Dondertman – Orphan Black – Certain Agony Of The Battlefield

BEST PICTURE EDITING – FEATURE FILM
Matthew Hannam – Into the Forest

BEST PICTURE EDITING – MOVIES FOR TELEVISION AND MINI-SERIES
Ron Wisman Sr. & Ron Wisman Jr. – The Secret Life of Marilyn Monroe

BEST PICTURE EDITING – TELEVISION SERIES
D. Gillian Truster – Orphan Black – Scarred By Many Past Frustrations

BEST SOUND EDITING – FEATURE FILM
Hyena Road – Jane Tattersall, Supervising Sound Editor; Kevin Banks, Sound Editor; Ed Douglas, Sound Editor; David Evans, Sound Editor; Barry Gilmore, Sound Editor; Martin Gwynn Jones, Sound Editor, David Mccallum, Sound Editor; Brennan Mercer, Sound Editor; Dave Rose, Sound Editor; Claire Dobson, 1st Assistant Sound Editor; Krystin Hunter, 1st Assistant Sound Editor

BEST SOUND EDITING – MOVIES FOR TELEVISION AND MINI-SERIES
The Secret Life of Marilyn Monroe – Steve Medeiros, SFX Editor; Jane Tattersall, SFX Editor; Krystin Hunter, Dialogue Editor; David McCallum, Dialogue Editor; Susan Conley, ADR Editor; Joe Mancuso, Music Editor; Claire Dobson, 1st Assistant Sound Editor

BEST SOUND EDITING – TELEVISION SERIES
The Expanse – The Big Empty – Nelson Ferreira, Supervising Sound Editor and ADR Editor; Nathan Robitaille, Sound Designer; Tyler Whitham, SFX Editor; Dustin Harris, Dialogue Editor; Dashen Naidoo, 1st Assistant Sound Editor

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