Tag Archives: X Company

Denis McGrath teases X Company’s season finale

First, the good news: X Company has been renewed for a third season. The bad news? Our favourite Allied spy team is up to their necks in trouble heading into Wednesday’s second season finale. Will Aurora and Alfred be successful in turning Franz Faber? Will the squad be able to help the Canadian soldiers stranded on the beach at Dieppe?

We spoke to X Company‘s writer/co-executive producer, Denis McGrath, about what’s in store and the stunning real-life story behind Episode 8, “Butcher and Bolt.”

Congratulations on this season of X Company. It’s been spectacular.
Denis McGrath: You never know how good it’s going when you’re doing it. In the beginning, you’d see footage of Torben [Liebrecht] and think, ‘Oh my God, he’s taking it to the next level,’ but it doesn’t really connect until it’s finished. We all see the episodes when they’re in their rough cuts, and the music isn’t complete and the editing is still a little wonky. It’s takes a lot to get a jaded television professional to watch the finished version and go, ‘Oh my God!’ I’ve been doing that this season.

Was there anything that showrunners Mark Ellis and Stephanie Morgenstern wanted to explore specifically this season?
We wanted everyone to be a little more bashed up this season. The reference points we kept going to were the amazing pictures of soldiers before they went to Afghanistan and then one year later when they rotated back. It was haunting because you could see in their faces that none of these guys would ever be the same again. We wanted that sort of aspect to it. And the main thing they brought to us—and I was skeptical about it at first—was that they wanted to have a very compressed timeframe because they wanted to start with the Vel’ d’Hiv roundup of the Jews in July of 1942 and end with Dieppe, which is a little over a month later. That’s very compressed for 10 episodes and we had to figure out the timeline.

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We actually had a calendar up in the writers’ room that was the summer of 1942 and we penciled in, ‘Episode 1 takes place here and Episode 2 takes place here.’ The other thing that they brought—and we loved—was Sinclair in the field. There was a good mix where they came in with a backbone and then from there it was pretty easy to fill the bones in. We locked in very early with what we were doing.

What does the Episode 9 title, “Butcher and Bolt,” mean?
The more you look into Dieppe, what’s cool about it is that that 75 years later or whatever it is, there is still a legitimate argument about what the hell they were thinking. David O’Keefe’s book, One Day in August, basically said that the whole Dieppe raid was a cover for an intelligence operation and they were trying to get an Enigma machine. All of the books seem to agree that no one knew what the Allies were going for with this raid.

What was supposed to be a bigger invasion was scaled down to what it became and they changed the name of the operation. There is a line in the communications somewhere where Churchill refers to it as a “butcher and bolt” operation, which is a bit of cockney slang in there. To take a butcher is to take a look, so it was to go in, take a look around, and then get the hell out. That was the whole plan.


“We always said in the writers’ room that if anyone felt safe, we weren’t doing justice to the era.”


Talk about the radar part of the storyline.
We kept circling back to the radar thing because there is a truly amazing story. It happened with a real Canadian named Jack Nissenthall, who actually did the mission that our guys do in Episode 9 and 10. He was a guy who knew about radar and his job was to hook up with a group of soldiers and he was supposed to infiltrate the German radar station and get their secrets and then blow it up. Things went south and they couldn’t get there, but at one point the literally found themselves on top of a tank and had to take it out. In the end, they didn’t get into the radar station, but they got the intel in a different way, which we will show. Essentially, the mission competed by the X Company spies really happened.

What can you tell me about Scuba Man? He created the diversion at Camp X and then nothing.
[Laughs.] The only thing that I will say is that we do leave some threads hanging.

What can you tell me about the season finale, “August 19”?
There is a sense of finality. We do close off the story. There are a lot of scenes of closure that were inevitable and some horrible stuff that happens. There is some amazing stuff that causes you to think, ‘Oh my God, what’s going to happen in the next chapter?’ It’s a tough watch, man. We continue to do what we did to the audience all season and that’s to drive a lot of emotion, action and the feels.

Is there a chance someone from the core group doesn’t make it?
What I will say is that we always said in the writers’ room that if anyone felt safe, we weren’t doing justice to the era.

X Company‘s season finale airs Wednesday at 9 p.m. on CBC.

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Link: ‘X Company’ star Connor Price previews ‘huge’ two-part finale

From A.R. Wilson of Digital Journal:

‘X Company’ star Connor Price previews ‘huge’ two-part finale
“There was pressure because I had to portray and explore something that people have gone through, and if I wasn’t able to portray that properly, it was almost offending to the people that had to go through that. So there was always kind of that voice in the back of my head reminding me to make sure that I’m exploring every option and keeping it as real and as honest as possible.” Continue reading.

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X Company’s Connor Price describes Harry’s dark journey

Harry James has been through a lot in Season 2 of X Company. He fell in love with a woman who revealed he and his team’s location to the Germans, putting them in mortal danger. Then the Germans attacked the camp they were using to train members of the Resistance while team leader Aurora was away on a train ride with Sabine. The result? A bitter, emotionally hardened young man who doesn’t trust Aurora and wants to slit the throats of all Nazis.

We spoke to Connor Price, the soft-voiced actor who has portrayed Harry so masterfully this season.

Before we get into this season in particular, can we go back? How did you end up playing Harry?
Connor Price: I remember getting an email from my Canadian agent for a new CBC series called Camp X. I had no idea what to expect. I didn’t know what Camp X was and did some research into it. I learned that it was spy training facility in Whitby, Ont., that was really close to me, growing up in Markham, Ont. I thought it was fake; this really cool spy story. To find out that it was real and that real people in history had trained there … Roald Dahl, directors of the CIA, Ian Fleming … there is so much history and it’s cool. From there I read the first script and was introduced to this amazing world that Mark Ellis and Stephanie Morgenstern had created. Of course, this was before the show’s name was changed to X Company.

You didn’t audition for any other roles, correct? It was always Harry?
Right. Harry appeared, right off the bat, very real to me. In the breakdown, Mark and Stephanie had described him, I think, as “a nerd or geek.” From their retelling, a lot of kids had come in to audition acting more like a geek, pushing up on their glasses. But what I got from him was a quiet intelligence. He wasn’t the typical geek or nerd. He was very smart, very mature, he knew what he wanted and how to get it, but in a very smart way. From their words, I brought in something they hadn’t seen yet and was refreshing. Luckily, I had the same idea they did when it came to how to play Harry.

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Let’s talk about Harry’s journey. In the first episode on Season 1, I viewed him as somewhat innocent. He has definitely hardened over the two seasons, thanks to being betrayed by Siobhan. He’s put up some pretty firm emotional walls. It’s been tough to watch as a viewer; what’s it been like to see this evolution through the scripts?
Seeing that transition and reading the scripts between Season 1 and 2 has been something … the arc the writers have created is something they’ve done so well. In between the first and second seasons, Mark and Stephanie told me there would be a huge change. Harry would reach a breaking point and be in fits of range and commit murder. I thought to myself, “How are they going to make that work?” Of course, within five episodes they’re able to plant those ideas. Even in Episode 1 with Siobhan, this nurse he had affection for, is ripped apart by a car in front of him … that was such a great way to set the tone for Harry. This person that was somewhat naive became hardened and disturbed and angry, but in a very chilling, calm way. To see him go from not wanting to blow up a bridge of Germans because they’re fathers, brothers and sons to now saying, “We’re going to slit every Nazi’s throat and watch them bleed,” that transition is so huge.

We forget how much these people are affected by the horrible things they see almost every day in war.
It’s something that I don’t have any experience in and I hope I never do. There is pressure as an actor to portray something that millions of young people experienced the things Harry did.

Seeing Harry going against Aurora’s orders and challenging her leadership has been tough to watch too.
Tension and a contrast of emotions is always important in developing character and developing story. There is no way to advance without a problem to solve. The big problem this year has been Aurora. He’s questioning leadership on all fronts, something he never would have done in Season 1.

X Company has a large ensemble cast, yet the writers have given an interesting storyline to everyone. That doesn’t always happen on a series with many cast members.
It is great and has become a lot more evident this season. In Season 1 the way the episodes were kind of set up so that every character had their own episode. This season, there are all these timelines existing all at once so every character has an opportunity in every episode to shine or develop or show something new.

What can you tell us about X Company‘s season finale?
It’s going to be the strongest test the five spies have ever had. There will have to be a conversation or an event within the next couple of episodes that causes them to band together or not. Will they or won’t they? You’ll have to wait to find out.

The first part of X Company‘s season finale airs Wednesday at 9 p.m. on CBC. The second part airs Wednesday, April 6, at 9 p.m. on CBC.

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Link: ‘X Company’ star Evelyne Brochu gets lost in translation

From A.R. Wilson of Digital Journal:

‘X Company’ star Evelyne Brochu gets lost in translation
Sometimes Evelyne Brochu’s career gets lost, quite literally, in translation.

When the Montreal native first began acting in English four years ago, few people in anglophone Canada — and even fewer in the United States — knew about her impressive French-language career in Quebec, which includes not only extensive TV credits, but film work with top-tier directors Denis Villenueve (Polytechnique), Jean-Marc Vallee (Café de Flore), and Xavier Dolan (Tom à la ferme). She was viewed, she says, as a “blank slate.” Continue reading. 

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Preview: Worlds collide on X Company

I’m lucky enough to be sent screeners of X Company in advance of the CBC broadcasts. That gives me the chance to watch them and work ahead on reviews or book interviews with writers, directors, cast or crew. It also affords me the opportunity to get into Twitter conversations with fellow television critics who receive the same perks I do.

The result? Social media conversations like what happened when Bridget Liszewski, A.R. Wilson and I jumped on social media to talk about Wednesday’s new episode, “Fatherland.”

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Written by co-creators Mark Ellis and Stephanie Morgenstern and supervising producer Sandra Chwialkowska, Episode 8 provides the most gripping, dramatic scenes in Season 2. That’s saying something for a program that’s already featured the Fabers killing their son and Aurora taking Rene’s life. Here’s what Bridget, A.R. and I were going gaga over.

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“Planes, Trains and Panic Attacks”
Chwialkowska tweeted that tongue-in-cheek alternate episode title, but she ain’t lying. The simple train ride Aurora and Sabine are taking to the coast to celebrate Ulli’s life turns into a nail-biter. Façades are shed, conversation turns truthful and innocence is lost forever. Those scenes—directed by Amanda Tapping—are so claustrophobic and full of emotion that I had to get up and walk away from the computer. Yeah, it’s that powerful. Want more proof? Take another look at that image of Aurora and Sabine.

Scuba Man makes his move
Scuba Man works his way into Camp X and sets his assassination attempt against Sinclair in motion while Harry, Neil and Alfred try desperately to warn their commanding officer. Meanwhile, Klaus is still struggling with his feelings. Should he support his Fatherland, Germany, and do all he can to win the war, or recognize Sinclair as a friend of his father? What he decides is the second-most dramatic scene of the episode.

X Company airs Wednesdays at 9 p.m. on CBC.

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