Everything about Featured, eh?

Featured, Michael: Tuesdays and Thursdays, Podcast

TV Eh B Cs podcast 19 – Matt Watts: Every Day

michael

Matt Watts played the long-suffering producer Matt on Ken Finkleman’s 2005 International Emmy winning The Newsroom. He played “Matt” in Don McKellar’s Twitch City, on which he also a story consultant. He was a member of the Writer’s Room on six episodes of the 2003 edition of Slings & Arrows, and part of the team which created the international stage hit The Drowsy Chaperone.

His feature film credits include Scott Pilgrim versus the World, Fever Pitch, Don McKellar’s Childstar.

Watts is a veteran of radio drama creating and starring in three series for CBC Radio: Steve, The First (2005), a four-part dark comedy set in a post-apocalyptic future features a slacker who wakes up to find he’s slept through the apocalypse, Steve, The Second (2006) details the story of the son of the original Steve; Canadia: 2056 (2007) centres on Max Anderson, the American liaison on board the only Canadian spaceship in an otherwise American space fleet headed toward a galactic war.

And we recently learned of the triumphant return of Michael: Tuesdays and Thursdays next season on CBC.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to become a Patron of the Podcast? We’ve got a Patreon page where you can donate a small amount per podcast and get a sneak peek of each release.

Podcast: Play in new window | Download

Facebooktwitterredditlinkedinmail
Featured, Package Deal

Package Deal and Meet the Family cancelled by City

2 Comments

It’s the end of the road for Package Deal and Meet the Family.

On Monday afternoon, Vancouver’s Craigslist posted the following “Huge Set Sale”:

“Tons of chairs, bar stools and tables, banquettes, theatre chairs, church pews (!!) couches, lamps and other lighting, furniture, kitchen items, tea shop and bar paraphernalia, glassware, carpeting, clothing (no kids clothes) and those ever present knickknacks!

April 22nd, 23rd and 24th from 10am — 4pm (NO early birds)

Location: Unit 1B — 2350 Beta Avenue, Burnaby (Street Parking Only)

Don’t miss out on this fantastic opportunity to grab some amazing deals!”

Those listed items are the contents of the apartment, tea shop, courtroom and offices featured in the original sitcom during the last two seasons.

City confirmed Tuesday afternoon that both Package Deal and hidden camera sketch series Meet the Family would not return.

“Despite the strong teams behind both series and critical acclaim garnered to date, Package Deal and Meet The Family were unable to connect with the audience needed to continue,” said Nataline Rodrigues, Director of Original Programming of Rogers Media, in a statement. “We remain committed to Canadian originals, and we are proud to have provided our viewers with two fun seasons of both series; it was a real pleasure and privilege to work with the immense talent on these shows – on and off the screen.

Package Deal starred Randal Edwards as Danny, a successful lawyer who met and fell in love with Kim (Julia Voth). The problem? Danny’s two brothers, ne’er-do-well Sheldon (Harland Williams) and fastidious Ryan (Jay Malone), don’t like that Kim is taking Danny away from them. The multi-camera series was created by Andrew Orenstein (Malcolm in the Middle, 3rd Rock from the Sun) and shot in front of a live audience. Never able to score decent ratings (it was down to 72,000 viewers in mid-October) the second season finale was broadcast in December, and had the feel of a series finale to it.

The news comes the same day that Package Deal‘s production company, Thunderbird, announced both seasons are available for streaming in the U.S. on Hulu starting Tuesday.

Produced by Frantic films and based on the successful U.K. series, Meet the Parents threw unwitting folks into a uncomfortable situation: meeting the downright odd family of their girlfriend or boyfriend. The series starred Terry Barna, Liz Best, Hannah Hogan, Theresa Tova, Don Berns, Heather Hodgson, Ralph Small, Nicole Maroon, Peter Keleghan, Chris Wilson, Miguel Rivas and Matt Bernard.

Facebooktwitterredditlinkedinmail
Featured, Reality, Lifestyle & Documentary

He Said/She Said: Are reality shows the scourge of TV?

1 Comment

Join Greg and Diane every Monday as we debate what’s on our minds. This week: Are reality shows the scourge of TV?

He said:

My feelings for competition reality television shows, particularly in Canada, is two-fold. It’s easy to rip on this type of programming as trashy, invasive and stupid, but it’s here to stay. Ever since a little show called Survivor was launched in May of 2000, the television landscape was changed forever.

(Just to be clear, when I refer to reality television, I’m talking about competition shows, not programs like Survivorman, Mantracker, Emergency and programs of that ilk.)

Cheap to produce when compared to scripted series, reality television does appeal to a certain segment of the population that enjoys seeing others at their most vulnerable. For many, the chance to sit down and watch people struggle through their daily lives in a show like U8TV: The Lofters, seek out love on The Bachelor Canada or traverse this country and the world on The Amazing Race Canada is a guilty pleasure. And who am I to judge? I’ve covered countless seasons of reality series and there are a few that I genuinely love to watch and review. TAR Canada, Top Chef Canada, MasterChef Canada, Canadian Idol and Eco-Challenge are competition programs that I’ve enjoyed over the last several years, mainly because they appeal to the adventurer, chef and wannbe singer (if I wasn’t tone deaf) in me. I’m not alone; these shows are consistently at the top of the ratings charts.

I do, however, have a bit of an issue with the recent move of adding “Canada” to the end of an established U.S. product. It’s understandable to do this—the familiarity to the brand means a built-in audience will tune in—but it’s stripping some of the uniqueness away. I fear it will only get worse. The recent CRTC decision affecting independent production companies could mean an abrupt drop-off in new reality series that aren’t homegrown versions of international reality shows.

She Said:

I proposed this topic as “reality TV is the devil” and figured I’d go moderate and reasonable by explaining no, they’re just Satan’s minions.

But of course that’s an exaggeration. Except for that spate of morally questionable shows like Who Wants to Marry a Multi-Millionaire.

I remember watching Survivor with a roommate and thinking: does anyone buy that this isn’t shaped and edited into a ridiculous story? Never mind how disgusting I find the cynical anti-romantic mysogyny of “romantic” reality series like  The Bachelor (Canada), but does anyone not roll their eyes at the absolute cheesiness of the repetitively scripted and ridiculous rose ceremony?

The answer of course is mostly no. People enjoy the shows for a variety of reasons ranging from buying into them and loving them to hate-watching them, but many simply find them entertaining and also realize there is some kind of overlord shaping the story we’re seeing, just like any other television show. When the Writers Guild of American started vocally unionizing reality TV writers, it began to be hard to deny there was a story being scripted, and the reality being presented bore no resemblance to reality. Canada’s Smartest Person is not Canada’s smartest person. Canada’s Worst Driver shouldn’t get 15 minutes of fame.

I’ve gotten sucked into some reality competition series (current addiction: The Voice, and I watched a season of Battle of the Blades avidly). I’ve defended some like Dragons’ Den against podcast cohost Anthony Marco’s accusation that they are all based in schadenfruede — wanting to see others fail.

Some reality series are good natured, some are mean spirited, some are ethically dubious. My main objection is I like my fiction to know it’s fictional. But I’d go even further than competition reality shows being the scourge of TV and say it’s been the scourge of the Internet. In the early days of that kind of television, discussion forums struggled with how to enforce “no personal attacks” with free discussion of the characters in a show. When the line between human being and ridiculous TV character blurs, where does our humanity toward the person go? Out the window of course.

That occupies only a small part of my hatred though. For the most part my hatred for reality shows is based on them taking up space on my dial, taking up space in Canadian broadcasters’ CanCon allotment where a good scripted series could be, and the fact that my taste doesn’t rule the airwaves, because reality shows often beat the ratings pants off of a good scripted series.

Facebooktwitterredditlinkedinmail
Featured, Masterchef Canada

Review: Losers return to MasterChef Canada

I don’t like it when reality shows bring eliminated contestants back to win their way onto the program. To me, if you have been cut, you weren’t good enough in the first place and don’t deserve another chance. And you certainly don’t deserve another shot at winning the MasterChef Canada title and $100,000 over someone who has been in the trenches every single week.

So I went into Sunday’s latest episode, “Walking on Eggshells,” with a bad taste in my mouth. To me, Andrew, Cody and Kevin were nothing more than a dramatic twist that didn’t need to be there. This season has been filled with enough twists to keep me interested, so why this overkill? Regardless of my thoughts, the trio competed in the first challenge of the week, to prepare the perfect egg three ways.

The judges didn’t make things easy on Andrew, Cody and Kevin—they had just eight minutes to make a three-egg omelette, poached egg and soft-boiled egg—and the trio sweated it out. Kevin, who always seems to be a bit of a bull in a china shop in the kitchen, broke his poached egg yolk and was out of the running early, leaving the door open for Cody and Andrew. Cody ultimately won a spot back in. I won’t spend any more time whining about it.

Instead, I’ll spotlight Cody’s bonehead move of giving David a pass for the week. He is one of the strongest chefs in the kitchen and instead of making him battle, Cody let David off easy. Armchair David indeed. I understand Cody’s reasoning of putting David up there so he’s not competing with him, but he’ll have to face David sooner or later.

As for the rest of the finalists, they had an almost insurmountable task in recreating a sea scallop mousse. I’m sorry, but how can the judges expect the home cooks to master a dish that Michael Bonacini messed up the first few times he tried to construct it? Making things worse for herself was Jennifer, who forgot to grab eggs from the pantry. Kudos to Michael for taking time out to talk her off the ledge, but she had a tough road ahead of her. And yet she pulled it off by using a roux to thicken the custard and snagged a special nod from the judges.

Jon’s double shot of whipping his mousse too much and leaving a chunk of lobster cartilage in the finished dish put him firmly in the bottom next to Cody and his chunky mousse and Michael’s puddly creation. Jon’s two mistakes were enough to send him home and keep Cody in the competition.

Notes and quotes

  • “I’d rather cook what lays the eggs.” — Kevin
  • “It’s one of the most attractive poached eggs I’ve seen.” Uh, thanks Alvin.
  • I love that the finalists refer to David as “Armchair David,” because he’s always in the gallery watching others compete.
  • “I don’t get a mousse. Why would you do that to food?” Amen, Jon. Amen.
  • Does anyone have time to sit in that little library/study at the back of the kitchen?

MasterChef Canada airs Sundays at 7 p.m. ET on CTV.

Facebooktwitterredditlinkedinmail
Featured, Reality, Lifestyle & Documentary

Preview: Bringing the dead to life in Mummies Alive

“Mummies: time travellers from the past. Who were they and how did they die?” That’s the goal of History’s latest documentary series, Mummies Alive.

Narrated by Jason Priestley—he utters the above quote off the top of the show—Mummies Alive, produced by Canada’s Saloon Media and UK’s Impossible Factual, is pretty entertaining. Rather than focus on the mummies we’re used to, like Egyptian pharaohs, this six-parter explores discoveries from different parts of the world and a wide range of time periods.

Sunday’s first episode, “The Gunslinger Mummy,” delves into the back story of a mummy on display at a Seattle curiosity shop since the 1950s. According to stories passed down, “Sylvester” was an American Wild West cowboy killed 120 years ago in a saloon shootout. But is that hole in his leathery stomach really from a bullet? Using state-of-the-art science, professors Ron Beckett and Jerry Conlogue investigate the truth behind the surprisingly well-preserved corpse. As Beckett exclaims, Sylvester looks more like a wooden carving than a mummy, complete with a full moustache and mouth full of broad, crooked white teeth.

Rather than perform an autopsy—which would destroy the body—they turn to forensic pathologist Dr. Richard Shepherd and his super-cool computer scanner, which removes layers of skin to reveal the skeleton underneath. Experts embark on some stunning tests, including using a Colt .45 and a beef brisket to prove whether or not Sylvester was shot in the stomach and if the Arizona desert really was hot and dry enough to turn Sylvester into a mummy.

Rather than just stick with the science of the investigation, Sunday’s debut uses newspaper articles, word-of-mouth and CGI to tell the alleged tale of Sylvester, a rough-and-tumble man who may have been on the wrong end of a poker game. Gunfights in the Wild West were commonplace, but is that what happened to Sylvester? A history of the time period and other facts are revealed until the true story of Sylvester, his life—and circumstances surrounding his death—are brought to light. It’s a fun and informative ride.

Upcoming episodes include spotlighting two Iron Age bog people and a Neolithic murder victim.

Mummies Alive airs Sundays at 10 p.m. ET on History.

Facebooktwitterredditlinkedinmail