Tag Archives: CBC

CBC News announces new Sunday morning talk show starring Wendy Mesley

From a media release:

CBC News today announced a new Sunday morning talk show to be hosted by award-winning journalist Wendy Mesley. Launching in early 2018, the interactive program will focus on the intersection of media, technology and politics and be broadcast live on CBC and CBC News Network every Sunday morning, with further details to be confirmed at a later date.

In the new program, Mesley will put players from both media and politics in the spotlight as she pushes for answers and transparency, and provides critical analysis on how the newsmakers of the week are delivering their messages. The show will broadcast live from CBC in Toronto and feature a wide range of Canadian and global contributors and guests.

Mesley began her broadcast journalism career in 1979, first with CTV’s CFCF in Montreal before moving to CBC as a legislative reporter for local news and The National, based in Quebec City. During this six-year period, she covered the first referendum on sovereignty and some of the most fascinating politicians of our times, including René Lévesque and Pierre Trudeau. In 1985, Mesley moved to Ottawa as CBC’s first female correspondent to cover the prime minister from the parliamentary press gallery for The National. During this intensely political time, Mesley reported on such stories as the battles over free trade, the GST and the constitution, and soon after became the anchor of The National on Sundays. In 1994, Mesley helped create and hosted CBC’s award-winning news program Undercurrents, which examined the media and marketing world. Mesley currently hosts The National on Friday and Sunday evenings, and is also the host of CBC’s acclaimed documentary program The Passionate Eye. Mesley has won multiple Gemini Awards and this year won Best News Host or Interviewer at the Canadian Screen Awards. In 2006, Mesley was honoured with the John Drainie Award for her contribution to Canadian broadcasting.

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Production begins on Season 2 of CBC’s Workin’ Moms

From a media release:

Principal photography has begun on season 2 of CBC’s bold and irreverent original comedy WORKIN’ MOMS (13×30), produced by Wolf + Rabbit Entertainment. The series is created by Catherine Reitman (Black-ish, It’s Always Sunny in Philadelphia), who serves as showrunner and stars as Kate Foster. WORKIN’ MOMS looks at the polarizing and unexpected realities of the lives of a group of friends—all working moms—and their partners, as they adjust to life as parents. They might not be able to have it all, but they’re sure as hell going to try. Balance is everything. Production will continue in and around Toronto until October for a winter premiere on CBC.

In season 2, WORKIN’ MOMS will continue to navigate the highs and lows of love, careers and motherhood with refreshing humour and naked honesty. Season 2 picks up as Kate faces the professional consequences of choosing her baby over her career. For Anne, a past relationship resurfaces; revealing a secret she and Lionel had kept from Alice. Frankie finds her way again without Giselle, and Ian and Jenny deal with their separation as Ian continues to work on his screenplay.

Returning cast include Dani Kind as Anne, Juno Rinaldi as Frankie, Jessalyn Wanlim as Jenny, Philip Sternberg as Nathan, Ryan Belleville as Lionel, Olunike Adeliyi as Giselle, Dennis Andres as Ian, Sarah McVie as Val, Katherine Barrell as Alicia, Mimi Kuzyk as Eleanor and Peter Keleghan as Richard. Joining the ensemble cast this season are Amanda Brugel (Kim’s Convenience, The Handmaid’s Tale) as Sonia, a barista and improv teacher; Angela Asher (Hard Rock Medical) as Dorothy, a wealthy eccentric; Christopher Redman (CSI: Miami, Reverie) as Brad Heshinton, hypnotherapist; and as a special guest, singer, songwriter and author Jann Arden as Anne’s mother Jane.

WORKIN’ MOMS is executive produced by Catherine Reitman and Philip Sternberg (Divorce Corp., Six Little McGhees). Directors for the season are Catherine Reitman, Paul Fox (Anne, Schitt’s Creek), Molly McGlynn (How to Buy a Baby), Philip Sternberg and Aleysa Young (Baroness von Sketch Show). The series is written by Reitman, Rebecca Kohler (Kim’s Convenience, This Hour Has 22 Minutes), Karen Moore (What Would Sal Do, Rookie Blue), Jillian Locke (X Company, Adam and Wiley’s Lost Weekend), Kathleen Phillips (Sunnyside), Robby Hoffman (Odd Squad) and Hannah Cheesman (Whatever, Linda). Series cinematography by Maya Bankovic (Below Her Mouth), production design by Elisa Sauve (Octavio Is Dead, Milton’s Secret) and costume design by Sheila Fitzpatrick (Degrassi: Next Class).

A CBC original series, WORKIN’ MOMS is produced by Wolf + Rabbit Entertainment with the participation of the Canadian Media Fund. The series is distributed internationally by Coldsprings Media LLC and represented by Vanguarde Artist Management and CAA.

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Dani Kind sounds off on her memorable Wynonna Earp and Workin’ Moms roles

Just how tight were lips on the set of Wynonna Earp during Melanie Scrofano’s pregnancy? So tight that Dani Kind read fake scripts when she was auditioning for the role of Mercedes Gardner.

“They wrote these fake sides for Mercedes … she was even named something else,” Kind tells us on the line from Toronto. “She was this character who owned a bar with her brother and her brother was this big sleaze. She ended up handing her brother his own ass.” And while we’d love to have seen that project come to light, we’re loving Kind’s real role on Wynonna, that of Mercedes Gardner. A fellow former bad girl of Purgatory, Mercedes has evolved from real estate baron to flesh-eating monster after being possessed. Now Mercedes and Beth (Meghan Heffern) have captured two of three seals, meaning the future of the world is in jeopardy.

We spoke to Kind about Wynonna Earp, the role of Anne, the wonderfully caustic, heartbreaking character she plays on CBC’s Workin’ Moms and … playing Tori Spelling’s stand-in!?

We were delayed a bit in our chat because you were going through some wig fittings. I guess that’s for Season 2 of Workin’ Moms?
Dani Kind: Yes! It’s crazy. It feels like it’s come around so fast. I got two months off working on Workin’ Moms and then I booked the Wynonna job. And then I got two months off from Wynonna and I get to go back to Workin’ Moms.

I couldn’t let our chat go by without asking you about a credit on your IMDB page. It says you were a stand-in for Tori Spelling in Mind Over Murder?
[Laughs.] I was. I grew up in Ottawa and there is a production company there that just pumps out movies of the week. That’s kind of where I started. I got some parts and some lead roles. I was kicking around in Ottawa doing jobs and one of them was to be her stand-in for two movies. She asked me to come back for the second movie that she ended up coming and doing. She’s amazing. She was the coolest chick and has the greatest sense of humour. I know she has a whole celebrity image and stuff, but I was like, ‘I could hang with her.’ She has the exact same potty humour as me.

How did you score the role of Anne on Workin’ Moms?
I did a self-tape audition and then got a call that [creator and showrunner] Catherine [Reitman] had gone back to L.A. after doing some casting in Toronto. They asked me to do a callback Skype session with them in L.A., so I did another audition with them over Skype. Then, I flew out to L.A. to do a chemistry read. There were a bunch of women all reading for several parts. Then they called a few weeks later and said I’d gotten the part.

Did Workin’ Moms open the door for you to play Mercedes on Wynonna Earp or did you still have to audition?
I still auditioned. I went in to see casting, but the sides were totally different because everything was so locked down about Melanie [Scrofano] being pregnant. They wrote these fake sides for Mercedes … she was even named something else. She was this character who owned a bar with her brother and her brother was this big sleaze. She ended up handing her brother his own ass. I reamed him out during one scene and I felt great about the audition. The sides they wrote were so great. I got a call later saying I’d gotten the part, but I had no idea I’d be on as much as I’ve been on. I thought I’d only be on a couple of episodes.

It’s so awesome that you auditioned using fake sides.
I know! I got the [real] script and I was like, ‘Whoa, whoa, what’s happening?’ Also, for the longest time, Mel didn’t look pregnant. She’s one of those women who turn around and you’d like, ‘Wait, what?! You’re pregnant?!’ She was so stunning and her body is so petite. I actually had people on-set talk to me and some of them thought she was wearing a fake belly.

How ironic is it you’re on two shows featuring pregnant women?
I know! And, when I got pregnant, I was asked what I was going to do. Everyone is so scared they’re going to lose their jobs and careers. It’s so not the case.

Before Mercedes was possessed, I really liked her attitude and not caring what people thought of her.
You don’t see men apologizing for chicks that they’ve slept with. There is so much about male characters on TV that women have had to identify with for so long and now it’s being shown that, ‘No, we’re three-dimensional human beings who also sleep around and get drunk and have fun and it’s cool.’ It’s so refreshing and so great.

Is it a bit of a challenge to play a character enrobed in black with your face obscured? You have to use body language instead of your face.
I had a lot of questions for Emily as we were shooting and she was like, ‘I don’t know, I don’t know!’ I think that, per episode, I was finding her. We all were. As wardrobe was, as hair and makeup was. Thank God for my acting coaches because they really helped me. This is super-specific work and when you’re working in sci-fi, you have to ask questions and just try stuff out.

Is it important to have answers to questions when you’re playing a role?
I do, especially for a character who is as complicated as this one. And, especially because I thought I was playing Mercedes and would be playing Mercedes all season. And then I find out I’m a different character. I grilled Emily as much as I could, and that really helped. Workin’ Moms is a little bit different because I don’t have to but up Catherine’s ass about Anne because there is so much about Anne that I understand and love. And because Catherine has been so smart about the way she writes it, I can see all of the characters in her. And then it’s just about getting really personal with myself and asking the tough questions.

Let’s close out talking a bit about Workin’ Moms. Anne is such a wonderful, galvanizing character. She made a tough decision to have an abortion last season.
You do see abortion storylines on TV, but it’s a woman who is hard done by or finds herself in this situation. They’re never portrayed as anything positive, it’s always associated with some negative thing. What I didn’t know is that one of the top percentages of women who get abortions are married women with children. I didn’t know that. Catherine was so graceful about the storyline at the beginning of the season. She asked me about it and wanted to check in and see if I could represent it. I said, ‘Absolutely.’ The way she wrote it was so beautiful but also, ‘Yes, of course, this is a decision that [Anne and Lionel] would make together as a couple.’ It just made sense and I felt really proud to tell that storyline.

Did you feel like, when you were in production on Season 1, you had something special?
There were moments when a camera woman or someone in the props department would be emotional during a scene. There was stuff happening that, especially for a comedy, that felt really grounded. Everything felt so real and Catherine was so specific in her choices about cast and crew … it really starts from the top and trickles down. I want to do everything I can to make this dream of her what she wants it to be.

You were incredibly active on social media during Season 1 of Workin’ Moms.
I just think it’s cool if somebody tweets about the show. Some people ask me stuff … why wouldn’t I respond? People are being incredibly kind and are genuinely invested in it. We put a lot of work into the show—Workin’ Moms and Wynonna Earp—and I feel like that interaction makes a lot of sense.

Wynonna Earp airs Fridays at 10 p.m. ET on Space.

Season 2 of Workin’ Moms is in production now. Season 1 is being rebroadcast on Tuesdays at 9:30 p.m. on CBC.

Workin’ Moms images courtesy of CBC.

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Link: 5×5 With The Hook: Patty Sullivan

From You’ve Been Hooked:

Link: 5×5 With The Hook: Patty Sullivan
“I hope this doesn’t sound too cliché, but I think Canadian TV has always been breaking ground, and still is. Back when I was a kid it was shows like Hilarious House of Frightenstein, The Friendly Giant, and later, Street Cents. Then we saw incomparable programs like Kids in the Hall and Second City TV. Not to mention Trailer Park Boys, Little Mosque on the Prairie, and Orphan Black. I could go on and on listing the great programs that Canadian productions churn out year after year.” Continue reading.

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Production begins on CBC’s Burden of Truth starring Kristin Kreuk; additional cast announced

From a media release:

ICF Films, Eagle Vision and global independent studio Entertainment One (eOne) today announced that production is underway in Winnipeg on new CBC original series BURDEN OF TRUTH (10 x 60, updated final title), a legal drama starring Kristin Kreuk (Smallville, Beauty and the Beast) as a big city lawyer who returns to her hometown to take on what she thinks is a simple case, only to find herself in a fight for justice for a group of sick girls. The series started principal photography on July 2 and will shoot in and around Winnipeg until October for a winter 2018 premiere on CBC.

Additional cast members joining Kreuk include Peter Mooney (Rookie Blue, Camelot, Heroes Reborn), Alex Carter (NCIS, Ransom, Saving Hope), Ben Ayres (Saving Hope, Bitten, Dan for Mayor), Nicola Correia-Damude (Margarita, Hellmington, Where the Dolls Are), Meegwun Fairbrother (Mohawk Girls, Hemlock Grove, Helix, The Beaverton) and emerging Indigenous actor Star Slade.

Peter Mooney

The director roster for BURDEN OF TRUTH is led by veteran director Jeff Woolnough (The Expanse, Vikings, Saving Hope, Bones) with additional directors including Jordan Canning (Saving Hope, The Detail), James Genn (Saving Hope, Private Eyes, Ransom), Doug Mitchell (The Pinkertons, Less Than Kind) and Renuka Jeyapalan (Murdoch Mysteries).

A CBC original series, BURDEN OF TRUTH is produced by ICF Films, Entertainment One (eOne) and Eagle Vision. The series is created by Bradley Simpson (Rookie Blue, King) and executive produced by Ilana Frank (The Eleventh Hour, Saving Hope, Rookie Blue), Linda Pope (Saving Hope, Rookie Blue), Jocelyn Hamilton (Mary Kills People, Cardinal) and Kristin Kreuk (Smallville, Beauty and the Beast). BURDEN OF TRUTH is co-executive produced by Kyle Irving, Lisa Meeches (Taken, Ice Road Truckers) and Sonia Hosko (Saving Hope), with Adam Pettle (Saving Hope) serving as showrunner. Associate producers are Tyson Caron and Hannah Johnson, with consulting producer Lynn Coady. Additional writers on the series are Bradley Simpson, Lynn Coady, Shannon Masters, Graeme Stewart, Eric Putzer, and Laura Good.

Ben Ayres

BURDEN OF TRUTH is produced with the participation of the Canada Media Fund and Manitoba Film and Music, and with the assistance of the Government of Manitoba – Manitoba Film & Video Production Tax Credit, and the Canadian Film or Video Production Tax Credit. eOne controls worldwide rights to the series.

ABOUT ICF FILMS
Ilana C Frank Films Inc. (ICF Films) is a production company founded by award-winning executive producer, Ilana Frank. The company is focused on creating entertaining and powerful long-form drama for millions of people worldwide. ICF Films has had a winning run of successful dramas commencing in 2009 with Rookie Blue running for six seasons on ABC and Global. Completing its first run this summer is the fifth and final season of ICF Films’ hugely popular medical drama Saving Hope, the most-watched Canadian drama of the 2013-2014 broadcast year. ICF Films also has a very active production roster in 2017 with the detective series The Detail for CTV in Canada and Ion in the U.S. starring Wendy Crewson, Shenae Grimes-Beech and Angela Griffin.

ABOUT EAGLE VISION
Eagle Vision Inc. is one of Canada’s leading production companies. Founded in 2000, Indigenous-owned Eagle Vision produces exceptional, award-winning television and film content for the Canadian and International marketplace. Partners Lisa Meeches (Ojibway from Long Plain First Nation) and Kyle Irving have produced 160+ hours of content. They and their films have been the recipients of five Oscar Nominations (one win), a Golden Globe win, five BAFTA nominations (one win), nine Gemini/CSA nominations (five wins) and a Banff Rockie Award, amongst several other prestigious awards.

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