Link: Wynonna Earp: What we learned about Season 2 at C2E2
The cold Calgary weather where the show shoots is still very much a character in its own right in Season 2. While Rozon joked that he “thought it wasn’t that cold,†his costar Anderson was quick to disagree. “It was very cold. I’m still defrosting,†he joked. While it makes shooting rough, Andras thinks it’s worth it in the end. “It looks beautiful though. That’s one thing I kind of like because you don’t’ see a lot of winter on television. It gives that added danger,†she said. Continue reading.Â
Episode 5 of CBC’s Canada: The Story of Us, entitled “Expansion,” is far better than what we have seen thus far, tackling Canada from sea to sea to sea.
Dr. Hayden King
We begin Sunday night with the story of B.C.’s gold rush and end with the story of the Klondike gold rush sandwiching the creation of the Canadian Pacific Railway, a vital bargaining chip used by Prime Minister Sir John A. MacDonald to cement Confederacy. But we learn the expense of this iron road is paid not just by currency, but also in the blood of both First Nations people and Chinese immigrants. We also see the return of Dr. Hayden King, and this time he is not tokenized by the CBC, as he was in Episode 1.
Overall, I found the story of the Klondike most interesting and/or engaging. The reiteration of the grit and determination that those who explored and sought their fortunes for me always grabs my attention. What kind of person does this, and that so many were driven to do so? When David Plain and I spoke, he too was pleased by the retelling of the history of the gold rush, but did mention:
“I was surprised to hear, only four minutes in, a professor of anthropology said, ‘the quest for gold was something that almost all cultures shared.’ In the Indigenous cultures of North America gold didn’t hold any real importance as a ‘precious metal.’ Nor was it a thing that was necessarily sought after. It was a shiny metal that glittered and had some use in the making of jewellery, but was too soft to be of much use in the manufacturing of the really important things in life such as tools, weapons, arrowheads, etc. But Professor Davis is right if he was talking about western cultures. Gold drives them crazy.”
This episode also attacked a few of the darker episodes in Canada’s history. The treatment of First Nations and the unfairness of the Numbered Treaties, Louis Riel—despite being all too brief—and the importation of slave labour from China, all for the purpose of uniting this country. David also said he “was particularly pleased to hear admissions that those who resisted the railroad, and western expansions were only looking to protect their people and their way of life. The Metis leader Louis Riel is described as passionate about protecting Metis rights, and Big Bear is described as one of the true heroes of the new nation and as a man of peace.”
Was it right for the Canadian Government to do this? I think in hindsight most of us can say no. But we need to know about it and recognize it in a revealing light.
What I do have to applaud at this juncture is the scope of this undertaking. Canada’s history is as vast as the country itself, and no one person can be an authority on everything. While there are gaps, and there is a lack of depth on any one topic, I do feel Canada: The Story of Us deserves merit. Even the gaps and their repercussions have sparked conversations that may not have been had otherwise. Anyone unfamiliar with any one segment may be driven by curiosity to learn more. I know this episode motivated me to quickly review items of interest, particularly my own collection of reports from the North-West Mounted Police.
However, I have to wonder if this episode was re-cut and re-edited in response to the backlash that CBC has been receiving in its treatment of in particular First Nations’ history and the darker blemishes on our past. CBC is now hosting weekly online interactive chats with historians on Tuesday evenings in order to address omissions. The format we have taken here on TV-Eh to review the series was in response to address those same gaps. I noticed a marked difference in the positionality of the storytelling this week, as did David.
“This episode has made me feel thankful that I didn’t change the channel,” he said. “It was not afraid to cast government decisions and entrepreneurs’ actions in a bad light. Things such as the numbered treaties and the treatment of the country’s Indigenous people are called a stain on Canada’s history. And the exploiting of imported Chinese workers is called one of the several black marks on the nation’s past. However, all in all, I found this episode much more evenly presented than previous ones.”
That both of us noticed a change, but each of us from very different cultures, I would be very curious to learn if indeed this episode was somehow retooled at the last minute. Either way, “Expansions,” seemed to broaden its own ideological horizons with respect to the marginalized people in Canada’s past, and the blemishes upon our united history, and that is a good thing. That these black marks are sandwiched in gold I find rather ironic from a teaching perspective. When we assess, we try to “hamburger” an area that needs improvement with positives on either side. Bounded in gold indeed.
My thanks go out once again to David Plain for sharing his thoughts on this week’s episode.
Canada: The Story of Us airs Sundays at 9 p.m. on CBC.
David Plain B.R.S., M.T.S., is the author of five books with a sixth, The Exmouth Chronicles: A Memoir due out April 2017 by Trafford Publications. You can reach David on Facebookor Twitter.
It’s the end of the road for Mohawk Girls. That’s the word from co-creator, co-executive producer and director Tracey Deer, who broke the news to TV, Eh? during a one-on-one interview at the Toronto Screenwriting Conference. Deer was part of a panel entitled I Am: A Discussion on the Female Gaze alongside Shoot the Messenger‘s Jennifer Holness, Degrassi‘s Courtney Jane Walker, Odd Squad‘s Robby Hoffman and moderated by Saving Hope‘s Katrina Saville.
“This is our final season,” Deer confirmed. “[Cynthia Knight] and I have always known where we wanted to get these girls, from the three-arc conception of the show, so we’re doing it.”
Filmed and set in Montreal and the Kahnawake Mohawk Territory, Mohawk Girls stars Brittany LeBorgne as Zoe, Heather White as Caitlin, Maika Harper as Anna and Jennifer Pudavick as Bailey. Pre-production on Season 5 begins next week; the last six episodes were greenlit by APTN two weeks ago.
Mohawk Girls has been nominated for several Canadian Screen Awards, including Best Comedy Series, Best Direction in a Comedy Program or Series, Best Writing in a Comedy Program or Series and Best Performance by an Actress in a Continuing Comedic Role for LeBorgne.
What can fans expect from Season 5? Deer was mum on details but did say the series’ final scene makes her cry every time she thinks about it.
“The final scene is going to be traumatic [to film],” Deer admits. “There is an event that is going to take up a lot of the final episode and there is a pool involved.”
Are you upset Mohawk Girls is ending? Do you have a message for the cast and co-creators? Comment below.
Link: ‘Mary Kills People’ slays its star, Caroline Dhavernas
“She’s such a great character, it was a no-brainer for me when I saw the project come along. She’s so complex and packed with contradictions, it’s so fun to play as an actress. Also, along with the drama, there’s a level of comedy as well … so it’s a real treat.” Continue reading.
From Hank Stuever of the Washington Post:
Link: In Mary Kills People assisted suicide becomes a dangerous side business
Lifetime’s “Mary Kills People,” a six-episode series that is probably not destined to be new Supreme Court justice Neil M. Gorsuch’s favorite binge, is a provocatively compelling and occasionally nail-biting tale of an emergency-room doctor, Mary Harris (“Hannibal’s” Caroline Dhavernas), who is secretly running an assisted-suicide operation for patients who are terminally ill. Continue reading.Â
Mary Harris (Caroline Dhavernas, Hannibal) saves lives as an emergency-room doctor, but she moonlights as a Dr. Kevorkian-style mercy killer, secretly helping a few terminally ill people end their lives. Partnering with a plastic surgeon (Richard Short) who’s lost his medical license, Mary considers physician-assisted suicide moral, but she also knows it’s illegal. Continue reading.
From Erin Donnelly of Refinery29:
Link: Caroline Dhavernas defends Mary Kills People’s controversial premise
“Things have changed in Canada recently. Last June a law was passed that enabled doctors to help their patients that way. So things have evolved a little bit recently here. And in Quebec, the province I live in, the health minister was just talking about maybe including, eventually, people with dementia, so we’re starting to talk about mental illnesses and things like that. It’s interesting, and many countries in the world are having this debate. I think we should have it more often, which is one of the reasons why I was so interested to make a show about it.” Continue reading.
From Niki Cruz of AM NewYork:
Link: Caroline Dhavernas gets dark for Mary Kills People
“To me, she’s the same person with her own contradictions and her own passions. She’s helping people survive and she’s helping people who are done with suffering die in peace. She doesn’t want to leave people alone in this. She knows that if she doesn’t help, they will be left alone with this decision.” Continue reading.
From Philiana Ng of Entertainment Tonight:
Link: Mary Kills People star Caroline Dhavernas embraces the bizarre
“I like when things are completely absurd. I love that people will step away [from] what has already been done and pre-chewed. I like when people take risks. I want to be able to challenge myself and challenge the viewer and challenge the back of our mind — the subconscious mind. I’m a big fan of Twin Peaks and any show that will fall into that type of dream-like weird stuff.†Continue reading.
From Robert Lloyd of the L.A. Times:
Link: Complications come quick in Lifetime’s assisted-suicide drama Mary Kills People
Grounded and believable, with the dry, witty, old-fashioned self-assurance of a Barbara Stanwyck or Katharine Hepburn, Dhavernas shades her comedy with drama, and playing drama is never more than a breath away from comedy; her presence distracts you from the occasional bare spot on the carpet, the smudge on the walls, the crack in the ceiling. Continue reading.Â