From Jim Bronskill of The Canadian Press:
Link: ‘Border Security’ TV show canned after federal watchdog finds privacy violation
Canada’s border agency is pulling the plug on the controversial reality TV program “Border Security” after the federal privacy commissioner found the agency violated the rights of a construction worker filmed during a raid in Vancouver. Continue reading.
From a media release:
International award-winning producer marblemedia and long established television powerhouse Omnifilm Entertainment today announced they are joining forces to develop their newest scripted series, The Odyssey.
The Odyssey — a fun and suspenseful adventure with a tone reminiscent of the classic adventure comedy The Goonies — will be adapted by the award-winning showrunners Simon Racioppa and Richard Elliott (Fangbone, My Babysitter’s a Vampire), who are also currently creating and writing an original one-hour pilot for Robert Kirkman’s Skybound Entertainment (The Walking Dead).
The Odyssey is an adventure comedy series about a group of kids who wake up to find themselves in a mysterious forest called Downworld — without knowing why they are there or how to get home. With no adults to guide them, the kids quickly learn how to take care of themselves as well as each other and to enjoy this curious and exciting world while they continue to search for a way home.
With an ensemble cast, featuring characters from around the world, some kids will find their way home while new kids will arrive in Downworld — creating an evolving cast of characters. Downworld is a wondrous place with traffic lights in a forest, an awesome hideout, a swimming pond and a monster, Mr. Mask, whose powers are derived from the kids’ own fears.
marblemedia’s Carrie Paupst Shaughnessy, Vice President of Scripted, will be working together with Brian Hamilton, Partner and Executive Producer, Omnifilm Entertainment, to bring this project to life. A robust digital presence will also be created to support the adventures of The Odyssey which will be produced by marblemedia’s award-winning interactive team.
International sales will be handled by Distribution360, a marblemedia company.
From Nico Franks of C21 Media:
Link: PBS grabs Green Gables adaptation
PBS in the US has acquired the recently completed two-hour film adaptation of L.M. Montgomery’s classic novel Anne of Green Gables.
The US public broadcaster will premiere the film, from Canadian production company Breakthrough Entertainment, during Thanksgiving on November 24. Continue reading.
“We didn’t want to make a thing that would sit on a shelf. We wanted it on TV as soon as possible.” Carolyn Taylor certainly got her wish: after being greenlit last March by CBC, Baroness von Sketch Show is hitting the air, a rocket ride by Canadian TV production standards.
Debuting Tuesday at 9:30 p.m. on CBC, Baroness von Sketch Show stars Taylor and fellow sketch comic veterans Meredith MacNeill, Aurora Browne and Jennifer Whalen, who turn a lens on society and present a satirical take on life. Like City’s cancelled-too-soon Sunnyside, Baroness is shot on-location, though the settings are everyday spots like restaurants and office cubicles rather than the Third World War.
“We wanted the characters and situations to feel relatable,” Taylor explains during a break filming in an empty corner of CBC’s Toronto headquarters. “There is no laugh track and it has a single-camera vibe.” Taylor took her series pitch to Frantic Films over two years ago; after bringing on MacNeill, Browne and Whalen, a sizzle reel was shot and shopped around. Taylor always envisioned Baroness broadcast on CBC, saying the aesthetic fit best there. Production moved at a quick clip, with guerrilla-style filming across Toronto in locations like Woodbine Racetrack, Queen St. West, Trinity Bellwoods Park, Dundas St. and Scarborough. They’ve also had to make changes on the fly: a wedding chapel was converted into a massage parlour for one skit.
“It’s all been a bit of a blur,” Whalen recalls. “We had a great writers’ room with air and light and shelves and snacks. And then we’ve had wonderful, funny people that we admire come in and play with us. I’ve had people come up to me and say, ‘Would you like to come and put on your space suit now?’ ‘Yes, I would like nothing more than to do that!'” She notes Jon Dore, Ennis Esmer, Craig Brown, Ann Pornel, Alex Tindal and Toby Burner among those guest-starring in sketches.
How did the quartet come up with the title of their show?
“A baroness is not even the lowest level of aristocracy,” Browne says. “You can actually buy it for yourself. There is a whole swath of women who might have been widows and it gave them a license to go a little kooky. It seemed to have a nice mix of self-entitlement and weirdness. It just felt right and it’s a nice contrast to the stupidity that occurs on the show.”
Baroness von Sketch Show airs Tuesdays at 9:30 p.m. on CBC.
After weeks of anticipation, cooking and crashing and burning, it’s down to the final two home cooks, who will battle it out in MasterChef Canada‘s season finale next Sunday.
In one corner is Mary Berg, the spunky vegetarian who has an uncanny ability to prepare tasty meats; in the other is Jeremy Senaris, who not only makes great food but is able to replicate intricate recipes with stunning accuracy. The duo will go head-to-head, with one emerging $100,000 richer and with the Season 3 title.
Sadly, “Only the Best,” resulted in Matthew’s elimination after two mistakes in the Pressure Test sealed his fate. They were minor gaffes to be sure—a liquid tart centre and missed croutons—but at this point in the competition a small error makes a big difference.
There honestly isn’t much to say about Sunday’s penultimate episode other than I was mightily impressed with what all three were able to accomplish. The Mystery Box challenge, involving 13 ingredients from the first Mystery test of the season, was an exercise in creativity and time management, as the home cooks were tasked with providing 16 identical plates to 13 of the country’s most influential chefs and Claudio, Michael and Alvin. Once again, timing threatened to derail Mary, but she created the tastiest offering of fish and chips and won a spot in the finale.
Jeremy, meanwhile, ran out of gnocchi to serve, landing him alongside Matthew in the Pressure Test. Their challenge seemed insurmountable, to make three citrus-infused desserts in 90 minutes. If not for Matthew’s errors, he very well could have beaten Jeremy.
Who do you hope wins during next week’s season finale? Comment below.
MasterChef Canada‘s season finale airs Sunday at 7 p.m. ET on CTV.
