CBC and KOTV today announced that production is now underway in Montreal on a third season of the time-bending anthology drama series PLAN B (6×60). An adaptation of the popular French-language drama series of the same name (now in its fourth season for Radio-Canada), the new season will focus on a new story, starring Carolina Bartczak (Painkiller, X-Men: Apocalypse), Arnold Pinnock (The Porter, Combat Hospital) and Ennis Esmer (Children Ruin Everything, Blindspot). Additional casting includes Arianna Shannon making her screen debut, as well as Jaeden Noel (Orphan Black: Echoes, Invasion), Carolyn Taylor (Baroness von Sketch Show, I Have Nothing) and Grace Lynn Kung (Sort Of, Fallout).
In Season 3 of PLAN B, Abigail Walker (Bartczak), the host of Canada’s top morning TV show, grapples with the devastating loss of her teenage daughter, Lucy (Shannon), to suicide. Tormented by grief and regret, Abigail uses the Plan B Agency to embark on a series of time-traveling journeys, desperate to alter the past and prevent Lucy’s tragic fate. As she attempts to protect Lucy from the toxic relationships that contributed to her downward spiral, Abigail’s actions create ripples that affect not only Lucy’s life but also the lives of those around her. Abigail’s pursuit of a better outcome for Lucy leads her to confront painful truths about her own past, her relationships, and the choices she’s made both for her daughter and for herself. She must navigate the complexities of time travel, grappling with the ethical implications of altering the lives of others. But as Abigail travels deeper into the past, she discovers that the true meaning of love and sacrifice may lie in accepting the unchangeable.
Season 1 of PLAN B, starring Patrick J. Adams and Karine Vanasse, and Season 2, starring Vinessa Antoine, offer gripping, reality-altering drama with unique storylines, showcasing characters navigating life’s what-ifs and second chances. Audiences can watch both seasons on the free CBC Gem streaming service.
A CBC original series, PLAN B is produced by Quebec-based production company KOTV. Jean-François Asselin, who co-created the original French-language series, co-directs with Marianne Farley, and also co-writes with Celeste Parr, for this English adaptation. Asselin & Parr also serve as Showrunners and Executive Producers, alongside Louis Morissette. For KOTV, Louis-Philippe Drolet, Mélanie Viau and Jacques Drolet are Executive Producers and Marie-Claude Beaulieu is Producer.
For CBC, Sally Catto is General Manager, Entertainment, Factual & Sports; Trish Williams is Executive Director, Scripted Content; Sarah Adams is Director of Current Production, Drama; and Nicola Makoway is Executive in Charge of Production.
The last project I saw Carolyn Taylor in was Baroness Von Sketch Show. The five-season sketch series for CBC featured Taylor and fellow executive producers/performers Jennifer Whalen, Aurora Browne and Meredith MacNeill playing outrageous characters.
Now Taylor is back in I Have Nothing playing just one: herself.
Available for streaming on Crave, I Have Nothing follows Taylor on a quest to choreograph the perfect, full-length pairs figure skating routine to Whitney Houston’s 1992 iconic hit song, “I Have Nothing.” What first started as a bit of a lark quickly turned into something a lot more daunting and real once legendary figure skater and choreographer Sandra Bezic signed on to not only help Taylor craft the routine but elicited David Pelletier, Ekaterina Gordeeva, Kurt Browning, Paul Martini and Barbara Underhill to help out.
We spoke to Taylor about how I Have Nothing Came about and its journey to TV.
This did kind of start as a lark and then it got serious, right? Once Sandra said, ‘OK, I’m going to connect you with people, figure skaters, and my reputation is on the line.’ So is the realization that we saw on screen legitimately the realization where it dawns on you, ‘Am I really going to do this?’ Carolyn Taylor: Yeah, when she says, this is no longer a joke. Now knowing, of course, it’s still a comedy docuseries, we’re still leaning into funny stuff and having those moments. When I’m working with those skaters, I’m legit doing my best. I’m doing my best, but I’m not, and I am leaning into my own foibles at the same time. It’s real, but it’s not a mockumentary.
Obviously, whenever there’s an Olympics in Canada, I have that certain amount of pride. It was so cool for you to actually tell your personal story about your feelings for Katerina Witt. Unlike on Baroness Von Sketch, for instance, where you were playing characters, this is really you talking about your feelings at the time. CT: There is such a vulnerability to that because as a comedian and actor, there’s a critical distance and you’re summarizing what you see and you’re observing and you’re assuming characters. But then to sort of strip that away and lean into it and take the piss out of yourself, but at the same time just be yourself, but then sometimes lean into the more absurd parts of your own personality. It was the biggest challenge. It was a huge challenge. It was hard, and it was fun. [Executive producer and director] Zach Russell and I, we would just talk, we were constantly having existential talks about the nature of reality and what are dreams and what is fantasy and what is time and what is it to have something and what is it to have nothing. I think as you get deeper into the series, it keeps tilting and tilting reality, but yet it’s actually happening. It’s happening, but we’re leaning into some quirks and weird shit too.
Sandra Bezic, Carolyn Taylor and Kurt Browning
This is a unique idea to pitch to production companies. How did you pitch it to Julie Bristow at Catalyst? CT: Well, there was an immediate connection. A friend of mine had worked with Julie and said, ‘Oh, you’ve got to pitch Julie. She just started a new production company.’ And so I met with her, and I wasn’t even sure I was even going to pitch this. It was just like, ‘Hey, let’s chat.’ She’s like, ‘Anything you’re thinking of?’ I’m like, ‘Well, I do have this obsession, this skating routine. I’d like to turn it into a series.’ And she was like, ‘I was obsessed with Katerina too. I was a skater.’ And she got it. And she understands the queer sensibility behind it. She also has connections in the skating world, and she is someone who puts trust in the people she collaborates with. So she and Vibika Bianchi at Catalyst are amazing. They said, ‘We want you to see your vision through, we want to help.’ And they really did have the connections and resources and the niche interest in this very niche project.
And then the same thing kind of happened with Bell and Crave. We talked to a few networks, but it was Bell who understood it. They understood that they didn’t understand parts, and we had to talk it through, and they were, but I am so grateful that they got behind it and said, yeah, this is our kind of weird, and we want to try it and we trust and let’s go for it. So they were great.
And was it Sandra Bezic who opened that door to Kristi Yamaguchi and other high-profile figure skaters? It’s one thing to pitch networks and production companies, but what about getting those names on board? CT: That was definitely Sandra. Those are all people she’s choreographed, people she’s worked with over the years on Stars On Ice, the Olympics, other competitions, et cetera, and they all know each other. They all like each other. So anything celebrating their sport and their cohort of skaters and Sandra and that world… I mean, they were skeptical. I think some of them were like, ‘What is this?’ Everyone was like that. But we also encouraged them. We said, ‘You’ve got doubts. Lay ’em out.’ So they really played in the world, but the things they’re saying are true. But it was pretty amazing that everyone got on board.
Let’s get a little bit into the writing. My initial question was about the writing and whether you were the sole writer, but it sounds as though there was a lot of improv. CT: It was unscripted. It was Zack and I working on the beat sheets. We wrote beats and we had a couple of people consult his story editors who came in. Alison Johnson was a story editor on the project throughout. So she was on set and would have ideas, and we collaborated at the end of the day and tried to figure out what the next day and what was going to happen. It really was chaos and control coming together because you couldn’t know.
What do you want viewers to experience when they watch I Have Nothing? CT: I want them to feel something. I want them to go on the ride and know that I am opening myself up and saying, ‘If anyone wants to come with me, come and let’s go on this ride together.’ I would hope that they do feel also some joy from it. I was talking to Xtra Magazine about that idea of queer joy and, ‘It’s okay, and we can have queer joy and we can have celebratory moments, and it’s okay if things work out and if there are triumphs.’
I’d be happy if it just generates conversation and questioning why we pursue what we pursue and why we don’t. And the 15-year-old who lives in us and who are we now versus who we were then who did we valorize and what would it mean to meet them?
Season 1 of I Have Nothing is available now on Crave.
Crave’s Original docu-comedy series, I HAVE NOTHING, drops Saturday, Sept. 23 at 9 p.m. ET with all six episodes, immediately following a special screening event at the Just for Laughs Festival in Toronto featuring star Carolyn Taylor and special guests. Created by Taylor, and produced by Catalyst and Blue Ant Studios, in association with Bell Media, the series follows Carolyn (BARONESS VON SKETCH) on a comical quest to choreograph the perfect, full-length pairs figure skating routine to Whitney Houston’s 1992 iconic hit song, “I Have Nothing.” The series will be available to Crave audiences in English and French.
Motivated by a teenaged obsession for the 1988 Calgary Olympics that also sparked Carolyn’s queer awakening, I HAVE NOTHING begins as a lighthearted nostalgic comedy and quickly morphs into a high-stakes, real-life mission for Carolyn, with a few wild detours along the way. Joining Carolyn on her mission are legends from the world of figure skating including Sandra Bezic, David Pelletier, Ekaterina Gordeeva, Brian Orser, Kurt Browning, Paul Martini, Barbara Underhill, Katarina Witt, Tara Lipinski, Kristi Yamaguchi, Adam Rippon, Elladj Baldé, and Elizabeth Manley, as well as award-winning comedian, actor, and writer, Mae Martin. Guest stars include Jully Black, Sabrina Jalees, and Elvira Kurt.
The season culminates in a performance of Carolyn’s one-of-a-kind routine, performed in front of a live audience of figure-skating royalty, die-hard skating fans, and Carolyn’s teen idols.
Episodic synopses are outlined below:
Episode 1 – Package For The Bird After years of dreaming, Carolyn finally begins her quest to choreograph a pairs figure skating routine to Whitney Houston’s 1992 iconic hit song, “I Have Nothing”. First step: find her skaters.
Episode 2 – Do You Know About The Cold War Carolyn gets a reality check from some Olympic medalists, but finds her groove with a social media superstar.
Episode 3 – Love is Pain Carolyn tries to learn everything she can before her first rehearsal, with the help of some 1988 Olympic skating royalty.
Episode 4 – No Longer A Joke It’s the first rehearsal, and Carolyn is struggling to convince her Olympic skaters that any of this is a good idea.
Episode 5 – Today Is Wednesday With two days left to choreograph, Carolyn throws the skaters an Olympic curveball. Then, suffers separation anxiety when they leave.
Episode 6 – Buffoon Makes Good Dream and reality collide as Carolyn and her skaters prepare for the final skate. As the night draws closer and the audience loads in, Carolyn tries to stay calm.
I HAVE NOTHING is produced by Catalyst and Blue Ant Studios, in association with Crave. The series is created, directed, and executive produced by Carolyn Taylor, and directed and executive produced by Zack Russell. For Catalyst, Vibika Bianchi and Julie Bristow are executive producers. For Blue Ant Studios, Laura Michalchyshyn, Aileen Gardner, and Sam Sniderman are executive producers.
Award-winning producer LoCo Motion Pictures is proud to announce that production on the third season of its CBC Gem original scripted tween series Detention Adventure commenced on July 5th in Toronto. In addition, Blue Ant International has secured the worldwide distribution rights to the third season of the series (outside of Canada).
In season 3, the Detention Adventure Team is at it again working to uncover the secret hidden in Lawren Harris’ painting given to them by none other than Principal Lounsberry. Their investigation is interrupted after learning they will be spending one of their final weeks of school at Island School! Unimpressed when Island School proves to be a dilapidated camp, the kids soon realize that the camp is more than it appears and might just hold the answers they’re looking for. With the help of the charismatic new art school student, Dash, the team explores what Lawren Harris’ painting could mean through different art forms while forging new bonds with their fellow Island School students. But with the crew heading off to high school, does growing up mean growing apart?
Co-created by Joe Kicak and Carmen Albano, Detention Adventure is written by Kicak, Albano, Lisa Rose Snow, Jay Vaidya and Cassie Cao. The series is executive produced by Lauren Corber, Kicak and Albano. Ryan West is producer.
Detention Adventure launched in 2019 as CBC’s first original kids scripted series for CBC Gem. Since then, the series has received numerous awards and accolades including Kidscreen Award winner for Best Web/App Series: Kid and CSA winner for Best Writing, Children’s & Youth and Best Original Music. Blue Ant International has licensed the first two seasons of the series to platforms in more than 125 territories, including the US, the UK, Ireland, Spain, Australia, New Zealand, the Middle East, Latin America, the Nordics and Hong Kong.
