Everything about Featured, eh?

Preview: Frankie Drake Mysteries digs for diamonds

Diamonds and race horses and gardens, oh my! Whenever I see an image of Wendy Crewson dressed in Nora’s finery I know we’re going to be in for a treat. Frankie Drake Mysteries is jam-packed with great characters, and Nora’s swagger takes it to another level. Plus, her constant back and forth with Frankie leaves me in stitches. Nora appears in Monday’s new episode; here’s what the CBC has revealed about “Diamonds are a Gal’s Best Friend,” written by Carol Hay and directed by Peter Stebbings:

What starts as a simple case of a missing horse leads the team into the gardens of Toronto’s elite in pursuit of a murderous jewel thief.

And, as always, more tidbits from me after watching a screener.

Anastasia Phillips guest-stars
Phillips (above) most recently appeared on Reign and Grey’s Anatomy, but I’ll always remember her in two of the creepiest episodes of Murdoch Mysteries ever. Phillips portrayed Charlotte in “Me, Myself and Murdoch” and “The Incurables.” Anyway, she drops by Frankie Drake Mysteries as Camille, the daughter of the farmer whose horse has gone missing. The delicate case calls for Nora to help. Keep an eye out for Cliff Saunders as the farmer,  Christopher Morris as Count Johan, James Graham as Hank and Laurie Murdoch (Lachlan’s dad) as the hotel manager.

Frankie and Trudy visit the wilds north of Lawrence Ave.
I live, no joke, a five-minute walk from Lawrence Avenue. That made the moment Frankie remarked it’s not often cases take them that far such a hoot. Even better? She and Trudy are on a country road, surrounded by fields of corn, and drive by a sign marked “Forest Hill coming soon.” The times have certainly changed.

Flo has eyes for…
I won’t ruin the storyline. But it’s hilarious. Speaking of Flo, I’m hoping she’s able to break free of the city coroner. I’m tired of her being hemmed in by him and looked down upon. Give Flo her own business!

Frankie Drake Mysteries airs Mondays at 9 p.m. on CBC.

Images courtesy of CBC.

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Comments and queries for the week of November 9

I thought Daniel [Maslany] was brilliant in this episode [of Murdoch Mysteries]. When he first started on the show I thought he was obnoxious. The seasons have passed and the backstory of Watts’s life have filled in, a sister, two brothers and finding out that his religion is Judaism. He has adjusted so well. The notebook is gone (I think), he has friendships and support in the station. I agree with him about his way of preparing for the show, give him time with the script. Let him find his way with it. Congratulations to everyone on a spectacular show, one of my favourites. —Jan

The episode was brilliant and the performance given by Daniel Maslany was exceptional. Definitely CSA-worthy. —Fatima

This was a great episode, and bravo to Daniel Maslany! —Lloyd

He was absolutely stellar in this episode. His non-verbals were superb and quite instrumental in fleshing out both the character and the experience. The continuation of both is why this is my No. 1 television watching choice. —Ingrid

Maslany has been a wonderful addition to this show; when he first appeared, I thought that maybe he was slightly Aspergers-like, with his high intelligence but lack of social skills and filter. So, kind of endearingly quirky, for sure, and very Colombo-like. Hope he’s included in many more episodes to come. This was a good one—I figured I knew who the murderer was from the outset, but the twists and turns as the episode progressed made me doubt myself, thanks to the convincing acting by Maslany—good job! —D Mac

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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Preview: Murdoch Mysteries features a ripped-from-the-headlines case

Unlike the Halloween episode of Murdoch Mysteries—which deeply divided new and old fans alike—last week’s instalment, “Brothers Keeper,” was a major hit. Viewers loved getting a peek into Det. Watts’ backstory and were impressed by Daniel Maslany’s performance. One reader thinks he should be nominated for a Canadian Screen Award, and I agree. (Read my interview with Daniel if you haven’t already.)

As for Monday’s new episode—note that on November 19 the show is pre-empted for the Scotiabank Giller Prize—it appears Murdoch Mysteries is going with a rare ripped from the headlines-inspired tale. Here’s what the CBC has revealed as the main storyline for “Drowning in Money,” written by Noelle Girard and directed by Alison Reid.

When a wealthy, high society couple is found drowned in their pool in an apparent double suicide, Murdoch suspects murder.

And here are a few more tidbits I can reveal after watching a screener.

Is “Drowning in Money” based on a real-life case?
It certainly appears the deaths of Franklin and Louise resembles the current investigation into the case of Barry and Honey Sherman. Their deaths were first thought to be a suicide, only to be deemed a double-murder. I’ll be speaking with writer Noelle Girard and will confirm this.

A newish Newsome
OK, we were introduced to Effie Newsome (Clare McConnell) when she and Crabtree met at the Henry and Ruth’s nuptials. Effie is representing a cousin of hers who is suing Crabtree for faulty brake work done on his car.

John Brackenreid in love?
When he’s not working the murder case with Murdoch, Crabtree and Watts, John is speaking with Persephone (Hannah Endicott-Douglas), a daughter of the deceased. They do make a super-cute couple.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

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Preview: History recognizes Remembrance Day with superior 100 Days to Victory

I’m a bit of a history buff, particularly when it comes to the First and Second World Wars. I’ve watched dozens of documentaries, miniseries and films, and have visited sites of battles in France. I thought I knew almost everything. Not even close.

Airing on Remembrance Day on History, 100 Days to Victory unveiled two hours of material I’d read scant details about. Produced by Bristow Global Media and Electric Media in association with Corus Entertainment’s History and narrated by Peter Outerbridge, 100 Days to Victory—broadcast Sunday, Nov. 11, at 9 and 10 p.m. ET/PT on the specialty channel—tracks the final 100 days in the First World War. The program is a stunning achievement in television, combining words from historians and recreations of crucial battles to tell the story of Canada’s important role in the conflagration.

The opening minutes set the scene. It’s early 1918 on the Western Front and German forces are making a final push to crush the Allies and win the war. French Marshal Ferdinand Foch and British Field Marshal Douglas Haig, desperate for a victory, turn to Canadian General Arthur Currie and Australian General John Monash for advice. Between them, the pair devises a brash and ingenious plan to rout the enemy using a combination of forces in a whole new way.

Along the journey, the producers introduce the background of each of the four military leaders; where they came from, their military backgrounds and personalities. And, using actual letters and diary entries written by military leaders and everyday soldiers in the trenches, the program provides a well-rounded description of what was happening and going through everyone’s minds. Historians like Dr. Tim Cook of the Canadian War Museum, Prof. Elaine McFarland, Patrick Watt and Mat McLachlan offer a detailed play-by-play of each battlefield move.

In the second instalment, Allied forces smash through Germany’s impregnable Hindenburg Line—a five-trench, fortified, 600-kilometre horror bristling with barbed wire, machine guns and booby traps—with daring Canadian Corps advances planned by Currie.

Remembrance Day, for me, is a time of reflection. And, by watching programs like 100 Days to Victory, I’m able to put myself in the shoes of Canadians who fought to defend this country and salute them.

100 Days to Victory airs Sunday, Nov. 11, at 9 and 10 p.m. ET/PT on History.

Images courtesy of Corus Entertainment.

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Preview: Mr. D clocks in for his final year

I remember the first few seasons of Mr. D well. Debuting in 2012 just as the U.S version of The Office was winding down, the CBC sitcom revelled in the uncomfortable and cringe-worthy. Every scene centring on mediocre teacher-coach Gerry Duncan (Gerry Dee) was an exercise in wincing. What would he say to embarrass himself? What would he do to make my stomach turn into nervous knots?

But over the last seven seasons, the award-winning show has evolved. Yes, Gerry is still putting his foot in his mouth, but the characters around him have grown to take on the comedy lifting and inject a ton of heart into the show as well. I credit that maturation to co-creators Dee and Mike Volpe, the show’s writers and cast for allowing the show to grow and breathe and become what it is today: a funny, heartfelt family comedy.

Now it’s coming to an end. Season 8 kicks off Wednesday at 9 p.m. on CBC with two back-to-back episodes. The first, “Big in Japan,” picks up right where the Season 7 finale left off: Gerry boarding a flight to Japan after an investigative report labelled him the “Nation’s Worst Teacher.” Hoping for a fresh start, Gerry decides (with Bill’s help) that being an ESL teacher in Japan would be best.

But hold on. Turns out firing Gerry would admit the exposé was all true. Instead, Robert (Jonathan Torrens) is instructed to hire Gerry back and claim the report was, you guessed it, fake news. While Robert is trying to do that, things at Xavier Academy are in a bit of a disarray. Lisa (Lauren Hammersley) is doing some investigating of her own and it appears new phys ed. teacher/librarian Emma Terdie (Kathleen Phillips) is making outrageous claims of her own. Mr. D has boasted a brilliant use of music as part of its storytelling; it’s used to great effect in Wednesday’s first episode as Gerry teaches two children English while Alphaville’s “Big in Japan” plays. And, by the end of the episode, a curveball is thrown that appears to affect the tone and direction this final season will take.

Tune in and enjoy Mr. D‘s final ride. I certainly will.

Mr. D airs Wednesdays at 9 p.m. on CBC.

Image courtesy of CBC.

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