Tag Archives: Frankie Drake Mysteries

Hudson & Rex’s Justin Kelly: “I get to really play with these quirks”

I first became aware of Justin Kelly’s work back in 2015 when he was part of the ensemble cast of YTV’s cancelled-way-too-soon family drama Open Heart, playing a sarcastic scamp named Wes. Followed by roles on Citytv’s Between and Space’s Wynonna Earp, Kelly has returned to his old Citytv stomping grounds on Hudson & Rex.

Kelly plays Jesse, described in the show’s press materials as “the quintessential millennial: young, driven, more than a little awkward, and right at home in front of a computer.” What should be added to that logline is one more word: unlucky. With just four episodes broadcast so far, Jesse has been shot, drugged and almost drowned. We spoke to Kelly about his dangerous new gig.

So far Jesse has been shot, and in the latest episode, he was roofied and almost drowned. What’s going on with this poor guy?
Justin Kelly: I mean, that’s what happens when he decides to leave the desk. He gets into trouble. A lot goes down in the first few episodes with him. And we later learn that he might just be better behind his desk than being out in the field. But the field stuff is fun, so hopefully, we can expect more of that.

St. John’s is particularly special to me. What about you?
JK: Absolutely. It was a bucket list thing for sure, wanting to get out there. And I’m just lucky enough that I was able to get out there for work and for such a long period of time. It’s a beautiful, beautiful city. We’ve been shooting there throughout its winter, which can be pretty harsh, especially this winter has been a little crazy, there are still so many reasons to love it in spite of that. And I had the opportunity to really explore the city and walk around and do what the locals do. Yeah, I love the city, it’s great.

Tell me how you ended up being on the show in the first place. Did you go through the usual audition process?
JK: I did, yeah. It came out of nowhere. It was presented to me as this opportunity, that is like, ‘Come in and audition for this role of Jesse.’ I read one of the scripts, and it was something I hadn’t done before. I loved the idea of working for a major crimes unit in a police station. That was last summer, and it was around the time I was working with Shaftesbury on an episode of Frankie Drake Mysteries. I had gotten to know a few of the producers from Shaftesbury through that first, and then I auditioned. And about probably a week later, I found out I got the part, and the next thing I knew, I was out in St. John’s. It’s been a bit of a wild six months.

What goes into your thinking when you’re choosing a role? On a show like Open Heart, Wes was funny. On Wynonna Earp, Robin was a little bit strange and funny as well. Jesse’s a little bit offbeat, definitely the youngest guy in the team. What do you look for in a role?
JK: I think that’s exactly it. I’m a huge fan of comedy myself. One thing that these roles have in common was there was a place to go in terms of finding these quirks in these characters. I feel like every character needs to have something quirky and something off centre about them. That’s something I saw in Wes when Open Heart happened, was that he was the sarcastic Chandler Bing character that I grew up watching.

Robin was very similar. Robin was hilarious and this amazing damsel in distress, and was weirdly unaffected by all this crazy stuff that was happening around him in Purgatory. And with Jesse, I get to really play with these quirks and explore the nerdy comedic side of him, because he’s the youngest one on the team. He’s the millennial. He makes the jokes that the older folks don’t quite understand. That’s something that I just always latched onto and always really enjoyed.

The interesting thing about Hudson & Rex is that this group of humans are really tight. These characters don’t feel as though they’re the straight men to the dog. It’s great to have a dog on the show, but you also want to have characters that interact well with each other.
JK: Completely. You’re absolutely right, and that’s really important to me as well. When you deal with a certain formula of TV, where every episode is a different case, and you’re not necessarily following a linear pattern, you’re watching these characters grow within each episode. We’re so lucky that we have a great cast and that we get along really well. That happened right away, and that’s something that we’ve been playing with. A lot of these scenes that we have in the bullpen is really our opportunity to see how these four, and the dog, all react with one another. That’s the thing that keeps us going as well, is wanting to learn more about these characters as well as the dog.

What’s it been like working with Diesel?
JK: Having Diesel on-set is almost like … it’s almost like having Al Pacino on set. He’s so good, and he’s so well trained. He’s this presence, that as soon as he’s on set doing his work, everybody’s in awe of him a little bit. He’s this regal dog and is just there to do his job and is in it for the roast beef. And he’s all business, and it’s great to see. The episode that we just watched, ‘School Days,’ he’s pulling me out of a pool. To see how that all panned out and how it all worked was pretty amazing because they obviously did tests before, but he’s pulling me out. I’m wearing wet clothes and adding up to probably about 175 pounds. He’s just panting, trying to get me out. It’s really neat to see him work, and it really brings a bit of the camaraderie to the set, and everybody’s really just happy to have him there.

You just spoke about being in the pool. Was that a long day of production for you? 
JK: I think I was in and out of the pool for about five hours. I didn’t have to do a whole lot in terms of swimming, or anything. You come to find after about an hour, that treading water with wet clothes on is a lot harder than it seems, and it can really knock it out of you. I remember going home that day … I was finished by one o’clock, and I just konked out, and was like, ‘Wow, that was tough.’ I mean, I just watched the episode on video with my fiancée probably about an hour ago, and I was like, ‘I’m really happy with how that cut together and how it looks.’

Jesse is described as being this quintessential millennial. He’s young, driven, more than a little bit awkward, and right at home in front of a computer. What else are we going find out about this guy?
JK: Not to give too much away, but we really learn about how much his work means to him. I like to think that he’s going home and he’s still working, and he has that personality. So we really see how invested he becomes in this job and in working with these people. And that just continues to grow and grow.

Hudson & Rex airs Mondays at 8 p.m. ET on Citytv.

Images courtesy of Rogers Media.

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CBC announces first round of renewals for the 2019-20 season

From a media release:

As Canadian Screen Week kicks off and CBC celebrates 236 nominations at the 2019 Canadian Screen Awards, the national public broadcaster is confirming an initial round of original scripted and unscripted renewals for the upcoming 2019-20 season on CBC and the CBC Gem streaming service. To date, 17 titles across drama, comedy, factual, arts and documentary programming have been confirmed to return, with additional renewals across all genres and content areas to be announced later this spring.

Returning series for 2019-20 confirmed to date are as follows:

  • ANNE WITH AN E (Season 3, 10×60, Northwood Entertainment)*
  • BARONESS VON SKETCH SHOW (Season 4, 10×30, Frantic Films)*
  • BURDEN OF TRUTH (Season 3, 8×60, ICF Films, Entertainment One and Eagle Vision)
  • CBC ARTS: EXHIBITIONISTS (Season 5, 26×30, CBC Arts)
  • CBC DOCS POV (Season 5, 18×60)
  • CORONER (Season 2, 8×60, Muse Entertainment, Back Alley Films and Cineflix Studios)
  • THE DETECTIVES (Season 3, 8×60, WAM Media GRP Inc.)
  • DRAGONS’ DEN (Season 14, 10×60, CBC)*
  • FRANKIE DRAKE MYSTERIES (Season 3, 10×60, Shaftesbury)
  • THE GREAT CANADIAN BAKING SHOW (Season 3, 9×60, Proper Television)*
  • HEARTLAND (Season 13, 10×60, Seven24 Films and Dynamo Films)
  • IN THE MAKING (Season 2, 8×30, White Pine Pictures)
  • KIM’S CONVENIENCE (Season 4, 13×30, Thunderbird Entertainment)*
  • MURDOCH MYSTERIES (Season 13, 18×60, Shaftesbury)
  • THE NATURE OF THINGS (Season 59, 18×60)
  • SCHITT’S CREEK (Season 6, final season – 14×30, Not A Real Company Productions Inc.)*
  • STILL STANDING (Season 5, 13×30, Frantic Films)*

*Previously announced as returning

CBC is celebrating 236 nominations at the 2019 Canadian Screen Awards, a new record for the national public broadcaster. ANNE WITH AN E and SCHITT’S CREEK each received 15 nominations – the most for any scripted series this year. THE NATURE OF THINGS was honoured with 21 nominations and CBC DOCS POV received seven. Other returning titles that were nominated include: BARONESS VON SKETCH SHOW (5), FRANKIE DRAKE MYSTERIES (5), THE GREAT CANADIAN BAKING SHOW (5), MURDOCH MYSTERIES (5), STILL STANDING (4), IN THE MAKING (3), THE DETECTIVES (2), BURDEN OF TRUTH (1) and DRAGONS’ DEN (1).

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Comments and queries for the week of January 18

Why has Frankie Drake Mysteries disappeared? It was great fun and very interesting. —Doris

Season 2 of Frankie Drake Mysteries has completed its 10-episode run on CBC. We’re waiting, with fingers crossed, for a third season renewal.


As much as I enjoy all of the [Murdoch Mysteries] characters and the actors who portray them, I agree with many who would like William and Julia to be front and centre in the episodes rather than making an appearance now and then in the B storylines. I got interested in the show because of Yannick Bisson and wish he were in 90 per cent of the scenes, like in the good ole’ days. On another note, Julia has been a coroner, a family physician in private practice, an alienist and a university adjunct professor. Am I the only one who remembers Julia was also head of pediatric surgery in a new children’s hospital in Buffalo? So why is she “in school” to learn surgery? —Lynne

I love the show. References to old Toronto, Murdoch’s inventions, and Crabtree’s titles are fun. Seeing other characters take the lead is like taking a break; you need to develop those people too. I also find John B. a little flat. What I really want is for William and Julia to have a child. Thanks for a great watch. —Judith

The young lady who portrayed Annabella was like a beam of light. I really was into the character. We need to see her back again with the attraction to the young constable as a theme for another episode. Kudos! —Jack

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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Thom Allison and Sharron Matthews named co-hosts of the upcoming CAFTCAD Awards

From a media release:

People are either born hosts or born guests (thank you, Max Beerbohm). Thom Allison and Sharron Matthews were most definitely born hosts which is why they will take to the stage at the Aga Khan Museum on Sunday, February 10th to head up the inaugural Canadian Alliance of Film & Television Costume Arts & Design (CAFTCAD) Awards.

“If we are going to do an awards gala, then we are going to do it right. Thom and Sharron bring a triumphant spirit to this event and we are thrilled to have them on this very special night,” said Joanna Syrokomla, Chairman of the CAFTCAD Awards.

Two-time Dora nominee, Thom Allison, can be seen as ‘Pree’ in the hit series, Killjoys, on Space Channel/Syfy Network. Thom has appeared on Broadway in Priscilla, Queen of the Desert and in the original Canadian companies of Miss Saigon, The Who’s Tommy and Rent. At the Stratford Festival, Thom has appeared in Romeo and Juliet, Pericles, Threepenny Opera, The King and I, Hello, Dolly and King Henry VIII, and Into the Woods. At the Shaw Festival, he received critical acclaim for his performance in Ragtime, as well as performing in Wonderful Town, A Little Night Music, Guys and Dollsand Follies: In Concert. Some other credits include The Drowsy Chaperone(Vancouver Playhouse, National Arts Centre, Citadel Theatre), OUTRAGEOUS(CanStage), Cabaret (Theatre Calgary), My Fair Lady (Manitoba Theatre Centre), Evita (Manitoba Theatre Centre, Theatre Calgary), Elegies, A New Brain (Acting Up Stage) and Take Me Out (CanStage). Film/TV: Judge on CBC’s Over the Rainbow, Leaving Metropolis, I Me Wed, Road to Christmas, Kim’s Convenience, Murdoch Mysteries, Private Eyes, Your All-Time Classic Hit Parade. Directing: Seussical, Mary Poppins (YPT). His CD, “A Whole Lotta Sunlight” can be purchased on iTunes.

Award-winning actress, writer, singer, producer Sharron Matthews is one of the stars of the CBC’s hit TV drama Frankie Drake Mysteries, airing on OVATION and PBS in the United States and ALIBI in the UK. She has toured her highly acclaimed one-woman shows around the world from New York to London to Cape Town, has acted in movies with stars like Tina Fey (Mean Girls) and John Travolta (Hairspray: The Movie), written for newspapers and magazines across the globe, sung with Canadian icon Jann Arden, and performed on stages alongside comedy legends Mary Walsh and Andrea Martin. As if that wasn’t enough, Sharron is also the host of the CBC digital series, “The Mystery Of…”.

The CAFTCAD Awards will take place on Sunday, February 10, 2019 at the Aga Khan Museum in Toronto.

ABOUT CAFTCAD 
Formed in 2008the Canadian Alliance of Film & Television Costume Arts & Design (CAFTCAD) is an association of individuals interested in promoting costume design for film, television and media from both an artistic and technical perspective. Our goal is to enrich our community with a national organization that is inclusive of experience and talent. The Alliance provides an open forum for discussion, networking and knowledge sharing for our members through periodic seminars, workshops, exhibits and an online forum. We explore the areas of individual design approach, illustration, and advancements in film technologies. We celebrate the richness of historic and contemporary fashion and its relationship to our craft. Our vision is to increase awareness and the value of costume arts and design as a powerful element in the collaborative process of filmmaking; furthering international recognition of the creative talent we have in Canada.

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Preview: Frankie Drake Mysteries says goodbye to magical Season 2

Say it isn’t so! Season 2 of Frankie Drake Mysteries has come to an end already? I’m sad, but what a ride it’s been. I’ve enjoyed this sophomore set of 10 episodes under new showrunner James Hurst. Interesting cases, killer guest cast in folks like Natalie Brown and Anthony Lemke and lead character advancement has been a joy. Seeing Mary has been a particular treat; new we need to learn more about Flo.

On Monday, it’s the second season finale. Here’s what the CBC has revealed about “Now You See Her,” written by James Hurst and directed by Ruba Nadda.

When a magician’s assistant is killed, Frankie goes undercover to find the culprit. But can she see clearly through the smoke and mirrors?

And, for the last time this year, my thoughts after watching a screener.

The magic man
Saving Hope and Burden of Truth fans will be happy to see Benjamin Ayres appear in Monday’s season finale as Ben Sellers, a magician who is key to the case. Other guest cast include Timothy Dowler-Coltman, Amy Groening, Raoul Bhaneja, Mishka Thébaud and Murdoch Mysteries fan favourite Nigel Bennett.

Trudy’s in charge
With Frankie going undercover, her right-hand woman steps into the lead investigator role. It’s a great opportunity for Trudy to show her stuff and progression as a sleuth. As for Mary? Well, magicians aren’t her favourite thing. Kind of like me when it comes to clowns.

Frankie Drake Mysteries airs Mondays at 9 p.m. on CBC.

Images courtesy of CBC.

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