Tag Archives: Sharron Matthews

Frankie Drake Mysteries: Lauren Lee Smith reflects on Frankie’s evolution

Anyone who watches television knows the evolution of a series is ongoing. Writers give characters tweaks as they get to know the actors involved. Story arcs change. A secondary character can grow because of on-screen chemistry. In the case of Frankie Drake Mysteries, two showrunners in two years and actress Lauren Lee Smith’s changing look has made the series somewhat uneven.

Now, the program feels as though it truly has found its stride with Peter Mitchell as showrunner, gorgeous opening credits and Frankie’s blonde hair. Throw in the genuine chemistry between Frankie (Smith), Trudy (Chantel Riley), Mary (Rebecca Liddiard) and Flo (Sharron Matthews), and Frankie is revving on all cylinders.

We spoke to Lauren Lee Smith about all of that and more.

Congratulations on Season 3.
Lauren Lee Smith: Thank you. Yeah, it’s pretty exciting. I feel like it’s like a whirlwind. I can’t believe where we’re premiering Season 3. It feels like yesterday that we were premiering Season 1. It’s been a quick, a quick three years.

And with that has come change. There’s, there’s Frankie’s hair, the opening credits, and then behind the scenes with Peter Mitchell as the showrunner. What was your reaction to, to having him be named as the showrunner for Season 3?
LLS: Well, we are very fortunate to have Pete come on board. He’s the man, he knows what he’s doing better than anyone in this country. And, and to have him come on board, especially last-minute, we were super fortunate and lucky to have someone of his calibre come on and, and help helm the show.

Does the blonde hair stay through the third season?
LLS: It does. And I think we’ve nailed Frankie’s look. In Season 1 they sort of had this image that someone found and it was with this red hair. Very cool. And we tried it. I’m not naturally a redhead. Maintaining red hair was extremely difficult, especially keeping the style. That made it very difficult for everyone. It was very time consuming for everyone. My hair started to fall out.

So Season 2 we’re like, ‘OK, maybe we’ll try a wig.’ Right. That again added about an hour and a half to my day each day, and you’re already dealing with it a 14-hour day. That’s a lot of extra time to add to a day. And also, we were very limited in terms of how I could move with it, and if you’d be able to see it. It was one of those things where everyone’s like, ‘You know, you’re naturally a blonde. We’d love you as a blonde.’ Why didn’t that, why wasn’t that ever sort of…

Three women stand in a morgue.It sort of goes with the original idea that we had of this character anyway, which is a little bit more of a tomboy, a little bit more ahead of her time, a little bit more androgynous and ready to take on action and not be so girly girl. We tried a few different styles. We, we did a bunch of hair makeup tests and, and then everyone just sort of agreed, wait a minute, I think this is sort of the Frankie, that we all, we all envisioned her to be in the first place.

In the first episode, Frankie is in London. How long did you film there?
LLS: We did two full days in the UK and we took advantage of those two days. They were full days. We were all over the city. It was incredible. It was surreal to shoot at The Savoy. That alone was, I think worth it. We can shoot a lot here in Toronto and the outskirts of Toronto, but I think actually being in London and not having to sort of use green screen and, and, and have those actual locations, just it makes the episodes so, so much bigger.

As a fan of Foyle’s War, when Honeysuckle Weeks’ name jumped out, I was pretty excited. 
LLS: I was so stoked to be getting to work with her. I think she’s incredible. And then I met her on the first day I was just like, ‘Oh my god. Okay. This is amazing.’ She’s so down to earth and so lovely and so talented and such a fun energy to work off of. We had an absolute blast and she got to come over to Toronto for a week and shoot here with us.

This group of women, they’re just so tight now. They get along so well. The show just oozes fun.
LLS: We’re not faking the friendship. We actually are all really tight and we’re all really close and we hang out outside of work and we adore each other and we’re all so different. It’s a natural chemistry that we have in the scenes and the times that we do get to all be there together. You can’t really fake that stuff.

Can you give me a little bit of a teaser into some of the storylines or maybe a major story arc this season?
LLS: We have a really exciting story arc coming up early on in the season where we delve into Frankie’s personal life and she’s thrown for a loop yet again by some personal stuff that she had no idea about and perhaps a new person in her life that she was not aware of. So that’s pretty cool and very, very different. And it’s definitely something that when I read I was like, ‘What? OK, where are we going with this?’ So that’s really exciting. And then we, you know, there’s lots of really fun stuff. Again, we have Wendy Crewson, who plays Nora. There are lots of really interesting beats with that. We have some, we have a few familiar faces who, who will pop up again who we haven’t seen maybe since Season 1, which was really fun.

And again, it’s always interesting incorporating actual people into our show and we definitely do that in Season 3.

Frankie Drake Mysteries airs Mondays at 9 p.m. on CBC.

Images courtesy of CBC.

Facebooktwitterredditlinkedinmail

Winnifred Jong explores diversity and inclusion in Tokens

With diversity and inclusion hot-button topics, Tokens couldn’t be more timely. Or scathingly on point.

Created by Winnifred Jong, the digital series—available online now—skewers representation in the entertainment industry through Tokens on Call, a casting agency that sends over actors of any stripe to a production in dire need of someone to fill a role. Whoever happens to be on call is sent, fulfilling the diversity quota for that project.

“This is a commentary on the fact that, because there are so many choices for every role, people tend to bring in people that they know,” Jong says during a recent phone call. “Until you try to create a change in the dynamic, there is no change.” For Sammie Pang (Connie Wang), that means being cast as a well-built tattooed bouncer who takes out her enemies using kung fu. Written, directed and produced by Jong and produced by Trinni Franke, the eight-part series stars a plethora of familiar faces in Sharron Matthews, Daniel Maslany, Shelley Thompson, Jonathan Cherry, Christina Song, Russell Yuen and Amy Matysio as members of Sammie’s family of part of the productions she works on.

Three people sit on a couch, side by side, wearing the same clothes.One of the most outrageous scenes in Tokens finds Sammie, Demar (Ryan Allen) and Vasant (Gabe Grey) playing triplets in a scene. It’s giggle-inducing and outrageous and part of Jong’s commentary.

Known for directing episodes of Coroner and Private Eyes, the Frankie Drake digital series A Cold Case and Global’s upcoming medical drama, Nurses, Jong has been juggling making Tokens between paying gigs, and called on favours from actors to help her make it. She cast Matthews—the two worked together when Jong was a script supervisor on Frankie Drake Mysteries—after sending the flame-haired actress all eight episode scripts and letting her choose her favourite role.

“I told her, ‘If you want any role, you can have it,'” Jong recalls. “She came back and said, ‘I’d like to be Director No. 2.”

Season 1 of Tokens is available online now.

Images courtesy of A Token Entertainment Company.

Facebooktwitterredditlinkedinmail

Thom Allison and Sharron Matthews named co-hosts of the upcoming CAFTCAD Awards

From a media release:

People are either born hosts or born guests (thank you, Max Beerbohm). Thom Allison and Sharron Matthews were most definitely born hosts which is why they will take to the stage at the Aga Khan Museum on Sunday, February 10th to head up the inaugural Canadian Alliance of Film & Television Costume Arts & Design (CAFTCAD) Awards.

“If we are going to do an awards gala, then we are going to do it right. Thom and Sharron bring a triumphant spirit to this event and we are thrilled to have them on this very special night,” said Joanna Syrokomla, Chairman of the CAFTCAD Awards.

Two-time Dora nominee, Thom Allison, can be seen as ‘Pree’ in the hit series, Killjoys, on Space Channel/Syfy Network. Thom has appeared on Broadway in Priscilla, Queen of the Desert and in the original Canadian companies of Miss Saigon, The Who’s Tommy and Rent. At the Stratford Festival, Thom has appeared in Romeo and Juliet, Pericles, Threepenny Opera, The King and I, Hello, Dolly and King Henry VIII, and Into the Woods. At the Shaw Festival, he received critical acclaim for his performance in Ragtime, as well as performing in Wonderful Town, A Little Night Music, Guys and Dollsand Follies: In Concert. Some other credits include The Drowsy Chaperone(Vancouver Playhouse, National Arts Centre, Citadel Theatre), OUTRAGEOUS(CanStage), Cabaret (Theatre Calgary), My Fair Lady (Manitoba Theatre Centre), Evita (Manitoba Theatre Centre, Theatre Calgary), Elegies, A New Brain (Acting Up Stage) and Take Me Out (CanStage). Film/TV: Judge on CBC’s Over the Rainbow, Leaving Metropolis, I Me Wed, Road to Christmas, Kim’s Convenience, Murdoch Mysteries, Private Eyes, Your All-Time Classic Hit Parade. Directing: Seussical, Mary Poppins (YPT). His CD, “A Whole Lotta Sunlight” can be purchased on iTunes.

Award-winning actress, writer, singer, producer Sharron Matthews is one of the stars of the CBC’s hit TV drama Frankie Drake Mysteries, airing on OVATION and PBS in the United States and ALIBI in the UK. She has toured her highly acclaimed one-woman shows around the world from New York to London to Cape Town, has acted in movies with stars like Tina Fey (Mean Girls) and John Travolta (Hairspray: The Movie), written for newspapers and magazines across the globe, sung with Canadian icon Jann Arden, and performed on stages alongside comedy legends Mary Walsh and Andrea Martin. As if that wasn’t enough, Sharron is also the host of the CBC digital series, “The Mystery Of…”.

The CAFTCAD Awards will take place on Sunday, February 10, 2019 at the Aga Khan Museum in Toronto.

ABOUT CAFTCAD 
Formed in 2008the Canadian Alliance of Film & Television Costume Arts & Design (CAFTCAD) is an association of individuals interested in promoting costume design for film, television and media from both an artistic and technical perspective. Our goal is to enrich our community with a national organization that is inclusive of experience and talent. The Alliance provides an open forum for discussion, networking and knowledge sharing for our members through periodic seminars, workshops, exhibits and an online forum. We explore the areas of individual design approach, illustration, and advancements in film technologies. We celebrate the richness of historic and contemporary fashion and its relationship to our craft. Our vision is to increase awareness and the value of costume arts and design as a powerful element in the collaborative process of filmmaking; furthering international recognition of the creative talent we have in Canada.

Facebooktwitterredditlinkedinmail

Link: Frankie Drake Mysteries’ Sharron Matthews on why Flo was “meant to be”

From Kelly Townsend of The TV Junkies:

Link: Frankie Drake Mysteries’ Sharron Matthews on why Flo was “meant to be”
“Some characters you read and you go, ‘I can play that.’ Then there are some characters you read and say, ‘Oh, that’s me,’ I literally put my suitcase in the middle of the smallest hotel room in the world, I put a toaster container on top of it, I leaned my iPhone on it, and did a self-tape.” Continue reading.

Facebooktwitterredditlinkedinmail