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Vikings goes all-out in midseason finale

“All of my life, and all of your lives have come to this point. There is nowhere else to be but here. Nowhere else to live or die but here. To be here now is the only thing that matters. So gather yourselves, gather all of your strength and all of your sweetness to an iron ball, for we will attack again and again until we reach, and overcome, their king, or die in the attempt. Blow the horns, beat the drums and attack, for there will be no turning back. Only victory, or death.” And with that rousing speech, Rollo—perhaps pulling inspiration from Coach Eric Taylor or at the very least his brother Ragnar—once again defends Paris from an attack by the vikings.

Here’s what to look forward to in Thursday’s midseason finale, “The Last Ship”:

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Brother vs. brother
After 10 episodes, Rollo and Ragnar finally come to blows, and advance towards each other in very different states of mind. Rollo, once the drunken laughingstock in seasons 1 and 2, is clearheaded, confident and thinking of the big picture while Ragnar is confused, shuddering from drug withdrawal and singleminded.

Death follows
Yidu, Erlendur and Queen Kwenthrith all met their untimely demise in the last couple of episodes; the bloodshed continues both during the battle scenes and in Paris, where Emperor Charles decides to do a little bit of culling of his own. Forget The Red Wedding, how about the Deadly Dinner?

A look forward
We’d love to tell you what happens during the siege on Paris, but we want you to experience it spoiler-free. What we can say is that what happens during it affects the rest of the episode and leads to a time jump. Viewers will catch up with the citizens of Kattegat years later, and what is important to them. It feels like the next chapter of the story will focus more on Bjorn, his brothers and their desires.

Vikings airs Thursdays at 10 p.m. ET on History.

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HGTV Canada’s superstars team to create the ultimate Home to Win

Superstars assemble! Take 20 HGTV Canada contractors and designers, drop them onto a property in dire need of renovation and what do you get? Home to Win, the network’s biggest giveaway ever, and a showcase for homegrown talent.

Hosted by ET Canada‘s Sangita Patel and debuting Sunday at 10 p.m. ET, Home to Win is a who’s who of demolition and design talent, including Bryan and Sarah Baeumler, Sarah Richardson, Scott McGillivray, Mike Holmes, Tiffany Pratt, Samantha Pynn, Paul Lafrance, Kate Campbell, Sebastian Clovis and Danielle Bryk. Basically, if they appear on an HGTV Canada series, they’re participating in Home to Win. It’s a smart move: it’s all hands on deck in the first episode as the participants search Canada for the ideal property to make over. But can so many artistic people with differing style ideas all get along?

“Bryan and I had a lot of questions,” Baeumler says during a press junket at Corus headquarters alongside Pratt and Pynn. “How do we get these 20 people together, align the schedule, make sure we all work well together … it just seemed like a huge feat. It took about an hour of thinking about it, and Bryan said, ‘This will work.'” It certainly does. It’s easy to assume these folks all get together on a regular basis to quaff and beer and talk shop, but that’s not the case. With busy production and business schedules to juggle, pros like Pynn and Lafrance would never have met and collaborated, let alone be featured in a series together.

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“We all have our own different areas of expertise,” Pratt explains. “We all have our different arenas, so for all of us to come together and put it into one space, it’s really spectacular. It’s good times with everybody.” Unlike many renovation shows, there are no firm deadlines and no winner or loser. The group is working together over 10 episodes to create a beautiful space full of, as Baeumler says, stories, memories and connections.

“I knew that it would be a lot of fun,” Pynn says. “I knew there would be a lot of work, but it doesn’t feel like work. And the end reveal is just everything. It was an amazing experience.”

At the end of that experience, one Canadian will win the home and all of the furnishings. Auditions are open now and couldn’t be more simple: after giving the standard name and address information, you must record a one-minute video telling the casting team, “What makes a house a home?” Three contestants chosen will compete in Home to Win‘s finale.

“You have 20 people repeating the words ‘dream home,’ so you can’t not have a dream home, period,” Pratt says. “Everyone here and at home want to tune into that final episode and say, ‘Holy … Oh my God!'”

Home to Win airs Sundays at 10 p.m. ET/PT on HGTV Canada.

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Slasher’s latest suspect/victim: Erin Karpluk’s Heather Peterson

You can’t help but feel badly for Slasher‘s Heather Peterson (Erin Karpluk). Waterbury’s residents may dismiss her as a crazy lady, but she’s been through a lot. Her daughter went missing five years ago and her husband isn’t around (we’ll discover more about him later this season), but does that mean she’s the killer? Clearly not. Though Chief Iain Vaughn hauled her in for the deaths of Justin Faysal and Verna McBride, she didn’t do it and was released.

But she could very well become The Executioner’s next victim. In our third instalment, we spoke to Karpluk about the homework she did in preparing to play such a tragic figure.

How did you get involved with Slasher? You’ve worked with Aaron Martin before on Being Erica.
Erin Karpluk: It’s always been the most natural thing with him. Anything he writes just falls out of my mouth and we get along well. So when he called me up about this show … it’s funny because on Being Erica I played quirky and funny and a girl that people could relate to. I got the call from my manager who said, ‘Aaron is doing this miniseries and he’s wondering if you’re interested in this role.’ I said, ‘Great! What’s the role?’ And he said, ‘Well, Heather Peterson was once beautiful and is now haggard and crazed.’ I said, ‘What!?! My how things have changed!’ [Laughs.]

I read the part and immediately got really nervous because this is very different from what I’ve done with Aaron in the past. But, to be honest, I fell in love with the character.

Did you fall in love because the role scared you?
I get excited about anything. Riftworld was completely in my wheelhouse. Tahmoh hated me because I didn’t even have to look at my lines. Obviously, I’m not a mother in real life, but I just find her story so devastating. She’s written on paper who people might think is crazed but it all comes from this place. I find telling that story is so interesting and scary because I, Erin Karpluk, like to be happy. If there is something shitty going on in the world I like to try and put a funny spin on it to find a way to shift it around. And sometimes you just have to sit in the ugliness of it. A breakup, the loss of a job. And then there’s the big stuff like the death of a loved one or a child abduction, which I can’t think of anything being worse.

I got nervous and I knew I had to do this. I was very honoured that Aaron asked me to do it. I’ve never put so much research into a part in my life.

What kind of research did you do?
I have different coaches for different parts of acting. Being in a half-hour multi-cam comedy is very different from this, so I did a tête-à-tête with David Rotenberg, who teaches at York University, and we talked about the character and where she might be coming from, the types of music she might listen to. If I don’t need to do the work, I just use what I have, but for this I watched a lot of Hoarders because I think Heather does hoard. I didn’t realize there were different types of hoarders. I talked to a psychiatrist about post traumatic stress disorder. We’re supposed to go before our children, so if something happens to your child and you have a body, at least you have closure. But to never find them would drive anyone completely crazy.

I’ve been reading some of the quotes from parents that have gone through this. One mother said, ‘You don’t have rational thoughts. It feels like you’re going crazy and you have to take each second of each hour of each day at a time.’ For Heather, it’s been five years since her daughter was taken.

Of course, I’ve done all of this research and I could go to the set and they could say, ‘Nope, you suck Erin. We’re not going that way with it!’ [Laughs.]

Will it be tough to shake a character like this once you’re done filming?
Yeah, it sits in you, but I’m not a method actor. I joke around with the crew and right before we film I’ll get into it. For me that works better. You still have to stay focused, but at the end of the day I’ll do a shake-off checkout and think about what Erin likes.

Slasher airs Fridays at 9 p.m. ET on Super Channel.

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TV Eh B Cs podcast 45 – Helen Shaver’s Longship Journey

HelenShaverThe career of Helen Shaver is really a story of three careers, two in front of and one behind the camera. Shaver has had acting roles in such films as Who Has Seen the Wind, In Praise of Older Women, Amityville Horror, The Osterman Weekend, Desert Hearts, The Color of Money, and Bethune: The Making of a Hero, to television roles in the series United States, Jessica Novak, WIOU, Poltergeist: The Legacy, and The Education of Max Bickford.

It was for Poltergeist that she stepped behind the camera to direct several episodes. She has become an in-demand director and has helmed series such as The Outer Limits, The O.C., Judging Amy, Flashpoint, Law & Order: Special Victims Unit, Combat Hospital, Revolution, Person of Interest, and Orphan Black.

Her first television movie, Summer’s End (1999), a family film starring James Earl Jones and Wendy Crewson, was nominated for a Daytime Emmy Award for outstanding directing in a children’s special.

She continues her television directing efforts on this season’s Vikings which will kick off our conversation, before exploring some of the art and craft of storytelling with Helen Shaver.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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Motive’s massive Episode 5 twist

Motive is all about the complicated twists and turns on the road to discovering the link between victim and killer. And while there have been four season’s worth of stories, I honestly can’t remember one that was so unexpected. If you want to do a little bit of homework before “The Scorpion and the Frog”—written by Jennica Harper—airs Tuesday night, check out Aesop’s Fable, the inspiration for the storyline:

A scorpion and a frog meet on the bank of a stream and the scorpion asks the frog to carry him across on its back. The frog asks, “How do I know you won’t sting me?” The scorpion says, “Because if I do, I will die too.”

The frog is satisfied, and they set out, but in midstream, the scorpion stings the frog. The frog feels the onset of paralysis and starts to sink, knowing they both will drown, but has just enough time to gasp “Why?”

Replies the scorpion: “It’s my nature…”

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A matter of trust
The power of those who work in the mental health industry is explored, as the killer—a psychiatrist—manipulates a situation for his benefit. The result is the plot biggest twist I’ve seen on Motive and one of the most disturbing crime scenes I’ve witnessed in network TV.

Mazur’s past haunts her
Three years ago Mazur had a similar case that send a killer to prison. But the details surrounding this murder causes not only Angie to question whether Mazur did the right thing but Mazur herself.

Vega looks amazing behind the Staff Sergeant desk
I didn’t think I’d like seeing him in the station so much, but he’s been great. That said, there is an excuse for him to hit the streets on Tuesday alongside Lucas.

Motive airs Tuesdays at 10 p.m. ET on CTV.

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