Everything about Featured, eh?

How do you solve a problem like Netflix?

When new Bell Media head Mary Ann Turcke told a telecom conference that Canadians accessing US Netflix through VPNs were “stealing,” she added to the cacophony of Canadian broadcast voices trying to solve the problem of Netflix.

But what is the problem, exactly?

First of all, it’s debatable that VPN use to circumvent geoblocking is “stealing.” And beyond that, it’s debatable that the problem is Netflix as opposed to a broadcasting model that’s evolving faster than the regulations governing it.

Mat Brechtel
Mat Brechtel
Mat Brechtel is a lawyer with Bull Housser in Vancouver specializing in intellectual property rights. “From my review of the Copyright Act I haven’t seen a section that would make it illegal.”

Until a test case is brought to court, he thinks its legality will remain an open question unless new legislation is passed to specifically address circumventing geoblocking, similar to the section added to make illegal circumventing digital locks on CDs and DVDs, for example.

“It might be possible to use the argument that using a VPN is technological protection measure avoidance [same as digital locks], so the argument might be that it’s caught by that section of the Copyright Act, but I don’t think that’s likely. I think where we’re at right now, it’s not against any of the Copyright Act to use a VPN,” said Brechtel.

“Frankly I’d love to see someone try to argue that it’s against that section of the Copyright Act, but I think ultimately they’d end up losing.”

It’s unlikely even Turke is interested in criminalizing the audience, circa the 2003 music recording industry. Her remarks seemed intended to educate the public, many of whom aren’t aware — or don’t care — that circumventing geoblocking is an issue at all.

What IS the issue?

Michael Hennessy
Michael Hennessy
Michael Hennessy, the outgoing head of the Canadian Media Production Association, which represents the independent producers who own much of the content we see on our television screens, defines what that issue is: “The whole broadcast business is based on territorial rights. A broadcaster gets certain rights to a  program for a certain period of time and they monetize that program through a platform or platforms.”

Some of that money goes to the broadcaster, some to the cable carries, some to producers and creative rights holders. “If you use a VPN to access US Netflix, what happens is that money is not going back to the Canadian rights holders and you’re reducing the revenues that used to flow into the system.”

How do you sustain a Canadian broadcasting system when Canadians aren’t getting the money from shows Canadians watch? So far Canadian networks don’t seem to be looking at homegrown shows as the solution.

Hennessy is no advocate of a widely discussed “Netflix tax” to bring funds into the industry from the unregulated streaming service, but he believes there is a need for a robust discussion on whether and how to regulate “over the top” services like Netflix in the Canadian broadcast world.

The CRTC’s recent Talk TV hearing wasn’t that robust discussion — and in fact Netflix and Google testimony was stricken from the record when they refused to provide the CRTC with requested information. If that’s the stick the CRTC has to work with — saying “LALALA CAN’T HEAR YOU” — there may need to be a whole lot of carrots to bring streaming services to the table of those discussions.

Right now, the carrot seems to be coming from outside the regulated system. Netflix is a relatively new player in commissioning original content; House of Cards debuted in 2013. They’ve started putting money into Canadian productions such as Trailer Park Boys, Degrassi and Between, with more waiting in the wings. Is regulation necessary if they end up willingly having more original Canadian content at any one time than, say, Global does?

One of these things is a lot like the others

Right now it’s Netflix causing so much “sky is falling” rhetoric from various players in the Canadian TV industry, but it’s really the shift in content delivery that has some of us seeing a future where Canadian broadcasters are the dinosaurs and streaming video the comet. If the Canadian industry were nimble and innovative they might not have waited years after Netflix’s arrival to bring out their own streaming services — services that weren’t even launched in a way that was competitive with the US behemoth. Even now, some industry players shortsightedly dismiss YouTube as cat videos and Amazon as a minor player.

Regardless, Hennessy points out that the dividing line between streaming services and broadcast is getting thinner and thinner as the means of providing content moves further towards broadband — including mobile, streaming and IPTV — versus cable.  “Does that mean where we see all growth and evolution of the broadcasting system we aren’t going to regulate at all, but we will continue to have taxes and regulation in the bricks and mortar world?” Hennessy asks.

And as the difference between streaming and broadcast becomes more technical than practical, have we already, without real debate or thought, decided that foreign ownership of our industry is OK with us?  Another question Hennessy has is: “If we’re willing to allow the largest future broadcasters to enter Canada on an unregulated basis, why do we have foreign ownership rules placed on Canadian broadcasters?”

What can be done? What should be done?

If something is to be done to force a service like Netflix into the regulated system, lawyer Brechtel  says the CRTC is limited by its mandate, but the federal government could introduce laws to make circumventing geoblocking illegal, for example, or go to the extreme of trying to block sites like Netflix if they don’t cooperate with Canadian broadcasting regulations.

Brechtel thinks that step is likely premature. “VPN, geoblocking, and Netflix are new technologies that probably aren’t ripe for some hammer of a legislative intervention to come in. It’s probably worth letting the industry mature a bit before anyone decides what should or shouldn’t be done.”

He doesn’t buy the argument that restrictions on access to sites such as US Netflix would put Canada in the same league as countries like China who block access to sites for ideological reasons, pointing out that Canadians’ freedom of speech has restrictions too, but that isn’t equivalent to blocking tanks in Tiananmen Square. “It’s all a matter of degrees.”

“We get people calling all the time who’ve been the victims of all sorts of online bullying or violence and all sorts of things. Unfettered internet use can be just as harmful as over-control. So it raises a lot of difficult questions. As we go through it, it’s good to tread lightly until we understand the effects of what we’re doing.”

“The legislative balance chosen for the TV broadcasting era might not be the right balance for the internet era,” said Brechtel. “If we really want to keep a focus on Canadian content we’re going to have to find a new mechanism to do it.”

“It’s a new area and it’s very grey. All the more fun for people like me.”

Facebooktwitterredditlinkedinmail

Review: The Amazing Race heats up in Chile

Having a specialized skill can really help during the marathon that is The Amazing Race Canada. That was certainly the case for Nic and Sabrina and Dujean and Leilani, who might have found themselves at the back of the pack if not for knowledge they brought into the Race.

Dujean and Leilani seemed destined for a total meltdown during the show’s second Leg in Santiago, Chile, when the exes resorted to screaming at each other while attempting to locate five specific outdoor paintings and take selfies in front of them. I admit I’d have lost my cool if someone kept yelling, “Come on, come on, come on,” at me like Dujean did, but deciding to just stop running in protest à la Leilani? Not cool. The pair were lucky the Motion part of Wednesday’s Detour involved dancing, something they both grew up doing. The result? A fifth place finish.

Nic and Sabrina’s prior skill set came into play as well. Their knowledge of language—something host Jon Montgomery told me about last week—came into play with everyone they met in Santiago, from cab drivers to the Emotion part of the Detour: reciting a poem by Gabriela Mistral. As Nic said in the cab on the way to the Pit Stop, they banged out that challenge in half an hour. The duo were also cagey during the art-inspired Detour: instead of running around the neighbourhood they used their cab. I wasn’t sure if that was allowed and half expected Montgomery to assess them a time penalty, but it was all good and they finished in fourth place.

The other high point of the second Leg was the revelation the Express Passes were coming into play. Hamilton and Michaelia were the first to complete the Road Block at the community centre and chased down the Express Passes at Patio Bellavista. The engaged couple quickly used their pass at the Motion Detour when Hamilton admitted the dance costumes were too skimpy for his transgender body. At first I was frustrated they’d used the Express Pass so quickly to advance to the Pit Stop at Cerro San Cristobal, but as Michaelia pointed out, other teams would play nice with them to score that second pass. And at least they used the pass, something other duos have failed to do and been eliminated.

Speaking of eliminated teams, Susan and Sharnjit fought to improve on their weak standing last week, but a bad cab driver and getting lost finding the artwork spelled doom … unless it was a non-elimination Leg.

Alas, it was not.

Here’s how the teams finished:

  1. Hamilton and Michaelia (used Express Pass)
  2. Brian and Cynthia
  3. Nick and Matt
  4. Nic and Sabrina
  5. Dujean and Leilani
  6. Neil and Kristin
  7. Dana and Amanda
  8. Brent and Sean
  9. Simi and Ope
  10. Gino and Jesse
  11. Susan and Sharnjit (eliminated)

Notes and quotes

  • Hey TARC producers, how do you decide what time teams will leave on the next leg?
  • “I already feel like I smell like B.O.” — quote of the night from Sean
  • I understand that sponsors need to be given props, but having someone say they’re paying for their flight with their “BMO Cash Back World Elite MasterCard” is still a little over the top.
  • I love it when the local taxi drivers get into the vibe of the Race and want to see their fares do well.

The Amazing Race airs Wednesdays at 9 p.m. ET on CTV.

Facebooktwitterredditlinkedinmail

Review: Russell Peters highlights Spun Out’s return

Better late than never. Five months after Spun Out was supposed to debut on CTV immediately following the Super Bowl, Dave Foley’s Canadian sitcom returned to the air. There’s been a lot written about the reason for the delay—co-star J.P. Manoux’s arrest—and the resulting burn-off of the sophomore sitcom over the summer months that was announced just two days ago.

Manoux grabbed a lot of headlines, but changes occurred on the show too. The first season was filmed in front of a live audience, but this second go-round jettisoned that. With a new way of filming and high-profile guest star Russell Peters dropping by, how did Episode 1 of Season 2 of Spun Out fare?

Written by Fraser Young and Nick Beaton and directed by Dave Foley, Peters brought great energy to “My Brother’s Speaker,” playing Ray, Nelson’s (Al Mukadam) DJ brother.

It didn’t take long to discern there was no love lost between Ray and Beckett (Paul Campbell) thanks to an arm bar and a chirp about living in your parents’ basement (“Remember your parents basement from this morning because you just left there because you still live there?”). But rather than fall back on an easy back-and-forth, episode long feud between Ray and Beckett, it was Nelson who ended up angry with Ray after he’d arranged for a DJ showcase and Ray didn’t bother to show up. The reason? Not because Ray was a jerk, but because he had a day job he was ashamed of.

Holly Deveaux—who I really enjoyed in Season 1—was given a lot more to do as Abby on Tuesday night, fully involved in a storyline where she and Stephanie (Rebecca Dalton) thought they were being hustled at poker by Bryce (Manoux) and Gordon (Darcy Michael). Stephanie was a portrayed as a vacuous blonde in Season 1 and it looks like the writers have backed off on that a bit, which is a welcome change. (Michael continues to be a bright spot too; his out-there comments as Gordon always make me laugh, though I wonder what skills he has to stay employed at DLPR.)

My biggest pet peeve about this new season of Spun Out is going to be the canned laugh track. Rather than just letting the jokes stand on their own merit, punchlines are juiced in post, something I hate because it assumes the audience doesn’t know when to laugh. Spun Out certainly isn’t the first show to do this, but I don’t think it’s needed.

What did you guys think? Comment below or via @tv_eh.

Spun Out airs Tuesdays at 8 p.m. ET/PT on CTV.

Facebooktwitterredditlinkedinmail

Survivorman star injured in car accident

Best wishes go out to Survivorman star Les Stroud, who was injured in a car accident in Mongolia recently.

The news broke Tuesday afternoon on OLN’s Facebook page, detailing the veteran survivalist was filming new footage for Survivorman when the incident occurred.

“After being out in the field for a few weeks, shooting new footage for Survivorman featuring Les Stroud, he headed out to Mongolia where he got into a car accident,” the post read. “He is back home now, recovering from a dislocated shoulder, a couple broken ribs, and a collapsed lung. Get well soon, Les!”

Well-wishers were quick to lend their support to the writer, producer, author, TV host and singer/songwriter in the comments section on the post.

Stroud’s most recent series for the network, Survivorman: Bigfoot, found him traveling the world over the course of six episodes seeking out the mythical, mystical Sasquatch.

Facebooktwitterredditlinkedinmail

TV Eh B Cs podcast 26 – Jeff Biederman’s Spinning Wheel

JeffBJeff Biederman is an award winning television comedy writer and producer. Most recently, Jeff was a show runner for two seasons of the CTV sitcom Spun Out. Season Two was pulled before airing from CTV’s schedule due to cast conflict back in January.

He was a writer and producer for 70 episodes of the teen comedy series Life With Derek and show runner on three seasons of the tween comedy series Overruled!, a series he co-created.

He has story edited over 200 episodes of television and has written for: My Babysitter’s A Vampire, The Latest Buzz, Radio Free Roscoe and too many more to mention.

And right after we talked about the unknown future for Spun Out, we found out late breaking news that CTV is going to show Season 2 this summer starting July 14th. But… as you’ll find out… we didn’t know this while recording, which makes for a unique contextual conversation.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to become a Patron of the Podcast? We’ve got a Patreon page where you can donate a small amount per podcast and get a sneak peek of each release.

Facebooktwitterredditlinkedinmail