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Preview: APTN enters the late-night talk show ring

It’s been awhile since Canadians had their own late-night talk show to tune in to. Since 2004, in fact, when The Mike Bullard Show decamped from Global due to low ratings.

Now, over a decade later, there’s a new kid on the Canadian late-night block. Juno award and Canadian Aboriginal Music Award winner Derek Miller hosts Guilt Free Zone, debuting Tuesday on APTN, a ribald no-holds-barred talker that spotlights Aboriginal artists and performers, Miller’s offbeat sense of humour and a promise to discuss delicate subjects without fear of being judged.

Tuesday’s first instalment, “I Like Sex and Fonzie,” (the first of six episodes taped in front of live studio audiences across the country), sets the offbeat tone from the start with Miller introducing himself and outlining the show’s mantra to chat openly about sex. His first guest is Inez Jasper, a nurse, public speaker and singer-songwriter who stresses educating First Nations youth about avoiding sexually-transmitted diseases and pregnancy by using condoms, at which point Miller produces a handful. Jasper then jumps up and performs an original tune. Miller’s second guest, Jayli Wolf, chats briefly about her acting career on Mohawk Girls before performing as well.

When not chatting with his guests or watching them sing, Miller is yukking it up with a guy dressed up like Jesus who rides by on a Segway.

Guilt Free Zone is a little rough around the edges–there were several moments of dead space between bits and a little bit of stilted conversation–but on the whole I was entertained, especially when Miller grabbed his guitar and jammed with the GFZ house band to close out the episode.

Check GFZ out and let me know what you think.

Guilt Free Zone airs Tuesdays at 10 p.m. ET/MT on APTN.

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Harris and Talbot battle budgets and property costs on Love It Or List It Vancouver

Todd Talbot wants to go on the record with a pitch for a new series starring he and Jillian Harris for W Network. He even leans in close so my iPhone records it loud and clear.

“I think there is a better show out there with the stuff that hasn’t aired,” he says with a mischievous smile. “We have been gunning for it. For the record, whoever is listening, we’re game!”

In the meantime, the duo will stick with the formula that has made them household names with the W Network crowd, Love It Or List It Vancouver, returning tonight with a new season. Once again, Harris and Talbot descend on Vancouver homeowners who are looking for a major change. Will they heed Harris’ advice and renovate their family home or will they side with Talbot and sell the joint and find a new abode? While the structure of Love It Or List It Vancouver hasn’t changed, Harris says the flavour and tone certainly has.

“Now that we kind of have a grasp on things this is more organic and the camera style is looser. I think people are going to be able to relate to it even more,” she says. “The first two seasons we were trying to figure out the formula.”

“I’ve been having to deal with you,” Talbot counters to his co-star. “It’s taken me a year to do that!” The snappy back and forth between  the feisty Harris and acerbic Talbot is entertaining as heck, and serves as a balance to the stresses of watching homeowners agonize over staying put or moving somewhere new. Those stresses are shared by interior designer Harris and real estate agent Talbot, who must struggle within the confines of limited renovation budgets (she) or an exploding housing market driving more and more Vancouverites to the suburbs (he).

“It has gotten ridiculously expensive to live in Vancouver,” Talbot admits. “You almost become numb to the pricing. You don’t even bat an eye at a million dollars. The biggest challenge is faced by those families with young kids who are moving out of their condo and into a detached house because those homes have skyrocketed in price. They want to move out of the densified downtown and into a family neighbourhood and the cost barrier there is ridiculously high.”

The solution? Income suites in homes and laneway housing, the former of which aren’t always legal and the latter a mini-house built where a garage used to be on a century-home’s property. Or people are staying put and renovating. Enter Harris, who has her own challenges to face.

“I think a lot of people come on the show because they want to renovate,” she says. “But there is only so much that I can do with their limited existing space, so they move.”

“My biggest challenge this season are the fricking character homes,” she continues. “The homeowners want to have them renovated and sometimes it’s just cheaper to knock them down and start over again. We have so many off-camera conversations with the homeowners to tell them that, and they don’t care. They want us to renovate.”

Sounds like just the sort of stuff we’d love to see on the proposed show Talbot is hoping for.

Love It Or List It Vancouver returns Monday at 10 p.m. ET on W Network.

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Review: Lost Girl’s lucky day

Things are certainly heating up on Lost Girl—and I don’t just mean that surprise hook-up between Bo and Tamsin, although it does feel like this week’s biggest development. Rookie Blue’s Noam Jenkins made his first move as a resuscitated corpse, bringing the ominous words “beginning and end” to screens and teasing something cataclysmic in the offing.

Considering how long things between Bo and Tamsin have remained at the casually teasing phase, I was pretty stunned to see Tamsin finally make a bold move—and, admittedly, even more surprised to see Bo, after a moment’s hesitation, opt for the second of Tamsin’s gifts. Maybe it’s because their friendship has been so rocky, or maybe because I was sort of digging the banter-creating tension between them as they started working together, but I’m not entirely sure how I feel about these two launching into something that looks like more than a chi-swapping fling.

I guess that for all the hints and chemistry between the two, I’ve always assumed Lost Girl would head to some kind of resolution involving the Bo/Lauren/Dyson triangle—though maybe this move is suggesting the show is considering something a bit less predictable for our loving fae and her friends. Either way, it gave Bo someone to confide in, and I can’t think of anyone who would be more understanding about Bo’s need to separate herself from her father’s legacy than Tamsin.

And while I’m certain that whatever’s brewing with Lauren and Dyson’s elevator crash case is closely tied to Bo’s father—both did, after all, begin with a trip to Hell and one cryptically named candle—I’m guessing that final shot of Horatio, a.k.a. the recently-deceased Kevin Brown means solving the elevator crash might take priority over that rune-covered Jack-in-a-box present from daddy dearest.

It’s certainly more pressing for the fae world now that their signatures—and powers—have been taken from the safety of Trick’s lair and are now being used by Kevin, and, presumably, that mysterious blonde woman responsible for his death, to hunt for whatever fae they need to take out (or collect pieces from). With the oracles now blind to any other visions, there’s no one to warn Bo and the rest about what’s coming, or what it may want from the rest of the fae.

Except maybe Dyson’s new kid, Mark, if he somehow manages to get over being a ridiculous stereotype of a teenage brat in time. Right now it seems like he’s on his way to being recruited to the Dark side—a process Dyson should probably explain to him a bit more clearly, and soon. Because while the kid’s aware his new friend stole the book, he doesn’t seem to have any idea what that means, or why it’s important. And sure, he’s dreaming Bo’s dream of being unaligned, but right now I don’t think he’s savvy enough to pull that off. Especially since Vex seems to be the only friend he’s capable of making, and I wouldn’t be surprised to find out Vex is the one who orchestrated the whole hook up in the first place. Mark’s recklessness may have been cute enough for Bo last week, but it’s quickly turning into something dangerous. And if Dyson doesn’t step it up in the paternity department soon, there may be more problems than a few broken pint glasses.

And as fun as it was to watch Tamsin deal with Bo’s slow transformation into a kitten (note: a napkin is not a suitable cover for the sudden appearance of paws), or to at least watch Anna Silk take up residence in the soothing confines of a cardboard box, I’m still itching to make a bit more progress on what the hell (pun intended) is going on with, well, everything. Or at least see the team start to connect a couple of the dots and give us something a bit more substantial to speculate with.

Lost Girl airs Sundays at 9 p.m. ET on Showcase.

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Preview: Sutherland’s magical Pirate’s Passage sails onto the small screen

There’s no better way to learn about history than to be immersed in it. Literally. That’s what young Jim learns when Captain Charles Johnson sails into his life in Pirate’s Passage.

Based on the Governor General’s Literary Award-winning novel of the same name by William Gilkerson of Mahone Bay, N.S., CBC’s Sunday night animated TV-movie was produced, co-written and voiced by Donald Sutherland. Sutherland and Brad Peyton (Republic of Doyle) have weaved an entertaining story and, paired with exceptional animation from Sheridan College grads Jamie Gallant and Mike Barth, created one heck of a good time. (Check out the teaser below.)

Sutherland voices Captain Charles Johnson, a scallywag who magically jumps from the 18th century to 1952 Grey Rocks, N.S., where he sails ashore and befriends 12-year-old Jim (Gage Munroe, PAW Patrol). Jim has been assigned a school project on pirates, so Capt. Johnson’s arrival is fortuitous. Jim learns first-hand about pirates through the old codger’s stories, detailed adventures that not only entertain Jim (and viewers) but also educate via a stop amid the Vikings and a visit with Calico Jack (Paul Gross, Slings & Arrows). (Jim does, after all, have to learn enough to win over his teacher.) He’s also educated in how to handle bullies. Jim’s mother, Kerstin (Carrie-Anne Moss), learns that too; she’s battling with the town’s most powerful man, Roy Moehner (Kim Coates, Sons of Anarchy), who wants to buy her ramshackle inn and turn it into a luxury location.

Other Canadian actors voicing characters in Pirate’s Passage include Gordon Pinsent as the town barber, Megan Follows as saucy Meg O’Leary and Colm Feore as Jim’s father.

The A-list talent is almost outperformed by the animation, which takes on the effect–to me at least–of watercolour paintings on the move. Flying snow and seagulls a blurred shapes in the sky and piles of melting snow are smears of white on top of green grass. The characters move amid a cool palette of colour highlighted by stunning greys the make up the churning sea off the coast of fictional Grey Rocks.

I’ve never read Gilkerson’s book, but thanks to Sunday’s flick, I’m going to.

Pirate’s Passage airs Sunday at 8 p.m. on CBC.

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Comments and queries for the week of Jan. 2

Most people use the week between Christmas and New Year’s Eve to reflect back on the past year as well as look forward to the next, and readers were no different, planning the new Canadian shows they’ll be checking out as well as wondering what’s next for the folks at Saving Hope.

I’m excited about X Company, Book of Negroes and Ascension and cautiously optimistic about Young Drunk Punk and Schitt’s Creek. No mention of upcoming Space series Killjoys which is set to debut in 2015 too. As for returning fare, there’s plenty for me to be excited for as Hard Rock Medical, Vikings, Orphan Black, Bitten, Strange Empire, Heartland, Continuum, Masterchef Canada and Remedy will be coming back in the next few months. As for Strange Empire, the last two episodes brought me.back to liking the show–the standoff between Ling and John was great with Kat’s interference–I think the show does best when it doesn’t get too feminist–when both male and female characters have strong stories the show gets good.–Alicia

 

I cannot WAIT for Saving Hope to come back on Jan. 7–what an episode! Episode 9 was awesome too. Poor Joel marched off in handcuffs. It was of course self-defence but without proof, a trial could be risky. I get why Selena’s so closed off but it would have helped if Joel knew what was going on–I’m sure she suspected he’d show up at the clinic. I really like the clinic too, it’s been a great alternative to the hospital setting.

The pregnancy! What will Alex do? And just as she and Charlie have maybe possibly begun talking again.

The whole cast was great in this episode. Loved it.–Mandy

Got a question or comment about Canadian TV? greg@tv-eh.com or head to @tv_eh.

 

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