Everything about Wynonna Earp, eh?

Wynonna Earp: Alexandra Zarowny on “Shed Your Skin” and previews future cheerleading

Gulp! Clearly, there is something very wrong with Waverly Earp. That final scene of her chomping down on a dead spider—the crunch took the shot to all-new levels of barf—put the capper on one heck of a ride.

“Shed Your Skin” had everything we love in an episode of Wynonna Earp: sexiness, snarkiness, action and character development thanks to Jeremy and his inverted nipple confession. Oh, and we were given the gift of a wonderful guest star in Workin’ Moms‘ Dani Kind in the role of real estate agent Mercedes.

We spoke to Friday’s episode writer—and Writers Guild of Canada award winner—Alexandra Zarowny about everything that happened.

First of all, congratulations on your Writers Guild of Canada Award for the Season 1 episode “Bury Me With My Guns On.”
Alexandra Zarowny: Thank you very much. It was very exciting for the show to be recognized.

You did make a point of mentioning the show, the team and the fans during your acceptance speech. Is it important for you as a writer, to be recognized like that?
I’ll never say no to an award. It was very, very exciting to be recognized but you always feel like a little bit of an imposter going up there alone. A lot of my words do end up on the screen, which is great because I’m not super story edited and that’s a function of being able to get to Emily’s brain. But when we’re breaking the story, that’s all of us. It’s not like I walked away going, ‘I’m writing this entire episode on my own and I’ve come up with this story that’s a part of this arc.’ We all do that and that’s the heavy, heavy lifting. Once you’re writing the outline and the script, that’s kind of the gravy. It’s great and wonderful, but I’m not arrogant enough to say I did it alone! [Laughs.]

You mentioned getting into Emily’s head. Was it fairly easy to get in there … and what the heck is going on in there?!
It’s a pretty amazing, colourful carnival. Her and I have some very similar sensibilities when it comes to creating interesting characters that you then put through the wringer. I think that we have a very similar sense of humour in a lot of ways. I don’t think it was that difficult to get into her head for me, although it’s always a fast and furious ride. If you are a fan of genre, as a writer you get where she’s coming from.

Lucado is now in charge of our team after Dolls went into hiding. Can you discuss, from a writing standpoint, the fun of having conflict in the room via Lucado?
It’s really great because I think, in the first season, there was definitely a struggle to find a kind of balance in the team and just when they find it, we as writers blow that up. [Laughs.] And then we pull in the one person to hate, who is Lucado. Despite the struggles that the team had with Dolls, they knew that his intentions were the same intentions as theirs to a large degree. Lucado’s intentions are incredibly murky and questionable and suspicious and I think the team is very wary of her. And to be wary of your leader does not make for a very loyal team. That means they’re going to come up against a lot of bumps along the way.

Last week, we got our first peek at the lab and the monsters in it. Coupling the monster eating Doc’s hat and Eliza’s mention of what ‘they’ did to she and Dolls, I wonder if the monsters were once humans that were experimented on. Am I on the right track?
You’re on the right track by half. [Laughs.] There has definitely been experimentation on humans, I would say. How far that goes and what the end result is is to be answered.

I really like the Revenants, but I’m enjoying the different monsters we’re seeing, like the spiders this week.
It’s really great because there are so many crazy demons and mythological creatures to pull from. It’s actually very exciting for us to work on a genre show where the creature of the week doesn’t look like a human because that’s a Revenant. We get to come up with things that are truly monstrous looking and that’s always exciting. This season we’re going to see a bit more tension and a bit more horror because we’re able to show monsters in their true, grotesque form. The Revenants are still there, but when the wall came down it let some shit in that is scary as hell. Emily created a world and we’re all able to put our own spin on that world to a certain degree and I think that makes you, as a writer, even more invested in the series itself.

I loved how you put Doc and Wynonna in the shower together, but it was anything but a romantic encounter.
In the room, we go back and forth between what coupling we prefer at any given moment because we love both actors in Shamier and Tim. But I think, like everything else in this world of Wynonna Earp, it’s always going to be complicated and the second a character gets what they want … as writers we kind of want to tear it from their hands. There are going to be some ups and downs in both relationships, but I think both sets of fans are going to be pleased.

Jeremy’s offhand remark about having an inverted nipple was funny, but I wondered if that’s a way a writer instantly connects a character with an audience?
Oh yeah, definitely. When Jeremy says something like that yeah, it’s a funny line but it’s never a throwaway line. We always try to do a character building line with something like that. It tells us that, A) especially when Wynonna is talking to him he is so nervous that he just blurts stuff out; and B), for him to blurt out something so personal also shows just how innocent and vulnerable he is. That vulnerability makes us want, as an audience and as writers, to protect him in some ways. There are a lot of characters on the show who are going to want to protect Jeremy in some way. Of course, we’re going to learn that maybe he doesn’t always need protection. Maybe he has his own thing going on as well.

It was wonderful to see Dani Kind of Workin’ Moms guest-starring as Mercedes. Will she be around for more than one episode?
I have full confidence that we will see her again. She’s absolutely delicious.

And she gets Wynonna. There is no judgment.
Absolutely and I think Wynonna is so relieved to find somebody that can appreciate who she was back then. Mercedes was also cast out and now she’s back to kick butt in her own way.

What can you say about Rosita and Doc’s plan with regard to Shorty’s? Will that be a season-long arc or more short-term?
Every episode will reveal what Doc is doing there and the thing about Doc is that he’s not just a cute, funny guy in a moustache there to support the gang. He has his own stuff going on. He is a man who holds his cards close to the chest and while doing his best for the team is always very much thinking about what he can do for Doc as well.

What was going in with Waverly and that spider?
All I can say is, she is hungry. [Laughs.] There is something in her that is very hungry.

Can you give me a preview of next week’s episode, written by Brendan Yorke?
Yes, one word: cheerleading. We thought it would be really fun for Waverly to do a little cheerleading. I had no idea Dominque was once a dancer and boy oh boy, can you tell! It’s also a trope we’ve seen before of the sexy cheerleader but we’ve turned it on its head a little bit and a bit of a tip of the cheerleading skirt to the WayHaught fans.

What did you think of this episode? Let me know in the comments below.

Wynonna Earp airs Fridays at 10 p.m. ET on Space.

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TV Eh B Cs podcast 67 — The Tim Rozon Entree

Tim Rozon’s first major role was playing heartthrob, Tommy Quincy, opposite Alexz Johnson and Laura Vandervoort for four seasons on the teen drama series Instant Star for TeenNick and CTV. Other leading roles include two seasons playing Mutt Schitt on CBC’s runaway comedy Schitt’s Creek.

Tim has made guest appearances on many of the hit shows made in Canada over the last decade, including: Rookie Blue, Flashpoint, Heartland, Lost Girl and 19-2. In addition to acting, Tim produced the documentary feature Shuckers, about the world of oysters and those who shuck them.

When not acting, Tim plays the role of restaurateur in Montreal at his hit restaurants Garde Manger and Le Bremner opposite star chef Chuck Hughes.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to support TV, eh?’s work? Become a Patreon!

Image courtesy of Bell Media.

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Links: Wynonna Earp

From Ciara Pitts of MoviePilot:

Link: Wynonna Earp: How the cast and crew get LGBT visibility so right when so many TV shows still get it wrong
June, which is also Pride Month, has just kicked off. Many of us in the LGBTQ community are celebrating our freedom and who we are, along with the TV shows that make us more visible. One of those shows being Syfy’s Wynonna Earp, which returns for its second season on June 9. The series follows the titular character on a journey to take down demons and other supernatural forces that invade her mysterious hometown. Continue reading.

From Bridget Liszewski of The TV Junkies:

Link: Wynonna Earp: Emily Andras talks “Steel Bars and Stone Walls”
“I really thought of the premiere as almost the second half of Episode 113. It felt like a two-parter with all those cliffhangers and because we had given ourselves, or cursed ourselves, with all those cliffhangers, we had no choice but to answer those questions. I didn’t want it to be a bunch of talk and exposition. I wanted it to feel really fun and really blistering.” Continue reading.

Link: Wynonna Earp’s Melanie Scrofano on working for Black Badge and that surprise guest star
“There’s a certain amount of not wanting to see things that are right in front of you when they threaten your sense of security. Waverly gives Wynonna such a sense of security and family and belonging and she just thinks that partly it can’t be true.” Continue reading. 

From Nivea Serrao of Entertainment Weekly:

Link: Wynonna Earp boss on that big Season 2 premiere twist
“We are going to see a slightly different Wynonna for the first few episodes. Not only has she killed Willa, but the other thing that has happened is, essentially, she has lost Dolls. So she’s going to feel a lot of pressure to kind of move into a leadership role. And that’s not Wynonna’s strong suit. She hates authority. She rebels against authority.” Continue reading.

From Carly Lane of Nerdist:

Link: Wynonna Earp’s Dominique Provost-Chalkley talks “bloody good” Season 2 
“She comes into her own. It’s kind of perfect timing because I feel like she’s going in that direction but just touching the goo accelerates that, and so I wanted to make sure that right from the get-go there was almost a power that ran through her, an adrenaline underneath that maybe she didn’t have before.” Continue reading. 

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Wynonna Earp showrunner Emily Andras talks Season 2, laundry and Sheriff Nedley

There’s a reason I love chatting with Emily Andras. It’s not just because she’s been a writer and producer on stellar programs like Killjoys and Lost Girl and has created the scintillating sci-fi series Wynonna Earp from Beau Smith’s kick-ass comic. Those are great reasons on their own. No, I love speaking to Andras because she’s witty, self-deprecating and strictly no-bullshit.

With Wynonna Earp roaring back to our TVs this Friday at 10 p.m. ET on Space, I was looking forward to her take on where Wynonna, Waverly, Doc, Dolls and Haught were headed in their sophomore season as well as a peek back at what she learned from Season 1.

Where are you at in the process of Season 2 now?
Emily Andras: The big bulk of my work is done. It was five days a week and now it’s three days a week. Of course, now everyone is talking about Season 3 development and I’m like, ‘Uh, can I just do one load of laundry?’

And, of course, you’ll be live tweeting too.
Yes, I’m increasing my wine intake in preparation for Friday nights. The thing about live tweeting is it’s such a gas. Can I just say, publicly, that if you’re sort of a normal person who I know in the Canadian television industry, mute me now because of the live tweeting. No hard feelings, actual people, if you want to mute my Twitter while I live tweet. We’ve been public about the fact that fan interaction is what made our show and got us a second season. The cast isn’t contractually obligated to live tweet; we do it because we love the show.


At the end of the day, the Earp sisters are the heart of the show. And just winding up Melanie Scrofano and letting her go. Her performance in Season 2 makes her performance in Season 1 look like garbage.


How important were the fans when it came to second season storylines?
I’ve been pretty honest about this. It’s the new conundrum for every showrunner, which is that fan engagement is incredibly important, but at the same time you need to tell a story and not everybody can be involved. It often give the analogy of driving a bus. I’m going to be driving the Wynonna Earp bus and you can get on the bus if you want. You can yell at me while we’re on the bus, you can hoot and holler out the window and you can get off the bus if you don’t like where it’s going. We can’t all grab the wheel of the bus because then we’ll go off a cliff.

As much as I appreciate the fan engagement, my job is to tell a good story and make you feel things. I want to surprise you. I love the fan engagement but I don’t necessarily take fan instruction if that makes any sense. I just can’t. I just try to put that aside when I’m putting together a season with my amazing writers. We just try to think of what we can do to take these people on a ride and make them feel things and, hopefully, feel satisfied at the end of the day.

What was your post-mortem on Season 1? Were there things you wished you’d done differently?
There definitely was. I am not being falsely modest when I say I was genuinely amazed when people got the show. We were running around in the woods in Alberta going, ‘I don’t know if anyone is going to watch this thing.’ I think there was a lot of soul-searching from Syfy, to be honest, and to their credit and some of the things they thought they would tweak—when it came to focus testing some of the things we did in Season 1—were really popular. They said, ‘Throw that out, we want to stick with what is working.’ I think the thing that was personally the most important to me was just keeping the tone of the first season. At the end of the day, the Earp sisters are the heart of the show. And just winding up Melanie Scrofano and letting her go. Her performance in Season 2 makes her performance in Season 1 look like garbage.

There was something in every single episode of Season 1 that I would have done differently. A joke that didn’t work or a special effect that didn’t work, but pace and tone and making more of what worked was what I was most concerned about.

You introduce new characters in Season 2 and as I watched the first episode, “Steel Bars and Stone Walls,” I recalled your reference to Buffy the Vampire, and this being a version of the Scooby Gang. We’re getting that.
One thing that I noticed that Buffy did really well and we didn’t get a chance to do a lot of in Season 1 was, part of the best parts of Buffy was when the team is working together. I wanted to get more of that in Season 2. The more of my amazing cast I can cram into one scene—bickering or yelling or figuring things out—the better the energy was. That’s definitely something you’ll see more of this season.

Were there any milestones you wanted to hit in Season 2?
One of the things we wanted to do, and the network encouraged us to do, was to take on a little bit more of the comic book tradition by Beau Smith—who we all adore—and expand the world from just demon revenants into more supernatural creatures. We wanted to have Wynonna and the team fighting more of those. We had a lot of fun with that. We also wanted to have some more long form storytelling and arcing. It’s still, ultimately, about the curse and Wynonna trying to do this thing that she’s destined to do. There are so many surprises this year and I think something happens at midseason that turns everything on its head that I’m really excited about. All in all, it was about the spirit and fun of the comic book and seeing if we could lean into that, even more, this year.


We are definitely going to find out more about Dolls and what he is. In the grand Lost tradition, as we get answers it sometimes raises more questions. I hope it’s interesting and compelling and satisfying.


When we pick up on Friday, the team is trying to save Dolls. We keep getting peeks that he’s something. Will we find out what he is—or isn’t—by the end of this season?
We are definitely going to find out more about Dolls and what he is. In the grand Lost tradition, as we get answers it sometimes raises more questions. I hope it’s interesting and compelling and satisfying.

What can you say about the Black Badge?
I like the mystery of the Black Badge. The idea of them being a paranormal government agency … how the hell does that happen!? I like the idea that, at the end of the day, they don’t seem as legit. I always like the idea that there’s another big bad.

Will Sheriff Nedley join the team as well?
He’s in and out. I freaking love Greg Lawson. He is so good this year. He is like, #hero. My favourite thing about him, as a character, is he refuses to be impressed by these idiot young people. He just doesn’t care because he’s seen it all. He’s just counting down the days until retirement. He’s nobody’s fool and sees more than you think he does. We just kept going back to the well on Nedley this year because he’s so funny and useful to bring down the rest of the characters and their drama. Greg Lawson is a delight. I think he’s one of the most underrated actors in Canada.

Was he planned to be a short-term character and then you expanded the role?
It was more that I thought he was going to be a dipshit. He was going to be Boss Hogg, a slightly racist, slightly homophobic small-town sheriff, kind of what we saw in the pilot was what we were going to get. But, it wasn’t necessarily the best fit for Greg and I believe it’s good to lean into people’s strengths if you can. So much of the show is about not making assumptions about people—what they look like and what have you—similarly I thought it was much more interesting to have Sheriff Nedley be a little bit more diverse and a smarter guy. He can be a small-town dude that loves hunting and fishing and still be an open-minded, literate gentleman.

Wynonna Earp airs Fridays at 10 p.m. ET on Space.

Images courtesy of Bell Media.

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Links: Wynonna Earp

From Daniela Costa of NBC News:

Link: Wynonna Earp star Dominique Provost-Chalkley dishes on new season
Fans of Syfy’s supernatural drama “Wynonna Earp” are in for a treat come the show’s season 2 premiere on June 9, so says fan favorite Dominique Provost-Chalkley.

“If I thought that Waverly had a huge arc in the first season, it doesn’t even compare to what we have in store this season,” she told NBC Out. Continue reading.

From Jen Stayrook of The Workprint:

Wynonna Earp Season 2 review: A hilarious, non-stop adventure and it’s so, so gay
There’s a darkness in Waverly we haven’t seen before. Whether it’s how she truly feels or a consequence of the black goo remains to be seen, but the end result is that Dominique Provost-Chalkey can act her pants off. Continue reading.

From Maureen Ryan of Variety:

TV Review: Wynonna Earp Season 2
That’s a long way of saying that the first four episodes of Season 2 are focused and fun. If you need a weekly treat that takes advantage of every meaning of the word “stakes,” this may be the show for you. And this year, everyone, from the writing staff to the directors to the extremely game cast, has dialed in on exactly how to come at this material. Continue reading. 

From Bridget Liszewski of The TV Junkies:

Link: Wynonna Warp’s Melanie Scrofano says Wynonna must trust her instincts in Season 2
“Season 2 starts off right after Season 1 and she just has to jump right in. She’s just gone through this horrible tragedy again, only this time she’s the cause of it, and now Dolls, her mentor/lover/question mark, has been taken. She’s got to navigate all of this on her own instincts which is really scary for her, but all she can do is forge ahead because if she stops even for a second, she’ll realize how in over her head she is and how much she’s lost.” Continue reading.

From Eric Volmers of Postmedia:

Link: “We really get into a lot of trouble”; Wynonna Earp’s second season debuts Friday on Space
It was just under a year ago that the cast of Wynonna Earp was informed they would be returning to Calgary to shoot a second season. It wasn’t complete surprise. By that point, the supernatural modern western was already earning a devoted fan base. Continue reading. 

From Nivea Serrao of Entertainment Weekly:

Link: Wynonna Earp boss Emily Andras talks “bigger, badder, better” Season 2
“Now Wynonna takes some responsibility and has people in her life who support her, but she also feels responsible for, who she cares for. So it’s about her trying to keep this dysfunctional family together as they really work on becoming a team.” Continue reading.

From Melissa Girimonte of The Televixen:

Link: Melanie Scrofano on higher stakes in Wynonna Earp Season 2
“Anyone in view of the Earp curse and of Wynonna herself is in some way going to be affected, and those bonds are going to be tested with anybody. The curse is pretty high maintenance and I’ll say that it tests Wynonna to her limit. Any time somebody is tested like that, there’s going to be fallout elsewhere.” Continue reading. 

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