TV, eh? | What's up in Canadian television | Page 1396
TV,eh? What's up in Canadian television

Tonight: Murdoch Mysteries, Strange Empire, Package Deal

Murdoch Mysteries, CBC – “Glory Days”
Murdoch joins forces with legendary lawman Bat Masterson to hunt for Butch Cassidy and the Sundance Kid.

Strange Empire, CBC – “Other Powers”
Kat tells Marshal Caleb Mecredi she believes Slotter is guilty; Isabelle must convince Cornelius to loan her the miners’ wages.

Package Deal, City
Package Deal moves to Mondays. With guest star Jason Priestley.

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City, Netflix and Shomi collaborate on Canadian original drama

City

From a media release:

Today, City, Netflix, and shomi™ announced a landmark partnership to bring audiences around the world a new, premium drama series, Between – an original survivalist thriller series, created by award-winning writer/director Michael McGowan (Still Mine, One Week, Saint Ralph) and starring Jennette McCurdy (iCarly, Sam & Cat). The partnership is the first of its kind in Canada for the creation of a new, original series.

The first season of Between, featuring six, one-hour episodes, will premiere on City and shomi in Canada and on Netflix outside of Canada where the service is available. Between will come to Netflix Canada one year following the initial premiere. Additional broadcast details will be announced at a later date. The series begins principal photography today.

“We know that Canadians crave daring and distinctive original programs, and Between offers just that,” said Nataline Rodrigues, Director of Original Programming, Rogers. “Showcasing Michael McGowan’s cinematic vision on the small screen, this compelling new series, in partnership with Netflix and shomi, delivers on our promise to offer viewers world-class entertainment.”

“Teaming up with Rogers, on Between, is a tremendous opportunity to work with a creative partner in Canada to bring our global viewers top-notch content,” said Erik Barmack, Vice President of Global Independent Content at Netflix. “We’re thrilled to be working with outstanding talent behind the scenes including Canadians Don Carmody, Jon Cassar and Michael McGowan, and in front of the camera with a new generation of actors led by Jennette McCurdy, delivering a must watch event series that millions of Netflix viewers will enjoy.”

Between is the story of a town under siege from a mysterious disease that has wiped out everybody except those 21 years old and under. The series explores the power vacuum that results when a government has quarantined a 10-mile diameter area and left the inhabitants to fend for themselves.

“With the commission of Between, we are reinforcing our commitment to bring the best programming to our subscribers,” said Marni Shulman, Head of Content & Programming, shomi. “Great opportunities to build original content like this, and working with the breadth of talent, including the amazing Michael McGowan, is a perfect fit for the shomi brand.”

Between stars Jennette McCurdy and was created by Michael McGowan, who executive produces along with Don Carmody (Resident Evil, Silent Hill, Goon, Chicago), David Cormican (The Tall Man, Faces in the Crowd), and Naveen Prasad, Executive Vice President and General Manager of Elevation Pictures Corp. Emmy® award-winning director Jon Cassar (24, The Kennedys) will direct the first two episodes. The series is produced by Don Carmody Television, Mulmur Feed Co. and in association with Elevation Pictures Corp. Prasad, along with Jayme Alter (Denton’s Canada) for DCTV negotiated the deal. Elevation will oversee worldwide distribution. From Rogers Media, Nataline Rodrigues is Director of Original Programming, Hayden Mindell is Vice President of Television Programming & Content, and Navaid Mansuri is Interim Senior Vice President of Broadcast.

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Review: Heartland celebrates 125 episodes with fireworks and fistfights

Heartland celebrated Episode 125–making it the longest-running hour-long drama in Canadian TV history–with fireworks. As Amber Marshall told me recently, Prince Ahmed isn’t the type of guy to take “no” for an answer. So I wasn’t really all that surprised when he rode up to Amy moments after she had waved goodbye to Ty at the beginning of “Secrets and Lies.” And there really was no sugar-coating his comment that Amy looked beautiful: the Prince was there to ride off with her heart.

I can’t help but think he knew exactly what he was doing when he insisted on accompanying Amy back to Heartland; those few minutes were enough to get Tim thinking of landing deals with the Prince, Georgie upset with Amy all over again and Ty steamed his royal rival was back. Things only got worse when Ahmed asked Amy to accompany him to check out some horses; he made a side visit to a mansion he’s thinking of buying. You know, so he can be even closer to Amy. Sheesh. I have to give him credit for saying “I love you,” and getting things out in the open but I was relieved Amy nipped that in the bud and severed her relationship with him. (Things got a little dusty at my house during the conversation between Georgie and Amy about the video.)

Who else was surprised Amy, Georgie and Lou didn’t pull Tim aside when he showed up with Ahmed to tell him about that admission of love? If they had, it would have saved everyone from that super-awkward dinner and the massive “I hate you!” from Georgie. And while I was more than happy to see Ty deliver a head-butt and a punch to the Prince, I can’t help but think Ahmed will make life hell for him by laying charges on Ty or something. Or perhaps all he really wanted was to drive a wedge between the engaged couple. He certainly accomplished that.

Meanwhile, Ty’s new gig at the wildlife sanctuary has become more than a full-time job and Ben’s laid-back attitude when he was trying to woo Ty has been replaced–so far at least–by a stressed dude with an iPhone. Best moment of the night: Ty being spit on by an escaped llama. Second worst moment of the night: mama wolf dying and just one pup surviving.

Worst moment? Ty saying the following to Amy while “Say Something” played in the background: “Sometimes we lose things and no matter how hard we try to hold on, and without even knowing it, we’ve lost it.”

Thoughts on 125 episodes, and last night’s episode

  • How lucky are these folks to film Heartland in such a stunning location? I jealously pine for the foothills of Alberta every Sunday night
  • Is it just me that has the show’s the theme music stuck in their head? Between that and Murdoch Mysteries, my mind is full of CBC show tunes
  • Do you think Tim should really go on the rodeo tour? Part of me says yes, but the thought of him being away from Heartland for an extended period of time would be a bummer. Who would Jack tease?
  • “I have a sore knee today Lou. And I bet if I looked up ‘sore knee’ on the Internet I’d find a bunch of articles and opinions making me think I have to have my whole damn leg taken off at the hip.” Reason No. 456 why I love Jack
  • I’m a little conflicted over Lou making such a big deal out of whether Katie was behind on her skills. I understand Lou wanting to make sure her daughter had all the help she needed, but she was going a little overboard, no?

Heartland airs Sundays at 7 p.m. on CBC.

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Aaron Poole rules a lonely, Strange Empire

It’s lonely at the top. Poor Captain John Slotter, trying to sort through his daddy issues and pave his own way in the wild west, with the help of his medium/madame wife Isabelle and with the backdrop of the massacre of a caravan-full of men that he may or may not have engineered. It’s exhausting work, juggling the start-up of a mine, the extension of the transcontinental railway, and putting the now-stranded women to work as whores.

“Not only is there sex and violence and some cool eye candy, but the events are based on the fabric of our country,” says Strange Empire’s Aaron Poole, who plays Slotter with a mixture of cruelty, pain and bravado. “Some of the violence is so brutal because there’s this sense we’re telling family secrets. There’s times when ‘cut’ will be called and we all start moving, because that’s what we’re trained to do, but there’s this hush of having witnessed something. I think the CBC should be lauded for that. ”

“It’s THE story. Our nationality came out of different incorporated areas to protect the use of the land and the resources in the earth. The story is about moving people off that land to dig that shit up out of the earth. That’s what the violence comes out of, that’s what the magic comes out of, that’s what the drama comes out of, that’s what all of Strange Empire comes out of.”

He sees parallels with today’s stories too, including how mining companies are protected and how different modes of life clash as populations get more dense. “Those are the fights that occur in the microcosm of Strange Empire and Janestown.”

Gathered at Janestown are those who are desperate to keep their way of life “and make some vision of the future that can salvage the thousands of years on the land they’ve established” and those — like John Slotter — who have come from afar to “turn what they see as a blank canvas into their version of paradise. That’s the struggle.”

Though he’s had recurring roles and guest spots in television before — “I was in purgatory on a cop show for a year” — Poole thought of himself as a film guy before Strange Empire came along, including producing and acting in the award-winning This Beautiful City.

“Strange Empire has the historical authenticity but [creator Laurie Finstad Knizhnik] mythologizes it and elevates it.”

“This is one of the best creative experiences I’ve ever had. It’s like a novel, and there’s all these little embellishments that get to be explored off the main line.”

There’s some doubt his character was responsible for the massacre — thought not in Kat Loving’s mind — but Slotter rules Janestown through fear and with a complete disregard for others’ autonomy, and violence surrounds him.  It’s difficult for Poole to leave that darkness behind him at the end of the day, but it’s not clear he wants to.

He talks of living in Vancouver as an immersive experience, away from his daughter and his life back home in Toronto, and he chose to live in Gastown because it’s of the same period as Strange Empire. “I choose to paint myself in a corner in those ways,” he says. “I can go relax as Aaron, obviously. I mean, I’m an asshole, but I’m my own kind of asshole.”

“You do anything for 13 hours in a row and you see it when you close your eyes. That’s part of what I’m loving about the creative process.”

He points out that the set of Strange Empire assists with that immersion. There is a soundstage for the interior of the Slotters’ mansion, but the rest of Janestown lives intact on the grounds of the sprawling set that used to be home to Arctic Air. The geography of the exterior of the mansion, the cribs, bunkhouse, and graveyard — none of it is cheated.

“We were shooting a brutal scene for my character and there was a murder of crows that had decided to camp there for the morning,” Poole recounts. “They were cawing in the shot for the whole time. It was like the pathetic fallacy – it felt like the environment was contributing to the scene.”

“Leaving it behind is hard. I don’t want to entirely. My days off are boring. I mean Vancouver’s a lovely city but this is the juice, man. If you’ve decided to act and write about cool stories, this is such a cool story.”

Strange Empire airs Mondays at 9pm on CBC. Catch up on previous episodes at cbc.ca/strangeempire.

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