TV, eh? | What's up in Canadian television | Page 214
TV,eh? What's up in Canadian television

Shaftesbury’s Dead Still premieres Friday, May 15 on Citytv

From a media release:

Take yourself to a whole other place and time with Dead Still, a six-part one-hour Victorian-era drama, premieres Friday, May 15 on Citytv at 10:00 p.m. The Canadian/Irish co-production by award-winning Shaftesbury (Murdoch Mysteries, Frankie Drake Mysteries) and Deadpan Pictures (Moone Boy, Trivia) brings us to 1880 Dublin. The cameras are cheap and the country is flourishing with photo studios. However, the practice of post-mortem photography is not doing so well.

Enter Brock Blennerhasset, renowned memorial photographer. Together with his assistant Conall Molloy and estranged niece Nancy Vickers, they are struggling to revive his business, but it appears someone more sinister is getting in on the death photography game. When a string of strange murders that appear to be attached to Blennerhasset take place, Detective Frederick Regan is on the case. Regan suspects that a killer may be cashing in on a developing taste for a different type of memorial imagery, in this case, pictures of people in their death throes. As the body count begins to escalate, Blennerhasset and his team have to stop a murderer intent on ruining not just their business, but their lives.

In the first two episodes:

“Photochemistry” – Blennerhasset, Conall and Nancy are thrown together in a story of a family feud, a vengeful husband and a stolen photograph.

“Development” – Blennerhasset and Molloy are trapped in a coastal town during a storm where some ghostly occurrences make them feel most unwelcome.

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Shaftesbury Kids expands development and production slate and commences virtual writing rooms for four new series

From a media release:

Shaftesbury, the award-winning production company behind the global hit TV series Murdoch Mysteries, is expanding the Shaftesbury Kids production and development  slate to include four new series: Mary and Flo: On the Go!, Life With Luca, Miikshi and Stinky Science. This ambitious slate, led by Jennifer McCann, Executive Producer, Shaftesbury’s Kids and Family, has united key creatives from across Canada and established virtual writers’ rooms for each series.

About the four new series:

In development
Life With Luca – (26 x half hrs) – Life With Luca is a live-action spin-off comedy series based on the long-running hit Life with Derek. The series picks up 15 years later, as Derek and his “Type A” personality daughter Skyler prepare to move in with aunt Casey and her extended family. What makes things complicated is that Derek’s daughter is way more like her aunt, and Casey’s “Type Z” personality son way more like his uncle. As Derek and Casey’s stepsibling dynamics are reignited, Skyler tries to adjust to her new life with an aunt she barely knows and FOUR cousins. But the biggest adjustment of all will be living with Luca, a charming yet rebellious prankster. The series is being developed with funding assistance from the Shaw Rocket Fund and the Canada Media Fund.

In production
Stinky Science (26 x 3 mins) – In pre-production. With animation from Smiley Guy Studios, this smart and gleefully gross series explores the science behind why things stink. Vibrant animation, loveable characters, smelly songs and stink-loads of comedy blend together in this magazine-style show, produced, performed and hosted by the characters from the acclaimed Stinky Science books written by Ed Kay with illustrations by Mike Shiell. The series is being produced with funding assistance from the Shaw Rocket Fund.

Mary and Flo: On the Go! (9 x 7-mins) – Inspired by Shaftesbury series Frankie Drake Mysteries, with animation by Smiley Guy Studios, this animated series is currently in production and follows beloved characters Mary and Flo as they travel the world encountering famous women and men of the 1920s. Part buddy caper, part history lesson, these two fearless heroines solve problems, resolve mysteries and help people everywhere with a healthy dose of girl-power to fuel their adventures. The series was co-created by its two stars Rebecca Liddiard (Mary) and Sharron Matthews (Flo) along with Carmen Albano (Detention Adventure). The series is being produced with funding assistance from the Shaw Rocket Fund and the Canada Media Fund.

Miikshi – (10 x 7 mins) - In pre-production. From creators Lindsay and Justin Lee, Miikshi follows the adventures of a shy but genius sheep scientist who saves the world one day at a time… quietly. Using her quick, resourceful mind and scientific smarts, this live-action puppet series provides a strong and unique female role model for a generation of STEAM-loving kids. The series is brought to life through hand puppets and model miniature effects. The series is being produced with funding assistance of the Independent Production Fund and the Shaw Rocket Fund.

Shaftesbury has released its full library of new and legacy kids programming on the Shaftesbury Kids YouTube channel, to provide families with free and easy access to entertaining and educational content. Some of these series are also available on CBC Gem and Citytv in Saskatchewan. The programming available includes The Solutioneers (released Monday, March 30, with new episodes every Monday, Wednesday and Friday), Life with Derek (all four seasons on CBC Gem) as well as the all-new series, ClearWaterKids Challenge, also launching on CBC Gem in May.

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Cineflix Rights sells Coroner to The CW Network

From a media release:

Cineflix Rights has sold the CBC Original drama series Coroner to The CW Network, allowing U.S. viewers to watch the global hit series for the first time.

Coroner (16×60’), Muse Entertainment, Back Alley Films, and Cineflix Studios for the CBC) is a character driven one-hour drama about Dr. Jenny Cooper (Serinda Swan, Ballers), a recently widowed, newly appointed coroner who investigates any suspicious, unnatural or sudden deaths in Toronto. Each death brings Jenny into a new arena in the city and sparks buzzworthy themes. Jenny taps into her intuition, as much as her intellect and heart, as she solves cases along with the help of Homicide Detective Donovan “Mac” McAvoy (Roger Cross, Arrow, The X-Files), a man who isn’t afraid of challenging the status quo; pathologist Dr. Dwayne Allen (Lovell Adams-Gray, DC’s Legends of Tomorrow, Power Book II: Ghost), his assistant River Baitz (Kiley May, It: Chapter Two); and Alison Trent (Tamara Podemski, Run, Unsettled), Jenny’s assistant who keeps it real. And while Jenny solves mysterious deaths, she also deals with clinical anxiety, a teenage son, Ross (Ehren Kassam, Degrassi: Next Class, Degrassi: The Next Generation), who is still grieving the death of his father, and the prospect of starting a new relationship with the enigmatic Liam (Éric Bruneau, Trop).

Coroner was the highest rated new Canadian drama in more than four years, reaching two million viewers when the season launched on the CBC. Following with NBCUniversal International Networks to acquire rights in various territories, Coroner was the highest-ever rated series launch on Universal TV in the UK.

Coroner is a CBC Original Series. It is executive produced by Morwyn Brebner (Saving Hope, Rookie Blue), Adrienne Mitchell (Bellevue, Played), Jonas Prupas (Collision Course), Brett Burlock (Pure, Ascension), and Peter Emerson (Pure, The Firm), and is produced by Muse Entertainment, Back Alley Films, and Cineflix Studios. The CW Network deal was brokered on Cineflix’s behalf by APA’s Kyle Loftus.

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Farewell, Cardinal

This Monday night, a Canadian television series says goodbye. After four seasons, Cardinal ends, closing a chapter on some truly groundbreaking TV.

I was a fan of the Cardinal from the very beginning thanks to reading and loving the source material written by Giles Blunt years ago. The tale of a small-town Canadian cop solving crimes? I was all in. But would a television adaptation work? How would a lead character that was so in his head translate to the small screen?

There are a lot of folks to credit with how it was done, from Season 1 writer Aubrey Nealon, to actor Billy Campbell, director Podz, Sienna Films, and executives at Bell Media. Instead of going inside Detective John Cardinal’s head, we stayed outside, the camera coming in close on Campbell’s face, reading what was there in his expression and in his eyes. The same goes for Detective Lise Delorme. Karine Vanasse, and the creative folks get kudos for breathing life into this feisty, fantastic cop. I can’t imagine two actors more suited to the roles they were cast in. Re-reading the novels, which I will do this summer, means I’ll picture their faces as I scan the pages.

Northern Ontario—and the weather than comes with it—has played a huge role in Cardinal‘s storytelling, reflecting the changes in season in this country and adding another layer (pun intended) to each episode.

Back in 2004, Corner Gas debuted. It changed the way we looked at ourselves on the sitcom front, and proved Canada could do comedy just well—and I’d argue better—than the U.S. Now, with Cardinal Bell it has been done with the drama genre. I’m a huge fan of Nordic Noir—crime dramas set in Scandinavian locales—and Cardinal deserves to stand among the very best of those. And, I’m hoping, Cardinal will inspire more drama like it to be created in this country.

Thanks to Billy Campbell, Karine Vanasse, Glen Gould, James Downing, Kristen Thomson, Deborah Hay, Eric Hicks, Zach Smadu, Alanna Bale and the rest of the cast for bringing these characters to life in such a convincing way. Thank you to Aubrey Nealon, Sarah Dodd, Patrick Tarr, Jane Maggs, Gemma Holdway, Naben Ruthnum, Patrick Whistler, Alison Lea Bingeman, Jennica Harper, Russ Cochrane, Noelle Carbone, Aaron Bala, Shannon Masters, Penny Gummerson and Jordi Mand for writing such wonderful scripts. Thank you to Podz, Jeff Renfroe and Nathan Morlando for your directing. And thanks to the crew, producers, executives and everyone else who made Cardinal happen.

I’m going to miss Cardinal, but I’m so glad it was made in the first place. It’s hard to make television in this country, and even harder to do it right.

Cardinal did it right.

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Season 2 of Coyote Science celebrates Indigenous science on APTN

I love shows like Coyote Science. Though it’s aimed at kids, I found myself learning a heck of a lot about science and how it ties into the First Nations community.

Returning for a second season on APTN this Sunday at 10 a.m. ET, Coyote Science boasts super-cool animation and a punchy soundtrack, not to mention A-list Indigenous scientists like Percy Paul, a mathematician and physicist who explains the science of a skateboarding technique called an ollie; Jessica Bekker, an electrical engineer helping Indigenous communities develop sustainable energy from solar to wind; Naxaxalhts’i Sonny McHaisle, who has extensive knowledge of the traditional technology of the Sto:lo Nation; and Corey Gray, who works with the Nobel Prize team that measured gravitational waves at the Laser Interferometer Gravitational-Wave Observatory (LIGO).

We spoke to Métis Cree filmmaker Loretta Todd—an internationally acclaimed, award-winning filmmaker—about creating Coyote Science, what viewers can learn and what her plans are for Season 3 amid COVID-19.

Tell me about how Coyote Science came about in the first place.
Loretta Todd: I’ve been a bit of an amateur science nerd for a long time. As an Indigenous person, I’ve always been conscious of the fact that we don’t seem to be in that space of science, except maybe as specimens, or something that is studied. And yet I knew that when I was growing up, I had relatives who were very innovative with technology, could fix anything because that’s what we had to do, who seemed to have deep knowledge of the land, and so on. And so, those things all pertain to science and technology. And also, as I started making films, I would meet new people.

I always like to reference Dr. Leroy Little Bear and his wife, Amethyst First Rider, because they have always been one of my greatest inspirations for much of the work I do as a filmmaker.

Another person who influenced me is someone who’s in the children’s series, John Herrington, who is an astronaut, the first Indigenous astronaut in space. He talks about us as being natural scientists, that Indigenous science, as Indigenous people, we observe, and that from the observations we gain knowledge. We may not have the scientific method, which the west sort of prescribes as a necessity to really be science, but we certainly are engaged in observation and learning from that observation, and even testing, maybe not in the same way as a lab, but we’re doing that now anyway.

Is there a formula for each episode?
LT: There’s a whole parameter of things that influence the shaping of Coyote Science. You sort of have a mission statement or a set of parameters that I wrote out. Drawing from that, but also drawing from my knowledge of Indigenous learning, and just sort of like, ‘OK, this is what we do, this is what we don’t do.’ We’re respectful of adults. We reinforce healthy family relationships. All these things we sort of model that are things that are values within the Native community. Within the Cree culture, we talk about this idea of the good life. It doesn’t mean a materialistic type of life.

It’s a good life in which you’re respectful of family, community, the world around you. So again, I try to embody that. And plus, the other thing is, you’re always trying to underline this idea of encouraging confidence, young people having respect for themselves, liking themselves, seeing that they can do this. And then also, kids like to see other kids reflected back to them. That’s something that’s a constant in educational media. That’s why you see a lot of Indigenous kids. I thought that was really important.

Your host, Isa, is fantastic. 
LT: One of the other things I try to do in my children’s series, and I’ve done that right from the beginning, just because I think it makes it easier for all of us, is I work with kids that I know. I didn’t do an open casting. I asked family and friends. And of course, many of my family and friends are themselves involved in media in some way. So I was looking for kids that were comfortable in front of the camera. That’s sort of one of the first things is to search that out. Isa is my niece’s husband’s niece. She’s brilliant.

She’s now at first-year university, but she’s a straight-A student her whole life, and science has always been an area of her expertise.

Season 3 of Coyote Science is heading into production. How will you do that with COVID-19 still a concern?
LT: I had to convince the broadcaster APTN and CMF that I could do this comfortably, I could do it safely. One of the things that I’m really, really fortunate to have is the fact that through Season 1 and 2 and also through my previous children’s series, I’ve developed these relationships with Indigenous directors, and cinematographers, and other crew, who have kids at home. So basically, what I can do is have them do the quests with their kids at home, because they’ve got the equipment, they’ve got the skill. Some of them are cinematographers and directors, and some of them have got one kid, some of them have got six kids.

Some live in the city, some live out in the country, so we could kind of adjust to that. Some have green screens even, so we can adjust to that. And then, in cases where maybe the only real critical thing I’m worried about is sound, so our plan is to do some online sound workshops with one of our sound recordists, and get one of their family members, the husband, or the wife, or one of their teenage kids, to train in sound so that we can then make sure that we have good quality sound as well.

Coyote Science airs Sundays at 10 a.m. ET on APTN.

Images courtesy of Coyote Science Inc.

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