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TV,eh? What's up in Canadian television

TV, Eh? podcast Episode 239 — Dry spice and oily nuts

New year, new podcast! The first of 2018 is brought to you by Alba beer from Williams Bros. Brewing and Jack Daniel’s Master Distiller #4 Jess Gamble.

We recap all of the new and returning shows during the first three weeks of January before discussing Rogers and Vice Canada severing ties, Starz coming to Canada and the hits and misses in this year’s Canadian Screen Award nominations.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to support TV, eh?’s work? Become a Patreon! Thank you to Sabrina Furminger, our newest patron! Check out her website.

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Cardinal: Behind-the-scenes with Sienna Films’ Jennifer Kawaja

Are you enjoying Blackfly Season, faithful Cardinal fans? Will Lise Delorme (Karine Vanasse) and John Cardinal (Billy Campbell) keep Terri (Alex Paxton-Beesley) safe Thursday at 9 p.m. ET/PT on CTV, or will Ray Northwind (Bruce Ramsay) track her down?

We’ve certainly loved the new season so far and have Julia Sereny and Jennifer Kawaja of Sienna Films to thank. The production company founders are not only responsible for executive-producing the Cardinal franchise, but the Global/CBS drama Ransom, Global’s excellent military drama Combat Hospital, web series in Riftworld Chronicles and the feature films New Waterford Girl and How She Move.

We spoke to Jennifer Kawaja last summer on the set of Blackfly Season about how the series came to be, the excitement of filming on location and working with stars Billy Campbell and Karine Vanasse.

Give me the origin story. How did Cardinal end up a Sienna Films production?
Jennifer Kawaja: CTV optioned the project and they went looking for producers to work with them. We fell in love with Giles Blunt’s books and his writing and it really felt like it was in our wheelhouse in the sense that it is Canadian, Canada playing Canada, on location—we love the specificity of the little things that happen when you’re on location shooting something—so we really tried to get the project. Once we did get it, we developed it and then [Season 1 showrunner] Aubrey Nealon came on board and wrote two scripts. That’s when CTV greenlit it.

The seasons attracted us as well. Each book is set in a different season. We love how Giles uses the physical environment in his storytelling.

Does being inside a warehouse that’s been converted into a set turn you off?
No. We did that with Combat Hospital in Etobicoke, Ont. That was fun to do. We love creating really specific worlds. Trying to get the feel of what Giles wrote and the feel of the place is important.

What are the challenges, if any, of going from Aubrey in Season 1 to Sarah Dodd as showrunner in Season 2 to Patrick Tarr in Season 3? 
It has been hard. The ice and the snow and the cold gives you a certain feeling right away. The change of season to summer, a completely different story that is much more case-heavy than the relationship between Delorme and Cardinal … but then we saw the dailies and we were excited. It’s Karine Vanasse and Billy Campbell as Delorme and Cardinal and even if the investigation into him isn’t there, there is still that chemistry. There’s simpatico between them and you just want to watch.

Is it important, as a producer, to be on-set during filming?
We’re pretty hands-on producers and always have been. We worked with [director] Podz and Aubrey very closely on Season 1. I really believe that, when you don’t have the budgets that the American shows have, every decision that you make has an effect on the show. You’re trying to create something without the money of a U.S. project so to make the right decision we feel the need to be here and be part of the team.

What can you say about Billy Campbell as John Cardinal?
CTV was very involved in that decision and was definitely encouraging in that way. We feel so lucky with Billy and Karine. Not only are they total pros and beautiful, amazing people—we’ve kept them in minus-40 weather with not enough clothing on and in the middle of bugs—they have never complained. They’ve always been game. It has been an incredible privilege. They have also connected with these characters. I think there is a part of Cardinal that is really Billy. And it’s the same with Karine and Delorme. Yes, they’re incredible actors but I feel they’ve really brought part of themselves to the roles.

Cardinal: Blackfly Season airs Thursdays at 9 p.m. ET/PT on CTV.

Images courtesy of Bell Media.

 

 

 

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Link: Nirvanna the Band the Show lives on, despite Rogers pulling plug on Viceland

From Barry Hertz of The Globe and Mail:

Link: Nirvanna the Band the Show lives on, despite Rogers pulling plug on Viceland
“We have a three-season deal with Vice Studio Canada, not Viceland, and we’re in the middle of production on the third season right now. Where it’s going to air is obviously a question, but to be honest it’s not one we’re worried about right now.” Continue reading.

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Space’s Wynonna Earp begins production on Season 3; plus exclusive first-look photos

From a media release:

Returning to the land of gunpowder and grudges, Space announces production on Season 3 of its original, CSA-nominated for Best Writing in a Drama series WYNONNA EARP, is underway. The 12-episode, one-hour, western sci-fi series created by Emily Andras films in Calgary and surrounding area until May 2018. Canadian actor Melanie Scrofano returns as the titular demon hunter and heroine Wynonna Earp. The writing team spearheaded by Andras includes Brendon Yorke, Shelley Scarrow, Noelle Carbone, Caitlin Fryers, and Matt Doyle. Directors are Paolo Barzman, April Mullen, Ron Murphy, and Grant Harvey. Produced by Calgary-based SEVEN24 Films, and distributed globally by IDW Entertainment, Season 3 of WYNONNA EARP is set to return to Space later this year.

Following an emotional and surprising Season 2 finale that saw Wynonna (Scrofano), give birth to the next Earp heir, she’s now hell-bent on dispatching all remaining Revenants and other supernatural beings to end the cycle of violence between future heirs and Wyatt Earp’s demonic outlaws. Armed with Wyatt’s demon-killing six-shooter, Peacemaker, and her battle-seasoned team of demon hunters Doc Holliday (Tim Rozon, BEING HUMAN), Agent Xavier Dolls (Shamier Anderson, Race), Waverly Earp (Dominique Provost-Chalkley, Avengers: Age of Ultron), Nicole Haught (Katherine Barrell, WORKIN’ MOMS), and Jeremy Chetri (Varun Saranga, WORKIN’ MOMS), Wynonna challenges fate, faces new foes, and makes life-altering sacrifices in order to break the curse once and for all.

Season 2 of WYNONNA EARP saw its total audience increase by 30% compared to Season 1, and had an increase of 46% in the key A18-49 demo. During its Fridays at 10 p.m. ET timeslot, Space was the most-watched entertainment specialty network among A18-49 viewers.

WYNONNA EARP was developed for television by Emily Andras who also serves as executive producer, writer, and showrunner. Executive producers are Jordy Randall (HEARTLAND), Tom Cox (YOUNG DRUNK PUNK), David Ozer, Ted Adams, Rick Jacobs, and Todd Berger. Brian Dennis (THE BEST LAID PLANS) is producer.

WYNONNA EARP is produced by SEVEN24 Films in association with Space and Bell Media and distributed by IDW Entertainment.

 

 

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Preview: Burden of Truth swims in “Still Waters”

I was talking to a friend the other day and he told me he was watching Burden of Truth—I had suggested he check it out—and really enjoying it. He and his wife tuned in to the first episode and found it a little slow-moving. He heeded my advice to stick with it until the end. By that time they were hooked. I love hearing stories like that, especially when it comes to shows like Burden of Truth. Let a show breathe and, quite often, you’ll be rewarded.

Last week, Joanne and Billy realized it was the school field, where the girl’s soccer team practiced almost daily, that seemed to be the culprit when it came to the girls’ neurological issues. That, of course, opens a whole new can of worms and expands the lawsuit.

What would this Wednesday’s instalment, “Still Waters,” offer? Here’s the CBC’s official synopsis:

Relying on her esteemed reputation as a partner at CTS, Joanna convinces a hydrologist to come to Millwood to test the soil. With reluctant permission from the local Mayor, Joanna and Billy narrow down their list of suspects to a handful of industrial sites in the community.

And here are more story points we picked up on after watching a screener of the episode written by Lynn Coady and directed by Jordan Canning.

Flashpoint alum guest-stars
Yes, Sergio Di Zio has been in a ton of other stuff but he’ll always be Flashpoint‘s Spike to me. He checks in to Burden of Truth as Dr. Howard Davies the hydrologist Joanna hires to drill and confirm whether the soil in the soccer field really is making people sick and more importantly where the toxin is coming from. And he sports, as you can see, a glorious moustache.

Who will be the face of the class action lawsuit?
With things ramping up and a filing imminent, Joanna and Billy must decide which girl’s name will be at the top of the documents. I wasn’t surprised by who they chose, but it wasn’t an easy decision. Will this person be able to stand up and represent the other girls successfully? We’ll see.

Girl talk
Speaking of the girls, Diane gathers them together for a meeting—a support group—so they open up and bond over the terrible sickness that’s fallen on them. It’s hard enough to fit in during high school without being stared at for twitching.

Joanna and Billy take on a new employee
This came at me out of left field and I totally love it.

Joanna gets some personal information
One of the drilling sites fails to net new information for the case but it does uncover an intriguing piece of Joanna’s past.

Burden of Truth airs Wednesdays at 8 p.m. on CBC.

 

 

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