TV, eh? | What's up in Canadian television | Page 512
TV,eh? What's up in Canadian television

Preview: Friendly faces and weird art on Heartland

I have some catching up to do! I thought I knew all of the main players on Heartland, but Sunday’s new episode brings back faces fans haven’t seen in years.

Here’s what the CBC says about this week’s instalment, “Our Sons and Daughters,” written by Mark Haroun and directed by Chris Potter:

When some old friends return to Hudson on vacation, Amy tries to teach them about the life-changing power of connecting to a horse, in order to help them cope with parenting struggles. Meanwhile, Georgie gets invited on a road trip, but it might not be everything she hoped for. And with Lou back in New York, Peter takes care of Katie, but worries when she doesn’t come home from a trail ride. Then, Jack and Lisa receive an unexpected housewarming gift.

And here are some non-spoilery bits we can reveal after watching a sneak preview.

Peter, Jack and a strange work of art
I love it when Jack is allowed to show his sarcastic, comedic side and he gets to do that alongside Peter this week. Speaking of Peter, he has his hands full taking care of Katie while Lou is away and is crushed when he overhears a conversation between his ex-wife and daughter.

Cara Pifko returns
I haven’t seen Cara Pifko since she co-starred on CBC’s excellent This is Wonderland and had no clue she’d previously appeared on Heartland as Mackenzie Hutton. Well, she’s back—alongside hubby Ian (Gord Rand)—and has some key news to share with Amy and the rest of the family.

Wyatt + Georgie
Dempsey Bryk has been a welcome addition to Heartland and his Wyatt looks cute as a button next to Georgie. After singing her that sweet song last week things can only get better for the pair, right?

Drones rock
Drones with cameras mounted on them have become all the rage in television production and Sunday’s episode begins with a sweeping overhead shot of the dude ranch that is simply breathtaking. Drones also help with a key piece of storytelling later in the episode.

Heartland airs Sundays at 7 p.m. on CBC.

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Link: Acceptable Risk is a first-rate, fine Scandinavian-style thriller

From John Doyle of The Globe and Mail:

Link: Acceptable Risk is a first-rate, fine Scandinavian-style thriller
There’s a reason why big pharmaceutical companies regularly turn up as villainous corporate monsters in thrillers. They keep doing terrible things and while some are found out and fined tens of millions of dollars, others continue with their nefarious practices. We are alert to being suspicious.

A big international pharma company is at the centre of the new and first-rate thriller Acceptable Risk (Thursday, SuperChannel, 9 p.m. and streaming on Acorn TV), a six-part mini-series. It’s a conspiracy thriller, a co-production between companies in Canada and Ireland, and set in Montreal and Dublin. Continue reading.

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Back for more Canadian TV and films

From a media release:

As of today, Canadian and world audiences will have a renewed access to memorable Canadian film and TV content from years gone by. Key Canadian audiovisual industry organizations announced the launch of a YouTube channel which provides free access – anytime and anywhere – to a wealth of iconic content in the age of digital connectivity. Visit Encore+ at youtube.com/EncorePlusMedia.

The new channel was launched at Google Canada’s offices with talent in attendance that contributed to titles now available on Encore+, including actresses Liane Balaban, Jennifer Dale, Karyn Dwyer, Sheila McCarthy, Cynthia Preston and Michelle St. John; actors Henry Czerny, Aiden Devine, Shawn Doyle, Pat Mastroianni, Tony Nardi, Michael Riley, Michael Theriault, and John Wildman; as well as producers Bernard Lajoie, and Rayne and Bernie Zuckerman.

Encore+ already offers over 300 videos across 100 award-winning feature films and television series in both official languages, including comedies, dramas, children’s and youth shows, documentaries and short films. Every week, dozens of titles will be added as part of an ongoing editorial calendar, including a number of Canadian feature films premiering on Encore+ in newly re-mastered versions. All digitizing, encoding and remastering of works is provided by Deluxe Toronto.

Among the top titles featured on Encore+, audiences will find fan-favourites that transcend generations, including Cornemuse, Da Vinci’s Inquest, Degrassi High, Due South, I’ve Heard the Mermaids Singing, John A: Birth of a Country, La Petite Vie, Le Vieil Homme et la Mer, Little Mosque on the Prairie, Moi et l’Autre, Maman Last Call, Moccasin Flats, Mr. Dressup, New Waterford Girl, The Corporation, The Littlest Hobo, Watatatow and dozens of other exceptional productions reflecting Canada’s history and stories from coast to coast to coast.

Managed by service-provider BroadbandTV (BBTV), Encore+ will generate worldwide exposure and seek to stimulate demand for Canadian content and talent, particularly from young audiences who access media primarily via mobile devices.

Using a non-exclusive approach, Encore+ will complement the offerings of Canadian stakeholders already active in online distribution. This channel is a Canadian content discoverability and visibility tool, at a time when we celebrate Canada’s 150th anniversary.

Through this industry-wide effort, the presenting partners also seek to ensure that rights holders and Canadian creators are the first to benefit from views of their works on YouTube, as well as test new business models for catalogue content.

Working closely with Canada’s film and television producers, distributors, broadcasters, unions, guilds and other industry associations, Encore+ is spearheaded by the Canada Media Fund (CMF) with support from Google Canada, Bell Media, BroadbandTV (BBTV), and Deluxe Toronto. Telefilm Canada is also a key partner in this endeavor, providing financial and promotional support.

Enjoy hundreds of Canadian productions today. Subscribe at youtube.com/EncorePlusMedia and get the latest updates on Encore+ by following on Facebook, Instagram and Twitter.

 

 

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The Great Canadian Baking Show is unapologetically entertaining

The real world can be a pretty nasty place sometimes. I don’t know about you, but I find myself looking for an escape from the bad that seems to clog up the news and news feeds on social media. I’ve found the perfect respite from all that on Wednesday nights thanks to The Great Canadian Baking Show on CBC.

I love food—baking and ooey, gooey desserts in particular—so The Great Canadian Baking Show ticks those boxes immediately. But the series is so much more than just that. Based on the UK hit of the same name, the CBC’s remake—courtesy of Proper Television—is a sugary sweet, entertaining confection that just makes me happy. A lot of that comes from co-hosts Daniel Levy and Julia Chan. The pair, who are friends, scored themselves the gig of a lifetime with The Great Canadian Baking Show. The opportunity to meet Canadians from across the country, sample their baked goods and hang out for a couple of months? Where do I sign up? You can’t fake the enjoyment the pair derive from making cheesy quips in an attempt to get the other to roll their eyes. This Wednesday’s Bread Week episode gives Chan the chance to shine. And the fact Levy isn’t afraid to taste more than a morsel of gluten-y goodness establishes him as a bona fide bread expert in my eyes.

Judges Rochelle Adonis and Bruno Feldeisen don’t glower at the contestants like Demon Chef Alvin Leung on MasterChef Canada does. Nor should they. This is not that series. The Great Canadian Baking Show is definitely more relaxed, swapping stainless steel and hard edges for pastels and real wood in a pastoral setting. There is a playful, dainty soundtrack accompanying the proceedings, lending a calming air. Yes, folks are being eliminated—it is a competition after all—but even that is done gently and with a “keep your chin up” attitude.

The Great Canadian Baking Show may not be your cup of tea—see what I did there?—but I find it to be a calming oasis amid the noisy negativity we’re besieged with.

The Great Canadian Baking Show airs Wednesdays at 8 p.m. on CBC.

Images courtesy of CBC.

 

 

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APTN’s 1491: The Untold Story of the Americas Before Columbus is must-see TV

Earlier this year, the CBC took a lot of heat for broadcasting the series Canada: The Story of Us. The program and its producers were criticized for leaving out the stories of people who populated the land before the Europeans sailed over: Indigenous peoples. So when APTN announced it would broadcast 1491: The Untold Story of the Americas Before Columbus, I expected that gap to be filled in.

Debuting Wednesday at 7 p.m. ET on APTN East and HD, 7 p.m. MT on APTN West and 7 p.m. CT on APTN North, the eight-part project has the research material to support it: Charles C. Mann’s best-selling book, 1491: New Revelations of the Americas Before Columbus. The production includes dozens of Indigenous Canadians, including being written by Barbara Hager (Cree/Métis) and Marie Clements (Métis), directed by Hager and Lisa Jackson (Anishinaabe), and most of the 35 historians, archaeologists and cultural experts interviewed have Indigenous ancestry, including composer Russell Wallace (Lil’wat), production designer Teresa Weston, costume designer Carmen Thompson (Nuu-chah-nulth), director of photography Bob Aschmann and narrator Dr. Evan Adams (Tla’amin).

So, does 1491: The Untold Story of the Americas Before Columbus measure up? Absolutely. Right from the get-go, narrator Adams sets the tone, stating Indigenous peoples and their ancestors are not only responsible for discovering new lands themselves, but established trade routes across two continents, created stunning artwork, mapped the land and the stars, became architects, scientists inventors and philosophers.

Produced by Animiki See Digital Production of Winnipeg and Aarrow Productions of Victoria, Episode 1, “Origins,” begins—naturally—at the beginning with where the First Nations people came from. The belief I was taught in school was North America was populated via an ancient land bridge between modern-day Russia and Alaska called Beringia and that’s covered in Episode 1, with archaeological evidence suggesting something surprising.

Following the initial arrival, tens of millions of Indigenous peoples were eventually spread out between the Arctic and tip of South America, with countless nations using distinct languages to communicate. Each society has its own creation story. The Anishinaabe tale tells of a great flood, animals and birds clinging to trees and a muskrat that grasped a paw full of dirt, placed it on the back of a turtle, establishing North America as Turtle Island. As for the Mayans, they believe the world began with air and water and animals on land. The gods created the earth and populated it with animals and birds. However, with no one to worship them, the gods created man from maize dough. Every story, like each society, is unique.

1491: The Untold Story of the Americas Before Columbus is a crash-course in First Nations history that should be taught and broadcast in Canadian schools. I took history all through high school and didn’t learn anything close to what was revealed to me in the first hour of this new series. 1491 boasts 20 dramatic scenes and an Indigenous cast that provide context and blows away long-held theories that prior to European contact, Indigenous peoples were largely nomadic, did not alter the natural landscape and were not as advanced as other civilizations in the world at the time.

1491: The Untold Story of the Americas Before Columbus airs Wednesdays at 7 p.m. ET on APTN East and HD, 7 p.m. MT on APTN West and 7 p.m. CT on APTN North.

Images courtesy of Kim Cameron and Barbara Hager.

 

 

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