Tag Archives: Cameron Pictures

Industry News, Lady Dicks

CBC and NBCUniversal International Studios partner on Cameron Pictures’ Lady Dicks

1 Comment

From a media release:

CBC and NBCUniversal International Studios, a division of NBCUniversal Content Studios, today announced new original drama series LADY DICKS (10×60, Cameron Pictures), starring Meredith MacNeill (Baroness von Sketch Show) and Adrienne C. Moore (Orange Is The New Black).

Co-created by Tassie Cameron (Mary Kills People, Ten Days in the Valley, Rookie Blue, The Robber Bride) and Sherry White (Little Dog, Frontier, Ten Days in the Valley, Rookie Blue), LADY DICKS is a fun and honest portrayal of two radically different female detectives in their early 40s. Critically-acclaimed director, Holly Dale (Batwoman, Mary Kills People) will direct the premiere episode. The series is currently in pre-production and will begin shooting in Ontario this spring.

The action-packed series follows Guns and Gangs detective, Samantha (MacNeill) and Narcotics detective, Kelly (Moore), who by day are true action heroes in their own particular way: skilled, tough, determined, and ruthless. But by night, they’re both grappling with loneliness, dysfunctional families, screwed-up love lives, and a sense that their professional ambitions may not be totally in line with their personal needs. Their friendship could help to balance each other out, if only they didn’t drive one another utterly insane.

A CBC Original Series, LADY DICKS is produced by Cameron Pictures in association with CBC and NBCUniversal International Studios. The series is created by Sherry White and Tassie Cameron, who also serve as Co-Showrunners. Sherry White, Tassie Cameron, Amy Cameron and Alex Patrick are Executive Producers.

Facebooktwitterredditlinkedinmail
Mary Kills People

Global announces start of production on the third and final chapter of Mary Kills People

From a media release:

The conflicting choice between life and death is at the forefront one last time as Global announced today the start of production on the third and final chapter of the critically acclaimed drama Mary Kills People. From Canadian broadcaster and production partner Corus Entertainment, with Entertainment One (eOne) and Cameron Pictures Inc., the provocative event series (6×60) created by Tara Armstrong will film in and around Toronto this winter, with the premiere set for spring 2019 on Global.

Following last season’s shocking finale, that left the fate of Detective Ben Wesley (Jay Ryan) up in the air, Dr. Mary Harris (Caroline Dhavernas), along with her partner Dr. Desmond “Des” Bennett (Richard Short), return to face the complications of running their newly established “death retreat”. New casting this season features Canadian actresses Elizabeth Saunders (Alias Grace, It) as a nurse who complicates Mary’s life, and Rachael Ancheril (Rookie Blue, Wynonna Earp) as a patient at the hospice with the desire to live a little before she dies. Leading the way behind the scenes is the multi-talented powerhouse team including co-showrunners and executive producers Tassie Cameron and Marsha Greene, executive producer Amy Cameron, and directors Norma Bailey, James Genn, and Paul Fox. The series was created by Tara Armstrong.

In the third and final chapter of Mary Kills People, Dr. Mary Harris must come face-to-face with her own personal choices, ethics, and demons in a way she never has before. The death retreat is up and running, but its cover as a legitimate hospice is crumbling away and with it the idyllic vision Mary and Des had for continuing their work in quiet secrecy. With Mary’s family and the work she loves in jeopardy once more, she realizes she is finally going to have to put life, with all of its complexities and imperfections, first.

In anticipation of the final chapter, viewers can watch the first and second season of Mary Kills People on GlobalTV.com or Global GO (available for Apple TV, Google Chromecast, and Amazon Fire TV).

Mary Kills People is produced by eOne and Cameron Pictures Inc., in association with Corus Entertainment, and with the financial participation of the Canada Media Fund, the Ontario Film and Television Tax Credit, and the Canadian Film or Video Production Tax Credit. The series is executive produced by Tassie Cameron (Ten Days in The Valley, Rookie Blue), Amy Cameron (The Book of Negroes), Marsha Greene (Ten Days in the Valley, Private Eyes), Jocelyn Hamilton (Private Eyes), Tecca Crosby (Private Eyes), and Caroline Dhavernas (Hannibal). The series was created by Tara Armstrong (Private Eyes). It will be directed by Norma Bailey, James Genn, and Paul Fox. Writers include Tassie Cameron, Marsha Greene, Jane Maggs, Matt Huether, Karen Moore, and Chris Roberts. For Corus, Susan Alexander is Production Executive; Rachel Nelson is Director, Original Content, Drama, Kids and Factual; Lisa Godfrey is Vice President of Original Content, Corus Entertainment.

Facebooktwitterredditlinkedinmail
Featured, Little Dog

Joel Thomas Hynes’ Little Dog delivers comedy KO to CBC’s primetime

I’ve been fascinated with Joel Thomas Hynes for years. I first saw him on Republic of Doyle as Taylor Gossard, a drug trafficker who Jake Doyle ran afoul of numerous times. Since then, I’ve spotted him in The Book of Negroes, Orphan Black and Mary Kills People. Hynes is the type of guy who immediately catches your eye and makes an impression.

Now, the actor, musician, director, producer—and Governor General Award-winning writer—delivers a knockout punch with Little Dog. Debuting Thursday at 9 p.m. on CBC, Little Dog boasts one hell of a hook—the tale of boxer Tommy “Little Dog” Ross (Hynes), who seeks redemption in the ring fives years after walking away from it—delivered alongside a cannonade of hilarious scenes peppered with memorable characters. The seven-episode run stars Dwain Murphy as Rico “Havoc” St. George, Ger Ryan as Tommy’s mother, Sylvia Ross; Stephen Oates as his eldest brother, Loyola “Lowly” Ross Jr; Katharine Isabelle as his sister Ginny Ross; newcomer Billy Cochrane as Ginny’s son Chesley; and Andy Jones as the wily, charming old patriarch of the family, Loyola “Lowly” Ross Sr.

I spoke to Hynes, showrunner Sherry White and executive producer Amy Cameron about the project.

Where did the idea for Little Dog come from?
Sherry White: Joel was developing this show idea and I really wanted to attach myself to it. I really love his voice and I think he’s really unique. [Producer] Perry [Zimel] set up some meetings for us to pitch it and we got it into development at the CBC. We decided to bring it to Cameron Pictures because I have a relationship with Tassie Cameron and we knew they would get the sensibility and the calibre of work we wanted it to be.

What was it about Joel’s pitch that got you so excited?
SW: The show is about this failed boxer who is trying to clean himself up and get a second chance at redemption. I liked that. It wasn’t until he showed me an unbelievable clip of a fight from 2000—I think it was Andrew Golota and Mike Tyson—where Andrew Golota walked out of the ring mid-fight. The trainers and everyone were just losing their shit on this guy and as he was leaving the audience was throwing stuff at him. It was such a visceral, emotional, dramatic kind of thing.

Joel Thomas Hynes: They called him ‘The Pole,’ as in telephone pole. A huge beast of a man.

SW: And you wonder, ‘How can this guy ever come back from this?’ What did he think when he got up the next morning? This is the starting point for this character. It’s five years later when you meet Tommy “Little Dog” Ross. He gets chance to get back into the ring and fight the guy he walked out on. He hasn’t been training and he has this very dysfunctional family who has a lot to say about whether or not he should do this and what it means to them. Because, of course, they lived in the disgrace as well. It’s really great to have a family comedy with this great boxing metaphor that you can draw on.

JTH: Boxing is beside the point after a while. It’s got a good built-in sports drama that leads to the big fight, but boxing is beside the point.

Joel, did you get the idea for Little Dog when you saw that Tyson-Golota fight? Was it immediate?
JTH: That Golota scene came up after, during research. The genesis of the show was already laid out. I used to do a little bit of krav maga and Thursday nights would be unofficial fight night. I was lined up for two weeks down the road to fight this guy who was a prick. He probably thought I was a prick. I hated him and we couldn’t wait to fight each other. I did this fight night—and I’m fighting another guy ahead of the guy two weeks down the road—and I’m not sure what happened. I got a kick or a knee in the chest and broke two ribs and my chest plate. I didn’t know it until the next morning. I went down to do burpees in the conditioning program and cracked my chest plate open. I was in the hospital, really wanting to fight this other guy in two weeks time, waiting for the doctor to come out with my x-rays. She tells me I have two cracked ribs and a split chest plate.

And I say, ‘OK, but can I fight in two weeks?’ She laughed at me and I was devastated and shamefaced knowing that this prick would think, ‘Oh yeah, broken rib.’ I got the idea for the show from that. There were a couple of other incidents that lead me to controlled fighting. I come from fighting. I come from a violent background and, for different reasons, in my early to mid-30s I had to move towards controlled fighting and martial arts for my own sanity. It’s steeped in the personal.

SW: And the tough-guy image … there was something you were interested in exploring. That image that you put forward and it not being true about who he is and what that means.

JTH: The show is also about having the courage to rise up to your full potential which, you know, takes a lot of courage.

Little Dog airs Thursdays at 9 p.m. on CBC.

Images courtesy of CBC.

 

 

Facebooktwitterredditlinkedinmail
Featured, Mary Kills People

Mary Kills People: Amy Cameron on the last-minute renewal and what’s coming in Season 2

5 Comments

In a perfect world, the creators and producers of a television show find out their show’s been renewed with plenty of time to develop scripts, scout locations for filming and nail down schedules for cast and crew.

That didn’t happen with Mary Kills People. On June 5, Corus announced via press release that a second season of the drama, starring Caroline Dhavernas, had been ordered. The producers were informed of the renewal just days before the press release dropped.

“People kept asking me if we’d been renewed and they thought I was being coy,” executive producer Amy Cameron says. “I really didn’t know. We got a surprise phone call from Rachel Nelson [Corus’ director of original content] who said, ‘We want to release the news, so don’t tell anybody.’ It was that specific and that quick.” Days later Dhavernas was in Toronto promoting a second season that is, well, still be developed. It’s suddenly a very busy year for the trio at Cameron Pictures. The production company, consisting of Amy and Tassie Cameron (Rookie Blue) and Caledonia Brown, has got Ten Days in the Valley set for broadcast this fall on ABC—and CTV in Canada—and Little Dog in production in Newfoundland to air this winter on CBC.

But back to Mary Kills People. When we last left Mary (Dhavernas), she was no longer being investigated for her role in the deaths of terminally ill patients, Des (Richard Short) seemed to have gotten his life back on track and Ben (Jay Ryan) and Mary appeared to be a couple. Meanwhile, Grady (Greg Bryk) was dead and Mary’s sister, Nicole (Charlotte Sullivan), announced she wanted to be part of Mary’s team. Will the duo angels of death become a trio in Season 2’s six new instalments?

“We are moving quickly,” Cameron says. “We’re at outline stage on about half of the episodes and hoping to be pitched the back half in the next week or two.” She’s particularly excited to have—in addition to series creator Tara Armstrong, writer Marsha Greene, script coordinator Justin Giallonardo and showrunner and executive producer Tassie Cameron—newcomers Lara Azzopardi (Backstage) and Rookie Blue and Saving Hope co-creator Morwyn Brebner in the writing room. Cameron acknowledges Mary Kills People deals with dark subject matter, but credits the writing team and cast for keeping the tone from being too heavy and a downer to watch. Cameron is mum on sophomore season storyline details—those are still being worked out—but did give us a hint.

“The writers have come up with an organic direction to go in that is still going to surprise the audience,” Cameron says. “We’ve always talked about exploring the edges of the line, that grey area, and we’ll continue to do that.”

Images courtesy of Corus.

Facebooktwitterredditlinkedinmail