Tag Archives: Corus Entertainment

Deadman’s Curse star Adam Palmer talks Season 3 of History Channel series

For 12 seasons on The Curse of Oak Island, brothers Marty and Rick Lagina have been searching for treasure on Nova Scotia’s Oak Island. And while there have been some tantalizing finds discovered, the massive alleged treasure eludes them.

Let’s hope the stars of Deadman’s Curse aren’t still digging for gold over a decade from now. Airing Thursdays on The History Channel, Canada’s West Coast is the setting for this doozy of a docuseries. Mixing action and adventure with Indigenous storytelling, rumour and legend, Deadman’s Curse follows prospector Kru Williams, mountaineer Adam Palmer, Indigenous explorer Taylor Starr and her father, Don Froese, who have worked tirelessly to finally solve the mystery of Slumach’s lost gold mine.

In the first episode of Season 3, Williams and Palmer made a startling discovery, uncovering an old mine. And while what they unearthed wasn’t Slumach’s, it did get the quartet—and viewers—excited.

We spoke to mountaineer Adam Palmer about his ongoing quest.

Before we talk specifically about Season 3, I wanted to compliment the production company, Great Pacific Media. They have created a really compelling series full of action and adventure, along with history and Indigenous storytelling.
Adam Palmer: I’m glad you said that because it is truly, we’ve become a big family and working with perfectionists because that’s what they are. I have a scattered brain of all these maps and stories and leads and clues and evidence, and none of that would make sense if I didn’t have their help to format it in a way where people could understand it. I’m really noticing that when I get approached, it’s people that are watching the show are actually, I feel like they’re involved. And it’s because for that simple reason that it’s formatted in a way where we can bring history, we can bring legend, we can bring storytelling all together and in a way that people can follow it and understand it and learn from it. So that’s been a huge part, and that’s largely due to having a production company that stands behind you and presents your research or your passion in a format where everyone can feel involved and understand it.

You definitely have to put your phone down. There’s no scrolling through TikTok or Instagram or anything, although I did have to hit pause a couple of times just to do a little bit of my own kind of research, some quick Google searches.
AP: Yeah. You’re not the only one that happens to. It’s amazing. And my biggest thing was researching old newspaper articles to get pieces of the puzzle, because there’s not a lot of history that’s recorded back in those days of prospectors going, looking for this mine. And you have to consider everything. This legend takes you down a rabbit hole where you cannot turn a blind eye to anything, anyone, or any place, because it all plays an important piece of the puzzle.

In regard to the Slumach storyline, in particular with Taylor doing the research into the court case … those documents aren’t necessarily there, and even if they are there, they may be wrong when it comes to court documents versus witness statements. So it can be very convoluted and confusing.
AP: It is. There’s a lot of misinformation, and with any legend, you’re going to get people who embellish stories or put their own theories in there. I’ve taken an approach where there are kind of free piles, there’s evidence and facts, and you put that in a pile, and then there’s theories. You put that in a pile, and then there is the chaos pile, that’s all the craziness that you stumble upon. Is it related? Isn’t it related? Is a lost Spanish mine related to the lost gold mine at Pitt Lake? There’s always something in there that is a missing piece of the puzzle, and you slowly put it together. Three seasons of TV is literally like 20 years of research going into this, so it gets a little crazy.

Not only that we’re being shown more and more often that the Indigenous stories tend to be the truth.
AP: Oral history is so strong. I start with the oral history now because it’s a hundred percent proven every single time. I take that oral history, I listen to the elders, I listen to them speak. A hundred percent of the time I’ve found that oral history is proven correct, and I think it’s because it can’t be changed through written words. When someone tells a story and you’re listening, you’ll pick up clues in there that’ll change your life.

In the first episode of Season 3, you’ve got to shut everything down for the winter and come back in the spring. Was there a legitimate fear that people could have gone in that time that you were away and actually discovered the mine?
AP: No. No. You know what? I challenge anyone to try to find that. You think that there are a lot of people out there looking, but the only thing they’re looking at is Google Earth. I would love it if more people were actually out there helping; that would help me so much because they would get through a lot of the dirty work or checking off these areas that I want to check out.

I’m part of a climbing and mountaineering community, and everyone just wants to go to the top of the peak and then back home. No one wants to walk around in circles. No one wants to climb the mountain three or four times. Everyone wants to go up and go down. So it’s one of those things where, yeah, I mean, sure, I would be lying if I said I haven’t thought about it. But then again, I’m like, you know what? Out of the 20-some plus years that I’ve been searching, I haven’t seen any more incredible search team other than ourselves that is actually putting the time and effort into looking for this.

You need critical thinking skills for research. You kind of almost need to be a history buff, a mountain climber, and a prospector all in one to kind of really get started into this legend.

In the press release it mentions unconventional theories. How much are you allowed to tease what those unconventional theories are?
AP: It’s unconventional theories from unconventional people. People come out and they try to give you their theories and where they think the gold is. And a lot of times to get to the bottom of that, to really investigate that theory, you need tools, you need ways to get in there, you need ways to research it that are not necessarily the norm. This legend doesn’t present itself in a linear format.

Do you find the gold at the end of Season 3?
AP: I found something that’s going to take, if people are paying attention, they’re going to wonder why I was in Utah for these last two weeks. So there are things that are getting a little crazy, and there are things that we researched in Season 1 that we kind of come back to full circle in Season 3. And if the production company is going to film another season, it’s going to show people this. It’s going to change history.

Deadman’s Curse airs Thursdays at 10 p.m. Eastern on The History Channel.

Images courtesy of Corus Studios.

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Ice Road Truckers returns for a 12th season on History Channel

From a media release:

The HISTORY® Channel’s hit original series Ice Road Truckers is back for an epic Season 12 return on Thursday, October 30 at 10 p.m. ET/PT. From its original series premiere in 2007, the fearless truckers return like never before to the treacherous terrain of icy roads and frozen lakes in Northern Canada delivering crucial supplies and necessities to isolated communities. With a winter window shorter than ever and no time to waste, these drivers risk everything to haul in a lifeline of goods while chasing big paydays before the opportunity melts away under their chained tires.

At the world’s northern edge, people and cultures cut off from civilization are briefly connected by a lifeline of roads paved with ice. Each year, a group of skilled, highly trained, and thrill-seeking truckers put their lives on the line to beat nature’s clock – battling dangerous roads, deadly frostbite, and brutal conditions to deliver life-saving supplies such as food and building materials to remote communities. This season, veterans like Todd Dewey and Lisa Kelly return with no hesitation – and no practice runs – while rookies emerge, determined to prove they have what it takes to reign supreme on the ice. With higher stakes, greater risks, and bigger rewards than ever before, it’s them vs. nature.

Ice Road Truckers is produced for The HISTORY Channel and Corus Entertainment by Original Productions and Eagle Vision. Kyle Irving, Lisa Meeches, and Rebecca Gibson are executive producers for Eagle Vision. Jeff Hasler, Brian Lovett, Meredith Prunkard, and Patrick Costello are executive producers for Original Productions.

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Big Time Decent Productions in production on four new unscripted originals, launches new scripted division Bread & Better Films

From a media release:

Vancouver-based production company Big Time Decent Productions has announced that it is in production on four new docuseries and is expanding its unscripted slate to include a feature documentary, an IMAX nature documentary, and a new automotive vertical for YouTube including flagship channels Rust Bros and Wildman Garage. The company has also shared details on the launch of its new scripted division, Bread & Better Films, and a new partnership with Verve Talent and Literary Agency out of Los Angeles.

Big Time Decent Productions is currently in production on new docuseries with Corus Entertainment, as well as Bell Media. Underdog Inc., which has been greenlit by AMI, is a new docuseries following the life of Dale Kristensen, a little person raising a child while running a trucking business in small town BC. The company has also had a fourth docuseries recently greenlit by a Canadian broadcaster with a formal announcement coming soon.

“After a lot of hard work from our talented team, we are thrilled to be announcing some major company milestones. Since our launch in 2020, we have had the incredible opportunity to share fascinating stories of remarkable characters with global audiences through our unscripted content. Off the heels of this success, we look forward to continuing to expand our unscripted offering while ramping up our scripted development slate with Bread & Better Films,” said Matthew Shewchuk, Founder and Head of Production, Big Time Decent Productions. “Despite the overall state of the industry, we’ve experienced steady growth in our first four years and will continue to build on that foundation to position ourselves as a key Canadian content producer.”  

Bread & Better Films, Big Time Decent Production’s new scripted division will focus on developing and producing feature films and scripted series. The new arm launched in partnership with Big Time Decent’s René Brar and Jeff Kinnon. The company is also bringing in industry veteran Robert Vroom as Producer. Vroom has produced a wide range of feature films including Blood Quantum (2019), You Can Live Forever (2022), and several TV movies. Bread & Better Films also welcomes writer, producer, and actor Juliana Wimbles to serve as Development Producer for the new label. Bringing 20 years of industry experience, Wimbles appeared as a regular on ABC’s The Good Doctor (2019) and is a familiar talent with the Hallmark Channel, having written six feature films for the broadcaster.

“We’re incredibly excited to announce the launch of Bread & Better Films and to have Rob and Juliana joining us. Our team has deep roots in the scripted world, and we look forward to expanding that side of the business and building a robust scripted slate together,” said René Brar, Head of Development, Bread & Better Films.

After building a successful foundation in unscripted television, Big Time Decent Productions is diversifying their unscripted offering, producing a feature documentary that will take part in a festival run in the fall, as well as their first IMAX nature documentary targeting a 2025 distribution. Following the enormous success of their highly acclaimed show Rust Valley Restorers (above), the production company is finding innovative ways of bringing automotive programming to a loyal fanbase with a collection of talent-driven YouTube channels, including Rust Bros and Wildman Garage, among others. Together these channels have accumulated over 100 million views across platforms in the first half of 2024.

The company has also signed with Verve Talent and Literary Agency, one of the fastest-growing and most-reputable talent agencies in Los Angeles.

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Making It Home’s Kenny Brain is feeling at home on HGTV Canada

The COVID-19 pandemic caused chaos in the film and television industry. When productions weren’t completely shut down, contact between cast and crew was deeply restricted. For Kenny Brain, it meant he wasn’t able to really get to know his co-star, Kortney Wilson until cameras were rolling on Season 1 of Making It Home with Kortney and Kenny.

“The first time Kortney and I met face-to-face was about an hour before they yelled, ‘Action!'” he says with a laugh. “We did some online stuff but nothing in-person until we showed up to film.

“My legs were shaking when I walked in,” he recalls. “I’m thinking, ‘How did I end up here? Did I make the right decision?'”

Those worries were for naught. As viewers see when they tune in, there is a connection, chemistry and repartee between the duo. That’s even more pronounced in Season 3 of Making It Home with Kortney and Kenny. Currently airing Tuesdays at 10 p.m. ET/PT on HGTV Canada, each instalment follows Wilson and Brain as they visit properties in dire need of a makeover. With her spunk and design know-how and his consummate contracting skills, it’s a wild, funny and tear-filled ride.

It’s been quite the journey for Brain. The Grand Falls-Windsor, Newfoundland, native first made waves on Canadian TV when he appeared on Season 2 of Global’s Big Brother Canada. Once his stint on reality TV came to an end, Brain didn’t plan on returning to the small screen.

“I thought Big Brother Canada would be a one-off,” Brain says. “A really cool, massive experience, but I never dreamed I would end up where I am today.” Brain was quite comfortable transforming properties across the country, something he fell in love with in his 20s when he helped friends renovate their home and cabin. Putting the time and energy into something with his own hands that provided a tangible result had great allure. It quickly turned into his every day.

Now Brain finds himself standing among some of the biggest names in Canadian DIY, mentioned alongside Bryan Baeumler, Scott McGillivray, Sarah Richardson, Jonathan and Drew Scott, Mike Holmes, Sarah Keenleyside and Sebastian Clovis. It’s not something he takes for granted.

“HGTV Canada is such a staple in people’s homes,” he says. “To be a part of that family and to feel supported, I have to pinch myself because I never imagined my life being where it is right now.”

Making It Home with Kortney and Kenny airs Tuesdays at 10 p.m. ET/PT on HGTV Canada.

Image courtesy of Corus Media.

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Global original scripted series Robyn Hood begins production June 20

From a media release:

Following yesterday’s exclusive announcement at Banff World Media Festival, Global confirms the start of production and casting details for new original scripted series, Robyn Hood. With filming beginning June 20 in the Toronto and Hamilton area, Robyn Hood is produced by Boat Rocker, created by innovative music video director and filmmaker Julien Christian Lutz pka Director X (Superfly, Mister Tachyon), and written by award-winning screenwriter Chris Roberts (Orphan Black, Frontier).

Set to premiere on Global in the 2023 broadcast year, the eight-episode, one-hour contemporary re-imagining of the Robin Hood legend follows fearless heroine Robyn Loxley and anti-authoritarian masked hip-hop band, The Hood, as they call out injustices and fight for freedom and equality in the city of New Nottingham.

The heroic tale stars an aspiring cast including:

· Jessye Romeo (Pennyworth) as Robyn Loxley, young rapper and leader of The Hood
· Nykeem Provo (The Right One) as Little John, Robyn’s daring right hand man and member of The Hood
· Idrissa Sanogo (Titans) as Alan A. Dale, The Hood’s charming music producer
· Daniela Kharlamova (The Boys) as Much, a mechanical genius and The Hood’s vocalist
· Jonathan Langdon (Run the Burbs) as Tuck, The Hood’s eccentric hacker
· Sydney Kuhne (Kim’s Convenience) as Marian Fitzwalter, a determined lawyer
· Ian Matthews (The Hardy Boys) as John Prince, a wealthy and villainous real estate tycoon in New Nottingham
· Kira Guloien (Murdoch Mysteries) as The Sheriff, a strong-willed and corrupt sheriff who runs a tight surveillance in New Nottingham
· Manuel Rodriguez (Black Summer) as Guy Gisbourne, a ruthless criminal kingpin and rapper
· Lisa Michelle Cornelius (Chucky) as activist Tressie Loxley, Robyn’s mother

Robyn Hood follows Robyn Loxley, a young woman whose masked hip-hop band, The Hood, is known for their inventive videos and anti-authoritarian message. She lives in Sherwood Towers, a community of rental high-rises in a working-class corner of New Nottingham, where the cost of living has skyrocketed, leaving an ever-widening gap between the rich and everyone else.

When Robyn finds herself fighting for her home and her family against local property developer John Prince and The Sheriff of New Nottingham, Robyn and her band The Hood decide to fight back, righting the wrongs of the corrupt elite to give back to the people.

Robyn Hood is produced by Boat Rocker in association with Corus Entertainment. The series is executive produced by Julien Christian Lutz pka Director X (Superfly, Mister Tachyon) for Creative Rain, Chris Roberts (Orphan Black, Frontier), Kerry Appleyard (Orphan Black, X-Company) for Boat Rocker, Jill Green (Alex Rider, Magpie Murders) for Eleventh Hour Films, and Luti Fagbenle (Maxxx) for Luti Media, with Boat Rocker handling global distribution. For Corus, Kathleen Meek is Production Executive; Rachel Nelson is Vice President, Original Content, Scripted, Factual and Kids; Lisa Godfrey is Senior Vice President of Original Content and Corus Studios.

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