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The making of Nations at War: Interview with Jason Friesen and Tim Johnson

APTN’s new documentary series Nations at War—airing Wednesdays at 10 p.m. ET—takes a macro look at the influence First Nations people have had on global events in history. Creator and writer Tim Johnson and producer, director and co-writer Jason Friesen take a unique approach with many key events in Canadian history, often revealing details many of us have never heard before, and examine common themes throughout. By the end, they tie all of these events up into one large picture. I caught up with Jason Friesen and Tim Johnson to talk about Nations at War and what viewers can expect every week.

How did the two of you come up with the concept for Nations at War?
Tim Johnson: There was a lot of debate on different elements because we had a limited budget. Part of what I wanted to do with the show’s concept was because I am a huge watcher of popular history shows, particularly British ones. I have always loved their approach and history programming is always done very differently than it is done here in North America. I wanted to emulate a lot of these British historical documentaries series that I found really exciting and very engaging and I think, very approachable to watch.

But when Jason and I started talking about making the show in the very early stages, I realized I am a writer and I can talk all about history that you want, and I like to develop a good story, but I am not a producer and I didn’t have the expertise to do it myself. I knew right away that I needed guidance. I needed someone with the skills, someone with the background, and I needed someone with organization. And I needed it to be the right person that could take the rough material I had come up with, and the concepts that I wanted to do, and the way I wanted the story—which is a very macro view of history—and take it to make a show that actually works. But it was  British television that really inspired this.

Jason Friesen: Originally, it was a mutual friend of ours that pitched me Tim’s idea and I was connected with Tim and I went through the whole thing where my company acquired the show. I already have a long-standing relationship with APTN from other shows I have done with them, but basically, I played a lot of team sports growing up. I told Tim that a lot of what I do I learned from playing team sports. Everyone plays a different position on the team but in order to succeed or win, everyone has to come together with their different talents. Part of what I bring to the table is the broadcaster and financing, but I also bring a team of people like VFX and Peter Allen an award-winning composer, these are all really important ingredients that make shows really good.

When we pitched the concept to APTN we had to do a demo and so I enlisted a VFX friend Brian Moylan, and with his expertise, we sat down with what Tim had sent me and we added our ideas and creativity and fine-tuned all of the concepts and imagery. I had never done VFX before and we did over 1,100 VFX shots. There are a lot of movies that do not even have that many shots.

Tim: A lot of what we did didn’t exist, so there was a real synchronicity going on because each person we brought on had this technical knowledge to bring to this concept that was really a loose idea in my head. They brought it to reality. There are certain things that you can only do if you have an ungodly amount of money and people and time to throw at. The interesting part, the weakest aspects in my original concept was honestly where Jason, with his ideas, were a perfect fit. This show is a very map heavy show which was very clear in my mind but Jason brought in all of that personal and important detail stuff that was not clearly focused in my mind and it all fit perfectly with my macro idea. There was no question, it just all fit right away.

Why this show, right now?
Jason: We get this question a lot with so many issues happening, but honestly, we have been working on this show from development until now for probably four years. I wanted to produce this show because I had a genuine interest in learning more about history, and I like to do things that challenge me and where I learn. I learned a lot about not only my own Metis history, but I learned a lot about other nations and just Canadian history in general. We are basically offering a slice of life from our historical past brought to life through elders and experts and VFX. There was never a ‘We have to do this now because it is timely,’ it was just a passion as a storyteller to do this. And APTN? They were very excited by this concept because it is an APTN show. It has all of the elements.

Louis Riel

Tim: And I wanted to do a history documentary series. I was sitting in my apartment working on a Mother Mother music video at two o’clock in the morning, and I took a break and I just sat down and wrote out two or three episodes. And I thought, maybe I could do eight or something like that.

And like Jason said, ‘Well why now?’ Well, it is now because this is when production ended. When we started it was ‘Why don’t we do a cool history show?’ We just wanted to show everyone that Canadian history is global history and how First Nations were just as tied in to huge global events as the British Empire was. We are just showing the tides of history washing back and forth across the continent and frankly, that is all we ever wanted to do. We had an original concept and in show business having an original idea is like the Holy Grail. So if we don’t do it now, somebody else will.

We had a concept, and every topic we considered had to fit into our story. We are telling a story and decisions were made based upon how important each segment and its characters and individual story were to the big history story we were trying to tell. What kind of themes tie in with other themes and reach common ground in the bigger, wider narrative. There is stuff that we shouldn’t have been able to do with that budget that we did anyway. Especially the Haida Gwai episode, but we were smart about it, and we were committed to doing it in a way we could pull it off.

During your research, what surprised you?
Jason: I am glad you asked that because the other day we were talking to a reporter who said ‘You know I watched a couple episodes, and I can honestly say that I learned some things I did not know about before.’ And I said ‘You don’t know how happy that makes me feel because I am all about learning.’ Especially when it comes to history, and when it comes to Native history. So to answer your question, that happened all the time. Even with our host David Lyle. We would send him his material. And then the next day, when Tim and I would be talking to him he would say, ‘HEY, I had no idea that the Haida were one of the strongest naval forces in North America.’ And I said, ‘I didn’t know at first either.’ That was the beauty of this project. When I think of this, I imagine people of all ages watching this on television in Canada and it makes me feel really good that people will be watching a program that has all of these visual anecdotes that help translate what Tim and I are trying to say. But it will also open up questions and understandings of things that people didn’t know about, and it will create conversations and educate people. There will also be an understanding that a lot of these Aboriginal heroes in a lot of these stories in history books, they are second players in their own stories. I am very excited for people to watch Nations at War and learn new things about not only their own culture but just history in general.

Nations at War airs Wednesdays at 10 p.m. ET on APTN.

 

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TV Eh B Cs podcast 68 — Greg Gets Carter

Jill Carter was born in Saint John, New Brunswick, and has an extensive background as a script supervisor along with a keen interest in all forms of the arts. Carter’s first short film as director, Moment (2006), screened at festivals around the world. Following two more successful short films, Ninety-One (2010) and Little Larry (2011), which was nominated for a Directors Guild of Canada Award, she has gone on to direct episodes of such television shows as the CW’s Beauty and the Beast and CBC’s Murdoch Mysteries and Global’s Private Eyes.

Jill recently completed directing a seven-episode dramatic web-series Spiral for Telus, which will be released on Sept. 6. Jill participated in the incubator program run by the Toronto International Film Festival TIFF Studio 2016 and has a number of film and television projects in various stages of development.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to support TV, eh?’s work? Become a Patreon!

 

 

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The Amazing Race Canada: Final three revealed in bug-filled Leg

I really enjoy it when The Amazing Race Canada explores smaller communities. The big cities are fine, but the opportunity to go to less-travelled spots in the country, I think, makes for a more enjoyable Leg. So when I learned the final four were headed to Sault Ste. Marie, Ont., I was chuffed. Not only would we be offered a peek at the city, but it would play a role in determining which teams would advance to next week’s season finale.

The place of the rapids was in fine fettle, boasting the rugged terrain that is the hallmark of the Canadian Shield. Sam and Paul were on top of the world with four first-place finishes this season, but would that all come crashing down in the Soo? The remaining teams all began the Leg with a trip I had the pleasure of doing when I was a kid: a train trip to Agawa Canyon. While on the train on a truncated voyage, teams had to match up and memorize the titles and descriptions of 14 paintings done by the Group of Seven. The teams had just 30 minutes to complete the task correctly or be nailed with a 30-minute delay via another loop of the train. It looked like Sam and Paul’s directional challenges meant they’d miss the train, but they arrived in the nick of time.

Sam and Paul missed just one painting in their first attempt but were correct the second time around—Paul had said “lake” instead of “land”—and were off to the races. (Pardon the pun.) The other three duos were stuck with another half-hour ride, leaving Sam and Paul a chance to widen their lead. Kenneth and Ryan completed the task next, followed by Karen and Bert and Ivana and Korey.

The Leg’s Detour hearkened back to the area’s dependence on fur and fish, as teams could either guide two alpacas through an obstacle course in three minutes or go fly fishing and hit three floating targets. Sam and Paul went for the alpaca test, as did Kenneth and Ryan while Karen and Bert and Ivana and Korey opted for fishing. I would have chosen the alpaca test, which looked like a ton of fun. Watching the animals gamely following Sam and Paul was a treat and the foursome completed the challenge with time to spare. Meanwhile, Korey revealed he’s an expert fisherman; minutes later he and Ivana had cast their flies and were departing. Team Giver had major issues with one alpaca and had to swap it out for one that was a little more energetic. (Maybe it got tired of all the yelling.)

The Amazing Race Canada‘s Face Off placed teams on ice competing head-to-head in the hybrid game of crokicurl. The game—a mix of crokinole and curling—involved the curling button and poles and a centre-hole score of 20 points. The last team at the Face Off would, of course, incur a time penalty. While Sam and Paul waited to see who’d they’d play against, we learned Sam’s grandfather competed in The Brier (very cool) and his aunts and uncles all play too. The dating couple were shocked when Korey and Ivana showed up to play; Sam and Paul took the early lead and it was down to the last rock thrown by Ivana. She nailed it, winning the Face Off and leaving Sam and Paul behind to play Bert and Karen. After 13 attempts, Kenneth and Ryan and their alpaca pals were successful and they headed to the rink in last-place. Sam and Paul beat Bert and Karen, leaving the married couple to contend with Team Giver. Ryan brilliantly aimed for the button, nabbing them 20 points and removing the rock from the game. Thanks to Karen’s errant shot that pushed Team Giver’s rock into the button a second time, they best buds were on their way to getting buggy.

The Leg’s Road Block was a creepy crawly affair, as one team member was tasked with counting the number of four species of cockroaches … as they crawled over their partner’s head. (The look on Korey’s face when he realized the bugs would be on him was priceless, as was Ivana’s remark, “The more you talk the more chance they have to get in your mouth.”) Paul was as unenthusiastic as Korey, Ryan seemed downright angry and I’m pretty sure Bert needs therapy; Paul and Sam got the count right their very first try and wrestled the lead back from Ivana and Korey. After more than an hour of counting, re-counting and guessing, Ivana finally got the right number and she and Korey were off. Bert begging the other teams to give Karen the numbers fell on deaf ears; I genuinely felt badly for Bert, but freaking out and shaking his head made it harder for Karen to count the cockroaches.

It was off to Top Sail Island for the Pit Stop, where Sam and Paul checked in first to score a spot in next week’s season finale and a trip for two to Cape Town, South Africa. With five Leg wins under their belts, Sam and Paul are the team to beat. The trouble for other duos is that even when the dating couple fall behind, they’re able to make up ground in another test. Ivana and Korey have shown amazing growth this season and, if the right challenge is given to them, they could win it all. Kenneth and Ryan have the skills to win any challenge and take out any team and their positive attitude has gotten them out of plenty of jams. Sadly for Bert and Karen, this was the end of their Race and their tearful apologies to each other outside the bug challenge gave me a lump in my throat.

Here’s how the teams finished this Leg of the Race:

  1. Sam and Paul (trip for two to Cape Town)
  2. Ivana and Korey
  3. Kenneth and Ryan
  4. Karen and Bert (eliminated)

The Amazing Race Canada season finale airs next Tuesday at 8 p.m. ET/PT on CTV.

Images courtesy of Bell Media.

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APTN’s Nations at War gives a macro look at First Nations history

Wednesday, Sept. 6, at 10 p.m. ET sees the series premiere of the history documentary Nations at War, produced by Jason Friesen, written and created by Tim Johnson and narrated by David H. Lyle on APTN. While taking in the fantastic visuals that VFX specialist Brian Moylan created with his team, viewers can expect to learn about such topics in Canadian history as the Haida Gwai, Louis Riel and Tecumseh.

As I watched, I noted that Nations at War followed a similar format as CBC’s controversial Canada: The Story of Us. In fact, this almost feels like a response to the very same. But that was just a coincidence in timing. If you recall, many viewers and even participants voiced their concerns about how little coverage the history of First Nations was dealt in Canada: The Story of Us. Here in Nations at War, those blanks were filled and Canadian history buffs will definitely rejoice at the materials covered. This is not the “same old same old” from our social studies texts. Nations at War takes a macro look at history and demonstrates how First Nations had just as much impact on huge global events as, say, the British Empire or the Spanish Empire did.

Series producer, co-writer Jason Friesen and creator, writer Tim Johnson set out to make a series that—when broken down—each episode tells one component of a larger story that reaches globally. Watched independently, viewers will learn about one full chapter of history and have a rounded understanding of that unique event. However, if you take the time to watch all 13 episodes, you will have a fuller experience. We as Canadians tend to downplay our importance in global history and Nations at War showcases the impact that people, who lived here on the land we now call Canada, had on the world stage.

As a teacher, I am always looking for material that can assist my colleagues who may not have the resources at hand when it comes to fulfilling the Aboriginal topics in their curriculum. I would recommend this series as a great resource. With the ability to stream once episodes have aired, teachers have the opportunity to pre-screen during the initial airing and then stream in the classroom. Topics included cover many different geographical regions in Canada so teachers can access the material relevant to the communities proximal to their area. The presentation is definitely engaging for students due to the heavy use of VFX in its creation.

If you are a history buff, be sure to check out Nations at War. If you are a teacher looking for new ways to introduce or even supplement your course materials, check this series out too.

Nations at War airs Wednesdays at 10 p.m. ET on APTN.

 

 

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21 Thunder goes to war

Episode 6 of 21 Thunder opened on Monday night with action that set the tone for the next 44 minutes. If I were to describe the episode with one word: angst, and lots of it!

“War” focused on Junior Lolo (Emmanuel Kabongo), Nolan (RJ Fetherstonhaugh) and Lara (Eileen Li). And right off the top these three actors turned out fantastic performances. I was grieving with Junior, I was fearing for Lara and I was just as furious with Declan (Colm Feore) as Nolan was. 21 Thunder just keeps on getting better and better!

Last week, we saw Fatima (Gabrielle Graham) return from her visit with Gregoire, her face covered in bruises. This week we opened with Junior, intent on seeing Gregoire and was immediately attacked by Isaac Boka (Ryan Allen) who we now know was impersonating Gregoire. Junior learned from his brother’s imposter that his brother is dead, supposedly he succumbed to pneumonia—however, a quick look on IMDb shows Gregoire (Kareem Tristan Alleyne) appears for one episode. IF Gregoire is dead, then his identity and his belongings are nothing now, but for Isaac Boka they could be a life saver—but why then if he is in so much danger was his apartment unlocked when Junior arrived? I have to wonder then, who attacked Fatima and Sly (Thamela Mpumlwana) when Junior was playing in Boston? Why start a fire threatening Fatima?  Something still does not add up here.

Lara, charged by Declan to ensure the Thunder makes it to the European tournament, paid Desjardins (Trevor Hayes) his first installment to fix the upcoming road game against Boston. But Desjardin failed to show.  We saw Lara’s fear; Eileen Li’s portrayal made it palpable for viewers. The moment she contemplated pulling the fire alarm, you could sense the knot of dread coiling in her gut. Meanwhile, the effects of Lara’s  game fixing were felt far wider than she herself was aware. John Mangano Jr. (Bruce Ramsay) was seen squeezing Declan for a cut of the profits. As punishment for not ensuring the game’s outcome, Lara had to see to Desjardin’s punishment and she paid a visit to Desjardins accompanied by two of K’s (Kyle Mac) thugs.

Upon the team’s return to Montreal following their victory in Boston, Kevin greeted the team bus, under instruction to take Nolan to his father. This capitulation by Nolan, it seemed, was the last straw for Emma (Clark Backo) and she declared she was done with him. Nolan met with Declan, who then invoked his parental  influence over Nolan, and ordered him to toss the upcoming match against London. Nolan wanted no part of his father, but Declan played his trump card: he still has the video on K’s phone proving Nolan was present when Kevin took down the dealer in a deal gone bad.

Side stories updated this week: Davey Gunn (Ryan Pierce) found himself in serious financial straits due to his salary cut. Because of his injury, Davey was unable to fulfill his contractual obligations. Alex (Andres Joseph) was called up to Utah’s first team which means Nolan has lost an instrument of positive influence from his childhood. Albert (Conrad Pla) upon returning home, found out his wife Renata (Paula Rivera) had left him. Coach Christy Cook (Stephanie Bennett) began to carve a place for herself with the team, earning praise from a stoic Coach Rocas. Finally, Grace Cook, with help from her new friend Davey Gunn, changed her mind and did not enter the rehab facility. Instead, she agreed to fully commit herself to home therapy. I am really loving the interaction between Davey and Grace. Here Davey can be himself and Grace is treated with integrity rather than as an inconvenience.

Things to watch for next week:

  1. Will Nolan be Declan’s inside man on the field, tossing the game against London and his big chance in front of international scouts?
  2. Will we learn who started the fire at Fatima’s apartment?
  3. We are still waiting to see if anyone goes to police about the murder Kevin and Nolan are involved in.
  4. Will Coach Davey Gunn’s serious financial difficulties mean he will be the coach Lara targets to help fix the London match?

As an aside, much has been said about 21 Thunder‘s message of diversity and this episode takes racism head-on. During the match this week we saw Tran (Jonathan Kim) fouled and a Boston player telling the “Gook” to stay down. Following the match, this same player from Boston started a fight in the hallway, tossing more racial slurs at Tran. This was the first time the show overtly tackled racism and it was done seamlessly within the plotlines.

I do have to mention just one minor complaint. Why on earth would Lara be seen around Desjardins’ in her team warm ups? For a bright girl, that is not so bright.

“War” was an outstanding buildup for what I am sure will be explosive action in the final two episodes.

Related: Read our interview with RJ Fetherstonhaugh!

21 Thunder airs Mondays at 9 p.m. on CBC.

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