Tag Archives: Lost Girl

Has Canada found its Outlander? Lost Girl showrunner takes on Nora Roberts

Has Omnifilm Entertainment found Canada’s Outlander? Everyone at the production company are crossing their fingers and going all in on Nora Roberts’ Blood Magick and snagged former Lost Girl showrunner Emily Andras to head it up.

Omnifilm, which has produced homegrown series like Arctic Air, Ice Pilots NWT, Robson Arms, Primeval: New World, Defying Gravity and Edgemont, announced earlier this year that they had secured the rights to Roberts’ The Cousins O’Dwyer trilogy. Set in Ireland, the books spotlight sorcerer cousins Iona, Branna and Connor O’Dwyer as they take on the dark sorcerer Cabhan; Blood Magick is the third book title. Of course, fans of Lost Girl know Andras, who departed showrunning duties on the Showcase drama after Season 4.

“If I had my druthers I would only work on a show in the female-driven genre going forward and Blood Magick really ticks all of those boxes,” she says. “It’s all about the power of magic, it has an incredibly strong female protagonist, it has very high stakes and themes of family and love. And it doesn’t hurt that it’s set in one of the most beautiful counties in Ireland.”

She jokes it wasn’t until she signed on to develop and executive-produce Blood Magick that her mom finally understood what her daughter did for a living.

“My mother was a librarian and has read everything that Nora Roberts has written,” Andras says. “I think she thought I fixed TVs … I’m not sure. But now she’s like, ‘Look, Andras, you better not screw this up.'” One could excuse Andras for being nervous about adapting Roberts’ works into a TV series; there are more than 500 million copies of her 200-plus novels in print and every book she has released since 1999 has been on the New York Times bestseller list. And while the Toronto-based TV writer, who has worked on everything from Instant Star and Degrassi: TNG to King and the upcoming Killjoys admits to being a little nervous, she’s received nothing but support from the woman who wrote the source material.

Blood_Magick_Cover

“I had the pleasure of speaking to Nora Roberts and she is such a professional,” Andras recalls. “She could not have been so supportive insofar as, yes, the world and the characters are there and that’s what really set the books apart and makes them so incredible, but she understands that because you’re going to a visual medium some things will change.”

Andras is currently working on the adaptation. There’s no time-frame attached to when Blood Magick will debut on the small screen, but according to Omnifilm partner Brian Hamilton, broadcasters are already lining up to talk about possible partnerships.

Blood Magick is one of a number of scripted series in development at Omnifilm that include Pacific Spirit, a family drama tied to CBC; Lovejoy, an adaptation of Jonathan Gash’s mystery novels; Beowulf, a serialized drama for The Movie Network and Movie Central; Homegrown Terrorist, set in the world of domestic terrorism and law enforcement; Corrective Measures, a superhero drama developed from Arcana Comics’ series; and The Last Spike, a miniseries based on Pierre Berton’s historical novel.

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Review: Lost Girl’s daddy issues

Oh my, daddy dearest. Going into the midseason break of its final season, Lost Girl was pulling no punches when it came to surprises, revealing Eric Roberts as Bo’s much-dreaded and quite secretive papa. And Tamsin just might be dead, thanks to yet another godly lightning bolt—and right after mentioning she was onto her last life, too.

That is without mentioning the end of days, or “End of Faes” that’s now underway, and the god of the underworld about to walk the earth again thanks to Bo’s magic box. Or the fact that nothing itself, born out of chaos, is walking the earth in the body of an emotional dead six-year old who thinks crushing people’s hearts is how you put them to sleep.

I suppose packing all these moments into a single, cliffhanger-filled episode is why the series was so slow off the start when it came to revealing the ancients and their plans. It’s going to be quite hard to take a step back from the family drama now, and knocking out a couple of final cases of the week as an ode to the series’ roots could, in hindsight, be a nice touch. It’s not like things are going to get as light as Bo and Kenzi eating ice cream in a tricked-out hotel room anytime soon—not with Hades on his way up the elevator and into the apocalypse.

Though it’s a bit hard to suss out who the real “good” ancients are—with Zee’s parting tip to Tamsin being a mild suggestion that the top god of religions past has, true to mythology at least, played a somewhat dubious game when it comes to saving the planet. It was certainly obvious that Zee’s terrified of the prospect of her brother surfacing—but how much of that is some kind of benevolent desire to stop the apocalypse and save Bo, and how much of that is saving her own skin given what sounds like a difficult relationship (to say the least) will have to remain a reveal for the next half.

But given how Zee was relishing the prospect of slicing a glowing umbilical-cord-cum-handprint off Bo with a rusty blade, her interests are coming across as mighty suspicious, while Bo’s so-called “evil” father emerged as the fairy godmother of the catfight between the two fashion-forward ladies. Of course, playing the good god/bad god game is probably naïve in a series that has touted its lead as unaligned—it’s just as likely both Hades and Zeus have skeletons in their closet and shining moments of altruism too, but it would be a nifty twist if Bo’s father wasn’t the demon the series has made him out to be.

It might go some way to ending Bo’s introspective self-loathing, and hopefully help her start to build constructive relationships with the people around her. It says something when the love of your life assumes your latest tryst talk is intended to reinforce a status quo where Bo plays the field and Lauren acts super-chill with her syringes. Bo may have been coming to the conclusion that it’s time to boldly step into commitment—even without the knowledge that a heartbroken Tamsin was potentially killed mid-Valkyrie tears—but there was a certain satisfaction to seeing Lauren leave Bo hanging for a bit. If meeting Hades is what it takes to get Bo to finally grow up and treat the people who love her with a degree more respect, then hey, I’m all for the god of the underworld joining the above-ground party. You can only blame daddy issues for so long, and the clock is officially ticking on the fate of the world.

Lost Girl returns later this year on Showcase.

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Review: Lost Girl goes to the gods

Of course Lost Girl would be the series to give us gender bending Greek gods, Hera and Zeus, with our mysteriously undead Kevin Brown revealing himself/herself as the devious goddess and leaving Zee as the lightning bolt-delivering god. The swap went some way towards explaining my confusion over trying to figure out how Hera was suddenly shooting lightning bolts like Zeus, but I’ll admit I’m slightly disappointed it means we have a dude kicking butt as top god on this lady power loving series.

Instead, Hera-as-Kevin Brown was relegated towards cleaning up the curious Alicia and trying (and failing) to take out Dyson. Though that does make sense if Bo’s guess about why the Ancients have suddenly returned is correct. Hera might be down with sticking up for her team, but not quite to the extent of Zeus—who might technically be Persephone’s father. Though, with the obvious sense that Lost Girl is going way off text when it comes to these fae, there’s no telling what the alliances are or who they’re really looking out for.

It’s a nice idea that the Ancients have returned to rescue Persephone—and maybe that’s why they were so interested in Bo’s “truth,” to find out how she got the candle and where Persephone is. Then again, considering they’ve killed nearly all of Lauren’s employees and devastated the city—along with an elevator of people—and finally, launched Cassie off the balcony of a skyscraper, the Ancients as good guys is a bit of a tough sell.

But if they’re that loyal to Persephone, who’s related to them, maybe they’ll turn out to be as unwilling to harm Bo—assuming they find out she’s one of them as well. Because I’m pretty sure that’s what having Hades as a father should mean. Of course, it’s not really news Bo is bandying about—keeping the list of people in the know about it to the barest of bare minimums—though rightfully opting to let Trick in on the update to what happened to his daughter after he turned her over.

I can’t help but feel like we should be seeing just a little bit more remorse from Trick as the revelations about Aife’s life come out. I understand the need to maintain balance (and that Aife’s a bit scary on a good day), but surely discovering your daughter gave birth in a cage in Tartarus warrants a bit of a pause if you were the one partially responsible. Then again, Trick’s already had to live with that decision for a long time and he did, technically, do what was right. But I’m feeling just a tiny bit of sympathy for Aife as the revelations come tumbling out.

Tamsin was in for her own set of revelations when she got succubumped to the curb by Bo. It was easy enough for us to see—even without the oracles exposing Bo’s heart’s desires—that Tamsin wouldn’t be on that list. But as a Tamsin fan (though not a shipper of the couple) it still hurt to watch her cling to any number of explanations as Bo finally stepped up to tell her the truth. I don’t agree at all with Bo’s assertion that Tamsin is confused just because they’re roommates (having managed to avoid falling in love with any number of my own), but there might be some truth to the fact that Tamsin’s feelings for Bo could be caught up in the complicated history they’ve shared. It doesn’t make breaking her heart hurt any less, though, and I wasn’t too impressed with Bo by the end of that talk.

Maybe giving the oracles one last go around finally gave us a sense of what direction all those “ships” would be “sailing” in before the end, with some kind of Dyson/Lauren/Bo triumvirate being an easy call. But while I doubt Mark’s worthiness in general, even I have to admit watching Vex cope with his attraction to Dyson’s son, of all people, was well worth it. And hey, at least it means we can rest easy in the shipping wars now.

Losing it:

  • Tamsin’s “Shit got real,” is also how I would describe this episode, now that we know what’s going on
  • “No, no, no, but yes.” Was this Vex’s redemption? Because it totally worked for me
  • “You smell good wet.” Was this not meant as an innuendo? Because if we’re talking ships here …
  • “Explains the face.” Evony, upon discovering Mark is Dyson’s son
  • Evony’s big, bad reveal was a big, bad letdown

Lost Girl airs Sundays at 9 p.m. ET on Showcase.

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Review: Lost Girl brings it

Finally, some answers. Or at least some massive hints as far as Lost Girl’s ongoing mystery of the elevator crash and its resuscitated bodies. After weeks of speculating about what could possibly be at the root of the unnamed woman and her troupe of undead, it seems we’ve finally got confirmation of my suspicions—we’ve got some devious Greek gods on our hands.

Although, that might actually be a bigger cause for worry considering the family dynamic of the threatening, glowing woman and Kevin Brown (or at least the god wearing Noam Jenkins’ skin like a flashy post-Jerry power suit), because the only Greek couple I know that could bicker like that would have to be top dogs Hera and Zeus. And if I learned anything during 10 years of Greek school (admittedly questionable), it’s that you really don’t mess with Hera.

Bo got a taste of that lesson this week, getting blown through a doorway and given a strange scar that won’t disappear, no matter how many girlfriend cards Tamsin tries to play. Still, at least the group finally knows what they’re up against and are now getting around to trying to fight it. Just in time too, if that Angel-esque nod to the apocalypse means some serious storms are coming to town. Considering what comes after the rains and flooding was enough to make Cassie and her family gouge their eyes out, this will probably require the full attention of the Fae. Any chance Lost Girl will burn the whole world down during its last season? Unlikely, but building towards that threat is a popular motif for a supernatural fighting drama to make its exit on, and it looks like that’s what we’ve got on our hands.

That, and clearly no resolution whatsoever to Bo and her wandering heart. After what struck me as quite the intimate moment with Tamsin last week, Bo was backpedaling hard, calling Tamsin her roommate and playing her against Lauren in what struck me as a particularly cruel—if dense—way. Surely by now Bo must also be picking up on the rising heartbreak vibes as she communes around the table with her trio of rotational lovers?

Still, at least it was Tamsin’s week in other ways as the series gave us our own versions of Bring It On and Friday Night Lights (“Clear Eyes Fae Heart”). Although I do think Tamsin’s takedown of the head cheerleader, pre-going full Valkyrie on her, was the more satisfying burst of athletic prowess—if only because everyone had been so sure Tamsin would fail at the task. It was a small bump in what was generally a bad week for the winged fighter, even if she isn’t yet aware of the dashed hopes coming her way as Bo bails yet again.

In perhaps slightly better news, Dyson’s love child, Mark, was taking a break from being an irksome pubescent boy in order to alert the others about Iris’ big boom hint. It probably helps that Shanice Banton (another Degrassi alum) as the mischievous Iris tends to rightfully reduce Mark to a quivering, silent mess while leading him along for her own pleasure/convenience. If there’s going to be any in with the gods, it’s probably her—though communicating through Mark probably isn’t the best way to get things done.

Meanwhile, we’re still left to wonder about what else the gods will be bringing with them (Herculids being the tip of that “classic” iceberg), what the triskelion is doing popping up everywhere and what will happen with Kevin Brown’s wife now that she’s on the trail of her husband’s corpse and obviously being offered up as an alternative interest for Dyson. Oh yes, and what Bo’s father—the Greek god of the Underworld—has planned with the world’s creepiest toy box. I’m not sensing a happy family reunion in the works.

Losing it:

  • Tamsin’s nightmare is my nightmare: “The drive-throughs were closed for ever. FOR EVER.”
  • Though still not as creepy as Bo’s dream about Lauren.
  • And speaking of Dyson’s new lady friend, who still prints photos? Especially ones taken with your phone…
  • “He’s famous now. He’s going to be on a protein bar.” Iris is easily shaping up to be my favourite new addition.

Lost Girl airs Sundays at 9 p.m. ET on Showcase.

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Comments and queries for the week of Jan. 9

Three TV shows and one story took hold of readers this week. There was lots of praise for Donald Sutherland’s Pirate’s Passage and The Book of Negroes but Lost Girl fans have started to lose faith in the final season. Meanwhile, readers weighed in on D.K. Latta’s piece for The Huffington Post. Check out the link to read one particularly insightful observation.

My wife and I just watched Pirate’s Passage. Wow, that really was very good, very top-class and well done. I’m 64, and I wish we’d had Canadian stories like this to read and on TV and as literature studies in school when I was growing up. Thanks to all for Pirate’s Passage! Please do lots more.–Steve and Tracy

I just finished watching Pirate’s Passage, and already I want more. This is a wonderfully produced project; I cannot recommend it enough to anyone wanting to enjoy a good old Canadian story.–Brandon

The Book of Negroes looks fantastic and I can’t recall such a great miniseries being made in Canada since Anne of Green Gables came out. Sure, there have been attempts, but for the most part there’s been political thrillers or issues-heavy miniseries that only appealed to niche viewers and failed ratings-wise. I am curious how The Book of Negroes will do in the ratings. There’s been plenty of promotion and the trailer is very enticing.–Alicia

The writers have not given the relationship between Lost Girl‘s Bo and Lauren much dignity. In the second show in which they were a true couple (Season 3), the writers had them flinging sarcasm at each other; not a good start for a relationship. When Bo went through the trial of the Dawning, when she emerged, there was no embrace or kiss with Lauren. Lauren was just standing there with all the others, there was no indication of them as a couple. Then shortly after that, the writers had Lauren ask Bo for a break in their relationship. She goes off to join Taft. In the 4th season, Lauren joins the Dark and foils the Morrigan, which to me indicates that Lauren wanted Bo all along, that she was trying to gain Bo’s favor by her actions against the Morrigan. And now in Season 5, they are “exes”? When did we get that discussion??–Sue

Got a question or comment about Canadian TV? greg@tv-eh.com or head to @tv_eh.

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