CTV’s sitcom Jann is an undeniable critical and ratings success. Its first season garnered rave reviews, millions of viewers, and a 2020 WGC Screenwriting Award for Best Comedy Series.
However, there was a time when the show’s co-creators and executive producers, Jennica Harper and Leah Gauthier, were unsure if the series—which stars singer-songwriter Jann Arden as a highly fictionalized version of herself—would work.
“It was a real act of faith at first,” says Harper, explaining that Arden “was very funny and very talented” but unproven as a comedic lead. There were also some concerns about the show’s unique blend of tones: part entertainment industry satire, part slapstick comedy, part family dramedy.
“It’s not a comedy in the conventional way, it’s a little bit more cable, I think,” says Harper, who also acts as the series showrunner. “There’s a bit more of a blend of very silly comedy right up to, hopefully, poignant, dramatic moments. We’re trying to kind of have our cake and eat it, too.”
Harper and Gauthier got their cake and more when CTV quickly greenlit the series for Seasons 2 and 3. But having a hit show creates new worries.
“You immediately put pressure on yourself,” Gauthier says. “Like, ‘Can we do it again in the second season?'”
The answer to that is a resounding yes. The first four episodes of Season 2 have provided some of the series’ funniest moments as chronically narcissistic Jann works to win back her family after ditching them to go on tour last season. Her hilarious quest has featured a wrestling match with Sarah McLachlan (who guest-starred in the first episode of the season), some bizarrely unconventional couple’s therapy with girlfriend Cynthia (Sharon Taylor), and a disastrous camping adventure with sister Max (Zoie Palmer) and mom Nora (Deborah Grover).
On Monday’s new episode, “Drop the Single,” Jann is in for more uncomfortable situations when Cale (Elena Juatco) pushes her to record an electronic dance track and she shares a talk show couch with a very unimpressed k.d. lang. The instalment also features some of the show’s patented family drama as Dave (Patrick Gilmore) brings the baby to visit his mom.
Season 2 has been excellent so far. Did you find it easier or harder to write than the first season?
Jennica Harper: Easier. When we were breaking the stories for Season 2, I was just so excited because it became clear who the characters are and we had the casting. When we wrote those [Season 1] scripts, we hadn’t cast anybody yet, other than Jann, of course, and now that we know those actors and those characters, it was a lot more playful.
Leah Gauthier: For sure. And as we watched [the actors] as we were making Season 1, we were like, ‘What are these characters naturally great at that we can pick up on in seasons following? Is this character really good at panicky situations? Has this person come up against Jann as a buddy or as an enemy? Where can we expand on what organically happened on its own and lean into it?’ Because the Charley character, she becomes sort of a social influencer in Season 2, and that was because we were watching Alexa [Rose Steele] in real life, and were thinking, ‘This woman is very interesting and her social media following is huge’. That’s the kind of thing that we sort of lean into and pull from real life, that’s kind of what we’re doing in these later seasons, and I feel it’s more fun to write.
JH: Another example was with Nora, Jann’s mom, who’s played by Deb Grover. There are these moments where she’s kind of sassy, not just this sort of sad person going through her early stages of memory loss, and we loved that.
How does an episode of Jann begin in your writers’ room?
JH: We essentially develop a story arcs document for the season, and that’s something that Jann, Leah, and I do together. Traditionally, that would be the three of us going to Jann’s house in Calgary for a few days and just talking about the shape of the season, because it’s serialized, and what the theme is before we figure out what some individual funny story would be within that. For example, in Season 2 it was about whether Jann could make things up to the people she pissed off and also Cynthia and Jann giving it a go and her relationship with Cale, with Cale being someone who has a lot of ideas that Jann is uncomfortable with.
The three of us developed a road map for the season and some story ideas that could go with that and had them fleshed out. So when we get together with the rest of our writers, we’re presenting our thoughts for the whole season, ‘What do you think?’ Then we ask them to respond and help us refine that and start talking individual stories. That’s not necessarily typical on other shows. Sometimes you just show up and there’s a blank page and you kind of have to figure out one by one what the episodes are going to be. But we kind of come in with some of that work done, so that we can really be running when we have the writers together.
Where do you come up with some of the crazier situations that Jann gets herself into?
JH: We pull from Jann’s personal stories for sure, anytime we’re chatting about something that kind of works. For some of the family storylines, we have more relatable stories [from our own lives] that apply. But there’s also a lot of what-ifs. You know, ‘What if Jann and Cynthia went to couple’s therapy and maybe this person isn’t even a therapist?’ There’s a lot of just pitching jokes and story ideas in the writers’ room.
LG: Our writers’ room is a really comfortable space. Everyone feels really comfortable to pitch any idea, even if it’s crazy. Sometimes people will start with, ‘OK, this is a bad pitch, but what if Jann is hanging from her crotch on a barbed wire fence?’
And Jann is game for doing whatever. She understands that the physical comedy lands really well. She’s really helpful because no one is scared to say, ‘I was thinking we’d put you in boxer shorts and you drag garbage cans out the front’ because she’s not ever gonna shut it down.
JH: She actually pitches it sometimes. She’s the one in the camping episode that really ran with the idea of having an emergency situation in the woods. She went all the way. She went, ‘What if I use a sock?’ That was in the script for a little while, and then we thought this is bizarre for even us. But I think the show works because she is fully committed to looking ridiculous.
LG: And she’s such a good sport. In the last episode, when she’s on that inflatable pink couch, she was flipping around upside down and sideways on that thing, and she’d just had her gallbladder removed about 15 days before. That’s how committed she is to doing whatever it takes to make people laugh. She’s a true hero.
Speaking of the inflatable pink couch, how much of the physical comedy is specifically scripted and how much of it is just finding funny situations that allow Jann Arden to be Jann Arden?
LG: For the pink inflatable chair thing, it was scripted that she was stuck in it and she couldn’t reach her pop and she knocks the pop over and says, ‘What a waste.’ But then she kept going, like flipping up and back. That was just her going for it.
JH: We try to create the space, like you said, for her to run with it. And sometimes we realize later and add it. Like in Episode 3 with the fall out of the rickshaw, Charley pulls up outside the school and Jann is texting and she gets out and she falls, and it’s very funny.
LG: That was her own stunt. We put a pillow underneath the black mulch, and then we [told her], ‘You’re good.’
JH: Yeah, ‘Just fall like you mean it!’
LG: And she did.
I love Jann’s relationship with Cynthia. I’m a woman of a certain age, gay, and in a relationship, and it’s rare to see characters and humour representing my demographic.
JH: When we were recently talking about Season 3, Leah said how important it is that we feel we are writing a woman in her 50s and living her best life. I mean, obviously, Jann is not actually living her best life yet, but there’s sort of an aspirational quality to it. You know, we want to see women in relationships, we want to see women in sexuality. That’s really important to us and we feel it’s really underrepresented. I think people who haven’t watched the show maybe don’t know how progressive it is.
LG: We’re writing Season 3 now, and in one of our Zoom writing rooms, I said to everyone, ‘As we’re wrapping up our first drafts, can we look back at them with an eye for the moments where Jann can be very proud of herself. ‘ She’s a woman in her 50s that is not done. She’s not over, we haven’t forgotten about her, she’s still excited about stuff, she still gets to do really cool shit, the game’s not over. I want people to watch this and go, ‘I can still do lots of stuff. I have so many days ahead of me that I can do some great things.’
And Jann is so helpful in those rooms, too, because she’ll just tell us a story from her real life and we’ll just be like, ‘Got it. Hot flash, girlfriend, laying on the bathroom floor. Cool, it’s in the show!’
You’ve had great guest stars this season, including Sarah McLachlan, and in the next episode, k.d. lang. How was it to work with them?
JH: Intimidating. I was very excited, but there were definitely moments where I couldn’t believe this was happening.
LG: Jennica was freaking out.
JH: I was, in my calm way, freaking out. No, it was very cool, and they were so different. Sarah was really like, ‘Let me do the silly stuff, I’m totally excited about this,’ and k.d. was more reserved, but I thought it was hysterical how she, just with her facial expressions, absolutely nailed the ‘I can’t, this woman is ridiculous,’ vibe.
LG: She’s very cool and calm, that k.d. lang. She drove herself there and dressed herself, nailed it, and then drove home.
What can you preview about the second half of the season?
JH: A big thing that’s ramping up is Jann and Cale’s adversarial business relationship. It’s going to really come to a head.
LH: I’m excited about [an episode where] the sisters go on a road trip. I really like the sister dynamic, so putting them in a car together and sending them off was really fun. That’s Episode 207, and I’m really looking forward to that.
Can you tell me anything about Season 3?
JH: We plan to shoot after the new year, so a little later than normal. We’d normally be shooting now. We’ve already scripted the whole season, we’ve got drafts of the whole thing. We’re revising and punching them up a bit, but we have a story to tell, so we’re pretty excited.
Jann airs Mondays at 8 p.m. ET/PT on CTV.
Images courtesy of Bell Media.