Tag Archives: Wynonna Earp

Links: Wynonna Earp, Season 4

From Bridget Liszewski of The TV Junkies:

Link: Wynonna Earp: Emily Andras talks #Win4Wynonna
“I feel like I have PTSD and am so scared of getting tricked that this is some glorious prank. I’m just so happy and so relieved. I feel like a weight has been lifted from my beautiful Canadian shoulders, and I have now moved into typical writing mode where I’m terrified that I actually have to do it, write it and make it good enough to reward all the Earpers.” Continue reading. 

From Raju Mudhar of the Toronto Star:

Link: Wynonna Earp takes a victory lap into the San Diego Comic-Con
In the midst of all the news coming out of next week’s San Diego Comic-Con — the pre-eminent convention for all things genre — it will be part of a well-deserved victory lap for the cast, crew and fans of one beloved television series. Continue reading. 

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Space, SYFY, IDW Entertainment, SEVEN24 Films announce return to production of Wynonna Earp

From a media release:

IDW Entertainment, SEVEN24 Films, Space (soon to be CTV Sci-fi Channel), and SYFY announced today that “Wynonna Earp,” the award-winning series based on the IDW comic created by Beau Smith, has been greenlit to start production for its fourth season.

With a major commitment from Bell Media’s Crave as a new production partner and streaming platform, production is slated to begin later this year. Season 4 is expected to debut in Summer 2020 on Space in Canada and SYFY in the US, with Seasons 1-3 streaming on Crave in Canada in the fall.

Additionally, IDW Entertainment announced that Cineflix Studios has come aboard to co-produce, with Cineflix rights handling international sales for all four seasons of the series. Winner of the 2018 People’s Choice Award for Favorite Sci-Fi/Fantasy Show, “Wynonna Earp” follows the life of the great, great granddaughter (Melanie Scrofano, “Bad Blood”) of famous lawman Wyatt Earp. The action-packed supernatural sci-fi series stars Scrofano, Tim Rozon
(“Schitt’s Creek”), Dominique Provost-Chalkley (“Avengers: Age of Ultron”) and Katherine Barrell (“Working Moms”).

Known for having one of the most active social media communities – from arranging fan conventions around the world to raising money for LGBTQ charities – “Wynonna Earp” has been praised for its “fierce and committed performances”*, and has received and been nominated for numerous awards including Canadian Screen Awards, GLAAD Media Awards, Directors Guild of Canada, Writers Guild of Canada and Alberta Film & Television Awards.

SEVEN24’s Jordy Randall and Tom Cox, in addition to Cineflix’s Peter Emerson and Brett Burlock, serve as Executive Producers along with Todd Berger and Rick Jacobs.

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Wynonna Earp’s Emily Andras, Schitt’s Creek and The Bletchley Circle: San Francisco capture WGC Screenwriting Awards

From a media release:

A full house gathered at the TELUS Centre for Performance and Learning’s Koerner Hall in Toronto last night for the 23rd annual WGC Screenwriting Awards gala.

Winners of the night’s top prizes included Sarah Dodd (Cardinal: Blackfly Season), Daegan Fryklind (The Bletchley Circle: San Francisco), Rupinder Gill (Schitt’s Creek) and Michael McNamara (Catwalk: Tales from the Cat Show Circuit). Congratulations to 2019’s talented winners and nominees.

WGC special awards were also presented at the gala, with the WGC Showrunner Award going to Emily Andras, the McGrath Service Award to Bruce Smith, the Sondra Kelly Award to Jinder Oujla-Chalmers, and Pat Holden and Amir Kahnamouee each receiving the Jim Burt Screenwriting Prize.

The WGC Screenwriting Awards were hosted by Gavin Crawford and written by Kyle Tingley, with awards presented by Noelle Carbone, Jennica Harper, Carol Hay, Jordan Johnson-Hinds, Elena Juatco, Adam Pettle, Kathleen Phillips, Sugith Varughese and Jennifer Whalen.

2019 WGC SCREENWRITING AWARDS WINNERS

BEST NEW SERIES SCRIPT
The Bletchley Circle: San Francisco “Presidio,” written by Daegan Fryklind

CHILDREN’S
Wishfart “I Wear This Hat Ironically,” written by Josh Sager & Jerome Simpson

COMEDY SERIES
Schitt’s Creek “RIP Moira Rose,” written by Rupinder Gill

DOCUMENTARY
Catwalk: Tales from the Cat Show Circuit, written by Michael McNamara

DRAMA SERIES
Cardinal: Blackfly Season “Red,” written by Sarah Dodd

FEATURE FILM
22 Chaser, written by Jeremy Boxen

MOW & MINISERIES
Odd Squad: World Turned Odd, written by Tim McKeon

SHORTS & WEBSERIES
We’ve Come to the End of Our Time, written by Alex Epstein & Lisa Hunter

TWEENS & TEENS
Star Falls “The Picnic Auction,” written by Cole Bastedo

JIM BURT SCREENWRITING PRIZE
Pat Holden for Mirsada and Amir Kahnamouee for Harbour House

McGRATH SERVICE AWARD
Bruce Smith

SONDRA KELLY AWARD
Jinder Oujla-Chalmers

WGC SHOWRUNNER AWARD
Emily Andras

Image courtesy of the WGC.

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Wynonna Earp and Heartland win big at 2019 Alberta Film and Television Awards

Wynonna Earp, series actor Greg Lawson and Heartland‘s Amber Marshall were among the winners announced at last night’s 45th annual Rosie Awards held by the Alberta Media Production Industries Association in Edmonton.

Wynonna Earp took the trophy for Best Dramatic Series, while Greg Lawson—who plays Sheriff Nedley on the Syfy/Space drama—was honoured in the Best Performance by an Alberta Actor. Cathy Cowan and Jennifer Haffenden received awards for Best Production Designer/Art Director and Best Costume Designer, respectively.

Best Performance by an Alberta Actress went to Heartland‘s Amber Marshall; the family drama’s Dean Bennett was named Best Director. Equus: Story of the Horse was named Best Documentary Series.

Incorporated in 1973, the Alberta Media Production Industries Association (AMPIA) supports the film and television industry in Alberta.

Check out the full television and film winner’s list.

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Hudson & Rex’s Justin Kelly: “I get to really play with these quirks”

I first became aware of Justin Kelly’s work back in 2015 when he was part of the ensemble cast of YTV’s cancelled-way-too-soon family drama Open Heart, playing a sarcastic scamp named Wes. Followed by roles on Citytv’s Between and Space’s Wynonna Earp, Kelly has returned to his old Citytv stomping grounds on Hudson & Rex.

Kelly plays Jesse, described in the show’s press materials as “the quintessential millennial: young, driven, more than a little awkward, and right at home in front of a computer.” What should be added to that logline is one more word: unlucky. With just four episodes broadcast so far, Jesse has been shot, drugged and almost drowned. We spoke to Kelly about his dangerous new gig.

So far Jesse has been shot, and in the latest episode, he was roofied and almost drowned. What’s going on with this poor guy?
Justin Kelly: I mean, that’s what happens when he decides to leave the desk. He gets into trouble. A lot goes down in the first few episodes with him. And we later learn that he might just be better behind his desk than being out in the field. But the field stuff is fun, so hopefully, we can expect more of that.

St. John’s is particularly special to me. What about you?
JK: Absolutely. It was a bucket list thing for sure, wanting to get out there. And I’m just lucky enough that I was able to get out there for work and for such a long period of time. It’s a beautiful, beautiful city. We’ve been shooting there throughout its winter, which can be pretty harsh, especially this winter has been a little crazy, there are still so many reasons to love it in spite of that. And I had the opportunity to really explore the city and walk around and do what the locals do. Yeah, I love the city, it’s great.

Tell me how you ended up being on the show in the first place. Did you go through the usual audition process?
JK: I did, yeah. It came out of nowhere. It was presented to me as this opportunity, that is like, ‘Come in and audition for this role of Jesse.’ I read one of the scripts, and it was something I hadn’t done before. I loved the idea of working for a major crimes unit in a police station. That was last summer, and it was around the time I was working with Shaftesbury on an episode of Frankie Drake Mysteries. I had gotten to know a few of the producers from Shaftesbury through that first, and then I auditioned. And about probably a week later, I found out I got the part, and the next thing I knew, I was out in St. John’s. It’s been a bit of a wild six months.

What goes into your thinking when you’re choosing a role? On a show like Open Heart, Wes was funny. On Wynonna Earp, Robin was a little bit strange and funny as well. Jesse’s a little bit offbeat, definitely the youngest guy in the team. What do you look for in a role?
JK: I think that’s exactly it. I’m a huge fan of comedy myself. One thing that these roles have in common was there was a place to go in terms of finding these quirks in these characters. I feel like every character needs to have something quirky and something off centre about them. That’s something I saw in Wes when Open Heart happened, was that he was the sarcastic Chandler Bing character that I grew up watching.

Robin was very similar. Robin was hilarious and this amazing damsel in distress, and was weirdly unaffected by all this crazy stuff that was happening around him in Purgatory. And with Jesse, I get to really play with these quirks and explore the nerdy comedic side of him, because he’s the youngest one on the team. He’s the millennial. He makes the jokes that the older folks don’t quite understand. That’s something that I just always latched onto and always really enjoyed.

The interesting thing about Hudson & Rex is that this group of humans are really tight. These characters don’t feel as though they’re the straight men to the dog. It’s great to have a dog on the show, but you also want to have characters that interact well with each other.
JK: Completely. You’re absolutely right, and that’s really important to me as well. When you deal with a certain formula of TV, where every episode is a different case, and you’re not necessarily following a linear pattern, you’re watching these characters grow within each episode. We’re so lucky that we have a great cast and that we get along really well. That happened right away, and that’s something that we’ve been playing with. A lot of these scenes that we have in the bullpen is really our opportunity to see how these four, and the dog, all react with one another. That’s the thing that keeps us going as well, is wanting to learn more about these characters as well as the dog.

What’s it been like working with Diesel?
JK: Having Diesel on-set is almost like … it’s almost like having Al Pacino on set. He’s so good, and he’s so well trained. He’s this presence, that as soon as he’s on set doing his work, everybody’s in awe of him a little bit. He’s this regal dog and is just there to do his job and is in it for the roast beef. And he’s all business, and it’s great to see. The episode that we just watched, ‘School Days,’ he’s pulling me out of a pool. To see how that all panned out and how it all worked was pretty amazing because they obviously did tests before, but he’s pulling me out. I’m wearing wet clothes and adding up to probably about 175 pounds. He’s just panting, trying to get me out. It’s really neat to see him work, and it really brings a bit of the camaraderie to the set, and everybody’s really just happy to have him there.

You just spoke about being in the pool. Was that a long day of production for you? 
JK: I think I was in and out of the pool for about five hours. I didn’t have to do a whole lot in terms of swimming, or anything. You come to find after about an hour, that treading water with wet clothes on is a lot harder than it seems, and it can really knock it out of you. I remember going home that day … I was finished by one o’clock, and I just konked out, and was like, ‘Wow, that was tough.’ I mean, I just watched the episode on video with my fiancée probably about an hour ago, and I was like, ‘I’m really happy with how that cut together and how it looks.’

Jesse is described as being this quintessential millennial. He’s young, driven, more than a little bit awkward, and right at home in front of a computer. What else are we going find out about this guy?
JK: Not to give too much away, but we really learn about how much his work means to him. I like to think that he’s going home and he’s still working, and he has that personality. So we really see how invested he becomes in this job and in working with these people. And that just continues to grow and grow.

Hudson & Rex airs Mondays at 8 p.m. ET on Citytv.

Images courtesy of Rogers Media.

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