All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Link: 9 Takeaways from that Wynonna Earp S2 trailer

From Bridget Liszewski of The TV Junkies:

Link: 9 Takeaways from that Wynonna Earp S2 trailer
Buckle up Earpers because Season 2 of Wynonna Earp looks to be one hell of a ride! Fans got their first look at some new footage from the supernatural thriller’s upcoming second season when a new trailer dropped Saturday afternoon. The new trailer coincided with a panel featuring Tim Rozon (Doc Holliday), Kate Drummond (Agent Lucado) and writer Alexandra Zarowny that was held at WonderCon in Anaheim, CA. Continue reading.

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Anne gets schooled on Sunday night

Eight one-hour episodes is a lot of time to break down Anne of Green Gables. Perhaps that’s why last Sunday’s instalment, “I am no bird, and no net ensnares me,” didn’t contain anything from the source material. Anne didn’t make it all the way back to the orphanage, earn a ride helping the milk delivery man or sign the Cuthbert’s bible.

It certainly didn’t detract from my enjoyment. Yes, some of you let me know none of what happened was in the source material, but you also noted you’re enjoying Moira Walley-Beckett’s take on L.M. Montgomery’s classic. That’s pretty high praise, I think, and Walley-Beckett and CBC should be proud of that accomplishment.

But on to Sunday’s new episode, “But what is so headstrong as youth?” Here’s what the network had to say about it:

Anne is excited to begin school and make friends, but is unprepared for the bullying that occurs when she doesn’t fit in. Marilla too, is testing new waters as she accepts an invitation to join a “Progressive Mothers” group.
And here some notes from us after watching a screener.

Amybeth McNulty is a fantastic Anne
Playing such an iconic role is tough, but McNulty makes it look easy. As Walley-Beckett told me earlier this year, “Amybeth is fiercely bright and independent, spirited and incredibly sensitive and also has a worldly perspective, which is something we touch on again and again in Anne. She was it.” She most certainly is it, showing an incredible emotional range for such a young actress and able to go toe-to-toe with her veteran co-stars. I can’t help but smile every time she delivers a rat-a-tat-tat piece of dialogue, not waiting for an answer from Marilla or Matthew or anyone, really. Anne’s long walk to school is full of conversation … more of a soliloquy if we’re being honest.

Imagination vs. reality
We know Anne’s head is full of fantastic stories and characters, and she certainly has dreamy expectations of what school will be like. Unfortunately, she runs into bullying and meets her academic nemesis in Gilbert Blythe (Lucas Jade Zumann). School isn’t all bad for Anne; there is a very funny moment between she and Diana as they discuss babies and pet mice. I’m interested in hearing what fans think of Gilbert, so let me know after you watch the episode.

Marilla joins a club
Anne isn’t the only one trying to fit in. Now that Marilla has a daughter, it opens the door for her to become a member of the Progressive Mothers Sewing Circle. The group meets to discuss how their daughters should be educated, to do needlepoint and sip tea. Her attendance at her first meeting causes Marilla to wonder if she’s up to the task of raising a child. And not everyone is a fan of her being part of the Progressive Mothers Sewing Circle.

Anne airs Sundays at 8 p.m. on CBC.

Images courtesy of CBC.

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CHCH presents Documented, an original series

From a media release:

This spring, CHCH presents an original series celebrating the best in Canadian documentary filmmaking. Documented is a curated collection of 17 critically-acclaimed, award-winning films, presented by host Brigitte Truong. In the style of Saturday Night at the Movies and Turner Classic Movies, Documented features exclusive content beyond just the film, including well-rounded discussion and interviews with some of the biggest Canadian documentary filmmakers working today. The series will premiere on Saturday, April 1, 2017, and will continue to air Saturdays at 8pm this Spring.

Documentary has been called “Canada’s national art form” and the titles in Documented reflect this. The series has something for everyone: world travellers, sports fans, history buffs, and anyone who loves a good story.  These are real stories about real people, told honestly.

Titles in Documented include:

Stories We Tell (Sarah Polley) – April 1
– Best Documentary – Canadian Screen Awards
– Film of the Year – Toronto Film Critics Association
– Shortlisted – Academy Award for Best Documentary
An inspired, genre-twisting documentary from Oscar-nominee Sarah Polley. Polley’s playful investigation of a shocking question: who is her real father?

Our Man in Tehran (Larry Weinstein & Drew Taylor) – April 8
– Winner of 5 Canadian Screen Awards including Best Documentary
The true story of the daring rescue of six Americans by Canadian intelligence operatives during the Iranian Hostage Crisis. Viewers will know this story from the Hollywood adaptation, Argo. Featuring former ambassador Ken Taylor and former Prime Minister Joe Clark.

Wizard Mode (Jeff Petry & Nathan Drillot) – April 15
A dive into the world of competitive pinball with the game’s reigning champion, 27-year-old Canadian Robert Gagno. Diagnosed with autism at a young age, Robert has exceeded every expectation put upon him.

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CMF announces 2017-2018 program budget, guidelines and deadlines

From a media release:

The Canada Media Fund (CMF) announced today Program Guidelines for the 2017-2018 fiscal year. The CMF also announced it is committing $349.7M to support Canada’s television and digital media industry in 2017-2018. The breakdown of the 2017-2018 program budget can be accessed here.

The CMF program budget is supported by revenue estimates for the coming year based on contributions from the Government of Canada; Canada’s cable, satellite and IPTV distributors; and recoupment and repayment revenues from funded productions. The program budget reflects a stable contribution from the Government of Canada and an expected decline in contributions from Broadcast Distribution Undertakings to the CMF for the year to come.

“We understand that a program budget decrease of 5.8 per cent will have an impact on Canada’s audiovisual industry. Faced with declining revenues, we remain committed to making our programs as efficient and accessible as possible. We have reduced the CMF’s administration budget to direct the most funds possible to our programs,” explained Valerie Creighton, President and CEO, CMF. “Our funding programs align with the CMF’s corporate objectives, requirements established by Canadian Heritage, and are the result of an analysis of results from 2016-2017 and important feedback from stakeholders.” Continue reading.

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Link: Nova Scotia premier says Story of Us miniseries must be corrected

From Michael MacDonald of The Canadian Press:

Link: Nova Scotia premier says Story of Us miniseries must be corrected
The premier of Nova Scotia has added his voice to a growing chorus of complaints about a TV docu-drama about Canada’s history.

Stephen McNeil said the CBC program Canada: The Story of Us was wrong to assert that the country’s first permanent European settlement was established in 1608 near what is now Quebec City.

The premier said the history of Canada started three years earlier, when French explorer Samuel de Champlain founded a settlement at Port Royal, N.S., now a national historic site in his riding. Continue reading. 

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